Silver cup trophy from the Victorian Amateur Boxing & Wrestling Association for the Annual Boxing Championships won by Collingwood Technical School in 1933. Also won by Collingwood in 1934, 1939, 1942, 1943, 1944, 1945, 1946, 1947. METROPOLITAN DISTRICT / of the / Victorian Technical Schools Sports Union / CHAMPIONSHIP CUP / for the school winning the greatest number of events / at the / ANNUAL BOXING CHAMPIONSHIPS / Presented by the Victorian Amateur Boxing & Wrestling Assn / 1933’ On back is a list of winners from 1933 to 1950 includes Brighton, Prahran, South Melbourne, Essendon, Oakleigh, Brunswick. collingwood technical school, trophies, boxing championship trophy 1933, students, nmit,

This tea pot was used in the original Kiosk at Healesville Sanctuary during the 1940'sParamount medium-sized 2 pint silver teapot; functional classic design is similar to ones used in hotel dining rooms during the 1940's - quite plain with no markings or embellishment. Long spout, handle with swirl on upper side and marble-sized knob on lid. Larger in diameter at bottom than at the top. Stamped on base - "PARAMOUNT / PLATE / BEST QUALITY / EP NS AI /WARRANTED / HARD SOLDERED / K G LUKE MELB / 2 PT" teapot, k-g-luke,

Queen Wilhelmina celebrated her silver jubilee in 1923.Princess Wilhelmina was only 10 years old when her father (King Willem III) passed away in1890. Until she became of age 8 years later her mother, Queen Emma, ruled as Queen Regent. The Dutch are traditionally proud of their Royal Family and this is one of the commemorative items with which the country honoured the Queen's silver jubilee in 1923 Shaped as a soup plate the carved out bottom carries an image of Queen Wilhelmina and the inscription "1898-1923". A branch of oranges with a golden W placed in its centre partly encircles the image. The plate is edged with three green circles. "1898-1923".

Maastricht, Holland, was the city where Petrus Regout established the De Sphinx pottery in 1836. De Sphinx operated under the name Petrus Regout & Co. until 1899. The firm was noted for its transfer-printed earthenware. Many factories in Maastricht are still making ceramics. The plate was created to celebrate the silver jubilee of Queen Wilhelmina in 1923.A ceramic plate decorated in blue with pictures and words. Central to the image is a coat of arms featuring a central lion and 4 identical hunting horns. The whole is surmounted by a crown. The rim is decorated with orange blossoms.The words read: "Mijn schilt en de betrouwen Syt Ghy O God myn Heer. Op U soo wil ick bouwen Verlaat my nimmermeer." These are words from the second verse of the National Anthem recorded in Old Dutch. The dates 1898-1923 also feature on the front of the plate. The back bears the maker's stamp, an imprint of a small arrow, an imprint of ¾ and the words "Made in Holland". The maker's stamp reads: "Petrus Regout & Co Maastricht". It is surmounted by a sphinx. There are also two holes in the rim to enable hanging of the plate.

This object is Magill's adaptation of the battery handle in the form of an "inserting tracheoscope". Introduced in 1935 for one-lung anaesthesia, it is combined with an endotracheal tube, the central part of which is a latex-covered wire spiral, and a bronchus blocker. In use, the tube was fixed to the holder and the whole apparatus inserted as a ttracheoscope. At the carina, the blocker was inserted into the bronchus and the balloon (now perished in this example) inflated. The holder was then removed leaving the endotracheal tube and blocker in place. The bronchus blocker consists of gum elastic on woven silver wire and has a suction channel opening at the tip. in other stages of development of Magill's laryngoscope, the original pattern blade was adapted to the battery handle, at first in a fixed arrangement and then with interchangeable blades of different sizes. Later still, the folding handle was introduced.This U-shaped chrome plated laryngoscope comprises an endotracheal tube used to facilitate access to the patient's airway, wire spring attachments and a cylindrical handle with provisions for battery to illuminate inside the body during use.Embossed on the central shaft of the item is 'A Charles King, Ltd', the maker's details.laryngoscope, anaesthesia, macgills, chrome, battery, a charles kind ltd

This was gifted to Robin William Smallwood on his retirement. Smallwood graduated from medicine in the mid-1950s and decided to make a career in anaesthetics, was granted Fellowship in 1965, became a member of the Board of the Faculty in 1976 and became Dean in 1986-1987. It has been made by Arnold & Sons of London who were medical instrument manufacturers and became Mayer & Meltzer.Silver tube in two pieces, which form an innner and outer tube. The inner tube is curved with a flat plate at the top and two squared hooks (handles) coming off the plate. The outer tube has been spliced, creating two separate curved sides with an oval, bowl-like plate at the end, with an oval shaped holed punched through either side. Attached to the square hook of the inner tube is a green cotton ribbon.Stamped into the bowl shaped plate: ARNOLD & SONS / SILVERsmallwood, robin, •faculty dean, faculty of anaesthetists, royal australasian college of surgeons, ffaracs, racs, fanzca

The Fluotec vaporizer was made to administer only halothane (Fluothane). It was one of the first vaporizers made for use with only one anesthetic, and one of the first to use a bimetallic coil for temperature compensation.The bimetallic coil is part of the valve that controls how much of the carrier gas enters the vapor chamber to vaporize the anesthetic.Modern vaporisers still use this bimetallic coil technology today. Serial No: 5040 Patent No: 814427 A ready reference “calibration card” came attached to these vaporizers. The card was printed with a scale that indicated the concentration of halothane produced at different flow rates and dial settings.This item does not have a reference card with it.This Flotec vaporiser holds historic significance as a very good example of an early model piece of equipment for halothane only administration. Modern vaporisers still use the bimetallic coil technology and therefore this object has scientific and research significance.Small metal stand with 3 rubber feet, Main metal cylinder body housing the bimetallic coil. Inlet valve with a brass attachment and metal outlet valve. Metal dial that controls % Penthrane. Dial notches range from OFF to 1.5. Small silver chain hangs from the top of the dial lever. Small silver metal box held by 4 screws and a round bakelite window with FULL inscribed in white text located on the front of the main cylinder Fluothane Cyprane vaporiser. Fluotec Mark II by Pentec, with stand. Royal Children's HospitalStamped on Inlet and outlet valve: INLET OUTLET Stamped on to a plate on the front of the vaporiser: KEEP UPRIGHT / PENTHRANE / WHEN CHARGEDinhaler, fluotec mark ii

Dr Ronald Lo, President of the Hong Kong College of Anaesthesiologists presented Dr Peter Roessler, on behalf of ANZCA, with a plaque commemorating the Inaugural Annual Scientific Meeting in 1994.Plaque with inscription engraved on gold plated relief on silver, attached to a wooden base. An image of an engraved Chinese dragon wrapped around a rose on centre panel.On Front: THE HONG KONG COLLEGE OF ANAESTHESIOLOGISTS / HONG KONG COLLEGE OF ANESTHESIOLOGISTS HKCA / PRESENTED TO THE / AUSTRALIAN AND NEW ZEALAND / COLLEGE OF ANAESTHETISTS / ON THE OCCASION OF / THE INAUGURAL / ANNUAL SCIENTIFIC MEETING / IN / LAUNCESTON, TASMANIA, AUSTRALIA / APRIL/MAY 1994 On reverse, manufacturer label: Chinese characters / CHOI HON SAN CO. / TEL: 3809459 / FAX : 3977519lo, ronald, annual scientific meeting, hong kong college of anaesthesiologists

Rectangular wooden plaque with silver wreath encircling '2000'. There is also an inscription on a brass plate.2000 / Presented to / St Patrick's College / In Appreciation Of Your / Support To The / MT CHALLENGE 2000 / by / Symnastics Victoria / MAG/

Donated by Sir Henry Newland.The samovar stands 41cm high, and is 39cm wide across the handles. It is made of Sheffield plate, and dates from the late 18th century. It is supported on a square base with four cast lion’s feet attached by elaborate mounts at the corners. The main vessel or tank is circular, and set on a short columnar stand. These elements are heavily fluted. There are two elaborately decorated solid cast silver handles attached to the sides of the tank. A long spout with a cast ivory handled tap extends from the bottom of the tank. The lid is plainer, with a fluted and scalloped edge, and is capped with a finial. Inside the tank is a cylindrical immersion container for hot coals, a primitive type of heating element. There is a crest, probably that of the original owner, engraved on the shoulder of the tank above the tap. A samovar is a Russian tea urn but the College’s samovar is not a tea urn, as it does not include the stand or the teapot. Undoubtedly it was intended to provide hot water for tea, and the absence of a matching teapot indicates a cultural difference between the English and the Russians, in the way in which they went about brewing tea. It is a showpiece, intended for use and display in the reception rooms of the house. In the 18th century tea was still a rare and exotic import from the Orient, so the serving of tea was an important act of hospitality and a statement of social status.Sir Henry Newland was the College President 1929-1935Antique sheffield plated samovar with shell design and pressed rib border, finely worked casted handles, spout with swivel top, with tapered centre column, square shaped base with cast lions feet

Black and silver camera - Nikkormat FT SLR with a zoon lens and attaching plate for flash. No straps. Takes film. Quite heavy. Has provision for michrphone and tripodcamera, dennis gibbons

English electroplate silver fiddleback spoon made by William Page & Co., probably from Roman silver or Silverite. WP - diamond in crown - William Page & Co. Birmingham. B - third quality 1 1/3 gm. / table spoon or table fork Rd in diamond - mimicks the registered mark from Patent Office.silver plated spoon, fiddle pattern

Silver coloured metal petrol iron with removable top plate and cylindrical tank. Metal handle with blue painted wooden top attached and metal plaque with maker's details and insignia between screws on bottom section of handle.Plaque shows: (on left hand side) "All British / PUMPLESS IRON / Manufactured by / HANDI WORKS / Brisbane" INSIGNIA / "H" / in shield. (on right side) P/No. ? / D/S No. ? / Reg No. ? / FOR BEST RESULTS USE SHELLITEclothes iron, petrol

Maple. Two wooden rollers 600mm long (low sheen finish). Silver screw handle on the top spring. Two wooden shelves (feed/take off plates plus lower bowl stand). White metal dish. Castiron sides (red and green). Cast iron wheel handle with folding handle (wooden). Four wheels.COG: 71D Top: Wring at the ends of rollers 24 (green) Sides: Ewbank Jewel (red) RD No. 326684. Handle: Patent Ewbank - Folding Handle (black).clothes wringer, mangle, laundry

A meeting was held on 18th August 1947 at the East Sunshine Community Hall with the aim of forming a motor cycle club. The name BRAYBROOK MOTOR CYCLE CLUB was decided upon "as it would cater for riders and non-riding members in all surrounding districts". The first President was Don Minahan with Bert Watson as Secretary. They had been members of the Auto Cycle Union whose members became dissatisfied with the prize money awarded, so the Victorian Motorcycle Association (VMCA) was formed. The President of the VMCA (Mr. A. Clarke) attended the meeting on 3rd September 1947 which was held in the Hall behind the Sunshine Theatre. This became the regular meeting place. The new Braybrook Club affiliated with the VMCA joining clubs from Altona, Coburg, Essendon, Newport and Preston. Membership mostly came from recreational motor bike riders looking for more structured competitive riding experience and enjoyment. The club conducted its events on Sunday afternoons and as sport at that time was not permitted on Sundays, they overcame that obstacle by seeking a silver coin donation (pointing out that "two bob" was expected). The events were mainly dirt scrambles over open land which today is known as "off road". The favourite sites were Sunshine's ample open spaces such as Glengala Road and McIntyre Road, as well as Arundell Road (Keilor) and Laverton. For track racing experience the club formed a very basic dirt track on the open land in Glengala Road west of the original Sunshine Golf Club, which was very popular on Sunday afternoons for both riders and spectators. In the early 1950's Motorbike and Sidecar races were also witnessed on some Sundays, on a track near the corner of McIntyre and Furlong Roads, North Sunshine. During 1950 the Braybrook members voted in favour of allowing the Sunshine Club to amalgamate with them and form the BRAYBROOK AND DISTRICT MOTORCYCLE CLUB. The merger took place at the meeting on 10th July 1950 when office bearers were elected. The club disbanded in the mid 1960's due to the massive residential development occurring in the Sunshine district, and so activities were merged with the Newport Club. The above information is mainly compiled from Sunshine Advocate articles published on 29/8/47, 12/9/47, and 30/6/50, and from written details supplied by Mr. J. N. Willaton. Further details or corrections from interested readers are welcome.The Braybrook and District Motorcycle Club has not existed in its own right for several decades. The sticker depicting the club crest serves as a historical reminder that the club was once part of the local recreational scene.Dark blue, silver, and clear plastic sticker on right hand top corner of glass plate that previously was a side window of a car. Sticker has been left on the glass in case removal may damage it. BRAYBROOK AND DISTRICT MOTORCYCLE CLUB.Braybrook and District Motorcycle Clubmotorcycle club, sticker, club sticker, braybrook and district motorcycle club, braybrook

Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. The floral motif on this particular spoon appears to be stylised in the decorative arts and craft style favoured in Europe between 1880-1920 and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced. This spoon seems more likely to have been produced in Europe and imported to the colony. The hallmarks on the handle DON and BP indicate it may have been produced from English electroplating silver which is a more cost effective product than solid silver, most likely produced by Cooper Brothers, Don Plate Works, established in Sheffield in 1866 who distributed silverware in Europe, America and the colonies well into the 1950's.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This spoon represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food and he did it from a beautiful silver floral detailed spoon.A silver tablespoon with floral embossed head and hallmarks embossed on reverse handleDON/ BP/silverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, spoon, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen

There is a single record with the RAN for a John Kidd, who commenced service in 1909 and left in 1912. Kidd was born in 1885 in Sydney and his mother lived in Queenscliff. He served on the HMAS Parramatta from 1911-1912. There is no evidence of him having served on the HMAS Melbourne. Kidd served from 1911-1912 on the HMAS Parramatta, the first ship launched for the Royal Australian Navy (RAN).A wooden box with mortise and tenon joins, brass fittings, circular handles, silver hinges and a name plate on the front. The box has a lift out section creating compartments. On the inside lid of the box is a postcard of the HMAS Melbourne surrounded by small rope decoration. A number of keepsakes are inside including a fidd for splicing ropes, a Capstan Wills tobacco tin, 3 postcards, a "Bengall Imperial" cut throat razor (T.R. Cadman & Sons, Sheffield England), black and white bakelite buttons with embossed crown and anchor and brass shank (either for war time or junior officers), gold naval buttons with embossed naval anchor and 2 piece shank (from a coat and cuffs), a bullet casing (Webley '45), a petty officers cloth badge (crossed anchors with a Crown), 4 shells, a good conduct badge (black with gold embroidery) and a red/brown vulcanized asbestos fibre fireproof dog- tag with rope attached."John Kidd" on front of box. "20171" stamped on edge of box. Tobacco tin: "Medium/"Capstan"/Registered/Ready Rubbed Fine Cut Tobacco/-1 oz net weight when packed/W.D. & H.O. Wills/(Australia) Ltd., Sydney. Postcard: Main Street, Samarai. Postcard: Sydney from Lavender Bay Kerry (Copyright) Sydney. Postcard: "Docks showing cathedral, Bristol BL 193. Copyright Lilywhite (1932) Ltd, Sowerby Bridge". Buttons: "AUSTRALIA/Y6-298", "Buttons Ltd B'HAM mark trade" "AUSTRALIA Stokes & Son Melbourne". Bullet casing "WEB WRA 45". Dog-Tag may read "L/Ford" written in ink?ditty box, john kidd, dog-tag, wwi identification tag, lilywhite ltd, w.d & h.o wills, stokes & son melbourne, naval buttons, hmas melbourne

This drum carder was purchase by Gill Stange at the Whittlesea Show in the late 1980s. The carder allowed Gill to spin fleece from her own Merino sheep. Merino is a difficult wool to spin when compared to other popular varieties, such as Corriedale or crossbred wool. The carder helped her to tease out the fleece, slightly separating the fibres before spinning. It also allowed for easier removal of foreign matters, such as seeds and mud. Little is known about the Kacoonda brand who produced the carder. They were Australian based and appear to have only operated throughout the 1980s.The carder has one large central roller with two smaller rollers on either side. The larger roller rotates in the inverse direction of the two smaller rollers. The carding cloth is a mint green in which closely spaced wire pins are embedded. The shape, length, diameter, and spacing of these wire pins is that of a standard carder. On one side of the carder a handle is found that is used to spin the three rollers. Additionally on this side is a sticker which reads “The Kacoonda Carder. Subject to Patent Action”. A Silver grip for the easy movement of the carder can also be found high on this side. On the opposite side of the carder, many nuts and plates can be found which hold the rollers in place. This is opposed to the other side of the carder, which has a brown plastic cover plate attached underneath the handle. The walls providing a path for the carded wool to follow when being carded, are made of wood. The carder comes complete with a teasing tool. This tool has the same mint green carding cloth as the carder’s rollers. It is attached to a simple wood handle for ease of use.Wording, green, printed. Sticker on side of carder. “The Kacoonda Carder / SUBJECT TO PATENT ACTION”whittlesea show, drum carder, textile production, carding wool, kacoonda

Footed, electroplated nickel silver sugar bowl, presented to Mr R W Pettitt.Footed, electroplated nickel silver sugar bowl, presented to Mr R W Pettitt.PEERLE[S][S] PLATE/ EPNSpettitt, mr r. w.