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Sunbury Family History and Heritage Society Inc.
Photograph - Evans Street, Sunbury, c1900s
The photograph shows a picture of Evans Street Sunbury taken from the T intersection at Macedon Street and looking south. When the photograph was taken it was one of Sunbury's main residential areas. Since the 1980s the houses in the image have been demolished and replaced with commercial development. Over the years Evans Street has undergone much change from being a residential strip to being the main commercial hub in Sunbury.A sepia photograph with a white border across the bottom and in post card format of a streetscape with a row of trees growing along the footpath and a number of weatherboard Victorian style double fronted cottages. Both the roadway and footpath are not surfaced and the gutter is lined with stone pavers.EVANS STREETevans street -
Surrey Hills Historical Society Collection
Photograph, Beckett family gathering at 4 Essex Road, 1904
The family members are identified as follows: Back row (L to R): Percy Leigh with Phyllis, Robert Beckett (junior), Herbert Ingamells, Annie Leigh with Marjorie, Harry Leigh, Clara Beckett, Arnold Bear (brother of Olly Beckett), William Beckett with Edna, Ben Gray. Middle row (L to R): Robert Gray, Ethel Beckett, Polly (sister-in-law of Harry Leigh), Nelly Ingamells, Eliza Beckett with Esther Leigh, Alice Beckett with Basil, Dorothy Beckett, Olly Beckett, Emma Gray with Norman. Front row (L to R): ??? (a Leigh brother), Kate Beckett, Mabel Beckett, Cyril Ingamells, Bert Gray, Elsie Leigh with Ethel Ingamells. Robert (John Robert) Gray, Ben Gray and Norman Gray were 3 of 6 children of John Gray and Emma Beckett who married at Guildford Villa in 1888. Norman was born in 1901 and looks to be c.3 years old in this photo; the youngest in the family was Evelyn (b 1906) so this would give an approximate date for the photo of 1904. The donor, Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998) and Francis James Renkin who married on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother. Exact date photo was taken was 17 September 1904.Black and white photo at Guildford Villa, 4 Essex Road, Surrey Hills, home of the Beckett family. The family is formally posed with croquet equipment on the lawn of the substantial Victorian-style home which has 3 chimneys and a veranda on 2 sides. victorian style, croquet, percy leigh, phyllis leigh, robert beckett (junior), herbert ingamells, annie leigh, marjorie leigh, harry leigh, clara beckett, arnold bear, william beckett, edna beckett, ben gray, robert gray, ethel beckett, nelly ingamells, eliza beckett, esther leigh, alice beckett, dorothy beckett, olly beckett, basil beckett, emma gray, norman gray, kate beckett, mabel beckett, cyril ingamells, bert gray, elsie leigh, ethel ingamells -
Brighton Historical Society
Jacket, Bridge jacket, 1930
This jacket was bought in England for Elsie Law (nee Russell) by her husband James Lindsay Gordon "Lin" Law in 1930. Elsie used it as a bridge jacket. Lin was born in Ballarat 1881, the eighth child of Scottish migrants James Nicol Law and Margaret Law (nee Bartholomew). BHS holds an evening dress belonging to Margaret Law in its collection (see T0006.1). After leaving school at the age of 11, Lin began working as a salesman. In 1906, he and business partner James Kerr Pearson (also a Brighton local, who lived at 12 Moule Avenue) established the shirt manufacturing company Pelaco. In 1922 the company established its factory at 23 Goodwood Street on the top of Richmond Hill; the 4.3 metre high neon 'Pelaco' sign, erected in 1939, is today heritage listed. The company was known for its innovative approach to efficiency and labour relations, discontinuing Saturday morning work in 1908 and appointing an industrial relations officer in 1928. Lin married Elsie Russell on 12 January 1915 at St Mary's Catholic Cathedral in Sydney and they lived most of their life in Brighton. In 1920 they moved into 'Blairgowrie', 306 St Kilda Street, The eldest their four children, Pauline Margaret Law (born 15 December 1915) ultimately purchased the house with her husband Hugh McLean in 1956 and lived there until 1965 when the house was demolished.Cream silk jacket block-printed with art deco style pattern in red, blue, black and mustard colours. Lined with soft apricot-coloured satin. Wide stand collar. Front fastens low on hip with four silk covered buttons. Label, woven brown on cream silk, centre back: Eileen / Mulholland / Ltd. / 43, Wigmore St., / LONDON. W1.elsie russell, james lindsay gordon law, brighton, pelaco, bridge jacket, 1930s fashion, eileen mulholland, art deco -
Mission to Seafarers Victoria
Letter - Correspondence, Letter to Lillie from Joe, 19 May 1925
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Howard in four parts: Part 1.1 (0008.1) Envelope Part 1.2 (0008.2) First page of letter Part 1.3 (0008.3) Second page of letter Part 1.4 (0008.4) Third page of letter The envelope is blue grey in colour whilst the pages are creamy yellow in colour. Page 1 of the letter begins with the salutation "My dear Lillie, here comes the promised letter...". Page 2 of the letter begins with "...in her birthday book". Page 3 of the letter concludes with "...yours Joe".The envelope is torn across the top for access to its contents. It has two stamps, a circular one in black ink towards the top left of the envelope reading "Durban, 2, May 21, 5.45AM, 1925", and a rectangular one coloured red and white reading "Union of South Africa, Postage, 2d" on the left-hand side of the circle and the right-hand side circle seems to say the same in South African perhaps. It is obscured by 6 large ink lines covering the top portion of the envelope from left to right. Within the circle is a mans head showing his left side profile. He has a beard and short hair. On the right side of the red and white stamp there is a second ink stamp that is also obscured but seems to be the same ink stamp as the first. letter, joe, handwriting, 1925, lillie duncan, lhlg, durban, lillian duncan, ladies harbour lights guild, mission to seafarers, mission to seamen, seamen's mission, east malvern, my little melbourne girl -
Mission to Seafarers Victoria
Letter - Correspondance, Julius Kokx, Letter to Lillie Duncan from Julius Kokx, 20 August 1925
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss Lillie Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Julius Kokx, U.S.S. Medusa, c/o Postmaster, San Francisco, 5th Div Calif. consisting of eleven parts: Part 0070.1 Envelope Part 0070.2 Medusa Mechanic Newsletter Parts 0070.3 - 0070.11 Handwritten letter The envelope is cream in colour with darker edges from aging whilst the pages are a lighter cream colour. Page 1 of the letter begins with the salutation "Dear Miss Duncan: I recieved both...".Page 2 of the letter begins with "girls in Melbourne. you are the only one...". Page 3 begins with "it but found out it...". Page 4 begins with "a girl like you...". Page 5 begins with "married. So what's a...". Page 6 begins with "and as goof as we...". Page 7 begins with "in and you must...". Page 8 begins with "Have a place to sit..." Page 9 begins with "it will be a long..." and ends with the salutation "The kind sailor as you call him x. Julius Knox." All pages of the letter are only written on one side except for page 9, on which Julius Knox has written his address in the States and in New Zealand.The envelope is torn across the back vertically towards the right of the flap but the flap is mostly in tact. It has three stamps. The first is a circular one in black ink towards the top centre of the envelope reading "AUCKLAND 21 AUG 3PM 1925 N.Z.". The second stamp is a large rectangular one in black ink in the top right of the envelope reading "ASK FOR AND BUY NEW ZEALAND MADE GOODS". The third stamp is slightly obscured by the the second ink stamp. It is a red and white stamp positioned at the top rigt of the envelope reading "Dominion of New Zealand Universal Postage One Penny".lillie duncan, letter, lhlg, julius kokx, uss medusa, auckland, new zealand, san francisco, california, lillian duncan -
Mission to Seafarers Victoria
Letter - Correspondence, Letter to Lillie from Len, 20 April 1924
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Len in three parts: Part 1.1 (0096.1) Envelope Part 1.2 (0096.2) Letter Part 1.3 (0096.3) Photograph Both the envelope and the letter are creamy yellow in colour with black curly writing on one side. The letter begins with "Dear Lillie, Many thanks for the photo you sent me..." and concludes with "I remain yours very sincerely, Len"The envelope is torn across the top for access to its contents. It has one stamp on the top right hand corner both with the text "New Zealand One Penny Universal Postage"lhlg, lillie duncan, len, hms hood, photograph, wellington, sydney, new zealand -
Mission to Seafarers Victoria
Letter - Correspondence, Julius Kokx, Letter to Lillie from Julius Kokx, 4 October 1925
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss Lillian Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from J. Kokx, U.S.S. Medusa, c/o Postmaster San Francisco, 5th Div - California consisting of six parts: Part 0097.1 Envelope Part 0097.2 Small certificate Part 0097.3 Letter page 1 Part 0097.4 Letter page 2 Part 0097.5 Letter page 3 Part 0097.6 Letter page 4 The back of the small certificate reads "This is a small copy of of the big certificate we got"The envelope has three stamps, two 2 cent stamps (red) and one 1 cent stamp (green). All are United States Postage stamps. The 1 cent stamp reads Franklin under the image of a head and the two 2 cent stamps read Washington under the image of a head.uss medusa, julius kokx, lillie duncan, lhlg -
Mission to Seafarers Victoria
Letter - Correspondence, Julius Kokx, Letter to Lillie from Julius Kokx, 14 June 1926
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss Lillie Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from J. Kokx M.S.S. Medusa c/o PM San Francisco 5th Div Cal. in two parts: Part 0098.1 Envelope Part 0098.2 Letter Both the envelope and the letter are creamy yellow in colour with black curly writing on one side of the envelope and both sides of the letter. The letter begins with "Dear Miss Duncan. I am very..." and concludes with "I will answer your letter most promptly I swear I will, Lovingly Julius Kokx"The envelope is torn across the top for access to its contents. It has three 2 cent stamp with the text "United States Postage" across the top and "Washington" underneath.handwriting, correspondence, melbourne, lillie duncan, julius kokx, san pedro, california, uss medusa, lhlg -
Mission to Seafarers Victoria
Letter - Correspondence, Letter to Lillie from Nelson, May 1926
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from N.H. (Nelson), Paul & Gray, Ship Chandlers, Scott St, Newcastle, NSW in three parts. Part 0100.1 Envelope Part 0100.2 Newspaper clipping Part 0100.3 Letter Both the envelope and the letter are creamy yellow in colour with black curly writing on one side of the envelope and on both sides of the letter. The letter begins "My Dear Lilly, Once again at seas, I am..." and concludes with "P.S.S Don't forget to answer this soon and write to...". In the top right hand corner of the letter is the ships details (S.S. Peterson, Brisbane). The newspaper clipping is titled "Oversea Vessels" dated London, April 13.The envelope has been torn across the top and alongside the flap to access its contents. It has an ink stamp with the text "Brisbane May 21 7-PM 1926" in the top middle of the envelope. Towards the right corner is a six wavy line ink stamp with the text "Post Early/Queensland/Each Day" partially covering an upside down red 1 1/2 cent stamp with the text "Australia Postage Three Halfpence"handwriting, correspondence, love letters, lillie duncan, nelson, lhlg, ss peterson, brisbane -
Mission to Seafarers Victoria
Letter - Correspondence, Letter to Lillie from Ted
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Ted in three parts: Envelope (0112.1) Letter page 1 (0112.2) Letter page 2 (0112.3). Both the envelope and the letter are creamy yellow in colour with black curly writing. Both sides of each page of the letter are written on. The first page of the letter begins with "Write. c/o Graham Trading Co. Calcutta. cancelled" placed at the top left of the page and "S.S. Matheran Calcutta 28-8-27" placed at the top right of the page. The first line begins with "Dear Lillie, Very many thanks for...". The reverse side of the first page starts "...thickness of solid steel fracturing is it not?". The second page begins with "...be home two months..." and the reverse side concludes with "Hope if you write to me you will use the address below, that will find me. 'Lyndale 117 Greenway Road, Taunton, Somerset, England".The envelope is torn across the top for access to its contents. The address has been typed in black ink. It has one red stamp to the top right hand corner of the envelope with the text "Ceylon 9c". There is also a black ink stamp in the form of several horizontal lines running from top left to top right of the envelope with "Colombo" written in the middle.ss matheran, calcutta, ss mangalore, colombo, ted, lillie duncan, lhlg -
Greensborough Historical Society
Salt cellar, M&L Plastics, 1950c
A mid 20th century salt cellar was used to store salt. This item is made of bakelite-style hard plastic. Most kitchens would have had one of these.Cream plastic container with red hinged lid."Salt" impressed in red on front of container.saltcellars -
Glen Eira Historical Society
Photograph - Kooyong Road, Caulfield North
A colour photograph of a Victorian style house allegedly located on Kooyong Road (101mm x 149 mm) undated, unattributed and unidentified. Suburb assumed to be Caulfield North.victorian style, kooyong road, cast iron work -
Whitehorse Historical Society Inc.
Photograph, COOK FAMILY
William COOK self styled Cherry King of Nunawading & author of gold field letters 1896-97. Husband of Jane nee MAGGS & father of Amy COOK.Black & white photograph of six members of the Cook family. Two males & four females, posed in 'best clothes' in front of trees. William & Jane Cook are in the centre front row.orchardists, cook william., cook jane -
The Beechworth Burke Museum Research Collection
Photograph (Series), George Tibbits, Fences in various streets in Beechworth, 1976
George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 25.03.1974
The RDNS Sisters are named in the photograph, L-R - Sister Megan Margaret Day who works in the Domiciliary Infant Maternal Care (DIMC) section of RDNS. The next Sister's name is unknown, and on the right is Sister Ruth Eileen McKeon who is a Nurse Educator with RDNS. The photograph is taken in the Education Department of Royal District Nursing Service, and the two Sisters are receiving instruction on the function of the organs of the human body from Sister McKeon. The Sisters are wearing the RDNS summer uniform of a white short sleeve blouse under a royal blue V neck tunic style frock. Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained nurses (Nurses), through the Hospital training system, were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with Trained nurses (Sisters) receiving In-service education. Sr. Pat (Paddy) Rowley was a leader in In-service Education and established the RDNS Department of Community Nursing Education in 1962. Staff could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters received Postgraduate diplomas from the College of Nursing in Community Health Nursing, Education, and Administration, and several travelled overseas visiting nursing organizations viewing their public health and District nursing systems. At RDNS many programs were run, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS staff attended several hospitals to observe and learn special care needed to some clients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic patients at home, and to Mount Royal Hospital to observe the care of patients in the Rehabilitation ward. A Community Nursing Education Program was extended to student nurses from hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin obtained a Post Basic Certificate in Psychiatric Nursing and included this area in her Education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS Sisters. On the left of this black and white photograph is Royal District Nursing Service (RDNS), Sister Megan Day, who has curled short dark hair and is wearing glasses. She is standing side-on facing to the right of the photograph. The index finger of her right hand is pointing to an area on the internal frontal view of a Human Torso Model which is sitting on a table to her right. Between her and the model is another Sister who has her long dark hair drawn back. She is looking at the internal organs in the Model. To the right of the Model is Sister Ruth McKeon, who has her long light colour hair drawn back into a French Twist. She is standing side-on facing to the left of the photograph, and is smiling as she holds one of the organs taken from the Model. When looking at the photograph, the left side of the Model's face is seen, and on the right side the Internal organs of the face are seen. The internal organs of the neck and torso of the Model are seen. A blackboard with writings about the function of 'The Heart' is In the background. The Sisters are all wearing their RDNS uniforms of a short sleeve white blouse under a V neck tunic style dress which has the RDNS logo on its upper left.Barry Sutton LY 66 namesrdns, rdns education, royal district nursing service, sister megan margaret day, sister ruth eileen mckeon -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 25.07.1972
Sister Barbara Watson is an RDNS Liaison Officer and is meeting with Hospital staff and a patient in a Ward at the Alfred Hospital before the patient is discharged home where he will receive the nursing care required from a visiting RDNS Sister. Sr. Watson is wearing her RDNS winter uniform, which is a blue/grey skivvie worn under a V neck tunic style frock made of herringbone blue/grey winter material.Liaison had occurred between doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS), Trained nurses (Sisters) but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, coordinated discharge and booked the first visit by the visiting RDNS District Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a Hospital.Black and white photograph showing Royal District Nursing Service, RDNS, Sister (Sr.) Barbara Watson who is standing with hospital staff and with a patient who is resting in a hospital bed. On the left foreground of the photograph is Sr. Watson, who has blonde shoulder length curled hair and is wearing her RDNS uniform of a light grey skivvie worn under a darker grey V neck tunic style frock. She has her head turned to the left looking at the patient. Next right stands a Doctor, who is wearing glasses and has short dark hair. He is wearing his hospital white coat over his clothes and has his arms folded across his chest. Next right is another Doctor who is at the head of the hospital bed; He has short dark hair and is wearing his white hospital coat over a grey shirt. black tie and dark grey pants. They are all smiling at an elderly man who is sitting up in the bed resting against a white pillow and looking toward them. He is wearing glasses; has short dark sparse hair and is wearing a dark coloured pyjama coat with some white piping, and a white handkerchief in the pocket. He is looking at the three and has his hands clasped on top of the bedclothes. The hospital bed has a white iron frame and an 'over bed table' is at its foot and in the foreground of the photograph. On the right of the bed is a hospital Sister, who has short dark hair; is wearing glasses and wearing her white uniform dress and cap. She is smiling as she looks toward the patient and Doctors. A hospital curtain is against the wall behind her. Part of a window and curtain are seen on the far left of the photograph.Photographer stamp. Quote No. LA 6 Name of hospital and RDNS liaison sister.melbourne district nursing society, mdns, royal district nursing service, rdns, rdns liaison, sister barbara watson -
The Beechworth Burke Museum
Tool - Cigar Cutter, Unknown
The exact creation of this Cigar Cutter is unknown, however the vintage nature and style of this cutter indicate that it was made in the early to mid 20th century. This cutter closely resembles the V-cut style of cigar cutter. These cutters are the most common type of cigar cutters and have been historically widely used. They cut a 'wedge' into the cigar cap rather than removing the whole cap like guillotine cutters do. This type of cut allows the smoker to get a deep cut into the V shaped cigar. Social history objects held in the Burke Museum help to tell the stories of Beechworth's past by showing the town's social, artistic and cultural community. This cutter shows significance through it's vintage artistic style and it's ability to show the social habits within Beechworth's history. A small bronze metallic cigar cutter with cigar insert on one side of the object and handle on the other side. A01152beechworth museum, cigar cutter, bronze, burke museum, social history -
Melbourne Legacy
Badge, Legacy Appeal Badge - $100, 2015
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $100. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with teal enamel around a torch and wreath. It is a small rectangular shape. It is in a small plastic presentation box with black base, clear cover and black velour tray. Badge has a post and a separate butterfly clutchEmbossed '$100' on reverse.legacy appeal, fundraising, badge week -
Melbourne Legacy
Badge, Legacy Appeal Badge - $500, 2015
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $500. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with dark green enamel around a torch and wreath. It is a small rectangular shape with a post and a separate butterfly clutch. It is in a small plastic presentation box with white base, clear cover and navy velour tray.Embossed '$500' on reverse.legacy appeal, fundraising, badge week -
Melbourne Legacy
Badge, Legacy Appeal Badge - $500, 2015
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $500. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with yellow enamel around a torch and wreath. It is a small rectangular shape with clasp on the back. It is in a small plastic presentation box with white base, clear cover and navy velour tray.Embossed 'AJ Parkes / $500' on reverse.legacy appeal, fundraising, badge week -
Melbourne Legacy
Badge, Legacy Appeal Badge - $1000, 2015
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $1000. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with dark blue enamel around a torch and wreath. It is a small rectangular shape with clasp on the back. It is in a small plastic presentation box with white base, clear cover and navy velour tray.Embossed 'AJ Parkes / $1000' on reverse.legacy appeal, fundraising, badge week -
Melbourne Legacy
Badge, Legacy Appeal Badge - $2000, 2015
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $2000. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with white enamel around a gold torch and wreath. It is a small rectangular shape with clasp on the back. It is in a small plastic presentation box with white base, clear cover and navy velour tray.Embossed 'AJ Parkes / $2000' on reverse.legacy appeal, fundraising, badge week -
Melbourne Legacy
Badge, Legacy Appeal Badge - $5000, 2015
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $5000. The date is approximately 2015 as it was still for sale in 2018. It is in the collection to show the modern equivalent of the older style badges. This style recreates high donation value badges from the 1960s. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is made of gold coloured metal with a gold torch and wreath. It is a small rectangular shape with clasp on the back. It is in a small plastic presentation box with white base, clear cover and navy velour tray.Embossed 'AJ Parkes / $5000' on reverse.legacy appeal, fundraising, badge week -
Ballarat Tramway Museum
Ephemera - Ticket, State Electricity Commission of Victoria (SECV), "Weekly Ticket 1/6d", 1940's?
SECV - 1/6d Weekly Ticket - white card, with black and red printing. Headed with SEC details, punch marks for day of week on the sides, in and out directions and in the centre area of the ticket, overprinted in red, numbers 1 to 8. On rear has availability details, where it can be used, not available on Sunday and ticket number "EA341101" printed on the ticket in black ink. Has been used and possibly ex a tramcar given the condition. Note different style to that held to date (5/2005) for use in Ballarat and Bendigo. Simpler in style than previous tickets, could be 1940's.trams, tramways, tickets, fares, secv, weekly tickets -
Orbost & District Historical Society
curling and crimping tongs, late 19th early 20th century
Used by women and girls to wave or crimp their hair, for styling their hair, hairdressing. The irons are heated and then applied to the hair and wound to form curls. Pre-dates electrically heated curlers.One set of curling tongs made of iron/steel, rusted. The tongs are two shaped metal pieces which clamp together over a tress of hair. One set of crimping tongs. These have two wavy iron shaped metal pieces which clamp over a tress of hair to produce crimpy waves.hair-crimpers-curlers hairdressing heated-curlers -
Warrnambool and District Historical Society Inc.
Badges, Welcome to my home town & I like Warrnambool, C 1970
These two styles of badge are a typical promotional type object used at social and celebratory events in the town.The larger badge type are often used to denote volunteers or helpers at such function. Common social items with which many people would identify.001132.1 .2 .3 .4 There are four identical badges. Large tin badge white with lime green edge. Navy blue text with Warrnambool Victoria logo at the bottom. pin on the reverse. 001132.2 Small tin badge with yellow background with black text. Pin on the reverse.All have a plastic coating on the front.001132.1 .2 .3 .4 Welcome to my home Town Warrnambool 001132.2 I like Warrnambool.warrnambool, i like warrnambool, warrnambool badges, welcome to warrnambool -
Eltham District Historical Society Inc
Postcard - Photograph postcard, O'Callaghan's Bridge, Eltham, c.1925
Based on the women's hat styles, estimated date is circa 1925. This is a replacement of an earlier lower level bridge which had an secondary high level footbridge added in 1917Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 2 Sep. 2022michael aitken collection, eltham, postcards, diamond creek (creek), diamond street, diamond street bridge, o'callaghan's bridge -
Bendigo Military Museum
Headwear - HAT, SLOUCH, Approx 1953
Slouch Hat made 1953 with King’s Crown blackened “Rising Sun” Badge (King George 6th) Square Bash Style. Worn during Korean War EraAustralian slouch hat with right hand side brim turned up and clipped to the body of the hat. Has Blackened Brass Rising Sun badge attached with inscription. Has attached Chin Strap & Hat BandBlackened Brass Badge has an inscription “Commonwealth Military Forces”hat, slouch, passchendaele barracks trust -
Greensborough Historical Society
Domestic object - Butter Churn, 1900c
Paddle-style butter churn used to make butter by beating cream, includes two decorative butter pats and one wooden implement for scraping butter inside churn.Wooden butter churn, consisting of u-shaped container, crank driven flails and lid, with two decorative butter pats and one wooden implement for scraping butter inside churn.butter churns, butter making, butter pats -
Mission to Seafarers Victoria
Photograph - Photograph, reproduction, 1930-1940
As a wedding photograph, this photograph shows the fashions of the time, which can be traced back to the 1930s, based on the length and style of the dress. This photograph shows one of the many uses of the Mission.This photograph shows one of many weddings held at the Mission to Seafarers. The image is relevant to the Mission and the services of the affiliated Anglican Church.This is a copy of a black and white photograph of wedding party in the courtyard at Mission to Seafarers. The bride is wearing an ankle length gown with peep toe shoes and a floral headpiece with veil. The groom is in full naval uniform.Pin hole through the top centre of the photograph.hat, coat, uniform, veil, wedding, dress, suit, courtyard, mission to seafarers, seamen's mission, mission to seamen, wedding dress, flinders street, melbourne