Showing 1869 items
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Federation University Art Collection
Bookplate, 'John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A black and white portrait is depicted within an oval frame. The frame has the words Johann Guttenberg at the top.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, ‘Ex Numis- Maticis John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A black and white coin is drawn above the titlebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, ‘Ex Libris John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A grey kangaroo is depicted under the titlePencil signature Wim Zwiers 50/48. (C) Wim Zwiers 4:70 CAD 1992 printed in red capitals at bottom of book plate.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, ‘Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A brown and white tie with shirt and waist coat are depicted below the letter G in concentric circles. Two bottles are drawn on either side of the waist coat. CD 87, 657bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'Zelma Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title with scrolls beneath is printed on a diamond shape Audrey Hutchison England 1983 is printed on the back of the bookplatebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Ornately decorated dragon depicted on a plum coloured background circle. R in diamond centre bottombookplate, australian bookplate design awards, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, 'John Zelma'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A nude woman lies on her side reading a book with a two story house surrounded by trees and shrubs in the backgroundZ 363 (0), signature 200/65 bottom centrebookplate, keith wingrove memorial trust, australian bookplate design awards, printmaking, life drawing -
Federation University Art Collection
Work on paper - Bookplate, 'Zelma Gartner Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Elephant holding foliage in its trunk Small signature and number 563keith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking -
Federation University Art Collection
Work on paper - Bookplate, ‘Johannes Gutenberg Ex Libris John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A line drawing/portrait of presumably Johannes Gutenberg sits within an oval shape formed by the titlebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, john gartner -
Federation University Art Collection
Work on paper - bookplate, ‘Ex Libris Zelma and John Gartner 16 February 1983'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A bird with outstretched wings is positioned vertically above leaves within the title which forms a circlebookplate, printmaking, australian bookplate design award, keith -
Federation University Art Collection
Work on paper - Bookplate, ‘This book is the property of John Gartner of the Hawthorn Press Melbourne Australia’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title in white letters on a smoky blue circular background is depicted within a circular blue and white floral border.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, hawthorn press -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Book plate depicts a series of coinsVery small signature bottom right cornerbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title is depicted in white on a grey blue background within an eight sided borderbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Eltham District Historical Society Inc
Medal, 1919 Children's Peace Medal (silver replica medallion attached to card), 2014
This object was part of various pieces enclosed in a folio entitled "ANZAC centenary : 2014-2018 sharing Victoria's stories & making connections : their journey is our story" produced by the Victorian State Government which was distributed as a free resource in 2014 at the beginning of the Anzac Centenary. Original condition would have included a clear cellophane enclosure. One side of the medal appears on the card. This features a symbolic female figure of Peace, holding a sword and standing on a plinth marked 'PEACE 1919'. Behind her flies a dove, and at her left and right feet are two figures freed from their shackles. (AWM description). The medals were originally suspended from a narrow piece of red, white and blue striped cotton ribbon which appears as illustration on the card. In 1919, Australian children under 16 received a silver-coated medallion – a special reminder of the service and sacrifice of Australians at war. Round medal stuck on coloured card with text on back and front. Card Front: Between 1914 and 1918, men and women from the State of Victoria volunteered their service in the First World War. Between 2014 and 2018, Victorians honour their service and sacrifice. Lest We Forget. Anzac Centenary 2014-2018 Sharing Victoria's stories & making connections Card Back: 1919 Children's Peace Medal In 1919, Australian children aged 16 and under received a silver coated medallion. For such a small object, it carried a large responsibility - to remind a generation of the service and sacrifice of Australians throughout the First World War. The Children's Peace Medal was a reminder that peace had been achieved, but at great cost. Now, 100 years on, this replica medallion serves to connect Victorians to the Anzac Centenary, teach them about our service history and encourage them to share their stories with future generations. Learn more at https://anzaccentenary.vic.gov.au/ Anzac Centenary 2014-2018 Sharing Victoria's stories & making connections Medal : Peace 1919 Australiamedallion, medal, medalet, anzac centenary, commemoration -
Eltham District Historical Society Inc
Photograph, Louis Buvelot, Possibly Phillip Shillinglaw, 1865
Famous Swiss landcape painter Louis Buvelot came to Melbourne in 1864 and set up a portrait photography studio which he operated for one year only in 1865. This photograph is believed to be the oldest photo in the Shillinglaw Family Album collection. It is believed that the subject is a young Phillip Shillinglaw, without beard, at age 22 or 23. Phillip Shillinglaw was born Melbourne, August 7, 1842. He married Sarah Ann Kidd in Heidelberg, Victoria, February 28, 1872. In 1881 Phillip and Sarah and their small family moved to Eltham and made home in what was later to become known as Shillinglaw Cottage but which Phillip named 'Wattle Brae'. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw. Photographer: Louis Buvelot Swiss landscape painter and portrait photographer, settled in Melbourne in 1864, admired by the artists from the Heidelberg area such as Tom Roberts and Arthur Streeton who bestowed him with the accolade of 'Father of Australian painting’. In the 1870s, his work increasingly drew elements from Australian landscape such as the bush land in works like Lilydale (1878) and Bush Track. "Louis Buvelot :: biography at :: at Design and Art Australia Online." Daao https://www.daao.org.au/bio/louis-buvelot/biography/. Accessed 9 Mar. 2023. On arriving in Melbourne in February 1865 Buvelot bought a photographer's studio at 92 Bourke Street East and took portraits for a year. In 1866 he moved to 88 La Trobe Street East and resumed his painting while Caroline-Julie gave French lessons to help Buvelot to establish himself as an artist in Melbourne. "Biography - Abram-Louis Buvelot." Australian Dictionary of Biography https://adb.anu.edu.au/biography/buvelot-abramlouis-3132. Accessed 2 Dec. 2022. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1865, l. buvelot photographer, louis buvelot, phillip shillinglaw (1842-1914), unknown -
Puffing Billy Railway
Bread Plate, Victorian Railways Black & White, June 1953 "6-53" = "month-year"
Victorian Railways Bread Plate - Black & White Maker : W H Grindley & Co (Ltd) Earthenware manufacturer at the Newfield Pottery and then the Woodfield Pottery, Tunstall, Stoke-on-Trent The company was founded at the Newfield Pottery in 1880 by William Harry Grindley (princliple partner) and Mr Turner (the '& Co.') They produced Earthenware and Ironstone China - particularly for the Canadian, United States, South American and Australian markets. In 1891 the company moved to the Woodfield Pottery, Woodland Street, Tunstall. In 1960 the business was purchased by Alfred Clough Ltd. In 1978 renamed Grindley of Stoke (ceramics) Ltd. Federated Potteries Co. Ltd. took them over in 1982 and in 1988 the business was re-purchase by W. H. Grindley. 1991 saw the company in the hands of the receivers. and the same year they were taken over by Woodlands Pottery. DURALINE (trade mark) printed mark used by Grindley Hotel Ware Co Ltd c.1930's onwards The Number i.e "6-53" = "month-year" Supplier to Victorian railways : Loftus Moran, Melbourne: Mr Loftus Henry Moran was well known in the tea trade. Originally employed by Griffiths Bros Ltd, he started his own business, Loftus Moran Pty Ltd, in 1909 In 1913 he purchased the tea business of Mcintyre Bros, and later' that of Steele Bros, and absorbed them in his own company. He had a wide business connection among hotels and guest houses for supplying crockery and other supplies. Ref: DEATH OF MR LOFTUS MORAN (1944, May 27). The Argus (Melbourne, Vic. : 1848 - 1957), p. 4. http://nla.gov.au/nla.news-article11809686 1st Advertisement of the Plates in the papers: CHIPPED CROCKERY. Nothing is more objectionable than chipped crockery--besides its use is illegal. DURALINE Plates, manufactured by The Grindley Hotel Ware Co., are tough as raw-hide. This is why they are used by practically every hotel and institution in Australia. Obtainable only from LOFTUS MORAN PTY. LTD., Hotel Supply Specialists, 131 Queen's Bridge Street, Melbourne South Advertising (29 March 1933, ). The Argus (Melbourne, Vic. ), p. 7. http://nla.gov.au/nla.news-article4726734Historic - Victorian Railways - Refreashment Services crockery - plateceramic Victorian Railways Bread Plate - Black & White Victorian Railways ( in black on fount of plate ) "DURALINE" ( in Black on back of plate ) super Vitrified GRINDLEY HotelWare Co England Loftus Moran Pty Ld Melbourne 8 -53puffing billy, victorian railways, crockery, plate -
Surrey Hills Historical Society Collection
Photograph, The four Deakin sisters as young women, 1905
These are the 4 surviving daughters of Thomas Henry Deakin (1845-1915), born in Monmouthshire, Wales and his wife Janet (Jessie) Longmore (1851-1939), born in Morayshire, Scotland. The couple also had 2 sons: John Henry (1879-1962) and William Andrew (1883-1939). A fifth daughter Daisy Jessie was born in 1880 and died the same year at the age of 7 months. Elsie Longmore Deakin (1881-1969) was a nurse ans remained single; Minnie Winifred (1886-1966) married Charles Williamson in 1923; Lily Vipond (1890-1943) married David Mair in 1910 and Jessie Alice, known as Alice, married Hector Williamson in 1921. Hector and Charles were brothers. Elsie Longmore Deakin enlisted AANS aged 35 years in 10 May 1915; embarked on the Mooltan on 22 August 1916. Address : 114 Station Street, Fairfield, Next of kin : mother, Mrs Janet Deakin (nee Longmore), 114 Station Street, Fairfield, father, Thomas Henry Deakin Elsie Deakin enlisted at 35 years of age on 10 May, 1915 and served locally before volunteering for overseas duty on 9 August, 1916. Her three years of training were completed at the Melbourne General Hospital. She embarked with the rank of Sister for India and was appointed to the Victoria Hospital, Bombay. In January, 1917, when she was transferred to England and a Military Hospital at Bagthorpe later to the 1 Australian Auxiliary Hospital, and in January of the following years to 25 (British) GH in France but returned a few weeks later to England and the 1 AAH after suffering a seriously strained left ankle. She returned to France post-war and served another four months before being returned to Australia in May, 1919. Her appointment was terminated as medically unfit on 9 June, 1919. Born South Melbourne, she died in Elsternwick on 14 October, 1969, aged 87. (REF: http://www.ozsportshistory.com/wardeaths/women_a_e.html) There is a photo of her in uniform on this site and also on http://ww1nurses.gravesecrets.net/de.html LtoR: Alice, Minnie, Lily, Elsie. This is part of a large donation relating to the Deakin, Mair and Young families.A black & white photo with a cream edge of 4 well-dressed young women in a head and shoulders formal pose. It is likely a studio photo. All wear white frilly or lacy blouses and 3 are carrying bunches of flowers.1. On rear: Top in blue biro - "Elsie Minnie Lily Alice DEAKIN / Mum's (crossing out) sisters On the basis of inscriptions in family autograph books, this writing belongs to Lily's daughter, Beryl Mair. 2. The rear has 4 remnant glued labels roughly torn from larger labels - the type once common for labelling jars and bottles. Partially beneath these is writing in another hand in black ink: " ..th love and be.. / ..shes ---------your /(crossing out) then name removed (superficial paper loss. 3, "YOUNG" in blue biro in lower LH corner. This may be the donor's handwriting. It may have been added in the course of sorting photos into Young antecedent photos; there are no members of the Young family in the photo itself. elsie longmore deakin, minnie winifred deakin, minnie winifred williamson, lily vipond deakin, lily vipond mair, jessie alice deakin, alice deakin, jessie alice williamson, alice williamson -
Surrey Hills Historical Society Collection
Photograph, Three Deakin sisters, 1964
These are the 4 surviving daughters of Thomas Henry Deakin (1845-1915), born in Monmouthshire, Wales and his wife Janet (Jessie) Longmore (1851-1939), born in Morayshire, Scotland. The couple also had 2 sons: John Henry (1879-1962) and William Andrew (1883-1939). A fifth daughter Daisy Jessie was born in 1880 and died the same year at the age of 7 months. Elsie Longmore Deakin (1881-1969) was a nurse ans remained single; Minnie Winifred (1886-1966) married Charles Williamson in 1923; Lily Vipond (1890-1943) married David Mair in 1910 and Jessie Alice, known as Alice, married Hector Williamson in 1921. Hector and Charles were brothers. Elsie Longmore Deakin enlisted AANS aged 35 years in 10 May 1915; embarked on the Mooltan on 22 August 1916. Address : 114 Station Street, Fairfield, Next of kin : mother, Mrs Janet Deakin (nee Longmore), 114 Station Street, Fairfield, father, Thomas Henry Deakin Elsie Deakin enlisted at 35 years of age on 10 May, 1915 and served locally before volunteering for overseas duty on 9 August, 1916. Her three years of training were completed at the Melbourne General Hospital. She embarked with the rank of Sister for India and was appointed to the Victoria Hospital, Bombay. In January, 1917, when she was transferred to England and a Military Hospital at Bagthorpe later to the 1 Australian Auxiliary Hospital, and in January of the following years to 25 (British) GH in France but returned a few weeks later to England and the 1 AAH after suffering a seriously strained left ankle. She returned to France post-war and served another four months before being returned to Australia in May, 1919. Her appointment was terminated as medically unfit on 9 June, 1919. Born South Melbourne, she died in Elsternwick on 14 October, 1969, aged 87. (REF: http://www.ozsportshistory.com/wardeaths/women_a_e.html) There is a photo of her in uniform on this site and also on http://ww1nurses.gravesecrets.net/de.html LtoR: Alice, Minnie, Lily, Elsie. This is part of a large donation relating to the Deakin, Mair and Young families. The donor thought this was taken during the 1950s but the Kodak stamp identifies it as later.This is part of a large collection of material related to the Deakin, Mair and Young families with multiple connections to Surrey Hills and Mont Albert.A colour photo with a cream edge of 3 well-dressed women sitting on a public bench in what looks to be a park. All are wearing hats and carrying handbags. Two are wearing gloves. On rear in blue biro - "Aunties / Elsie Minnie & Alice / Mum's RIGHT TO LEFT In black biro) / Beryl / YOUNG / My Mothers Sisters / (Lily Vipond Deakin / MAIR." Some of the handwriting is thought to be that of the donor's mother, Beryl Mair. There may be another hand. It appears that not all the inscriptions were added at the same time. There is also a photographic processing stamp in red: " THIS IS A / KODACHROME PRINT / Made by / KODAK / FEBRUARY 1964 M" elsie longmore deakin, minnie winifred deakin, minnie winifred williamson, lily vipond deakin, lily vipond mair, jessie alice deakin, alice deakin, jessie alice williamson, alice williamson -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Ancient Eel trap on the Yarra River at Laughing Waters, Eltham - pre-dating European settlement, 6 September 2023
Laughing Waters is the name for a stretch of the Yarra Valley Parklands consisting of river flats and hilly riparian bushland. With Birrarung (Yarra River) flowing through, Laughing Waters has been an important gathering place for thousands of years. For the Wurundjeri, ‘Garambi Baan’ (the name for Laughing Waters in Woi wurrung) is an important site for growing and harvesting food. Significantly, Wurundjeri iuk (eel) traps remain at Garambi Baan to this day. The Wurundjeri Woi Wurrung People take their name from the Woi wurrung language word ‘wurun’ meaning the Manna Gum (Eucalyptus viminalis) which is common along ‘Birrarung’ (Yarra River), and ‘djeri’, the grub which is found in or near the tree. Wurundjeri are the ‘Manna Gum People’ and their Ancestors have lived on this land for millennia. The site on the Yarra River near the former Morrison property Killeavey was given a language name in 2015 at the instigation of Wurundjeri Elder, Dave Wandin. Garambi Baan means “laughing waters” in the traditional language, Woi wurrung. The site at Warrandyte was rediscovered by Campbell Beardsell OAM in 2007 and is one of only a few known remaining iuk (eel) traps on Country once found the length of the Birrarung (Yarra) and the Maribyrnong. Original Indigenous aquacultural infrastructure was dismantled, taken away from sites and used to build houses, fords and roads by Europeans. The difficult and restricted access to this site is thought to be one of the reasons for its survival. The iuk trap is located within lands managed by Parks Victoria. The Narrap team in partnership with Parks Victoria and Acacia Land Management have been improving the native vegetation with a program of woody weed removal, exclusion fencing and revegetation. Importantly, the team have restored the trap’s infrastructure and have demonstrated its effectiveness.” References: Wurundjeri Woi Wurrung Cultural Heritage Aboriginal Corporation - Laughing Waters. (2023, September 3). Retrieved from https://inplace.org.au/laughing-waters/ GARAMBI BAAN LAUGHING WATERS RESIDENCY CENTRE 2020 2024 Strategic Plan, Nillumbik Shire Council (2023, September 3). Retrieved from https://www.nillumbik.vic.gov.au/files/assets/public/minutes-and-agendas/2020/09-sep/15-sep-cm/ocm.177-20-attachment-1-laughing-waters-arts-program_1.pdffay bridge collection, eel trap, laughing waters, yarra river, wurundjeri woi wurrung, garambi baan, 2023-09-06 -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Ancient Eel trap on the Yarra River at Laughing Waters, Eltham - pre-dating European settlement, 16 May 2015
Laughing Waters is the name for a stretch of the Yarra Valley Parklands consisting of river flats and hilly riparian bushland. With Birrarung (Yarra River) flowing through, Laughing Waters has been an important gathering place for thousands of years. For the Wurundjeri, ‘Garambi Baan’ (the name for Laughing Waters in Woi wurrung) is an important site for growing and harvesting food. Significantly, Wurundjeri iuk (eel) traps remain at Garambi Baan to this day. The Wurundjeri Woi Wurrung People take their name from the Woi wurrung language word ‘wurun’ meaning the Manna Gum (Eucalyptus viminalis) which is common along ‘Birrarung’ (Yarra River), and ‘djeri’, the grub which is found in or near the tree. Wurundjeri are the ‘Manna Gum People’ and their Ancestors have lived on this land for millennia. The site on the Yarra River near the former Morrison property Killeavey was given a language name in 2015 at the instigation of Wurundjeri Elder, Dave Wandin. Garambi Baan means “laughing waters” in the traditional language, Woi wurrung. The site at Warrandyte was rediscovered by Campbell Beardsell OAM in 2007 and is one of only a few known remaining iuk (eel) traps on Country once found the length of the Birrarung (Yarra) and the Maribyrnong. Original Indigenous aquacultural infrastructure was dismantled, taken away from sites and used to build houses, fords and roads by Europeans. The difficult and restricted access to this site is thought to be one of the reasons for its survival. The iuk trap is located within lands managed by Parks Victoria. The Narrap team in partnership with Parks Victoria and Acacia Land Management have been improving the native vegetation with a program of woody weed removal, exclusion fencing and revegetation. Importantly, the team have restored the trap’s infrastructure and have demonstrated its effectiveness.” References: Wurundjeri Woi Wurrung Cultural Heritage Aboriginal Corporation - Laughing Waters. (2023, September 3). Retrieved from https://inplace.org.au/laughing-waters/ GARAMBI BAAN LAUGHING WATERS RESIDENCY CENTRE 2020 2024 Strategic Plan, Nillumbik Shire Council (2023, September 3). Retrieved from https://www.nillumbik.vic.gov.au/files/assets/public/minutes-and-agendas/2020/09-sep/15-sep-cm/ocm.177-20-attachment-1-laughing-waters-arts-program_1.pdffay bridge collection, 2015-05-16, eel trap, laughing waters, yarra river, wurundjeri woi wurrung, garambi baan -
Federation University Art Collection
Work on paper - Photocollage, 'Being Ultra Light' by Rochelle Summerfield
Rochelle SUMMERFEILD Born Sydney, Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artists Statement: I am based in Northern NSW. My art practice is deeply influenced by my connections and experiences with the rivers and habitat where I live. Through drawing, paint, collage and digital media my work explores human relationships with riparian environments. Every day I see the undeniable beauty of our rivers as well as the ecological suffering of these riparian landscapes. Historical practices of land clearing, water politics and weed infestation put tremendous pressure on the Australian ecology. Disrupting traditional art forms, I combine them with new technologies to reveal some of the complexities behind human relationships with nature. With bold collagist experimentation, I combine numerous mediums to expose the small revelations between media. These juxtapositions open up the possibilities of reinventing different ways of being with the natural environment. Like the layers in my work, the issues surrounding our riverine environments are multifaceted and complex and begin with individual choices. I want to direct people’s attention to our rivers, to love, appreciate and reconnect with the natural environment. Human experience with nature is a fundamental part of our sense of self, health and well-being as well as community connection. (https://rochellesummerfield.com/about/, accessed 10 June 2020)art, artwork, rochell summerfield, printmaking, print council of australia -
Tarnagulla History Archive
Photograph student at Tarnagulla School, circa 1910, Students at Tarnagulla School, circa 1910
Murray Comrie Collection.Monochrome photograph of students at Tarnagulla State School, assemble for a group photo. Undated but probably around 1910. Copy of an original photograph, copy probably made in the 1980s-1990s. Same photograph is published on Tarnagulla History page at: http://www.tarnagulla.com/photogallery/gallery3/index.php/School-and-social-Groups/school/school_children with the following names given: Back row: Vera Aspinal, Beatrice Taylor, Evelyn Davies, Kate Lynch, Ettie Whimpey, Lelie Allen, Janie Cox. Fourth row: Myrtle Sheldon, Grace Hayes, Fanny Page, ____ Wilson, Norma Aspinal, Esther Laidlaw, Olive Radnell, Jessie May. Third row (widest): Maude Foers (?), Maria Jago, Daisy Cox, Lena Fitzgerald, Florrie Ousley, Olly Williamson, _______Hennessy, Gertie Jenkins, Addie Radnell, ______ _______ , _____Wilson, Katie Lyndon, _____Pallot, Lila Smith, Bessie Clark. Second row: Kate Green, Maggie Dyer, Myrtle Dyer, Elsie Williams, Grace Langon, Sophia Hayes, Violet Dyer, Amy Smith, ______ ______, Polly Franklin, May Barton, Winnie Runting, May Duggan. First/front row: _______ Wilson, Gwen Williams, Elsie Hatt, Doris Hatt, Florrie Cousins, ________ Wilson, Prudy Clark, Eva Poole, Renie Radnell. tarnagulla, school, education, teachers, students, children, aspinal, taylor, davies, lynch, whimpey, allen, cox, sheldon, hayes, page, wilson, laidlaw, radnell, may, foers, jago, fitzgerald, ousley, williamson, hennessy, jenkins, lyndon, pallot, smith, clark, green, dyer, williams, langon, franklin, barton, runting, duggan, hatt, cousine, poole -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris for Rony Irving (Nylex Plastics) by David Frazer
David Frazer (1966- ) David Frazer is an Australian artist who works in painting, wood engraving, etching, lithography and bronze. Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. (http://www.goldfieldsprintmakers.com/david-frazer.html) Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award.Bookplate for Tony Irvinng featuring the Yarra River and silos at Richmond, Victoria. bookplate, tony irving, david frazer, nylex clock, yarra river, silos, richmond -
Ballarat and District Irish Association
Image, Lord Randolf Churchill, c1864, 1864
Lord Randolph Henry Spencer-Churchill was a British statesman. He was the third son of the 7th Duke of Marlborough, and his wife, Lady Frances Vane. He was the father of Winston Churchill, the future wartime Prime Minister, who wrote his father's first major biography. (wikipedia) Having served as unofficial private secretary to his father, lord lieutenant (viceroy) of Ireland from 1876 to 1880, Churchill was especially interested in the Irish problem. Though opposed to national Home Rule for Ireland, he favoured self-government on the local level and blamed shortsighted British officials for the Irish crisis of the 1880s. The majority of the Conservative Party agreed with the Liberal government’s coercion policy toward Ireland, but Lord Randolph allowed the Irish nationalists, led by Charles Stewart Parnell, to understand that the Conservatives would oppose coercion in return for Irish votes in the general election of 1885. It was said that the Liberals underwent a forced conversion to Home Rule to counteract that promise.(http://www.britannica.com/EBchecked/topic/117261/Lord-Randolph-Churchill, accessed 21 January 2014)Image of a moustached man known as Lord R. Churchill, M.P.ballarat irish, churchill, randolf churchill -
National Wool Museum
Manual, [Hattersley] Standard Loom Tuners Handbook: Setting instructions
This handbook contains the setting instructions for a Standard Hattersley Loom developed by George Hattersley and Sons Ltd. The Hattersley loom was developed by George Hattersley and Sons of Keighley, West Yorkshire, England. The company had been started by Richard Hattersley after 1784, with his son, George Hattersley, later entering the business alongside him. The company developed several innovative looms, of which the Hattersley Standard Loom – developed in 1921 – was a great success. The Hattersley Standard Loom was designed and built in 1921. Thousands of models were expected to be sold, which would bring considerable financial success to the company. After the recapitalisation boom of 1919, cotton yarn production peaked in 1926 and further investment was sparse. Rayon, an artificial silk, was invented in the 1930s in nearby Silsden, and the Hattersley Silk Loom was adapted to weave this new fabric. An example of this type of loom can be seen on Vic Collections here ( https://victoriancollections.net.au/items/54065d0f9821f50e3cc9c122 ) and is also on display within the National Wool Museum in Geelong, Victoria. A copy of this manual may be available by contacting the National Wool Museum Collection Team. Book, 64pp. Red and black loose leaf, soft cover, printed black ink. "[Hattersley] Standard Loom Tuners Handbook: Setting instructions " - George Hattersley and Sons LtdTHE BRUCE WOOLLEN MANUFACTURING CO LTDtextile industry - history textile machinery weaving textile industry - education, george hattersley and sons ltd, weaving looms, weaving machinery, textile industry - history, textile machinery, weaving, textile industry - education -
Orbost & District Historical Society
poem, Mallacoota
The poem, "Mallacoota", as in this copy, does not appear to be noted in any of the lists of poems attributed to Henry Lawson. NOTE: Information provided by David Williams on 13/12/2021 is that "this poem in your collection is by Edward Harrington (indeed not Lawson)". Edward P Harrington (1895-1966) was born in Shepparton, served in Palestine in W W I with the 4th Light Horse Regiment, tried farming, but his lifelong passion was for story-telling through poetry. He is described as the 'last bush balladist' in Australia, and was a close friend of E J Brady and John Shaw Neilson. It was likely that he came to Mallacoota as a guest of E J Brady who had a camp for writers and poets there. He produced 5 collections of verse: Songs of War and Peace; Boundary Bend and Other Ballads; My Old Black Billy and other Songs of the Australian Outback; The Kerrigan Boys and other Australian Verses; and Swagless Swaggie and Other Ballads.His "Mallacoota" poem is printed in the Swagless Swaggie collection (1957). https://adb.anu.edu.au/biography/harrington-edward-philip-10431 Poetry associated with a place in East Gippsland. A copy of a printed poem titled "Mallacoota" with unknown author. It is pasted onto a cardboard backing. Although attributed to Henry Lawson in this printed copy, information is that it is by Edward Harrington.poem - edward harrington - bush balladist - mallacoota -
Eltham District Historical Society Inc
Photograph, Melba Studio, Caroline (Carrie) Shillinglaw, c.1898
Caroline Shillinglaw married Christopher Watson 1907. Their daughter, Jean, was born 1906. Melba Studio Photographers operated from Nicholson's Chambers at 101 Swanston Street, Melbourne opposite the Town Hall from 1897-1929 A review of Melba Studio NEWS AND NOTES FOR LADIES. (1897, November 25). Fitzroy City Press (Vic. : 1881 - 1920), p. 3. Retrieved December 2, 2022, from http://nla.gov.au/nla.news-article65696093 CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 2, cabinet photo, 1897-1929, 1898, caroline (carrie) watson (nee shillinglaw) 1876-1956, melba photographers swanston st melbourne -
Eltham District Historical Society Inc
Photograph, Willis Vale on the north bank of the Plenty River, Church Street, Greensborough, c.1950
Photo sourced from Heidelberg Historical Society reproduced on p63 of The Diamond Valley Story by Dianne H. Edwards, Shire of Diamond Valley 1979. "Willis Vale, Greensborough, situated on the north bank of the Plenty River at the end of Church Street. The home wasa built about 1840 by Jame Willis Mayger from bricks hand-made nearby. It was later passed to the Partington family and when this photo was taken the building was deserted. Vandals and finally a bushfire destroyed Willis Vale in the 1950s." Greensborough Historical Society has same image with more accurate information on the date/cause of fire damage https://victoriancollections.net.au/items/585b6c96d0ce2c1268f1c96b "House built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. The derelict Willis Vale house was destroyed in 1964 when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough."Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmchurch street, diamond valley story, greensborough, james willis mayger, partington family, willis vale -
Glen Eira Historical Society
Album - Album page, Elsternwick Club, Sandham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created as part of a project from approximately 1966-1972 by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. This album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia Victoria and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Photographers Jenny O’Donnell and Trevor Hart, members of Caulfield Historical Society. Some photographs are older and from unknown sources. All photographs are black and white except where stated. From Victorian Heritage Database citation for HO60 Stanmere/Elsternwick Club, 19 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35422 as at (1/11/2020) An imposing single storeyed stuccoed Boom period Italianate villa residence, distinguished by its bayed and pedimented projecting wing and central portico with surmounting pediment and urns. The cast iron verandahs, to two elevations, have tessellated floors and are partly built-in. From Victorian Heritage Database citation for HO60 Stanmere/Elsternwick Club, 19 Sandham Street Elsternwick https://vhd.heritagecouncil.vic.gov.au/places/35422 as at (1/11/2020) "Stanmere" is locally important as the home of the Short family whose decision to sub divide its holdings was linked closely with the profiteering ventures of the directors of the Premier Building Association, leading to the construction of low cost workers housing characteristic of the land boom speculators prior to the bank crash of the early 1890's.Handwritten: Page 186 of photo album with two photographs of the Elsternwick Club.Handwritten: Sandham Street [top right] / BOWLING CLUB [under top photo] / ELSTERNWICK CLUB [under bottom photo] / 186 [bottom right]trevor hart, victorian, chimneys, porch, cast iron lacework, verandah, sandham street, victorian villa residence, villa residence, cast iron frieze, cast iron columns, protruding bay, bay window, 1880's, late victorian, decorative brackets, rendered, arched windows, ornamented parapet, short family, premier building association, elsternwick club, boom years, elsternwick, pediment, stanmere, bowling club, club, bowling, land subdivision, cast iron work, tessallated floors -
Mission to Seafarers Victoria
Painting, Robert Klein-Boonschate, Departure 7, 2003
Finalist Robert Klein-Boonschate in the ANL Maritime Art Prize 2003 Biography: (https://www.artpartners.com.au/robert-kleinboonschate/) Born in The Netherlands, Robert migrated to Tallangatta, Australia with his family in 1971. Robert completed a degree in Graphic Art at Swinburne College and settled into Melbourne for the next seven years as a professional artist and art facilitator. Robert moved to Mparntwe (Alice Springs) in the 1980’s where he worked closely with Arrernte Peoples for the next 12 years. Robert’s beautiful landscapes reflect the influence of Arrernte artist Albert Namatjira and his love of the Australian landscape reflects his experiences with the Arrernte Peoples and their connection to ‘Country’. Robert opened the art studio located at his home in Alice Springs to Arrernte, Luritja, Warlpiri & Pintupi artists and worked alongside such artists as Johnny Warrangkula Tjupurrula. Robert helped to facilitate Johnny’s later body of work by constructing special brushes which could be used by Johnny after breaking his wrist. Robert has returned to NSW and now lives in Walla Walla surrounded by the rugged natural landscapes of Australia.Large scale Oil on Belgian Linen depicting dockside and ships.docks, waterside, maritime art, robert klein-boonschate, artwork-paintings, maritime art prize, anl