Annual report on activities and financial performance of Kelaston, including the need to increase the size of Kelaston through new and redeveloped buildings, Maureen Davey winning the Tattersall Achievement and Enterprise Award, retirement of Harry Hitchcock, opening of a new day centre in Avoca, floral art introduced to the Kelaston Day Centre by Trish Zukauskas, six residents attended a holiday in Queenscliff, four residents celebrating their 100th (or more) birthday and profiles of a Kelaston resident (Joan Elliott), staff member (Shirley Richards), volunteer (Alan Wright) and three Day centre attendees (Clare Searle, Vi Munro and Jeanne Prior).1 printed volume with illustrationskelaston home (ballarat), association for the blind, corporation records

Photos from 'This Will Be the Place' Melbourne Legacy revue held at the Garrick Theatre on Friday 9th November 1934, 28th - 29th November 1934. The revue was conceived, written and composed by Legacy Club and performed by junior legatees. It related five chapters in Victoria's history from the first 100 years following the career of a family of pioneers from 1835 through various generations. These are some of the earliest photos in this archive, the girls names are unknown. See item number 00156 for the programme. The performance on 9 November 1934 was for the delegates of the Legacy Annual Conference that was being held in Melbourne at the time. A record of junior legatees being involved with a gala performance that was for a fundraising event. It was attended by the Governor who was patron of Legacy.Black and white photo x 5 of young performers and an envelope.Handwritten in black pen "Two photos of a possum from the opening scene of "This Will Be the Place". Legacy Club Century Revue 1934, and 3 other photographs from the Revue."performance, annual demonstration, costumes

Typed copies of correspondence dated 21/7/1910, from the Federal Storage Battery Company to the Mr H Milner, Managing Director of the Beaumaris Tramway Co. at the Equitable Building Melbourne. Gives extensive details and comparisons of the battery storage system compared to the electric tramcars. Known as "Beach Cars" - see reference. Notes the work of Edison, batteries. Signed by R. H Beach, the Company Secretary. Has notes on car (streetcar or tramcar) performance, report from the Atlantic City and Shore Railroad Company, comparison report from the Board of Railroad Commissioners for the State of Massachusetts, and cost comparisons. Yields information about the "Beach Cars" battery powered trams of 1910.Set of six typed blue foolscap sheets titled - "Beach Cars" - Edison Storage Batteries 1910tramways, trams, battery tramcars, battery systems, beach cars, beaumaris tramway co. ltd, edison

ES 56 Nymph Following the successful introduction of the ES 52 Kookaburra two-seater in mid-1954, Edmund Schneider Ltd designed a higher performance single seat sailplane of similar construction and with similar handling qualities. It was designated the ES 56 and became known as the ES56 “Nymph”. The ES56 Nymph was a success in that it delivered the anticipated performance and was found to have satisfactory flying characteristics. However, only the prototype (“Nymph -I”) and three production examples (“Nymph-II”) were built. Schneiders made some changes to the design before building the production version. The wing chord at the tip on the prototype measured 650 mm. This was reduced to 500 mm for subsequent builds. The explanation is that provision was made in the original design for the possible lengthening of the tapered wing to 13 metres. However, apparently it was decided to retain the 11.900 metre span which allowed the tip chord to be reduced slightly. Other changes included the installation of scissor type air brakes in the wing instead of simple hinged flap spoilers and the addition of a landing wheel behind the skid on the fuselage. On one of the Nymph-II a dorsal was added on top of the fuselage forward of the vertical fin when repairs were made rectifying damage incurred as a result of an accident at Benalla on 31 March 1963. Even before these ES56 gliders were finished, Edmund Schneider Ltd decided to offer a less expensive single seat design to cater in particular for newly solo pilots, the ES57 Kingfisher. With the Kingfisher, Schneiders reverted to a traditional airfoil (Gott 549) for the wing instead of the laminar flow section that was chosen for the Nymph in the pursuit of performance. As such, the Kingfisher was more appropriately characterised as a single seat version of the Kookaburra in comparison to the Nymph. Schneiders continued for a time to offer the ES56 Nymph as a high-performance sailplane. However, its place in the market was soon overtaken by imported designs with superior performance, such as the Schleicher KA6, which Schneiders also imported and built under license. Nymph-I was test flown in December 1955 and entered by Harry Schneider into the gliding championships held at Waikerie from 5th to 16th of that month. Harry finished 12th in the individual placing out of a field of approximately 24. The capabilities of the Nymph were further demonstrated by Harry Schneider in January 1956 with a Gold C flight of 193 miles from Gawler in South Australia to Walpeup in Victoria. Nymph-I was acquired by the Port Pirie Gliding Club in South Australia. It has been saved and restored and is a regular feature at vintage glider rallies in Victoria and New South Wales. See Museum Newsletter No 35 Winter Edition 2017 pages 3 -6, for that story. The Nymph-II production models were delivered by Edmund Schneider Ltd in October 1956 to the Gliding Club of Victoria, the Victorian Motorless Flight Group and the Royal Australian Navy Gliding Association. The VMFG flew its Nymph in the First National Gliding Championships at Tocumwal, NSW, in December 1956 and all three were flown at the Second National Gliding Championships at Benalla in 29th December 1958 to 8th January 1959, delivering competitive performances based on handicap. Nymph-I Serial Number 17 Original owner – Port Pirie Gliding Club, S.A. Registered VH-GHG on 20 August 1957 Re-registered VH-GHA on 11 October 2016 Currently Raywood, Victoria Believed airworthy Nymph-II Serial Number 20 Original owner – R.A.N. Gliding Association Registered VH-GDX on 20 May 1957 Currently Locksley, Victoria. In storage Nymph-II Serial Number 21 Original owner – Gliding Club of Victoria Registered VH-GHU on 27 August 1957 Currently Bendick Murrell, N.S.W. In storage Nymph-II Serial Number 22 Original owner – Victorian Motorless Flight Group Registered VH-GFE on 5 March 1957 Currently Bacchus Marsh, Victoria Under restoration for display. The Museum’s exhibit is the ES56, serial number 22, registered as VH-GFE. The glider was flown by the VMFG in Victoria until approximately September 1968. GFA records show that it was transferred to Queensland in 1968, and it passed through several owners until the mid-1970s. Information received indicates that it was flown by the Leichardt Soaring Club at Mount Isa in the (late?) 1960s. The history from then is not presently known except to say that it has been kept in dry storage for many years. It is not known when the glider was last flown. What is Significant? The Schneider ES 56 Nymph single seat sailplane, serial number 22, designed and built in 1955-1956, by Edmund Schneider Ltd in Adelaide. It was delivered to its original owner, the Victorian Motorless Flight Group, in October 1956, and registered as VH-GFE on 5 March 1957. How it is Significant? The ES56 Nymph is of historical, aesthetic, scientific and research, and social significance to the Australian gliding community. Why it is Significant? The ES56 is of historical significance as it was designed and built by Edmund and Harry Schneider. The Schneiders immigrated to Australia after the end of the second world war bringing with them considerable expertise in relation to glider design and construction. Over the following decades they maintained a close association with the Gliding Federation of Australia and the gliding clubs and through their glider production made a major contribution to the sport. The ES56 is part of that story. The ES56 in its design and construction exhibits the glider construction technology of the time, which principally consisted of lightweight wooden framework skinned with ply and doped fabric. It exbibits design innovation, notably the use of a laminar flow wing profile in pursuit of better glide performance. Also, considerable attention was given to simplifying the structure in order to keeping cost and the weight low. The ES56 played a useful role at gliding clubs where it was operated, especially the late 1950s and early 1960s and is remembered well by pilots who flew her. The glider is in the course of restoration and provides an insight into the skills and workmanship that were involved in design, building and maintenance of these wooden aircraft. It is of aesthetic and scientific and research significance. Glider airframe of a traditional wood and fabric covered constructionNoneglider, sailplane, edmund schneider, harry schneider, es56, nymph, es57, kingfisher, victorian motorless flight group, gliding club of victoria, ran gliding association, port pirie gliding club, leichardt soaring club.

The bodice is of a style from the Victorian Era and so provides a good example of women's clothing from that time. Although it appears to have been made at a later time the lace possibly came from an earlier time period. It is of historic interest as it was amongst the belongings of the donor's Great Aunts who were both dressmakers at the original Terang & District Co-Op which was established in 1908.The item is of significance socially as an example of women's clothing in the Victorian era.A short, waist-length bodice most likely made as a performance costume. It is representative of a Victorian bodice style though the lacing used indicates that it would not have been worn in those times due to its revealing design. Flexible metal stays provide shape to the bodice at the front and back. Sleeves are elbow length and lined with cream fabric. The bodice has a lace collar and the sleeves are trimmed with the same lace. Small gold coloured beads are stitched to the flower centres of the lace pattern. The burgundy coloured satin has an embossed floral pattern. The lace is of interest as it is from an older time period and being beaded would be especially sought after. Machine and hand stitched.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, satin bodice, beaded lace, victorian era, metal stays, terang & district co-op

Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College)Two wooden shields awarded to Golden Square Secondary College at the Melbourne School Bands Festival. Dark wood in the shape of a shield. a. Gold Shield awarded to the Junior Concert Band in 2001. TATMUSE AWARD for Outstanding Performance. Presented by Mr Richard Floyd. Sponsors represented by logos - Music Junction, Billy Hyde, RATMUSE (Music Publishers). Education Trust Vic. b. Yamaha Gold Award won by Golden Square Secondary College Intermediate Concert band 2003 at the Melbourne School Bands Festival. Presented to Symphonic Winds by Mr. K Waterworth. Award sponsored by Yamaha Music Australia, Billy Hyde Music. Blue border around a gold coloured shield.a. Sticker on the back of the Shield. "WINNING EDGE PRESENTATIONS Wholesale Trophy Framing and Giftware level 9 230 Collins Street Melbourne phone 9654 4911 Fax 9650 7106"gssc, sports top, music awards

Set of six pamphlets about the Edison storage battery system and associated rail or tramway related vehicles. Was promoted by various people, but internal combustion engines were found to be superior overall at the time.Yields detailed information about the use of the Edison battery storage system in railways.Set of five pamphlets regarding the Edison Battery Car. Was a proposal put forward to the operators of the Beaumaris Tramway Co. 1 - four page - "Edison Battery Car" - operating exhibit at American Railway Association Convention - 1920 2 - four page - ""Operations, Maintenance and performance of storage battery cars on the long island railroad" 3 - two page - "Storage battery cars for Mexican Railroad" 4 - four page - "Storage Battery cars on the Canadian National" 5 - four page - "Edison - Goodman Electric Storage Battery locomotives in New Zealand" - Christchurch 6 - one page - letter - from W Dobson of the Cambria & Indiana Railroad Co. re the use of such cars and their results.Have the stamp of the "The Southern Electric Power Co. of Gilbert Place Adelaide" and "E F Ablitt Mechanical Engineer, Melbourne"battery tramcars, edison, battery systems, new zealand, railways

This is one of a series of eighteen plaques which commemorated some of the winner of the Grand Annual Steeplechase which is held each year in Warrnambool. The first Grand Annual was held in 1872 as the Warrnambool Handicap Steeplechase. Buxton was the winner in 1963. Local racing steward of 50 years experience, Mr Frank Beattie, ranks the performance of buxton as among the best. He won the Brierly steeplechase on the Tuesday of the 3 day race meeting and won the grand Annual two days later ridden by jockey Noel Cole. This series of plaques were painted by local artist Leslie Lamey and were originally in the members enclosure at the Warrnambool RacecourseThese items relate to a significant part of Warrnambool's sporting and social history..1 Painted white rectangular tin plaque with rolled edges with painting of jockeys silks and cap. The colours are green brown and yellow in opposing squares on the front with brown sleeves. The cap is yellow. Six holes are around the edge. .2 Galvanised rectangular brass plate with engraved black text .1 Buxton and Hoadsville in red and black texta on back of plaque. .2 Mr & Mrs K Bullock BUXTON Winner of the Grand Annual Steeplechase 1963.warrnambool, grand annual steeplechase, noel cole, buxton

To commemorate the birthplace of Tilly Aston, a memorial tablet was unveiled at Carisbrook in 1970. The ceremony drew a large crowd and included a reading of Tilly's poetry as well as a performance by school children. REMEMBER WITH THANKSGIVING THE SPIRIT OF TILLY ASTON 1873-1947 Blind From Childhood, She Endured As Seeing The Invisible A Singing Poet She Rejoiced In The Beauty Of Life Born In Carisbrook, Studied At The Blind Institute. The First Blind Student To Matriculate And Be Appointed A Teacher Foundation Member Association For The Blind. Promoted The Braille Library. (Braille characters) Below the plaque is a smaller one: ERECTED BY MIDLANDS HISTORICAL SOCIETY AND CHILDREN OF CARISBROOK STATE SCHOOL 19707 images of the unveiling ceremony tilly aston

In March 1955 the Presbyterian Oratorio Society Choir held a Sacred Concert including with solo performances from Clarice Gerber, Anne Ballantine (Mrs Creighton Barr) and Eric Hancock. The choir performed the following pieces; With a Voice a Singing (Shaw) How lovely are the Messengers (Mendelssohn) The Storm (Jenkins) Spring Bursts Today (Shaw) Linden Lea The Spirit of the Lord (Elgar) Hymn 135 Rejoice the Lord is King. Choir and Congregation All in the April Evening (Roberton) Nightfall in Skye Hallelujah Chorus from Handel’s Messiah (Congregation Standing) From Scots’ Presbyterian Church Melton-Edna Myers Barrie musical contributionsEdna Barrie's copy of the Presbyterian Oratorio Society Choir schedule and Edgar Barrie's copy of a balance sheet churches

This is a program for a local theatrical performance. It was produced and directed by Frances Sinclair and contains a number of dance and musical items. There are a number of local Warrnambool names among the performers such as K T Swinton, Rex Fotheringham, Mavis MacDonald, Miss Rooney, W Goodall, John Reid, George and June Philpot. The dancers ranged from tiny tots, Petite ballerinas, Corp de ballet to the belles De Paris. Some of the other items on the program are the Scottish Samba, Tut and Khamen and Fiesta in Granada by Ferdinande Del Campo Caravani111 and Monty Bellow the Atomic Bull & Co which would suggest that it around the time of the Atomic testing in the Montebello Islands in the 1950’s. A program which shows the artistic side to the city and associated humour and talent. It has a large number of names of those involved in the production and performance and would be typical of concerts performed around the country at that time. It predates the Warrnambool Theatre company which commenced production of musical items in the 1960’s.Dusty blue paper with red text running at an angle down the front cover. Diagram of a lady sitting and stitching. Brown floral border down the edge of the front and middle page. Back cover is plain apart from printer’s name on bottom centre.Kaye & Sons Printers Warrnambool.

Dick Richards has been honoured through the naming of a Ballarat School of Mines prize - The R.W. Richards Medal. This medal later became a University of Ballarat prize. It has been awarded annually since 1959 to the Bachelor of Applied Science graduate considered to have achieved the most outstanding academic performance of their course. The award was was introduced to commemorate the long years of service to tertiary education in Ballarat by Mr Richards. Dick Richards joined the Ballarat School of Mines (SMB) in 1914, and soon afterwards was granted leave to join an expedition to Antarctica. In 1915 he sailed from Australia with the Antarctic Exploration Expedition, led by Sir Ernest Shackleton. White folded pamphlet outlining the Dick Richards medal. dick richards, r.w. richards, dick richards medal, richard w. richards medal, r.w. richards medal, awards, prize, antarctica, ballarat school of mines principal

The Lake Bolac Music Club was begun in 1950. The first meeting was held on 12/10/1950, 30 members being present. Office Bearers were Henry Clarke (Pres.), Mrs R Critten (Sec.), Mrs L Hucker (Treas.), Committee: Mr G Rance, Mrs L Wills, Mrs Leitman, Mr J Moreton, Mr AE McIntyre (Auditor). The 21st birthday of the club was celebrated with a performance of "My Fair Lady" on 1st & 2nd Oct., 1971. Shown in the Ascot scene, L-R: Joan Moreton, Christina Peters, Jan Facey and Amy Wills (Mrs Eynesford-Hill, Freddy's mother).lake bolac music club, "my fair lady", claeke, critten, facey, hucker, leitman, mcintrye, moreton, peters, rance, wills.

Deaf women dressed in white flowing robes were typically used by the Society at meetings and lectures giving a performance in living statuary. This photograph is a depiction from Rock of Ages in Statuary and Song described in a review by the Spectator - the words of the hymn softly sung by the Cornish Choir to an exquisitely delicate organ accompaniment by Mr E. J. Watkins. The Grouping of Living Statuary with the limelight thrown upon them from either side, motionless as marble figures, but with the life and love and adoration in their eyes and on their faces, formed the most beautiful objects we have ever beheld. The Audience looked and listened in breathless silence and many eyes were glistening with tears.This photo is significant as a studio photograph of Deaf women who performed 'living statuar'y at many of the lectures and meetings held in the early years of the 20th century by the Adult Deaf and Dumb Society of Victoria ; possibly introduced by Ernest Abraham to add drama to the occasion.A5 black and white photograph on a cardboard frame. The photograph features five women in robes surrounding a cross."City Chambers / 114 Elizabeth Street / Melbourne" Signature of photographer or studio name illegible.

Carols by Candlelight is a Christmas concert held at the Sidney Myer Music bowl. Programs and candle holders were sold, and collections made during the event to raise money for the Austin Hospital and the Royal Victorian Institute for the Blind. 3KZ also recorded the concert, which was played on radio on Christmas Day with a phone number to ring to donate. Prior to the Carols program at 9pm, the performance was opened by the Melbourne Lord Mayer and the process of torchbearers (100 girls dressed in white flowing dresses walk slowly in time with the music to the stage, trained by Vera Hopton) as a prelude to the event. This was the first year donations would belong solely to the RVIB, rather than shared with the Austin Hospital.1 volume with photographs and illustrationscarols by candlelight, lawrence warner, royal victorian institute for the blind, gwen bowdler, e. leo curtis, mrs curtis, charles scott, jim hilcke, jim archer, margot sheridan, vera hopton, alan ball, william valentine morgan

Various correspondence: City of Bendigo: From City of Bendigo 15/6/1977 re Investigation of Buildings and Sites suitable for the establishment of a Community Arts Activity Centre (with handwritten annotations); City of Bendigo invitation to a 'Bendigo Community Day' in Rosalind Park March 1979; City of Bendigo re date for Bendigo Arts Council to present a Variety Performance (attached is handwritten program for concert 18/3/19790; draft letter to Town Clerk from Bendigo Arts Council commending Mayor and Councillors on decision to seek land for a Cultural and Arts Centre (undated); Letter (17/8/1995) from City of Greater Bendigo re proposal to establish an annual sculpture prize with attachment providing detail of proposal.

White Booklet With Black Text Bendigo Operatic Society Theatre Programme 'Jack & the Beanstalk. Capital Theatre Bendigo December 10th, 11th, 12th Evening & Matinee 13th at 2:15pm, 1958. Price 1 Shilling. Arranged by J.C. Williamson Ltd. Producer Norman Lee, Musical Director Max O'Loghlen. Main Cast: Jill Angwin, Joan Hokin, Sandra Cannon, Joe Quigg, Royce Reed, Barbara McGregor,Alfred Annison, Ian O'Neill, Betty Cullen, Brian Brewster, George Steele, Bert Donovan, Adrian Van Dyk, Norman Lee. Songs Include: 'Out in the Morning Early,' 'That Happy Feeling,' 'Alexander's Ragtime Band,' 'La La La.' Non Traditional Performance.Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society

White Paper & Red Text Bendigo Operatic Society Programme Production 'You're in Love' Capital Theatre Bendigo performances March 24, 25, 26 and 27, 1958. J.C Williams Ltd Arrangement 'You're in Love' A Musical Comedy in Two Acts. Music Rudolf Friml, Book & Lyrics Otto Hauerbach & Edward Clark. Production Norman Lee. Cast Max Beckwith, Brian Brewer, Barbara McGregor, Celia Douglas, Gertrude Perry, Bert Donovan, Alfred Annison, Mervyn Penno, Joseph Quigg, Ann Stone & Rosalie Spencely. Production songs include: 'Married Life,' 'You're in Love,' 'He Will Understand,' 'Be Sure It's Light',' Dreaming,' 'Things You Must Not Do,'and 'Loveland.'Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society

3701.1 – English Electric Co. Ltd – “Specification for DK 29, 30, 31 and 32 Ventilated Traction Motors”, publication No. 288 – 4 pages. Includes motor performance chart for the DK 30B motor and 2 images of Ventilated traction motors, one box frame and one split frame type. Publication No. 223 and 224 respectively. 3701.2 – English Electric Co. Ltd – “Specification for ventilated traction motor DK34 – box frame for 24” or 27” car wheels”. Publication No. 263, March 1921 – 4 pages. Includes Two photographic images for this motor, showing complete motor and significant parts – publication numbers 283 and 284 respectively. Traction Motor curves for DK34A motor, publication No. 295..1 - has "40HP motor" in pencil in top right hand corner. .2 - ditto for "30HP motor"trams, tramways, english electric, specification, maintenance, motors

Set of five pamphlets or cards with photos of Z81 and people involved with the W11 Karachi Tram project. Has details of the project, web site etc. Series of "Carriage Cards". Produced by Mick Douglas in 2010. Printed on light card. .1 - Z81 with Flinders St Station in the background - "Karachi Minibus crashes Melbourne Tram" .2 - Tram overboard - featuring performer Yumi Umiumare. (two copies held) .3 - Tram otherwise - participatory performances, photo Karen Trist. .4 - W11 - Tram - photo of two conductors or hosts with W11 materials. .5 - Tram overhead - invited strangers talking to a microphone - Dur-E Dara and Dalal Smiley See also Reg Items 985 and 990 for other W11 materials.trams, tramways, w-11 tram, karachi, decorated trams, transporting art, commonwealth games, tram z 81

Comprises twenty-three extracts from the Minutes of Evidence of the Coranderrk Inquiry, accompanied by an analysis of the historical text and context. The book relies strongly on primary-source materials and accurately references historical analysis from scholarly and Aboriginal perspectives. This book is derived from a verbatim-theatre performance in which professional actors portrayed the witnesses who gave evidence before the 1881 Coranderrk Inquiry.; Inscriptions and Markings: illustrations, photographs, facsimiles, maps, portraits About the book One of the first sustained campaigns for justice, land rights and self-determination in colonial Australia was undertaken by the Aboriginal people of Coranderrk reserve in central Victoria. Despite having created an award-winning farm they were targeted for removal to make way for white settlement. As skilled communicators and negotiators, they lobbied the government, in alliance with their white supporters, and succeeded in triggering a Parliamentary Inquiry in 1881. Coranderrk – We Will Show The Country derives from a unique verbatim-theatre performance where professional actors brought to life the witnesses who gave evidence before the 1881 Parliamentary Coranderrk Inquiry. Rescued from dusty archives, and including renowned Wurundjeri leader, William Barak, those witnesses continue to speak to contemporary audiences. Here, their powerful petitioning can be read alongside that of their non-Aboriginal allies, and those who would move them off their land. The book features a concise and accessible history of the Coranderrk Aboriginal Station and of the events that led to the appointment of the 1881 Parliamentary Coranderrk Inquiry. The book also contains a special edition of the verbatim script which has been annotated and referenced so as to provide a blueprint of how the original minutes of evidence from the 1881 Parliamentary Coranderrk Inquiry were adapted into a theatre script. Each scene of the play has also been introduced with a short biography of each character and a discussion of the key themes raised in their testimony. Supplementing the verbatim script of the performance, the book includes a range of historical images and stills from the ILBIJERRI Theatre Company’s production. Coranderrk – We Will Show The Country celebrates the spirit of collaboration between black and white in pursuit of justice, and offers an engaging way to learn about our past – and to think about our future. Coranderrk - We Will Show The Country. (2023, October 19). Retrieved from http://www.minutesofevidence.com.au/education/coranderrk-we-will-show-the-country-book/Ex Yarra Plenty Regional Library copyaboriginal australians, coranderrk, first nations people, healesville, indigenous history, performance, play

Melbourne Design Week: 14-24 March 2019 Sat 16 Mar 19, 2pm–10pm Norla Dome The Mission to Seafarers Victoria 717 Flinders St Docklands Indulge in a fleshy live experience. Reconnect with your primal being through a progression of sensorial confrontations. Recalibrate your connection to the world around you – the future depends on it. Sensory Experiments is a call for change – a Manifesto for Sensory Intelligence. Part social experiment, part philosophical inquiry and a fully immersive performance piece, this innovative project is forged from a collaboration between two of the city’s (and, indeed, the world’s) most progressive and inquiring minds. An eclectic cohort of creative contributors has been assembled to design a provocative experience intended to awaken the senses. Allow internationally renowned chef Justin James (Executive Chef of Vue de monde and Iki Jime and previously of Eleven Madison Park & Noma Copenhagen) to reignite your sense of taste. Avail yourself to floral artist Hattie Molloy’s interrogation of sensual perception with her reckoning of the Sublime. Absorb and participate in live-choreographed performances, and be aurally challenged by the masters behind the Sydney Opera House’s iconic acoustics. Come, bear witness, bring curiosity. Immerse yourself in this never-before seen collective. Guided by Sense Whisperers, you’ll wander through a series of live, uniquely designed corporeal experiences. Your emotional and physical responses will leave a digital imprint as the results of Sensory Experiments are transmitted in real time. Connect to self, connect to others, and connect to nature – and leave your mark on a living, breathing manifesto for living. Project Partners Matt Tambellini, More Studio and Mr. Kyle Mac, Design and Web Amara Speechley, Curated by, Marketing, PR & Partnerships Damien Boecasse and Erika Hirzinger, Event Production & Project Management Event Partners Justin James, Edibles Hattie Molloy and Emma Proudfoot, Flower Art Mihan Aromatics, Scent Design Chelsea Kate Evans, Performance Direction Samantha Iliov and Holly Simpson, Ensemble Studio, Costume Rachelle Austin, Olivia Reddan and Holly White, Set Stylists Isabel Johnson, Ed Supreme, Messaging and Copy Arup, Soundscape Design Hayden Sommerville, Videography Belle Nowak, Social Media Pord, Wine Tasting Noomi, Seating Website inscapesprojects.com Instagram: @inscapesprojectsA4 size flyer on creamy colour papercultural events, sensory experiments, ngv, national gallery of victoria, melbourne design week, 2019, community, norla dome, incas projects

This is a programme for a 1913 Clara Butt and Kennerley Rumford concert in the Warrnambool Town Hall. Clara Butt (1872-1936) was an English contralto recitalist and concert performer, well-known for her powerful and deep voice. Her three months’ tuition in Paris was sponsored by Queen Victoria. She was married to Kennerley Rumford in 1900 and they had three children. Robert Henry Kennerley Rumford (1870-1957) was an English baritone singer known initially for his performance of oratorio. Clara Butt and Kennerley Rumford were called ‘the greatest classical Valentines’. Other performers listed in this concert programme were Mowat Carter, a Melbourne-born violinist and William Murdoch, a pianist, composer and author, born in Bendigo.This programme is of considerable significance as it records the visit to Warrnambool of the famous English singer, Clara Butt. It is an original programme and it is probably a rare one. This is an eight-page programme, consisting of two sheets of cream paper folded in half. The programme was stapled but the staples have been removed. The front cover has blue printing and the back cover has an advertisement in blue print. The print on the inside pages is in black. Two inscriptions are handwritten in blue ink.‘1913’ ‘N.J.Absalom’clara butt, kennerley rumford, warrnambool town hall, history of warrnambool

Shire of Eltham Archives: Series 69, Item 8 Shire of Eltham Retrospective Exhibition 1993: An exhibition of the major acquisitions since 1984 held in the Eltham Community Centre. Opens with a performance of a female quartet performing “Don’t break my heart” (no credit) followed by the opening address (20 min) by Dr Dagmar Eichberger, Senior Lecturer, Department, Department of Fine Arts, University of Melbourne followed by Shire President, Cr. Mary Grant with thanks to the Eltham Arts Council. Reference to the Eltham Art Award – speech dubbed over with scenes of people mingling around the exhibition space in the Eltham Community Centre and a still of an unidentified painting then cutting back to Cr. Grant. (No credits)VHS Video cassette Converted to MP4 file format 00:28:38; 333MBshire of eltham, video recording, shire of eltham archives, eltham shire council, eltham, dr dagmar eichberger, cr. mary grant, eltham arts council, eltham art award, eltham community centre

Comb bound (white plastic) specification document, approx. 70 pages, with glossy card covers, titled "Tender Schedule for All-Electric Trams", published by the Melbourne and Metropolitan Tramways Board, closing 2 Oct. 1972. Details the conditions of tender, conditions of contract, notes, specification, gives background information about Melbourne, dimensions, performance, drivers and conductors, trucks, wheels, brakes, electrical equipment, control panels and drawings. The drawings give a map of the system, typical city route, Glenferrie Road route (grade diagram), concrete track construction, min. radius curves, loading gauge, all-electric tram and mounting details for the trolley base, schedule of prices, tender form, form of contract, schedule of information to be provided by the tenderer.trams, tramways, specification, tenders, z class trams, mmtb, melbourne

a. Extensive and detailed correspondence and documentation re site for Performing Arts Centre 1975/76; Letters from City Engineers; Town Clerk; Dr Westbrook (Ministry for the Arts); Drama officer (Ministry for the Arts); includes list in of Arts Council sponsored performances over the period 1971-1975; questionnaire relating to a Cultural & Arts Centre; list of Potential Users of an Art Centre Complex; minutes/correspondence re The Bendigo Urban Renewal Liaison Committee; plans for sites. Would need to be read and examined in its entirety due to complexity of the issue; b. Correspondence between City of Bendigo and Bendigo Arts Council (April 1976); Correspondence between City of Bendigo and Arts Council of Australia (Feb/Mar 1974) with Valuer's Letter and handwritten notes of sub-committee meeting.

White folded St. Paul's Cricket Club, Bendigo Annual Banquet Card for the Annual Banquet held on Wed., Aug 27th. 1924. Front of the card is printed in red with a batsman at the top. On the inside printed in brown are the performances for basketball and cricket. Autographs written on the back. Names are: J Malloy, J Jorgenson, J Jones, W C Ellis, O Jorgenson, H Roper, R Read, J Doble, M Ollson, Lamb, Kenley, M Wright, A Ripper, Bruechert, E J Brockley, S C Field, N J Campbell, Amy Brown, E ?uger, J Ward, G Thomas, Fred H Bush, Langley, Paul Jones, R Moore, F Gill, H W Kenley.Cambridge Press, Bendigoevent, sports, st paul's cricket club, john jones collection - st paul's cricket club annual banquet card, d batchelder, st paul's school hall, st paul's sports club, whitelock & carter grand shield, e fleming, w ellis, j malloy, j jorgenson, j jones, w c ellis, o jorgenson, h roper, r read, j doble, m ollson, lamb, kenley, m wright, a ripper, bruechert, e j brockley, s c field, n j campbell, amy brown, e ?uger, j ward, g thomas, fredh bush, langley, paul jones, r moore, f gill, h w kenley, cambridge press