As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs taken by Mitchell Luo Photography of exhibition pieces in situ at the Villa Alba Museum in May 2021.textiles in bloom, exhibitions — villa alba museum, australian heritage festival 2021

Photo of a display of hand made toys (wooden trains, doll cribs, children's chairs, soft balls and dolls made by Victorian school children). Above them is a sign "I'm a set of wheels for a lucky boy". Appears to be gifts at a Christmas party for Junior Legatees. For many years Melbourne Legacy held Christmas parties for junior legatees - the children of deceased servicemen, often hosted by the Governor at Government House. It came from a Legacy envelope marked P7, 1966. It was an early attempt at building an archive. The contents were described in red pen as: 1 Christmas Party / Govt House 2 Toy presentation Dept of Education 3 Residence Christmas party 3 HMAS Cerberus / Operation Float / Operation Firewood (added in blue pen). (these other items will be items 00411 to 00416)A record of the items and events provided to Junior Legatees.Black and white photo of handmade toys.Stored in an envelope marked P7, listing it's contents in red pen and 1966 in pencil.christmas gifts, junior legatee outing

As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs of exhibition pieces in situ at the Villa Alba Museum in May 2021.fashion & design, exhibitions -- kew historical society, exhibitions --- villa alba museum, textiles in bloom, fashion - nineteenth century, fashion -- twentieth century, textiles - nineteenth century, headwear -- twentieth century

Final pages of photo album (Cat. No. 01588) about the life of L/ Donovan Joynt VC. The typed pages are an address given by Legatee Fred Holdsworth at the Comradeship Hour, Legacy House on Tuesday 24 October 1989, after L/ Joynt's death. It was also printed in the Melbourne Legacy Bulletin (Cat.Nos. 01599, 01599(2), 01599(5). It includes the citation of the VC awarded to Joynt in the first world war. The photos are of an event held at Legacy house with L/ Joynt uniform that was being donated to the Australian War Museum. Newspaper clippings (see also Cat. Nos. 01352 and 01355) round out the text (Cat.Nos 01599(3) and 01599(6), together with two colour photographs (Cat.No. 01599(4)). See also Cat Nos. 01602-01604.Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian and indicates the esteem in which Joynt was regarded at Melbourne Legacy.White A4 paper x 3 pages with black type an extract from the Bulletin with an article to say farewell to L/ Joynt.donovan joynt, biography, citation

An unattributed report dated 18/04/1972 to be read in conjunction with Cat. No. 01670. The report gives details of the situation at that date and projected changes to the functions of the residences, occupancy rates, costs and likely trends in accommodation needs. It explores at length auxiliary and alternate accommodation such as the Salvation Army, YMCA, YWCA and church hostels, before offering future options: (i) to carry on using Harelands, Stanhope and Blamey House without change, (ii) move working girls and boys to YWCA/church hostel or YMCA/church hostel, converting Stanhope to a co-ed residence for over 14s attending school, maintaining Harelands as a co-ed residence for under 14s, and releasing Blamey House. These changes to take place when the number of residents over the age of 14 falls below 34 in two consecutive years.Part of the history of Melbourne Legacy's involvement with residential care for children.White foolscap paper x 6 pages, with black type. Two holes punched for filing, and 2 add-ins. Page 1: Handwritten in pencil: 'Discussed with J. Chancellor 18/4/72', 'DRAFT 18/4/72 see later Draft 19/4', under Occupancy '74' is circled and '72' written next to it. Handwritten in blue biro: '(This report has been updated under the heading of Occupancy to include 1971 figures)', '(a) Junior Legatees' added under 3. Page 2: Handwritten in blue biro: '(b) Costs of Maintaining Residences added under #3, 'ER' added in pencil to 'high' near bottom of page. Page 3: Handwritten in pencil: 'should' changed to 'could' on line 4, lines 5-8 annotated 're other organisations', 'gratified' changed to 'qualified' in blue biro half way down the page. Page 4: figures for apprentices and total pencilled into table and two pencilled lines have been added to para 4. Page 5: 'There being approximately 15 under 18 years' in blue biro inserted in Line 13. Page 6: 'Insert 7' pencilled in front of '7.', which is changed to '8'. Page 7: '8' changed to 9 in pencil, 'problem cases' written at the end, and '(over the age of 14)' inserted in blue biro on the penultimate line. 01672(8): in blue ink: 'members' changed to 'numbers', and 'fill' changed to 'fell'.residences, review, blamey house, harelands, stanhope

A report by the Future Requirements Committee dated 11 October 1978. The Committee members were(Chairman): I.W. Anderson, E. Cohen, A.N. Kemsley, L.D. King, J.M. Poulton, R.L. Simmons The Committee notes that its recommendations would probably be resisted by some Legatees but were necessary to meet the changing needs of dependants. They highlighted cancelling the supply of firewood, cessation in 1978 of the Badge Day appeal in Melbourne and the special Christmas promotion, and the Christmas Garden Party at Government House. Boys and Girls classes to be phased out, and Blamey House and Stanhope residences to be closed in 1979-80, with dental care to cease in 1980. They also recommended that more use should be made of labour available from ALL Legatees, and Legacy staff should be strictly monitored as the changes were brought into effect.After two World Wars, Melbourne Legacy recognised that the need for their traditional services was changing and they needed to be vigilant about the transparency of their expenditure.5 photocopied foolscap pages - poor qualityPage 1: 'Copy President from ER' in red ballpoint, 'H53' in blue ball point, 'B' in black.review committee, planning

This is a set of 12 photographs of contractors constructing Lithographic Squadron’s new Printing Building at Fortuna, Bendigo circa 1989. The building was purpose built to house a new computer-controlled Heidelberg Speedmaster five colour lithographic offset Printing Press. The print room was named Wayzgoose Hall after a medieval printing house festival. Wayzgoose Hall and the Speedmaster Press printing capability was commissioned by the Commander of the 3rd Military District BRIG P. Davies AM, ADC on Wednesday 27th June 1990. This occasion is covered in more detail in page 145 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6131.18P and 6444.16P for photos of earlier phases of the construction process.This is a set of 12 photograph of the construction of Lithographic Squadron’s new Printing Building, Army Survey Regiment at Fortuna, Bendigo, c1989. Colour photographs are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .2) - Photo, colour, 1989. Old stone retaining wall .3) to .12) - Photo, colour, 1989. Construction of new printing building.No personnel are identified. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn, printing

Designed by Raymond Lavender, American Printing House for the Blind, it was produced between 1962-1982. A modernized Braille writer, the Lavender allowed the paper to exit through the cover in a way similar to a typewriter. The keys are rectangular and the design is compact with no protruding parts. The cover, which is an integral part of the design, snaps on the case. The case and cover are made of Cycolac, a high impact resistant plastic. After the writer was in use for some time, it was discovered that the plastic material tended to warp and production was discontinued. (Information from the American Printing House for the Blind website). Lavender Braille Writer consisting of an oblong shaped structure made out of a beige coloured metal base with cream coloured keys and a beige coloured hard plastic cover. Braille letters are achieved by punching the various keys. A metallic handle is included.Beige coloured plastic rectangle object with cream buttons and silver returns lever with covering boxbraille equipment, assistive devices

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989. The book "The First of its Kind" was published in 2015. Printed in Bendigo by "Bendigo Modern Press". To pages of typed recollections written by Merle (Brighton) McRae entitled "The Nursing Bursary" for the book "The First of its Kind" Merle was at the NDSN and Mildura Base Hospital (MBH) for the period 1956-59, PTS 29.NDSN - two pages of recollections entitled "The Nursing Bursary" for the book "The First of its Kind" written by Merle (Brighton) McRae at the NDSN and Mildura Base Hospital (MBH) for the period 1956-59, PTS 29. submitted by Merle McRae 18 Morrison Street, Bairnsdale, Victoria 3875.all documents were regarding the compilation of the ndsnga inc. book "the first of its kind"., two typed pages

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989. The book "The First of its Kind" was published in 2015. Printed in Bendigo by Bendigo Modern Press. NDSN - newspaper cuttings (2) of graduation photograph and text for eight nurses with the Director of Nursing from Bendigo Advertiser Thurs. 2 June 1966 for the NDSNGA Inc. publication - "The First of its Kind". NDSN - newspaper cuttings (2) of graduation photograph and text for eight nurses with the Director of Nursing from Bendigo Advertiser Thurs. 2 June 1966 for the NDSNGA Inc. publication - "The First of its Kind". Director of Nursing Miss Ruth Baker Graduating Nurses: Sheila MacKenzie, Robyn James, Marilyn Clark, Helen Branson, Joy Linton, Brenda Robertson, Joyce Tonkin and Rana Cable.all documents were regarding the compilation of the ndsnga inc. book "the first of its kind"., single hand-written page of reflections

Originally designed in 1857 and extended to the further designs by Bendigo Architects Vahland and Getzschmann, Emil Mauermann and William Beebe the original two story house expanded over time as Lansell's fortune increased and the subsequent mansion was built adjacent to the New Chum Reef and mine from which most of his wealth was yielded. Fortuna remained in the Lansell family for twenty nine years after George died and was sold by auction for demolition in 1934 only to be saved to become a reception house. In 1942 the Army acquired a lease for wartime mapping and occupied the site until 2008. It is now in private hands with the surrounding land being divided for housing. George Lansell was commonly known as 'Australia's Quartz-King' and director of thirty-eight mines with some link with almost every mine in Bendigo.A4 size tour booklet outlining the history, use and architectural features of Fortuna Villa which was purchased by George Lansell in 1860. mayor william beebe, george lansell

The handkerchief was on display at Flagstaff Hill reception area from 2008-2105 as an example of fine needlework with a lace pattern typical of the early 1900's. During that era the house mistress would often carry two handkerchiefs, one for blowing her nose and one out on show, perhaps in an apron pocket.This handkerchief is an example of fine handmade needlework. It is also an example of women's fashion accessories in the late 19th and early 20th century.White starched silk handkerchief, square shape, very soft fabric edged with 5cm embroidered net lace. Net was embroidered as a strip then joined at corners. The design is backstitched then the lace has been joined to the fabric using blanket stitch. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handkerchief, lace handkerchief, woman's handkerchief, women's accessory, silk handkerchief, fine handcraft, needlecraft, ladies' handkerchief, 1900s

In 1999, an archaeological dig was undertaken at the Viewbank Homestead site in Viewbank. The house was built c1840 by James Williamson; it was later purchased by George Gear as a wedding gift to his daughter on her marriage to Dr Robert Martin. It became a grand mansion in the late 1800s but by the 1920s, it was stripped bare of materials and demolished in the 1920s. The archaeological dig was and insight into early life in the Viewbank HomesteadCopy of news clipping, black and white text and images.viewbank homestead, banyule road viewbank, viewbank, archaeological digs

In 1999, an archaeological dig was undertaken at the Viewbank Homestead site in Viewbank. The house was built c1840 by James Williamson; it was later purchased by George Gear as a wedding gift to his daughter on her marriage to Dr Robert Martin. It became a grand mansion in the late 1800s but by the 1920s, it was stripped bare of materials and demolished in the 1920s. The archaeological dig was an insight into early life in the Viewbank HomesteadMagazine clipping, colour text and images.viewbank homestead, banyule road viewbank, viewbank, archaeological digs

During the Open House Melbourne 2011 artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. The original large print was on display and smaller prints were also sold to raised funds for the Mission. The postcard was printed as a marketing to raise awareness of the work of the Mission.The postcard llustrates the typical early 21st services such as money exchange, modems, sim cards et al and facilities such as a free bus service and collection available through the Mission. Also documents the continuity of services offered to Seafarers over 100 years in the current building at 717 Flinders St (1917-2017).Full colour promotional and information postcard featuring artwork collage print ( MTSV 0650) on one side and black on white information about the Flying Angel Club on the reverse.flying angel club, flinders street, mission to seafarers, seamen's mission, artist 586, open house, fundraising, marketing

For Ship To Shore newsletter published in Autumn 2004. Depicts both Reverend Dalling and Mrs Marjorie Duckett (nee McLellan) a key supporter of MTS who worked with Opportunity shop in Williamstown raising funds for the Mission to Seafarers. The house of the Duckett family of Riversdale, Hawthorn was host to seafarers for picnics and outings in the 1920s.Mrs Duckett nee Maclennan was linked to families of both names who according to membership records appear to have provided long standing support to the Mission through much of the 20th and into the 21st century. Colour photograph of Peter Seamen, his wife Robyn, Marjorie Duckett and Reverend Bill Dalling in the club of the 717 Flinders Street MissionFrom Left to right: Peter Seamen, his wife Robyn, Marjorie Duckett and Reverend Bill Dalling.chaplain, marjorie duckett nee maclennan, robin seamen, robyn seamen, peter seamen, reverend bill dalling, mission to seafarers, flinders street

Looking west over Pope's paddock to Main Street. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.popes paddock, main street greensborough, blackjack

Greensborough near Plenty River bridge and football ground. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough and was the home of the Robinson family to late 1956. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.robinson family, plenty river, blackjack

Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.Digital copy of black and white photograph.maria partington, partington family

Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.maria partington, partington family

Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.maria partington, partington family

Prudence Partington was born in 1858 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parents’ deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.prudence partington, partington family

Prudence Partington was born in 1858 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parents’ deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.prudence partington, partington family

Prudence Partington was born in 1858 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parents’ deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.prudence partington, partington family

Prudence Partington was born in 1858 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parents’ deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.prudence partington, partington family

This meter belonged to the State Electricity Commission of Victoria. This meter measured the power used by all the houses in Mount Beauty and provided an inked one month period chart. This information was used to quantify and pay for the power consumption to the Transmission and Generating Department from the Distribution Department which then went on to bill local consumers.The State Electricity Commission of Victoria constructed the Kiewa Hydro Electric Scheme from the late 1930's to the 1960's. The construction towns of Bogong and Mt Beauty used electricity which was measured by this meter resulting in billing customers for the power they used.Black box with black painted wooden frame top and bottom screwed on holding clear glass at the front so that the instruments can be seen. A metal cylinder is at the bottom of the instruments with a connecting rod to the 7 digit meter in the middle of the instrument panel. In the middle of each end of the front of the box are 2 screws with knobs wound on. 22KV. BK. summation Chart 0-1 x 100,000state electricity commission of victoria. meter. transformer summation. kiewa hydro scheme. mt beauty. power. electricity.