Yields information about tram services and how changes to timetable were advised to the public.Newspaper clipping from The Courier, undated, but mid June 1952, advertising that a 20 min service would operate on all routes except for View Point between 6 and 8pm. View Point - 30mins between 4 and 6 pm. Signed by T. A. Farr as manager. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdf.ballarat, timetables

Red covered auction catalogu, Wiluna Gold Mine, Wiluna, for a sale of Mining Machinery including Extensive Stores, Electric and Diesel Locomotives, Electric Motors, Buildings & Equipment held on the 11th to 18th August (inclusive) 1952 and following days if necessary. J. H. Curnow & Son Pty. Ltd. Were the auctioneers. Front of catalogue has notes on transport from Perth to Wiluna by plane, train and taxi.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - wiluna gold mine, the wiluna gold mines limited, j h curnow & son pty ltd, the prahran telegraph printing co

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong No. 1 at the Newton terminus, corner of Aphasia St and Shannon Ave. The house in the background remains in position. The tram has the destination of Station. Note the sign on the left hand side "Major STOP Road". Early !950's. prior to the 1/12/1952 route reorganisation, when Newtown Trams went to Eastern Park. trams, tramways, geelong, newtown, aphasia st, tram 1

This photograph was probably sent to be used for advertising purposes to the mission. Here is the program of the tour published in the Age on Saturday 22 November 1952, page 16: "Australia's 15 stations of the world-famous Missions to Seamen are being visited by the general superintendent of the parent body in London, Rev. C. J. Brown, and. Mrs. Brown, who will arrive from Adelaide today. This is the first visit of the world head of the organisation to this country. Mr; Brown will attend the triennial Australasian chaplains' conference at the Central Club, Flinders-street Extension, next month. A full programme will include visits to the three clubs at Central. Port Melbourne and Williamstown, and to Geelong and Balla-rat, a tour of the Bay, an inspection of the work of a sister organisation, the British Sailors' Society, Geelong, and then on , to Geelong Grammar School. Mr. and Mrs. Brown will be the guests of the Governor and Lady Brooks at lunch at Government House tomorrow, and of the Lord Mayor at a reception on Tuesday. On Friday afternoon Archbishop and Mrs. Booth will hold a reception at Bishopscourt to enable the visitors to meet heads of the churches. Mr. Brown will preach at St. Paul's Cathedral tomorrow morning, and at St. Peter's Mariners' Church at 7 p.m. On December 7 he will preach, at Ballarat Cathedral, afterwards meeting workers of the Missions to. Seamen. He will address a Rotarians' luncheon on Wednesday. On Thursday evening he will meet the Company of Master Mariners. At a reception by the chairman of the Harbor Trust (Mr. A. D. Mackenzie) on December 8, Mr. Brown will meet the heads of Melbourne shipping firms."This was the first visit of the world head of the organisation to Australia since the beginning of the Missions to Seamen in this country.Black and white photograph depicting Reverend C.J Brown and his wife embarking at Liverpool for their Australian and Far East Tour.Written at the back in black ink: Missions to Seamen/Australasian and Far East Tour of General Superintendant (Rev. C.J. Brown, M.A. and Mrs Brown/Arriving in Melbourne by air from Adelaide on Saturday next (22/11). This will be the first visit of the world chief of the Missions to Seamen in the nearby 100 years history of the Society in Melbourne/The photograph shows the visitors embarking at Liverpool when setting out on their tour. In pencil: Padre+wife/2 vol./Pg 5 One black ink stamp from Associated Photo Services , 12A, Mount Pleasant, Liverpool 3 / one purple ink stamp emptyreverend c.j. brown, liverpool

From the Adelaide Advertiser for 19 November 1952, p. 11: Two Happy Visitorsf rom the Pacific Adelaide is proving 'just like our real home'' to two charming and interesting visitors from Methodist missions in the Pacific. Miss Ravesi Mosi. of Fiii. and diminutive Miss Katalini Dimula, of Papua, the first native women missionaries to visit Australia From these islands. Ravesi and Katalini have enjoyed vastly the three months they have already spent in this country. Thev came here at the' invitation of the Methodist Women's Auxiliary for Oversea Missions in Victoria to take part in their diamond jubilee celebrations in Melbourne. They also spent some time in Sydney. But they are particularly happy to be in Adelaide because both of them have found old and good friends here. That is why it feels! like 'home'. Katalini. whose home is on the Island of Misima, in the far south-west of Papua, is the guest of the Rev. H. K. Bartlett and Mrs Bartlett. who lived on Misima for several years and knew Katoitni as a young girl. They are the first people she has met in Australia who speak her language and know her background. It was a personal interest to them to hear of her work as a missionary nurse, for which she did her training in Salamo Hospital on Ferguson Island, about 200 miles away from Misima, where she now helps to train the women of the island villages in the principles of health and hygiene and caring for their babies according to modern methods.Katalini is dressed in a grass skirt and a western top."Katalini Dimula" "D. Schmidt"katalini, dimula, methodist, papua

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by **** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by ***** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by Kenneth Bailey, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

Herbert Joseph Chambers was born in 1912 in Clifton Hill, Victoria. Later he was to live in Clark and Charles Streets in Northcote, in South Caulfield, and finally in Mentone. While he may have worked at the Kew Asylum before 1945, that year was when he was presented with a Certificate issued by the Department of Mental Hygiene (Victoria) declaring that he had completed training and passed the examinations required to work as a 'Mental Attendant’. The document is dated 19th December 1945 and signed by the Director of the Department and by the Co-Examiners. From at least 1945, he was to work as a member of the male staff of the Asylum, mainly in the Refractory Ward. A donor gifted to the Kew Historical Society in February 2019 a number of items collected by Herbert Chambers in his work at the Asylum. These include his Certificate of Registration, a photograph taken of him with two colleagues at Circular Quay in Sydney, a notebook containing ‘SP’ betting records of male asylum staff, and five sketchbooks with artwork created by Kenneth Bailey, a patient of the Asylum. Herbert Chambers’ period of employment at the Kew Asylum coincided with the employment of the English psychiatrist Dr Eric Cunningham Dax (1908-2008) as Chairman of the Mental Hygiene Authority in 1952. Dr Dax introduced an art therapy program into Victorian psychiatric hospitals, including Kew, where it is likely that the five sketchbooks were created. The sketchbooks are believed to have been presented to Chambers by **** as a “gift for looking after him”. Herbert Chambers retired from the Kew Asylum in c.1970 after working there for almost thirty years.The Kew Historical Society has been the recipient of a number of important collections relating to the Kew Mental Hospital and the Children's Cottages, Kew, including their former incarnations. This is an important donation in this context as it includes five sketchbooks by a patient in an art therapy program at the Hospital. Art therapy programs were introduced by Dr Eric Cunningham Dax to Victorian asylums in the 1950s. The sketchbooks contain incomplete drawings and finished artworks. The donor believes that the patient who created the sketchbooks suffered from Schizophrenia. The sketchbooks are historically significant as representative examples of works created by patients in the program and for what they reveal about how mental illness may be manifested in a patient's artworks. The most significant repository of comparable works is held by the Dax Centre at Melbourne University.One of five sketchbooks with illustrations by ******, a patient of the Kew Mental Hospital in an art therapy program, during the 1950s or 1960s. No work is dated although a number of the drawings/paintings are signed with the artist's name. art therapy, kew mental hospital, herbert joseph chambers, dr eric cunningham dax

This is an identity card from World War Two. In Australia every civilian person had to have an identity card during that time. These cards were established by the Federal Government in 1939 and continued until 1952. This identity card was issued to a member of the Stasinowsky family living in Warrnambool. This item is retained as an example of an Australian World War Two identity card. This is a buff-coloured card with black printing, handwriting and a stamp. It is enclosed in a cardboard envelope with a clear cellophane front.Identity Cardidentity cards, world war two, history of warrnambool

Trophy awarded to Isla Veal who attended the school 1949 - 1951. Isla left the school aged 14years to undertake commercial studies at SMBC. She returned to compete in Old Collegian events at Sports Day 1952 and also participated with the school debutante set in 1954. Small silver double-handle cup on melamine standEngraved on face of cup: C.P.L.C / INTERMEDIATE ATHLETICS / 1951 / ISLA VEALisla-veal, clarendon-presbyterian-ladies-college, sports

A 1941 edition of Ginger Meggs comic strips. Ginger Meggs was created in the early 1920s by Jimmy Bancks and first published in the 'Sunbeams" section of the Sydney Sun. Several other cartoonists drew Ginger Meggs strips after Bancks death in 1952. This edition is a "Sunbeams Book". An original 1941 copy of this book, in good condition.Comic book, 32 pages, colour illustrations.ginger meggs, jimmy bancks, sunbeams book, cartoons

The Victa company was founded by Mervyn Victor RICHARDSON in Australia in 1952 initially to manufacture lawnmowers. This badge was on the back gate of a former shop in Princes Street, Port Melbourne. The owner, Victor, salvaged the badge, painted it green to match his house and used it as the 'nameplate' for his residence.Photograph of green painted, boomerang shaped metal object with raised letters 'VICTA' & the number 18 in situ.victa, mervyn victor richardson, industry - manufacturing, built environment - domestic

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)36 Stawell Street in Kew was built to a design by Anatol Kagan & Associates in 1952. The drawing, dating from 1995, is one of a series of property illustrations created by Margaret Picken for real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 36 Stawell Street, Kew by Margaret Picken.36 STAWELL ST., KEW / MARGARET PICKEN ~95 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 36 stawell street - kew (vic), anatol kagan & associates - buildings -- kew (vic.)

Tate ADAMS (1922-8 April 2018 ) Born Hollywood, County Wicklow, Ireland Arrived Australia 1952 England 1956-58 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed paper linocut, printed in colour inks, from three blocks. art, artwork, tate adams, printmaking, available, woodblock, woodcut, sailing, boats, ballarat teachers' college collection

Women's Night Basketball (Netball) commenced in Victoria in the 1930's, with this incarnation of the Hartley Cup being awarded perpetually to the the 'A' grade premiers from 1964 to 1981.Trophy, missing a handle, on a base.Awarded to the Victorian Women's Night Basketball 'A' Grade Premiers, the Hartley Cup trophy contains engravings identifying: - around the base, the premiers from 1964 until 1981; - at the rear of the trophy, the premiers from 1952 until 1963.hartley cup, women's basketball, night basketball, netball victoria, women's night basketball association of victoria, netball

Previous owners: T. H. Smith, T. W. SmithNo. of volumes: 294 Volume range: 1866-2014 (Years with 2 parts: 1891-1911, 1916-1919, 1921, 1924-1942, 1948-1972, 1990-1991) (Years with 3 parts: 1912-1915, 1920, 1922-1923) (2009-2014 unbound parts) Editors: Bulwer, J. R. (Vol. 1866-1886) Stone, A. P. (Vol. 1886-1894) Pollock, F. (Vol. 1895-1936) Topham, A. F. (Vol. 1936-1939) Williams, R. E. L. V. (Vol. 1940) Sutton, R. (Vol. 1941-1953) Colinvaux, R. P. (Vol. 1953- 1968) Lamb, J. F. (Vol. 1969) Ellis, C. J. (Vol. 1970-1995) Williams, R. (Vol. 1996-2007) Scowen, C. (Vol. 2008) Queen's Bench 1866-1900 & 1952 (Part 2)-2008 King's Bench 1901-1952 (Part 1)ISSN: 02641127law reports: digests: etc. -- great britain

D.R.G.M.,is not a German patent but was instead a way for inventors to register a product’s design or function in all states within Germany. From 1891 to 1952, products manufactured in Germany might have been stamped with this D.R.G.M. designation. This Quic Pic was used by the family of Ailsa Hunt in mid 20thCThe women of the post World War 11 estates made clothes and furnishings as their families settled in Bentleigh, McKinnon, Moorabbin ,Ormond in City of Moorabbin c1950s A wooden egg shaped tool with enclosed steel blade for cutting stitches while dressmaking c1950'PIC - QUIC' DRGM 989116clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

Found at 246 Stokes Street, Port Melbourne. Thomas Joseph FITZGERALD was a plumber during the 1950s and 60s. Initially working from his parents house at 12 Poolman Street, he moved to 77 Ross Street after his marriage to Dorothy Joyce STONE in 1952.Invoice of T J FITZGERALD, Plumber, 12 Poolman Street, to Mrs STANFORD at 246 Stokes Street, for various repairs, 1950.business and traders - plumbers, thomas joseph fitzgerald, mrs stanford

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover with Dust JacketRBF Acquisition. 50th Anniversary Edition (no. 138 of 300)australian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover with Dust JacketRBF Acquisition. 50th Anniversary Edition (no. 300 of 300)australian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.SoftcoverRBF Acquisitionaustralian architecture, australian society, australian culture, walsh st library

“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover, no dust jacket. Rebound copy from the State Library of Victoria.Catalogue card slipped between pages. Catalogue number 203794. Inside front cover, pasted "NOTICE TO BORROWERS" from the State Lending Library of Victoria. Due date stamp page insideaustralian architecture, australian society, australian culture, home, suburbs, robin boyd, walsh st library