Showing 4910 items
matching costume.
-
Melbourne Legacy
Photograph, Annual Demonstration 1947, 1947
Black and white photo of boys in an Annual Demonstration in 1947. The boys are in gymnastic outfits with dark belts. They are climbing on equipment and each other, making a human pyramid. It was published in the newsletter in December 1947. It was in an album of press photos taken during dress rehearsals from the 1940s and 1950s. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of boys performing gymnastics on stage during a Demonstration.junior legatees, demonstration, annual demonstration, boys classes -
Melbourne Legacy
Photograph, Annual Demonstration 1946, 1946
Black and white photo of boys in an Annual Demonstration in 1946. The boys are in gymnastic outfits, two are performing handstands and another is getting ready to climb. Was in an album of press photos taken during dress rehearsals from the 1940s and 1950s. The photo was published in the newsletter in December 1946. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of 3 boys performing gymnastics on stage during a Demonstration.junior legatees, demonstration, annual demonstration, boys classes -
Melbourne Legacy
Photograph, Annual Demonstration 1963, 1963
Photos of the Melbourne Junior Legacy Annual Demonstration at the Melbourne Town Hall in September 1963. They include a scene of a canoe with junior legatees dressed as Native Americans. There are ballerinas dancing, and children marching and making formations. Also gymnastics demonstrations. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration.Black and white photo x 33 of the Annual Demonstration in 1963.junior legatee, annual demonstration, costumes, ballerinas -
Melbourne Legacy
Slide, Annual Demonstration 1960, 1960
Colour slides of a demonstration at the Olympic Swimming Pool stadium in 1960. They have a windmill in the routine and some have Dutch costumes. More slides from the 1960 demonstration are catalogued separately. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of different routines in an Annual Demonstration at the Olympic Swimming Pool stadium.Colour slides x 3 of a Demonstration routine with a windmill at Olympic Swimming Pool, in a cardboard mount.Handwritten on front 'Demo 1960' in blue pen and one has '7' on it.annual demonstration, marching, girls classes -
Melbourne Legacy
Uniform, Girls Uniform
A green tunic made for junior legatees to attend girls' classes. It is in great condition and is an excellent example of the uniforms used at Legacy classes. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. Melbourne Legacy would then conduct Annual Demonstrations to showcase their skills. Legacy provided uniforms free of charge for all girls attending the classes. Typical of the time the tunic appears hand made but many mothers and legatee wives would have been capable of making uniforms as they also made many of the costumes for the annual demonstrations. The tunic was donated back to Legacy from the family of Estelle Du Lieu, nee Mutimer.A fantastic example of a uniform that was a symbol of membership of Legacy classes.A green cotton tunic with a Junior Legacy Club emblem used by junior legatees in Girls' Classes.girls classes, uniform, jlc -
Melbourne Legacy
Document, Thank you note to donors and a flyer, 1965
A copy of note that was given to donors to thank them for their donations it was sent with their receipt. Was part of a folio of proforma stationery from the 1960s. The flyer gives some information about Legacy House. It mentions the facilities available for the benefit of widows and children. Including two large well equipped gymnasia which are attended by more than 700 junior legatees each week. A dental clinic were Junior Legatees under 17 years of age are able to receive free dental examinations and treatment. Free medical examinations are carried out here too. Meeting rooms for Junior Legacy Mothers' Club and Senior Widows Club (those over 50 years of age). When printed the Senior Widows Club numbered more than 5,200. It mentions room for fetes run by a number of auxiliaries to raise funds. Also a sewing room fitted with 5 electric sewing machines to make costumes for the Annual Demonstration. A well equipped library for use of the Junior Legatees. A ladies lounge and television room where widows may rest when visiting the city. Rooms for speech training and mathematics coaching classes. A maintenance workshop where all sporting and general equipment used by widows and children can be repaired and/or constructed. Sundry committee meeting rooms where members of Legacy meet to consider and find solutions for the many problems which arise in respect of the families they care for. Sundry equipment and costume storerooms. Office accommodation for permanent staff including welfare and pension officers. Was compiled in a folio of proforma stationery. A similar set of proformas are at 00338.A record of forms and items used in Legacy's business practices in the 1960s.Yellow brochure thanking donors and a flyer about Legacy pasted on brown paper from a folio of forms and brochures from the 1960s.Pencil mark '1960/1'.proformas, stationery, forms, dureau house -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Booklet - Madame Weigel's Journal of Fashion, A Delightful Home Journal June 1 1937, c1937
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she used these patterns to make clothes etc.for her family and the Choral Society. Madame Weigel who migrated to Melbourne in1877 with her husband Oscar; began publishing in 1878 and distributed paper patterns of the latest fashions, throughout Australia and New Zealand, She and Oscar became the first commercial manufacturers of paper patterns in Australasia, and to publish Weigel's Journal of Fashion (1880-1915) and Madame Weigel's Journal of Fashion (1915-1950). Madame Weigel had an enormous following of women who used her patterns across the generations, and across the life cycle from babies to 'matrons'. Madame Weigel died in 1940 aged 92 years. Finally, after 91 years of business and millions of patterns sold, Madame Weigel's paper pattern business closed in 1969.Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and used these patterns for clothes etc for members of her family and the Choral Society. Madame Weigel was one of the most remarkable of early Australasian business women.A black and white booklet of 37 pages with advertisements, sketches, articles, photographs, knitting,crochet and tapestry instructions, dressmaking patterns and recipes. Volume LV111 pages 122 - 159 completeFront Cover ; Registered at the General Post Office Melbourne for transmission by post as a Newspaper / 4d / Published Monthly / MADAME / WEIGEL'S / JOURNAL OF FASHION / Vol LV111 No. 688 / A Delightful Home Journal / JUNE 1, 1937 / 58th YEAR OF PUBLICATION / Illustrated at Right - / Crocheted Cushion of / Unusual Design./popular Bed-Jacket. / ( Daisy Wheel Design) /Illustrated at Left - FREE Pattern ; / Lady's Costume Coat. / 34 Inches Bust Meas. Back Cover : Advertisement for Bushells Blue Label Tea / Printed and Published by Geo. Humphries for Madame Weigel Pty Ltd , Lennox and Rowena Sts., Richmond. Vic.haberdashery, cotton, lace, pillow cases, sheets, clothing, dressmaking, needlework, market gardens, dairy farms, lacework, craftwork, moorabbin shire, bentleigh, moorabbin, cheltenham,reed gladys, clark judy -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: RHSV COSTUME DINNER BALL, 4th July, 1981
Small Yellow card. Royal Historical Society of Victoria Bendigo Branch 'Alexandra' Costume Dinner Ball Programme City Hall Saturday, 4th July, 1981. Wedderburn Old Timers Orchestra Programme Master of Ceremonies: Mr. Peter Ellis 1. Grand March- Pride of Erin 2. The Schottische 3. Evening Three Step 4. One Step 5. Valetta Waltz 6. Barn Dance 7. Gay Gordons 8. Pride of Erin 9. The Alberts 10. One Step 11. Princess Polka 12. Parma Waltz 13. Maxina 14. Medley 15. Waltz Cotillions 16. Barn Dance (Monte Carlo) 17. Gipsy Tap 18. Circular Waltzperson, individual, peter ellis oam -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: SET OF PHOTOS
Page with copies of five black and white photos and the back of a postcard. Four of the photos are of a lady and a man dressed in clowns costumes and the fifth is a group of eight. Photo one is Charlie Smith and Beat Bennett; The second is Elsie Fraser and Alf Bennett, The third is Elsie Wandell and Herb Pain, the fourth is the group - Elsie Wandell, Charlie Smith, May Bennett, Alf Bennett, Else Fraser, Bill Holden, Beat Bennett and Arthur Wylie. The fifth is Arthur Wylie and May Bennett. At the bottom of the page is a copy of the back of the postcard - Printed on the back is: The Lockwood Photo Card, Studio Geelong. Written on the back is (Nolting), Fancy Dress', E Fraser A.B.C., Geelong, 1914. Age 23 written in the stamp place.The Lockwood Photo Cardphoto, group, people in costume, peter ellis collection, charlie smith, beat bennett, elsie fraser, alf bennett, elsie wandell, herb pain, may bennett, arthur wylie, bill holden, the lockwood photo card -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: SPORTS TEAM 1973
8 black and white photos, mounted on rigid board, Sports Team 1973 Laurel Street Golden Square Primary School students. Students are un-named but name of team placed in front of image. (a) Netball A, 1973 9 girls seated in front of school building;(b) Div Winners 1973 ( sport unnamed) 19 students; c. Athletics 1973 50 male students; e. Athletics 1973 female team; e. Football 1973, 23 boys, male teacher on LH side; f. Swimming 1973, 9 girls in bathers, seated g. Swimming 1973 g. Swimming 1973, 22 boys in swimming costumes, h. Netball B. 8 girls in netball tunics.bendigo, education, golden square primary school, golden square primary school, 1973 -
Bendigo Historical Society Inc.
Photograph - VAL CAMPBELL COLLECTION: PHOTOGRAPH OF CAROLINE PYSING, 1988-1992
Colour photo of Caroline Pysing standing on a dais. She is wearing a navy and white swim costume and has a medal on a cord around her neck. Written on the front of the photo: Caroline Pysing 1st 1988 10yrs Brst. All Jnr 1989 Brst. All Jnr 1990 3rd. All jnr finals 1991-92. Written on the back of photo: Caroline Psying 1st medal 1988 10 year old. All Junior Finals 1989 Breast. All Junior Breaststroke 3rd 1990. All Junior Final 1991 Breaststroke All Junior Final 1992 Breaststroke Country Breaststroke 3rd 1990 Country Relay Team 1990 Caroline Pysing Genia Axell Kath Barber Jenny Barberrecreations, sports, swimming -
Orbost & District Historical Society
badges, 1918
The Henley on Snowy was a water carnival held on Saturday, 14th December, 1918. "It included a procession of decorated cars, buggies, etc., fancy costumes and sets, which left the township at 12.30. At 1 p.m. there was a speculator display of decorated boats. A luncheon, also afternoon tea and tea, was served by the ladies of the Red Cross, and the stalls were in the hands of the Comforts Fund girls." (ref Snowy River Mail 8.11.1919) Half of the proceeds were to go to the local Repatriation fund, the other half to be divided equally between the Y.M.C.A. and the Comforts' League. Unfortunately the carnival was not as successful as promised and the funds raised were not substantial. (More info. from O.D.H.S. May 2008 Newsletter by John Phillips)These badges are part of a historical local event. Two small paper Local Repatriation badges. They have a picture of a boat on the Snowy river and "Henley on Snowy- Orbost". 554.1 has a ribbon attached.henley-on-snowy water-carnival repatriation-funds -
Melbourne Legacy
Programme, First Annual Physical Culture and Eurhythmic Demonstration 1928, 1928
Programme of the first Legacy Demonstration at the Melbourne Town Hall on 28th March 1928. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Demonstration arranged by the Chairman of the Gymnasium Sub-Committee (Legatee Aaron Beattie) in conjunction with Mrs Gilles (Hon. Directress Girls' Section) and James Tierney FPCV (Chief Instructor Boys Section).A record of the first annual demonstration.Printed programme for 1928, purple cover with gold print and cream paper with black text. Stamped in purple ink 'The Property of Melbourne Legacy'.annual demonstration, junior legatee -
Melbourne Legacy
Photograph, Annual Demonstration 1962, 1962
Photos of junior legatee girls demonstrating dance, gymnastics, and marching at the Annual Demonstration. Melbourne Legacy, Junior Legatees conducted Annual Demonstrations/Parades from 1928 through to the late 1970's, usually at the Melbourne Town Hall. These photos are at the Olympic Swimming Stadium, which was used in 1959 to 1962. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Was found in a brown bag marked '1962' in blue pen.A record of a Junior Legacy Annual Demonstration. Black and white photo x 11 of the Melbourne Junior Legatees Annual Demonstration held at the Olympic Pool Stadium on Friday, 28th September and Saturday, 29th October, 1962. junior legatee, annual demonstration, girls classes -
Kew Historical Society Inc
Clothing, Floral Crepe Georgette Summer Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s -
Kew Historical Society Inc
Clothing, Floral Crepe Georgette Summer Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart -
Melbourne Legacy
Photograph, Annual Demonstration 1962, 1962
Photos of junior legatee boys demonstrating trampolining, gymnastics, basketball and judo/martial arts at the Annual Demonstration. Melbourne Legacy, Junior Legatees conducted Annual Demonstrations/Parades from 1928 through to the late 1970's, usually at the Melbourne Town Hall. These photos are at the Olympic Swimming Stadium, which was used in 1959 to 1962. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Was found in a brown bag marked '1962' in blue pen.A record of a Junior Legacy Annual Demonstration. Black and white photo x 5 of the Melbourne Junior Legatees Annual Demonstration held at the Olympic Pool Stadium on Friday, 28th September and Saturday, 29th October, 1962. junior legatee, annual demonstration, boys classes -
Melbourne Legacy
Photograph, Annual Demonstration, 1945
Black and white photo of a massed group on the Melbourne Town Hall stage during an Annual Demonstration. The boys and girls are either side of a Legatee W Perrin. The year is assumed to be 1945 as the Legatee making the speech is William Perrin who was President in 1945. It is in an album that was a collection of press photos taken during dress rehearsals from the 1940s and 1950s. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of a massed group on stage during a Demonstration with President Perrin.junior legatees, demonstration, annual demonstration, girls classes, boys classes, perrin -
Surrey Hills Historical Society Collection
Photograph - Mrs Ethel Cerini in costume for 'The Quaker Girl'
Mrs Constance Clucas, a talented musician in the Holy Trinity choir, started 'The Surrey Hills Operatic Society' in 1931. She trained members of the Society to concert standard. Mrs Clucas produced operettas for some ten years. Titles included 'The Arcadian', 'Princess Ju Ju', 'The Quaker Girl', and 'Miss Hook of Holland'. Local musicians formed the orchestra which was extended for the concert presentation by a few guest artists among whom were locals Marion de Saxe, a flautist, and Fred McBeath. Rehearsals were held in the Surrey Hall and a small Canterbury Road Lodge Hall with final staging in the Surrey Hall and Camberwell Town Hall. Scores and costumes were hired from J. C. Williamson.The photo is reflective of the cultural life of Surrey Hills in the 1930s.A sepia coloured photograph of a lady standing in a garden dressed in a peasant looking outfit and holding a (?) feather duster. She is wearing a hat in traditional Dutch-style.(mrs) constance clucas, holy trinity choir, churches, surrey hills, (ms) marion de saxe, (mr) fred mcbeath, the surrey hall, canterbury road lodge hall, (mrs) ethel cerini, camberwell town hall, surrey hills operatic society, 1930-1939 -
Kew Historical Society Inc
Clothing - Blue Silk Day Dress, 1860-1863
Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. One-piece, floor length blue silk day dress with a bell skirt that is slightly longer at the back. The dress is joined, centre-front with hooks and eyes. It is probable that the 19th century cream-coloured lace on the bodice and cuffs is a later addition. The lace extends in a long loop at the font of the skirt. The bodice has a high round neck, later modified to a V-shape. The dress must at one stage have been reconfigured or strengthened at the join of the bodice and skirt, as there is evidence of the use of new machine stitching. The dress is fully lined with a stiffened cotton lining fabric. Apart from minor staining, the dress is in excellent condition. The dress is the earliest complete costume in the collection. Measurements - 145.0 cm (centre back) 25.0 cm (waist, flat)Nilcoombs collection, fashion - 1860s, women's clothing, costumes, daywear -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS: STABLES ON GODGREYS HOMESTEAD
Black and white photo of Mr Henry Godfrey and his sons along with Prince Charlie of the Jajoweroung or Loddon Tribe. The group are standing in front of wooden stables with a window in the roof above the open door. One son is on a horse and the other is holding the reins. The boys are both wearing hats and are dressed in stockings and breeches. Mr Godfrey is the background wearing a hat riding boots, breeches and a 3/4 coat. In the front to the left is Prince Charlie holding two spears and is in native costume. At the bottom of the photo written in black ink is: Stables on Godfreys Homestead - Lake Boort - On the back of the Photo is written in clue Ink "Stables on Godfrey's Boort Homestead, Lake Boort, November 1863. W. Henry Godfrey and his sons, with "Prince Charlie" of the jajoweroung or Loddon Tribe.photo, group, godfreys homestead, stables on godfreys homestead, lake boort, prince charlie, henry godfrey and his sons. -
Bendigo Historical Society Inc.
Slide - PETER ELLIS COLLECTION: SLIDE, May 1970 - Jan 1972
Coloured slide transparency. Image is of a male and a female standing together dressed in costume. She is wearing black pants and a blue and white striped top with a blue belt and sword around her waist and pink neckscarf. Her hat is a black tricorne with a white skull and cross bones insignia and she has a hook on her left hand. She is wearing a black eye patch and black beard and a pink parrot is on her left shoulder. He is dressed in dark pants, longsleeved top and short sleeved jacket. He has a beret with a feather on his head, a glass in his right hand and a stick in his left hand. On the lower edge of the white border the words Fancy Dress Party Mr and Mrs Robin? Physics led have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology -
Nillumbik Shire Council
Ceramic (bowl): Alexandra COPELAND, Alexandra Copeland, Vanity, 1/9/1994
This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette -
Kew Historical Society Inc
Clothing - Silk & Lace Bed Jacket, c. 1902-11
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is significant as it is part of 25-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. An Edwardian slik, net and broderie anglaise bed jacket, bought by and worn by Edith Mary (Betteridge) Weir. Given the date of the item, the jacket was initially worn in Broken Hill where the Weir's lived, when her husband was Manager of the North Broken Hill Mine and later brought to Kew, ca. 1917 when the Weirs moved to Princess Street, Kew. The jacket was gifted by Edith Weir's grandaughter. It forms part of the Society's Weir Collection.edith mary weir (nee betteridge), 84 princes street (kew), costumes, fashion & design collection - kew historical society, women's clothing, weir collection -
Kew Historical Society Inc
Photograph - The Weir family of Broken Hill, Sykes Studio, c.1914
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of the two Weir parents and their children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of George and Edith Weir and their five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: Cecil Rigby Weir (1904-1983), Edith Mary Weir (nee Betteridge) (1867-1948), Edith Rigby Weir (1899-1981), John Rigby Weir (1910-1971), George Weir (1866-1937), Horace Rigby Weir (1907-1988), and George Rigby Weir (1901-1927). [John Rigby Weir was the father of the donor]weir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill -
Kew Historical Society Inc
Photograph - The Weir family of Broken Hill, Sykes Studio, c.1914
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of Edith Mary Weir and her children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of Edith Mary Weir and her five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: John Rigby Weir (1910-1971), Edith Mary Weir (nee Betteridge), Cecil Rigby Weir (1904-1983), Horace Rigby Weir (1907-1988), George Rigby Weir (1901-1927), and Edith Rigby Weir (1899-1981). [John Rigby Weir was the donor's father].Stykes Studio / Broken Hillweir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill -
Kew Historical Society Inc
Photograph - George and Edith Weir, Yeomans Studio, 1891
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.An early studio portrait of Edith Mary Weir (nee Betteridge) & George Weir c. 18/11/1891. The family story is that the photograph was taken by Yeomen photographers, of Burke St East, Melbourne about the time of their wedding prior to sailing on a ketch to Strachan, Tasmania.Print copy of an oval studio portrait of George Weir and Edith Mary Betteridge. In the portrait, George is seated while Edith stands to his right, holding a cockade fan.weir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge) -
Federation University Art Collection
Print - Printmaking - Lithograph, Tulloch, David, 'Great Meeting of Gold Diggers Dec 15th 1851' by Thomas Ham, 1852
One of the first large goldfield meetings was at Castlemaine in 1851. After the extraordinary success of the Mt Alexander Diggings the Government issued a proclamation, raising the licence fee from thirty shillings to three pounds. As soon as these intentions became known a public meeting of miners was held. For miles around work ceased, with diggers travelling as far as Bendigo to attend the meeting. It is estimated that around 18,000 people attended the meeting. The notes with the engraving state The trees in this locality are chiefly Stringybark; some of them are peeled of their covering, as many persons prefer erecting bark huts to living in a comfortless tent. The various groups, and costumes of the men, are characteristic of our gold digging community. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colour lithograph of a meeting of diggers at a meeting in Mt Alexander. The meeting was the result of goldfields agitations against the license fee. lower centre "Great Meeting of Gold Diggers Dec 15th 1851" lower left side "Drawn By D. Tulloch" lower right side "Engraved by Thomas Ham"art, artwork, ham, thomas ham, tulloch, castlemaine, goldfields agitation, printmaking, edition, coloured lithograph, david tulloch, gold pan, shovel, wheelbarrow, waggon, bark hut, ring barked tree, gold mining -
Kew Historical Society Inc
Footwear - Pair of leather soled silk wedding shoes, 1891
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.These shoes are significant as they are part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. Pair of ivory silk shoes, worn by Edith Mary Betteridge at her marriage to George Weir in Broken Hill in 1891. The shoes were worn with her ivory silk wedding dress.edith mary (betteridge) weir, 84 princess street (kew), footwear, women's shoes, wedding shoes -
Kew Historical Society Inc
Clothing - Black Chiffon Scarf with Multicoloured Silk Embroidery, c. 1926-1931
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This scarf is part of a 30-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, shoes and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir in 2017Very long, doubled chiffon evening scarf with a silk tassle at one end and multicoloured hand embroidered flowers at the other. The scarf was owned by Edith Mary Weir.edith mary (betteridge) weir, 84 princess street -kew, australian fashion, scarfs