Ship to Shore was first printed in 1997. Inspired by the Jottings From Our Log, this modern version is generally published quarterly (Summer, Autumn, Winter, Spring) Articles are written by the mission's staff and give updates about shipping and seafaring news, staff, events, board Committee, heritage. It is sent by post or email to supporters, members, volunteers and friends of the mission. It is also available to the public in the Flying Angel club and online on the website.Ship to Shore is a valable source of informationship to shore, mission to seamen, mission to seafarers, flinders street, melbourne, victoria, news, events, art prize, exhibitions, concerts, open house, seafaring life, shipping, sailors, seamen, sponsors, marketing, festival, flying angel, staff, chaplains, heritage, collection, archives, maritime art prize, sue dight, 2021, community, docklands, covid 19, vaccination, covid vaccine, xmas, christmas, pandemic, simon burton, welfare, board members, james volum (1803-1884), weddings, heidintatha kunoo, heidin kunoo, john sanderson, archbishop philip freier, beanies, donations

2 postcards advertising for the exhibition of photographs curated by Uma Kothari. One displays the Mission around 1925 and the second the Mission in 2018.pr uma kothari, now and then, exhibitions, 2019, university of melbourne, university of manchester, nicholas walton-healey

In 2008, the photographer Simon Terrill, organised a photo shoot of a crowd in the industrial port of Melbourne. The photographs were exhibited in the Norla Dome. The film tells about the making of the photo shoot and documents the exhibition.crowd theory, 2008, norla dome, the port of melbourne, simon terrill, footscray community arts centre, mission to seafarers

This series of photographs captures life at sea and the conditions on the ship M/S "Mongabarra" in 1950. This photograph was reproduced and exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is part of the Allan Quinn collection, which is a pictorial autobiography, and it represents one of many moments of his time abroad as a seafarer.Black and white photograph of the M/S "Mongabarra" Goteborg in Eriksbergs dockyard, Gothenburg, Sweden. The ship is directly in the middle of the photograph taking from the very front of the ship in the dry-dock. There are several ladders lined up along the left-hand side of the ship beginning from the ships front. There are several wooden planks lying on the ground in front of the ship and walls either side of the ship.ship, sweden, mongabarra, allan quinn collection, allan quinn, gothenburg, drydock, shipyard, dockyard, eriksbergs, letters-from-abroad

"Crossing the line" ceremonies were routinely conducted when a crew member made their first crossing of the equator. This photograph depicts aspects of that ceremony and, as Allan Charles Quinn is the photographer, it is obviously not his first crossing. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting aspects of the life of a young man who went to sea in the period immediately following World War II.Black and white photograph depicting aspect of the "crossing the line" ceremony performed at sea on the Ariston. This ceremony was performed to mark a person's first crossing of the equator.Black ink on reverse: Crossing the equator 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston, letters-from-abroad

"Crossing the line" was an important maritime ritual and denoted the first crossing of the equator by a sailor. This photograph has been taken by Allan Charles Quinn and obviously is not his first crossing but depicts aspects of the ceremony, in particular the way in which crew members would dress up to represent King and Queen Neptune. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the "crossing the line" ceremony aboard the Ariston in 1946. Crew members are dressed as King and Queen Neptune.Black ink on reverse: Crossing the equator/ 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston, letters-from-abroad

This photograph shows a scene from the first time Allan Charles Quinn attended Carnival in Rio. Although having made several trips to South America previously, he had not experienced Carnival before. The photograph is also complemented by a letter written to his mother including a description of Carnival. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.The Allan Charles Quinn collection forms a pictorial autobiography of life at sea for a young man in the period immediately following World War II. The collection also includes a series of letters between Allan and his mother, some explaining the photographs and some talking about other experiences or mundane situationsBlack and white photograph of Carnival float in Rio de Janeiro. There is a large crowd visible in the foreground. The float has several places for the elaborately dressed women to sit, each of which resembles a throne of some kind. There are four women on the float and what appears to be a driver holding onto reins.Blue ink on reverse: CARNIVAL IN RIO/ 1-3-49allan-charles-quinn, south-america, rio, carnival, floats, crowd, letters-from-abroad, rio de janeiro, brazil

This photograph shows a scene from the first time Allan Charles Quinn attended Carnival in Rio. Although having made several trips to South America previously, he had not experienced Carnival before. The photograph is also complemented by a letter written to his mother including a description of Carnival. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.The Allan Charles Quinn collection forms a pictorial autobiography of life at sea for a young man in the period immediately following World War II. The collection also includes a series of letters between Allan and his mother, some explaining the photographs and some talking about other experiences or mundane situationsBlack and white photograph of Carnival float in Rio de Janeiro. There is a large crowd visible in the fore and back ground. On the float are two horses standing on their hindlegs with a woman appearing to ride one. There is also another women visible at the rear and a man standing at the back.Blue ink on reverse: CARNIVAL IN RIO/ 1-3-49allan-charles-quinn, south-america, rio, carnival, floats, crowd, horses, letters-from-abroad, brazil, rio de janeiro

The photograph was taken on one of Quinn's early trips to New York, and, with the letters he wrote at this time, records his fascination with American culture. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Statue of Liberty in New York. The photograph has been taken standing at the base of the statue, looking upwards.On reverse: STATUE OF LIBERTY / 30.8.47 handwritten in black ink. Below this is an upside down D, and a small blue ink mark in the left hand corner.allan-quinn, statue-of-liberty, new-york, 1947, letters-from-abroad

This photograph records how equipment, such as ladders, were used to work on the hulls or propellers of ships while they were in drydocks. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of ladders arranged around the propeller of the Mongabarra while in drydock.allan-quinn, photograph, drydock, mongabarra, eriksbergs, letters-from-abroad, ship

The photographs shows how the fish flour produced in Angola was loaded by the local people onto ships for exportation. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of bags of flour being hoisted from small row boats up onto the ship. The deck of the ship can be seen on the left side, and eight boats, filled with people and flour bags, towards the right hand corner.allan-quinn, photograph, angola, fish-flour, letters-from-abroad

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Arc de Triomphe in Paris. The Arc is framed by a row of trees on either side, and there are several cars on the road in front of it.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.paris, france, letters-from-abroad, allan quinn, arc de triomphe

This photograph is part of the Jessie Partington Angus collection. Jessie is possibly in the choir. She was in the Melbourne Philharmonic between the ages of 20 to 30. This photograph was taken at one of the receptions for Queen Elizabeth and Prince Phillip during the royal tour of 1954.Jessie Angus was a well known and long time choir member in the Diamond Valley. She also sang at various 'royal' occasions as documented in the collection.Colour photograph, matte finish. Orchestra and choir performing in the Exhibition Buildings Carlton. c1954Manufacturer's label on back.jessie partington, jessie may angus, partington family, royal exhibition buildings, royal family, royal tour 1954

Watsonia painter Felicity Gordon drew on nature in Banyule and Nillumbik to create a lifetime artistic career but turned to the humble vegie patch for her latest exhibition.News article 1 page, black text and colour image .felicity gordon, banyule, painters, watsonia, artists

A history of Melbourne from 1935 to present ,based on an exhibition at the Museum of Victoria.114 p., col. and black and white illus.melbourne, museum victoria

The Busybird Publishing Studio Gallery opened in Montmorency in 2013 with an exhibition of paintings by Lin van Hecke, inspired by the murder of Jill Meagher. The Gallery is owned by Kev Howlet and Blaise van Hecke.This is a new gallery opened in Montmorency, aiming to bring local artists together.News article, text and colour image.DV Leader May 22 2013.busybird publishing studio gallery, linvanhek, lin van hecke, blaise van hecke, kev howlett, montmorency

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

The Banyule Banner is published quarterly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition includes information on Exhibitions,Community events, and the Banyule Festival.A record of events within the City of Banyule.20 pages (approx.), colour illustrations.banyule city council

Montmorency photographer Richard Shaw's work was displayed in Melbourne in October 2015. His horseracing photo exhibition was called "Courses for Horses".News clipping, black text.richard shaw, photographers, horseracing

"Coming Home" was a social history exhibition exploring the history of Bundoora Homestead, particularly its time as Repatriation Hospital (1920-1993). The Exhibition ran from October to December 2014.Copy of news article, black and white text and photographs.

Local newspaper article about a social history exhibition at Bundoora Homestead in 2014. The exhibition traces the history of Bundoora Homestead as Bundoora Repatriation Hospital from the 1920s. Newspaper clipping, text and photographs.Written on clipping DV Leader 15-10-2014bundoora homestead, bundoora repatriation hospital

Discusses the 2014 craft exhibition at Bundoora Homestead, showing beanies from the Alice Springs Beanie Festival.News clipping, black text, colour image.bundoora homestead, alice springs beanie festival, colours of the country

The Banyule Banner is published quarterly by Banyule City Council to advertise upcoming events in the City of Banyule and to report on past events. This edition includes the Anzac Exhibition, City Plan and Many Cultures report.A record of events within the City of Banyule.20 pages (approx.), colour illustrations.banyule, banyule city council

Review of the Journeys of Migration Exhibition "What happened at the pier?" held at Eltham Library 21 May 2016, sponsored by Multicultural Arts Victoria. 3p., black & white text, photographs multicultural arts victoria

An article about the an exhibition at the Australian War Museum for the 70th Anniversary of the Tobruk campaign.The article records some anecdotes of the "Rats of Tobruk". A 2 page magazine article from the RSL's publication MUFTI.Niltobruk, rats of tobruk, 2/15 battalion, 2/13 field company rae

The article is about an art exhibition at The Light Factory Gallery featuring the Cezanne inspired works of Ron Reynolds. The exhibition was entitled " Cezanne's Mountain Revisited."Ron Reynolds is a prominent local identity. In 1973 he drew the illustrations for the book Greensborough and Greenhills.A half page article with 3 coloured photographs.Nilron reynolds, cezanne, france, art exhibitions, the light factory gallery

Notice of an exhibition at the Greensborough Gallery, organised by the Diamond Valley Arts Society and located in the old Greensborough Primary School on Grimshaw Street.News article, black text.diamond valley arts society

Yarra Plenty Regional Library local and family history librarian Liz Pidgeon discusses the 2016 exhibition "Writing the War" at Eltham Library.News clipping, black text and colour image.liz pidgeon, yarra plenty regional library, world war 1

Greensborough's Edit Meaklim exhibited her basket craft at "Evolution", the biennial exhibition of Basketmakers of Victoria.News clipping, black text and colour image.edit meaklim, basketmakers of victoria