A leather wool- lined jerkin. It is lined with a brown woollen fabric. It has 4 button holes on the left side.jerkin leather equestrian clothing

Miniature black leather shoe cutout with brown ribbon laces. Padded with felt layers,Front- R D No 179754advertisement commerce

A knobkerrie is a form of club used mainly in Southern and Eastern Africa. The large knob at one end can be used for throwing at animals in hunting or for clubbing an enemy's head. It would have been carved from a branch thick enough for the knob, with the rest being whittled down to create the shaft. The name is Afrikaans and comes from 'Knop', meaning knot or ball and 'Kierie', meaning cane. A short brown wooden knobkerrie club which has a thin handle and spherical club on one end. It has a leather thong threaded through a hole at the end of the handle. knobkerrie club weapon hunting

Rossi Boots started in 1910 when Arthur Edward Rossiter resigned from his position as a supervisor at the Adelaide Boot Company and started Rossiters Ltd in a small tin shed in his backyard. A larger factory was needed so the first of three stages of a factory was built. During the Second World War Rossi Boots was a major supplier to the military making hundreds of thousands of boots that saw service in various theatres including New Guinea. The war years saw the number of employees peak at around five hundred. As methods of manufacturing footwear changed as petroleum-based products such as glues, rubbers and plastics have replaced the traditional ones of leather, nails, and threads. More modern machinery was introduced to directly mould soles to the bottom of the boot. At the end of 1987, the company moved from Unley to Hilton this move allowed production to be carried out in a more modern, fit-for-purpose factory. Since then the company has continued to change; introducing computer-controlled machines for cutting, sewing, and attaching soles. These changes occurred whilst many of Rossi's competitors moved offshore. Whilst the introduction of these machines reduced the number of local staff, it has enabled Rossi Boots to continue to manufacture in Australia. In March 2019 Rossi Boots relocated the factory, warehouse, and headquarters from Hilton to Kilburn, South Australia. This move to a new, expansive location allows Rossi Boots to continue manufacturing in South Australia housing all operations under one roof. The items are significant as they show the beginnings of an important manufacturer and innovator that is still in the original founding family's ownership and is producing boots today with exports to many countries. Boots leather lace up brownNonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned' wood. Backrest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

This type of head dress was very commonly worn by British Commonwealth Forces in the Sub Continent and other tropical areas. This particular example would have been a common sight in Northern Australia during the time frame, as well as Africa, Middle East and the Pacific. It is a light weight ventilated helmet offering good air circulation via the vent in the top of the crown, and shade to the back of the neck. As well as protection by the peaked front for the eyes reducing glare, preventing sun and heat stroke. It also created an image of gentlemanly dress and pride in appearance. It conformed to an ideal and was considered quite fashionable and a little dashing, often worn at a jaunty angle, creating a rakish air, far from today's simplistic view of pure functionality and at as low as possible cost. Whether worn with a tropical uniform with jacket and trousers, or open necked shirt and shorts, the wearer was easily identifiable as British or one of the Commonwealth countries.WW2 RAAF Wolsley cork helmet. Helmet Khaki cotton six (6) panel outer, with three (3) fold pugaree. Colour patch on left side approximately 6cm X 5.5cm, Dark blue,2.5cm, Light blue, 0.5cm and Maroon 2.5cm. Tan leather trim around brim, tan leather chin strap. Traditional pith helmet four (4) hole domed type vent on top of crown. Beige leather sweat band pierced around the top and with a cotton cord adjustment threaded around. Fixed to shell in four points diagonally. Interior is also covered in Khaki cotton. Hand written in brown ink. A1917 F/Lt C KERR GRANTworld war two, head dress, helmet, pith, cork, cloth covered, leather trimmed, royal australian air force, officer, flight lieutenant, khaki, pith helmet, air force, tropical, hat

This toolbox was originally part of the equipment on the barque Marjorie Craig, which brought New Zealand timber into Warrnambool from about 1908 to 1912 for the local merchants P J McGennan & Co. The toolbox was donated by a member of a local family connected with the La Bella rescue in 1905. The toolbox has carvings and markings that make it unique and connect it to the Marjorie Craig. The Craig Line of sailing ships was from Auckland, New Zealand, and traded in timber and some coal from New Zealand ports to Australia, including Sydney, Adelaide, Melbourne and Warrnambool. They returned with produce from Australia as ballast. In 1912 the Craig fleet included the Ihumata, Inga, Jessie Craig, Marjorie Craig, Louisa Craig and Joseph Craig. The steel barque Marjorie Craig, 500 ton, was built in 1891 as the 'Hirotha', in Ardrossan, Scotland for Norwegian owners. The ship was sold to Auckland’s Donald Ross and others in 1900, then in 1905 it was sold, registered by J.J. Craig in Auckland, New Zealand and renamed Marjorie Craig. Marjorie Craig’s commanders included Master R A Campbell in 1907, J MacFarlane in 1909 and Master R.G. Holmes in 1913. From February 1908, the Marjorie Craig was regularly seen in the Port of Warrnambool with loads of timber for merchants P J McGennan & Co. In February 1912 Marjorie Craig delivered white pine for P J McGennan & Co. In April of the same year, she brought 500,000 feet of timber for McGennan & Co and again in May 1912. On May 12 1912 Marjorie left the Port of Warrnambool with 500 tons of flour for New Zealand; it seems that this was her last time at Warrnambool. Prior to 1908, the vessel Speculant brought in timber from New Zealand for the McGennan firm. The Marjorie Craig had a strong reputation for being a ‘Fast Flyer’, breaking the sailing records for voyages between New Zealand and Australia. It was reported that she made passages with a speed equal to steamboats on several occasions. One of her records was from Warrnambool to Hokianga, NZ in eight-and-a-half days. The ship broke the record in October 1913 for the time from Adelaide to Auckland, sailing in 28 days, even with a damaged ship, and the owner presented Captain Holmes with a gold watch and chain. By the end of December 1913, the Craig Line’s last two surviving sailing ships, Marjorie Craig and Jessie Craig, had been purchased by Huddart, Parker & Co. Ltd. to work as coal hulks, one in Melbourne and one in Hobart.The toolbox is significant for being created for use in 1905 when the steel barque Marjorie Craig was purchased by J J Craig and given that name. The carved ships’ images and related inscriptions within the toolbox support the origin of the toolbox. The toolbox is significant for its association with the well-known Marjorie Craig, a frequent visitor to the Port of Warrnambool 1908 to 1912, a supplier of New Zealand timber for the local firm P J McGennan & Co, and one of the fastest inter-colonial sailing ships that broke numerous records for its speed including the fastest sailing from Warrnambool to Hokianga. Wooden toolbox from the ship Marjorie Craig. Wooden box, stained brown, decorative metal handles on sides, dovetailed joints, lid with metal and leather strap hinge, tapered feet and metal keyhole at front. Inscriptions are inside the box. Box contains newspaper clippings relating to sailing and maritime topics. A handwritten tag is attached to the box. Handwritten tag: "SAILING SHIP / MARJORIE CRAIG, EARLY 1900's / TOOL BOX / PORT OF W'BOOL”. Inside the lid is a carved silhouette of a 3-masted sailing ship with pink chalk lettering "M C" and "1912". Inside the front panel is "MARJORIE CRAIG". Inside the left panel is stamped a black oval with lettering inside.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, port of warrnambool, marjorie craig, flour export - warrnambool, toolbox, steel barpue, p j mcgennan & co, craig line, craig fleet, 1891, hirotha, donald ross, j.j. craig, r a campbell, j macfarlane, r.g. holmes

Used by the committee of the Ringwood Co-operative Cool Stores Society Ltd. Started at the 81st meeting and ended with the 200th meeting on 6-Feb-1934.Brown watermarked covered book with suede spine and suede corners. 'Minute Book' is printed on red leather on spine. There are 286 pages all used.

Iconic design Australian Slouch hat worn by Australian Soldiers.Brown Felt hat, size 7, light brown material band around crown. Stud on left side to button on rim. Black Australian Rising Sun Badge on left side. Inside leather rim around crown.Inside says "N.121 - Fur Felt - 7 -1942"slouch hat, ww2

Australian Army Issued Slouch Hat.Brown woollen fur felt hat. Pale brown material wrapped around outside of rim. Gold clip attaching left side of hat to crown. Gold colour Rising Sun Emblem on left side but not official Army Emblem. Inside size 61, makers label, cleaning instructions. Black leather rim sewn on the inside of crown.Inside "100% fine wool felt" "Made in Australia" "Size 61" .uniform, slouch hat, army

Number stamped on leather strapping around the bottle is “435891” This matches Flying Office Mervyn Albert Henry Schramm who enlisted 8/10/43 and was discharged 20/12/45 and was posted to RAF Station Gampston. The name written on the felt bottle cover possible “lowein” ?? Does not match any on the DVA rolls.Military Issued Water Bottle. Bottle in blue tin metal but is fully bound in brown felt material. Wrapped around felt is a leather strap that hooks over the shoulder. The water bottle is capped by a cork top with a metal hook into a wooden top on the cork. Lid is attached to the case by a piece of string. Written on the felt case cover in black pen a name appears to be "Denis Lowein". Stamped on leather strap No. “435891”, also on side strap "R.A.A.F K.W (over)194?"raaf, gampston

1. "Kenneth Leigh Gordon Wylie", No.2515 3/57 Battalion WW1. Enlisted 20/6/16, age 22. In France 8/2/17 but hospitalised 19/4/17 with Tuberculosis. returned Aust 10/9/17 and discharged. 2. "Vincent Keating" VX53980 2/2nd Field Ambulance, age 23. Enlisted 25/4/41 and posted to Middle East. Returned to Aust and posted to New Guinea 22/10/32 and again 20/12/44. Discharged 19/12/45 at rank of Sgt. 3. "Joseph Keating" VX91801 enlisted 22/3/43, age 32. Embarked to New Guinea with 2/28 Batt. Discharged 15/7/46 as a Private.1. Sepia photo of Kenneth Leigh Gordon Wylie. Shoulder and head shot looking into camera. No background. Pasted onto brown cardboard. 2. Black and white photo of Vincent Keating. Portrait from Waist up looking into camera. Set in a brown and gold frame with a black leather backing and fold out stand. 3. Black and white photo of Joseph Keating. Shoulder/head portrait in uniform. Set in a brown wooden photo frame with gold metal rim and wooden fold out stand. Glass cover over photo.buna, ww1, ww2, photographs, kenneth leigh gordon wylie, vincent keating, joseph keating

Medal ribbons are; 1. British War Medal 2. WW1 Victory Medal (faded) with MID ribbon., 3. Possibly Colonial Auxillary Forces decoration 1901-1938 (Green) or Colonial Auxillary Forces - Long Service 1901-1937 (Green). 4. Efficiency Decoration 1930- onwards (faded).. 1. Khaki jacket - old pattern. Four front pockets - held shut with dark copper buttons. Rising Sun Collar Badges. Lt. Colonel metal rank badges on epaulettes. the jacket has plain khaki lining. But has striped lining in the arms. It has a ribbon bar showing four medals and i M.I.D. leaf. The arms have a circular red/black colour patch, 3.3 cm diameter. 2. Khaki trousers - Two side pockets, one hip pocket. 3. Sam Browne belt - tan leather. Brass fittings includes sword holder. 4. Scabbard, tan leather with a silver top. Suits a sword. 5. Hat - peaked, khaki with dark Rising Sun Badge. 6. Belt - khaki woollen with dark copper buckle. Inside belt are light brown buttons. 7. Tie - Khaki woollen. 8. Shirt, Khaki, cotton polyester with Sgts stripes.officers uniform, accoutrements, passchendaele barracks trust

Uniform issued to SGT. "McCLAREN M". Reg No. 3/52075 2 FLO REGT R.A.A. 1. Coat - khaki colour wool fabric uniform great coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with button. Back has full length inverted pleat and lower vent with two buttons concealed closure. Buttons are gold coloured plastic with metal shank with raised emblem - crown over cannon carriages artillery. Double half belt with three buttons back at waist. Two front inset pockets with flap. Manufacturers stamp on light brown coloured cotton half lining, sleeves beige colour lining. 2. Beret - black colour wool felt with black colour cotton fabric lining and black colour leather trim. Two white cotton manufacturers labels inside on lining.Manufacturers infrmation. 1. Purple ink stamp "46/^" Black ink stamp "D^D". 2. Crown label - black embroidery "BERET/ Mnfrs/Pty Ltd/ Victoria/Australia. SIZE 7 1/2 " . Side label - black embroidery "REGIMENTAL NO/ NAME" Handwritten black ink "3/52075/SGT McLAREN. M./ 2 FLO REGT. R.A.A." uniform, army, great coat, m. mclaren

1. Jacket - khaki colour wool/polyester fabric Service dress style with belt. Buttons - dull gold coloured metal with shank with raised emblem and lettering. Crown, map of Australia and "AUSTRALIAN MILITARY FORCES". Collar, shoulder epaulettes with three metal rank insignia pips. Gold and red crown, officer pip, Letter "R" = Lieutenant Colonel Retired. Four front pockets - top patch pockets with button closure flap. Lower - inset pockets with button closure flap. Khaki colour cotton sateen fabric lining body of jacket, brown strip lining to sleeves. White cotton manufacturers label on lining inside below collar. 2. Belt - khaki colour wool/polyester fabric service dress style. Copper colour metal buckle with two pins. Leather belt keepers and brown plastic buttons.Manufacturers information on label - dark brown ink print. 1. "M.TX".uniform, army, service dress

1. Battle Dress Jacket. Wool Khaki. It has Sgts Stripes, on each shoulder are cloth badges. 3 Div and Northern Victorian Rgt. The jacket has two breast pockets and a purpose made cloth belt. 2. Trousers Battle dress. Wool, khaki. Fly held shut with five buttons. Brown buttons hold belt loops. 3. Shirt, polyester. light Khaki. Long sleeve. Two breast pockets held shut with brown buttons. 4. Tie, light brown. 5. Hat, Khaki fur felt. It has a silver hat badge of 38 Battn - Motto HONOREM CUSTODITE.Inside shirt collar has letters. R.W. written in ink. Written in texta, inside leather band is: - Atkinson 2794820.38 bn, post ww2, cmf, passchendaele barracks trust

On the spine in gold on all "Bendigo RSL Sub - Branch", on three, "Committee Minutes, on one "Annual reports" and last, "Annual General Minutes". The years to each specific volume. When the History of the Bendigo RSL was being compiled by Murray Poustie the original foolscap documents were put together and then reprinted in these volumes in A4 size. Refer Cat No 8093 re the history Bendigo RSL Sub Branch..1 - .3) Three leather bound volumes with brown spine and corner covers, front and back face green, on the spine is text in gold. These are the minutes of the Bendigo RSL Sub Branch from 1960 - 2000 being 1960 - 74, 1975 - 91 and 1992 - 2000. .4) Same leather volume these being the Annual Reports of the Sub Branch from 1964 - 2000. .5) Same leather volume these being the Annual General meetings from 1949 - 2014. Each has a black book mark ribbon. As well each is slightly different in thickness size.brsl, smirsl, volumes

1. Jacket - Khaki colour cotton twill fabric, brown colour, Bakelite shank buttons with raised map of Australia and lettering with metal cotter pins. Collar with two attached metal Rising Sun Badges; shoulder epaulettes with three officer's pips being "Captain" and "Australia" badge. Four front pockets with button down flap. 2. Belt - Khaki colour cotton twill fabric, metal buckle, plastic button and leather belt keepers. No Manufacturers information.uniform, army, ww2

"W.J.BERTUCH" SERVICE DETAILS - REFER CAT NO. 1664.2.1. Jacket - khaki colour, wool fabric, Battle dress style, belted at waist with metal buckle and brown plastic buttons. Collar, shoulder epaulettes, two front pockets with button down flap and sleeve cuffs. Shoulder insignia, white on red lettering "ROYAL AUSTRALIAN REGIMENT". Light khaki cotton twill fabric pocket lining. Manufacturers white fabric cotton labels. - Left pocket lining. Handwritten information. 2. Trousers - khaki colour wool fabric, Battle dress style, with two side pockets, two back pockets with concealed button down flap, one side leg pocket with concealed button down flap, button down belt loops on waist band, five button fly. Brown plastic buttons. Light khaki colour cotton twill lining to waist band and pockets. Manufacturers white cotton label, back waistband lining. Handwritten information. 3. Braces - type known as "POLICE AND FIREMEN". Set of cotton, flat elastic braces with leather button attachments for trousers. Stripes on elastic are brown, beige, blue, black and grey in colour. Metal slides for adjustment to wearers size. 1. & 2. Manufacturers information on labels. 1. Tw labels - black ink print - "Regimental NO./ NAME". Red ink print "M.T.X./ SIZE 3". Third cotton label - black ink print - all print indecipherable. Handwritten information - blue ink pen "PTE W.J. BERTUCH" 2. Black ink print "J. WILSON PTY LTD/ 1953/ SIZE 118/ MADE IN AUSTRALIA/ REGIMENTAL NO. / NAME". BLACK INK STAMP "?? - RO-SET" Handwritten information, blue ink pen "BERTUCH/ 59060". 3. Stamped on metal adjustment slides 'POLICE AND FIREMEN". Black ink stamp on leather F.B.??/ ^/ 1966/38.uniform, army, battle dress, w.j. bertuch

Identity discs known as dog tags worn by soldiers in combat and stamped with name, no. and unit. Hocking Regt No 2741Three identity discs on a knotted brown shoe lace strap. 1. Tin disc with No. and name inscribed and a round bell hook at top. 2. Round leather disc with hole punched at top. 3. Octagon shaped leather disc with 2 holes punched through on each side.1. Inscribed 2741, Hocking A, D.A.C., O. E. 2. Inscribed A. Hocking, S.R.T.Y., Aus. F.A. CIT 3. Inscribed Hocking A, C.D. S.R.T.V. AUS FApasschendaele barracks trust, dog tags

Ribbon - Efficiency decoration instituted in 1935 - Dec 1986. Uniform issued to "BUTTERWORTH/ 15280".Service dress style - khaki colour wool/polyester fabric jacket with belt and trousers. 1. Jacket collar, with two lapel badges, gold and silver crown and shield with cannons and lettering. "ROYAL AUSTRALIAN ARMY ORDNANCE CORPS" shoulder epaulettes with silver and red metal crown rank insignia = MAJOR. Four front pockets. Two top patch pockets with button and two metal press studs on flap. Green and yellow service Ribbon above left pocket. Two lower inset pockets with button down flap. Two metal belt keepers insitu. Buttons - gold colour plastic with shank and metal ring. Buttons have raised emblem - crown and shield with three cannons. Brown colour cotton sateen fabric lining. No manufacturers label. 2. Belt - fabric with gold colour plastic buckle, leather belt keepers and brown plastic buttons. 3.Trousers - fabric with fob pocket, two side pockets and one inset back pocket with concealed button down flap. Button missing. Green colour polyester fabric libning, cream colour cotton waistband lining. Metal zipper fly with plastic button. White cotton label on waistband. 4. Lanyard - red colour cotton cord with knots.3. White cotton label with black ink print "REGIMENTAL NO./NAME" on waistband lining - handwritten black ink 'BUTTERWORTH/ 155280/ 7/ COY".uniform, army, service dress, butterworth

Identity Discs detailing name and No., Unit & Nationality - often called dog tags.Set of 3 Identity discs, hard leather. 1. 8 sided with two holes, dark brown. 2. Rounds, reddish brown in colour - one hole. 3. 8 sided grey brown in colour, two holes. All joined with a piece of knotted string.Stamped on discs, the following; 1. G B Jackson, 2172, O.E., I Aus, I.M.T. Coy. 2. G.B. Jackson, 2172, O.E., 1 Aus, M.T. Coy. 3. Jackson G., DP, A.M., 2172, I AUS, D.S. Coy.passchendaele barracks trust, dog tags, g. b. jackson

Pistol holster circa Vietnam War era and usually issued to Officers and senior NCO's as part of unitfom.Leather pistol holster with attached belt. leather is black on outside and brown on inside. Brass belt buckle with emblem of upraised sword over feathers and branches. Holster has fold over cover with brass studs to clip close. Holster includes built in ammunition compartment and is basically triangular shape.Inside stamped "Wunderlich, Berlin 1963" Inside cover stamped "PP12 or PPB.TL".passchendaele barracks trust, pistol holster

This journal shows payments made for a number of Council and community expenses. It includes entries relating to Town Hall, Botanic gardens, Parks, road costs, baths, beach improvements, Warrnambool Racing Club. It shows account transfer journals Provides an overview of expenses of Council in the early 20th century.Dark blue water wave fabric over card with light brown points and binding. Red leather label with gold text and border. Pages edged in pink green, yellow and white pattern. 102 Pages.Journal Town of Warrnambooltown of warrnambool 1914-1926, warrnambool expenses 1920, warrnambool town hall, warrnambool baths

The entries in this ledger relate to the everyday expenses of the town council. It contains entries which relate to utilities, gardens, market fees, Town Hall, pure food act, interest on loans, sanitary services and fever ward. Each ledger item has a double page and the expenses incurred over the period 1917-1921.This ledger shows the involvement of council in many different aspects of administration in a town in the early part of the 20th century. While some aspects of this life in Warrnambool are no longer necessary, others still remain part of council duty and administration to the present day.Green cloth covered card cover with tan corners and spine, in leather. Inside front and back cover is patterned brown and purple. Alphabetical index at the front. 301 pages. The spine has two labels, one on black and the second on red background with gold lettering. General ledger in gold lettering on red and Town of Warrnambool in gold lettering on black. Both labels on spine.warrnambool town council 1917-1921, early warrnambool council ledger, warrnambool history

This ledger relates to the original Woollen Mill which commenced trading in 1875 on the site of the Meat Preserving Company. It shows entries from July 1875 which lists the following men as shareholders: James Alexander, William Armstrong, Robert Hood, Anthony Mackenzie, William Ross, William Rutledge, Francis Tozer, Joseph Ware. It operated until 1882 when it was destroyed by fire. This ledger contains details of one of the earliest industries in Warrnambool. It provides the details of expenses as well as the names of the earliest shareholders. As such it is a significant part of Warrnambool’s history.Large tan, leather bound cover with dark brown scroll pattern around edges. Spine and front cover have maroon labels with gold writing. Paper inside front and back covers id blue and red patterned. Edges of pages are patterned in pink, blue, yellow and green. 754 pages. Apart from suspense account on last page, entries are made up to page 425.Evans Brothers, wholesale and retail Manufacturing stationers, Printers and bookbinders 44 Collins St West, Melbourne & 46 Sturt St Ballarat.warrnambool woollen mill, warrnambool woolen mill, ledger warrnambool woollen mill 1875, early warrnambool business, warrnambool history

A collection of music and songs, many labelled Colonial Music Cabinet. Thomas Smith, operated gas printing works in Koroit St Warrnambool opposite the Baptist Church in the latter part of the 19th Century. The business did a number of printing related tasks including lithographic printing, engraving and bookbinding. A collection of musical scores which were popular at the time with links to a well regarded business in Warrnambool.Brown cloth over hard card cover with black leather spine and corners. Contains 12 music folios of various length Bound by Smith Printers Warrnambool. 2nd Edition.warrnambool, thomas smith printers and bookbinders w. h glen & co. colonial musical cabinet

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This diary shows the daily entries over a long period of time with activities ranging from fencing, visiting neighbours and weather details. It mentions many local people and many properties he visited. Augustus Bostock along with a number of his brothers was one of the earliest pioneers in the Western District of Victoria. This diary sheds considerable light onto the life of Augustus and people of his era. There is a wealth of information on a range of topics relating to early life in Warrnambool and district.Physical Description: Dark grey stippled cloth hard cover with tan leather corners and spine. Brown and gold coloured paper inside front and back covers. Pages written in black pen.Title page has A Bostock Grasmere. Diary from June 10th 1862.warrnambool, bostock, augustus bostock, bostock diary, augustus bostock 1862