Photographs taken by Jessie "girlie" Smith of San Remo who owned The Penguin Cafe in Thompson Avenue. Norfolk Pine believed to have been planted by Baron Ferdinand von Mueller approx. 1863.Two black & white photographs of the scene during fire at Isle of wight Hotel 23/4/1925. Gateways left and right. Norfolk Pine in the centre. Smoke billowing behind.Post Cardphillip island, isle of wight hotel fire, jessie smith, norfolk pine, baron ferdinand von mueller

This history of the North-Eastern Historical Society (based in Wangaratta Victoria, with branches in Harrietville, Rutherglen and Wodonga) was published for that society's 20th anniversary, 1st May, 1979. The author was A O Smith, the President of the Society at that time.Book printed on paper with an orange paper cover. Book is stapled together and pages printed on one side onlynorth east victoria, wangarratta, harrietville, rutherglen, wodonga, historical societies

Tours notes for the ""Shifty Tours - Cavalcade of Trams Tour - October 24, 1987", giving the programme for the tour from Essendon Depot. Details the Light Rail system that is about to open. Provides notes on the trams to be used (L 106, S 164, Y 469, W2 600 and X2 676), the crews, locations of five hotels, notes on some the local rail and tramway organisations and notes for the safety and smooth running of the tour. Tour Organiser Max Coxhead, notes compiled by Peter Carwardine.trams, tramways, shifty tours, tours, tour guide, melbourne

Report - two A4 sheets with hand drawn tram junctions titled "Tram News 2009" listing the various track work undertaken at junctions during 2009, establishment of route 3A, Franchise agreements and Yarra Trams as operators of the tram network. Junctions listing - South Caulfield, Collins and Spring St, Spring and Flinders St, Kingsway and Sturt St, Carlisle St and Esplanade (Luna Park) and Acland St. Compiled by Peter Carwardine and David Mehlman Dec. 2009.trams, tramways, trackwork, junction, hawthorn rd, south caulfield, glenhuntly rd, spring st, flinders st, collins st, luna park, kingsway, sturt st, carlisle st, esplanade, acland st

The Ballarat Junior Technical School (BJTS) was the junior division of the Ballarat School of Mines.The honor board was unveiled on 17 June 1922 by Sir Alexander Peacock, the Minister for Public Instruction. it was witnessed by a large gathering of parents, friends, students, past student, Albert Steane (Headmaster) and the president, Council and Staff of the Ballarat School of Mines. At the conclusion of the ceremony the junior Technical School was opened for public inspection and afternoon tea was provided by a ladies committee. The Honour Board contains 28 names and of these only one lost his life on active service. this was Francis G. Davis. After the unveiling his father, A. Davis, planted a tree in the grounds of the Junior Technical School in memory of his deceased son. The following names are on the Honour Board Adair, S.H. Allen, W.I Bennett, H.G Bernaldo, Allan Borradale, Robert Brittain, C.C.. Burge, A.A. Burrow, B.C. Carmichael, N.C. Carnegie, G Collins, H.A. Crick, R.J Cunningham, C Davis, Francis G (killed) Edwards, S.F. Frank, P.C. Gilbert, J.H. James, J.F. Leech, G.J. McGrath, D.G. McNab, J.C. Parkin, R. Paterson, W.J Ronaldson, L.A. Shannon, G.O. Steele, S.L. Terry, W.R. Townsend, S.H. A timber honour board with names written in gold. The board was designed by H.H. Smith, Principal of the Ballarat Technical Art School. A central case holds a copy of the Victorian Education Department War Service Book. The Photorgraph was taken when it was in the SMB A Building. C1923 it was taken to J Building - the former Ballarat Junior Techncial School. world war one, ww1, ballarat school of mines, ballarat junior technical school, alexander peacock, world war 1, world war i, honour roll, hh herbert, francis davis, frank davis, s.h. adair, w.i. allen, h.g. bennett, allan bernaldo, robert borradale, c.c. brittain, a.a. burge, b.c. burrow, n.c. carmichael, g. carnegie, h.a. collins, r.j. crick, c. cunningham, s.f. edwards, p.c. frank, j.h. gilbert, j.f. james, g.j. leech, d.g. mcgrath, j.c. mcnab, r. parkin, w.j. paterson, l.a. ronaldson, g.o. shannon, s.l. steele, w.r. terry, s.h. townsend

Newspaper clipping from the Obituaries section of The Age, Melbourne, Thursday August 30, 2012 titled "One-track mind about all transport", William Kingsley, 14.12.1935-3.5.2012, with a photograph of Bill at Ballarat, detailing BTM Member's life written by Roderick Smith. Bill was also a member of the Friends of Hawthorn Tram Depot.trams, tramways, obituaries, btm

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. St Peter Street, New Orleans, Louisiana, USASt. Peter Street / RB / C (All Handwritten)mit bemis professorship, mit, robin boyd, slide

Historical advertising for 188 Henry Street Greensborough, 2 bedroom house, sold June 1993 for $93,750. Other sales: February 2003 for $205,000. Photograph of house, taken 19/10/2018 by Marilyn SmithHistorical newspaper real estate advertisement (black and white) and colour photographhenry street greensborough

Mrs J.L.Smith and Ada Smith in the backyard of the house Law Muir Den 510 Centre Rd Bentleigh c 1910. . The early settler women usually devoted a whole day to washing as it was very labourious. A fire was lit in a stone pit and a large tub of water boiled. Soap that had been made, usually in the previous Autumn, from fat drippings and caustic soda, was flaked into the tub to form suds. The clothes were moved around in the tub with a long wooden paddle that was also used to lift the clothes out of the tub into another tub of cold rinsing water..Stains were removed by scrubbing soap on the cloth against a scrubbing board. Clothes were wrung by hand or a mechanical wringer and hung on the clothes line to dry. Mary Ann Smith was married John Logan Smith 1860-1932 who at first rented a cottage 'Law Muir Den' & Shed from Mr Box and commenced business as a wood merchant - sawing logs into shorter pieces using one horse to power the saw. He purchased the property, added to the buildings , began trading in fuel and fodder as well and installed a chaff cutting mill powered by 10hp steam engine. The business prospered As Motor transport was increasing 1926 J L Smith built a small Garage on the opposite corner (Woolworths Supermarket 2005) , employed a good mechanic ( Reg Hunt ) and developed another successful business. J.L.Smith was an early settler in East Brighton now Bentleigh and established successful Wood cutting, Grain & Chaff cutting and Motor garage businesses in Centre Road . He was elected Councillor of the Shire of Moorabbin and, with Mary Ann, his family were involved with local Church, Red Cross, and other community organizations.Photograph, Black & White, showing 2 women washing clothes in a large tub, set over a fire in a stone pit, in the back yard. Clothes are hanging from a rope line strung between 2 trees and held up with a wooden 'prop'

Yields information about BTM Member and volunteer worker Bill Kingsley through an obituary.Newspaper clipping from the Obituaries Section of The Age, Melbourne, Thursday August 30, 2012 titled "One-track mind about all transport", William Kingsley, 14.12.1935-3.5.2012, with a photograph of Bill at Ballarat, detailing BTM Member's life written by Roderick Smith. For The Age online version in pdf format, see related documents.obituaries, btm

Postcard - full colour, Divided back type of former Melbourne tram 512 running in Seattle, show destination of Main St, route 99 with the Pier 54 building in the background. At the Madison St stop. The rear has details of the location of the publisher (Smith Western Co. of Tacoma), photographer Charles Van Pelt and where printed - Singapore.trams, tramways, seattle, w2 class, tram 512

Yields information about the Sturt St and Lydiard St intersection.Digital image, black and white, two images of No. 32 in Lydiard St North. .1 - adjacent to the post office, about to turn into Sturt St, enroute for Sebastopol. .2 - further up Lydiard St North, taken from outside Craigs Royal Hotel (see also Reg Item 4594 for a similar photo) Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 32 Lydiard St Nth".trams, tramways, lydiard st, craig s hotel, post office, tram 32

Photograph of a watercolour by Eltham artist Bob Smith painted in 1980. The view is from around the rail line looking up Main Street with the Greensborough Hotel centre right. Posted on FaceBook by Dave Wilkes-Johnson, 20.8.2021.Colour digital photograph of paintinggreensborough hotel, main street greensborough

RAILWAYS COLLECTION The Australian Gold Prospector's Handbook by Barclay Smith Publications. Glossy cardboard cover in black, gold and white 1968 edition - small book with 64 pages with several sketches.Barclay Smith Publicationsbook

This book was produced by students of Orbost Secondary College.This publication is a useful reference tool for the history of Orbost.A spiral bound book with 30 pp titled The Curlip Issue No. 2. It has a yellow cover with a black stylised drawing of a paddle wheel behind the P.S. Curlip. Text is black - Issue No. 2 The Curlip Contains stories on Orbost Butter and Produce Co. Transport2188.2 - SLAB HUT COPY in red ink on front cover.orbost-history orbost-butter-factory orbost-transport

Daughter of David and Martha Medhurst.A member of the Medhurst family, Greensborough pioneersBlack and white studio portrait of young woman in dark dress.In pan on back: Ivy Medhurst, Born 1896-1972, age 76. Daughter of David and Martha Medhurstmedhurst family, ivy medhurst

Photograph of bride and groom 1925. Caption on back identifies the bride as Chrisie Barber and the year 1925. From the collection of Jessie Partington.Sepia studio portrait of bride and groom, mounted on heavy card.Name and address of studio on front of mount. Handwritten caption "Chrisie Barber 1925" on back of mount.chrissie barber, weddings, jessie partington

A group of 2 photographs, children not identified, taken circa 1900. From the Partington collection.Two sepia studio portraits.partington family

Studio portrait of Amy Medhurst taken in 1904The Medhursts were a Greensborough pioneer family.Studio portrait, circular shape, mounted on heavy card.Studio name "The Allan Studio" printed on front of mount. Name of subject handwritten on back of mount.amy medhurst

Sister Annie was Elizabeth Ann Rickard, b. 1888 in Timor Victoria; died Fitzroy 1967. She was a mission sister at the Carlton Methodist Mission.B & W waist length studio portrait of Sister Annie. Postcard format.To Eva & Doris with love from Sister Annie "God Luck" 28.2.35sister annie, elizabeth ann rickard, carlton methodis mission, home missionary, deaconess

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

One each carried in an ambulance and used to resuscitate patients. Developed by a Dr Komesaroff this equipment replaced earlier resuscitators. These units took some time to get used to using but were deemed effective in operation. Source Chas Martin AHSV curator 4 April 2016.Oxygen bottle, gauges and carry handle mounted on an aluminium carry board.KOMESAROFF RESUSCITATOR

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Studio photograph of Bert, a cousin of the Figuerola sisters. The photo was in the family photo album of the artist. "Cousin Bert age 12 mths"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

A4 B&W booklet with plastic binding. 16 pages. Containing music scores for step dances. Compiled by Peter Ellis March 2015. Black and White illustration of a dancing man on front cover.emu creek bush band, step dance tunes, peter ellis, australian bush music

This catalogue was produced by the South Australian wool auctioning company Elders, Smith & Co. Ltd. It accompanied their celebration of a century of wool sales in 1978. The first wool auction in South Australia took place at Elders a century earlier, on the 15th of October 1878. It was covered in detail by The South Australian Register. At the sale, 1976 bales of wool were offered in what was the beginning of the wool storage and brokerage system in South Australia. Elders, Smith & Co. was established in 1839 by Alexander Lang Elder. Born in 1815 in Scotland, he moved to Australia at age 24 and set up Elders in Port Adelaide. Interestingly, the company’s original site is now the South Australian Maritime Museum. Elders’ business partner was Robert Barr Smith. Also born in Scotland, he moved to Australia in 1854 at the age of 30. Smith was an important part of the Company’s first wool sale. Smith made statements at the auction for South Australia to have a proper wool industry; with a purpose-built wool store, auction house and for the state to be able to supply its own products. This was met with a “Hear, hear” from the crowd at the auction. This statement is reflected upon within the catalogue. The catalogue itself also contains images of the company’s first wool auction, an outside image of Elder’s Wool Warehouse in Port Adelaide as well as an image of the Show Floor inside of this Port Adelaide warehouse. The catalogue also contains a quote from Elders’ Wool Manager for Victoria and Riverina, Murray Jewster. He discusses how the company is proud of its history and looking forward to its future in assisting both wool buyers and sellers. The quote also highlights Elders shift from being an Adelaide focused business, growing to span the width of Australia. 4 page booklet. Yellow paper with black and red print.south australian wool auctioning, elders smith & co. ltd., south australian wool producing, alexander lang elder, robert barr smith

Brenda Smith's parents lived throuh two World Wars and the Depression. As an adult migrant arriving in Australia from England in 1970, when she looked back she realised her family spoke very little about what they had endured and she was not even aware of them going through the Spanish Flu pandemic. Smith has written a diary since 2009 and as a consquence of her family's earlier experiences with similar but lack of documentation and stories passed on, was determined to chronicle her experiences during the COVID-19 pandemic covering 2020-2021. This pandemic continues unabated in its third year (2022). The journal documents the daily life of living through the COVID-19 pandemic and the influences it had uopon the local community from both locally and interantionallycovid-19, coronavirus pandemic, journal, person, personal narrative