A photo of two young ladies with metal Legacy Appeal tins, "Help Legacy care for families of those who cared beyond ____". The note says it is Su Davies and Carol Shaw / Staff members sold badges in the city on Badge Day, 1986. Promoting badge day in September 1986 It came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a marathon run (some are items 00433 to 0438).A record of fundraising in 1986.Black and white photo of two ladies with Legacy appeal tins. Yellow note paper.860902/152 in blue pen on reverse. Stamped Copyright Herald and Weekly Times in blue ink. Yellow note says: "Su Davies and Carol Shaw / Staff members sold badges in the city on Badge Day, 1986 " in black pen.fundraising, legacy appeal

View of Charing Cross and Pall Mall Bendigo, featuring the Alexandra fountain still under construction. The fountain was jointly funded by the Bendigo Juvenile Industrial Exhibition in 1879, a 500 pound donation by George Lansell and a 700 pound grant from the Sandhurst City Council. The fountain was designed by William Vahland and was opened 5/7/1881. The fountain is 28 feet tall and sits in a 2 feet deep pond that is 50 feet in diameter. It was built with 22 tons of Harcourt granite, cast iron and painted stone.8531 A4 B&W photograph of Charing Cross and Pall Mall, Bendigo, in the late 1800s (prior to automobiles); taken from the City Family Hotel. Photograph shows work underway on the Alexandra Fountain at Charing Cross. Photo shows three trams, pedestrians and some horse drawn vehicles. Pall mall shows Post Office, Shamrock hotel and TAFE towers.charing cross, post office

This book was produced as part of a raft of community projects under the umbrella of COWCH (City of Whitehorse Community Houses) with funding from the federal government. Projects aimed to celebrate the Centenary of Federation by recording a broad base of aspects of life and experience in Whitehorse drawn from a cross-section of ordinary members of the community. The steering committee for the book worked with the management of the Vermont South Community House - Marjorie Morgan, Carol Pawsey, Val Eldridge, Sue Barnett, Anne Jones, Margaret Banks and Murray Lewis (editor).A collection of stories contributed either as written memoirs or drawn from oral histories that reflect the ways in which the contributors have been associated with the City of Whitehorse. Title page: stamp top right hand corner :Surrey Hills/ Neighbourhood Centre / 157 Union Road; Hand written note "Gifted to Sue Slonek/by Sue Barnett/ Sept. 2012; stamp: Surrey Hills History - top of page.whitehorse, (ms) susan barnett, (ms) susan johns, (mr) arthur tonkin, (mrs) kathleen beanland, (mrs) nancye gration, (mr) norman kerr, (mr) murray lewis, tara cameron, andy hannam, christine howarth, danielle burgess, yeek hoon tija, ian grandy, frances warren, jessie williams, joan nethercote, joyce kotze, john pawsey, hope hughes, thelma osborn, margaret sharp, merle forrest, catherine jenkins, ted o'rourke, judy gordon, george ellis, rene stevens, albert stevens, jessie barnes, mary roberts, howard broadstock, valda broadstock, nelliesutherland, jean johnson, evan walker, joan roberts, pat nitz, joan crummy, patrick crummy, ray stanfield, plaatjien braaf, kath ferrugia, noelene whitaker, margaret wood, phyllis johnson, marie stubbs, eileen pearson, jennifer o'sullivan, joy edwards, virginia burns, walter thompson, mae buckingham

This book was produced as part of a raft of community projects under the umbrella of COWCH (City of Whitehorse Community Houses) with funding from the federal government. Projects aimed to celebrate the Centenary of Federation by recording a broad base of aspects of life and experience in Whitehorse drawn from a cross-section of ordinary members of the community. The steering committee for the book worked with the management of the Vermont South Community House - Marjorie Morgan, Carol Pawsey, Val Eldridge, Sue Barnett, Anne Jones, Margaret Banks and Murray Lewis (editor).A collection of stories contributed either as written memoirs or drawn from oral histories that reflect the ways in which the contributors have been associated with the City of Whitehorse. A Federation Project of the Collective of Whitehorse Neighbourhood and Community Houses.whitehorse, (ms) susan barnett, (ms) susan johns, (mr) arthur tonkin, (mrs) kathleen beanland, (mrs) nancye gration, (mr) norman kerr, (mr) murray lewis, tara cameron, andy hannam, christine howarth, danielle burgess, yeek hoon tjia, ian grandy, frances warren, jessie williams, joan nethercote, joyce kotze, john pawsy, greg bawden, hope hughes, thelma osborn, margaret sharp, merle forrest, caterhine jenkins, ted o'rourke, judy gordon, george ellis, rene & albert stevens, jessie barnes, mary roberts, howard & valda broadstock, nellie sutherland, jean johnson, evan walker, joan roberts, pat nitz, joan & patrick crummy, ray stanfield, plaatjien braaf, kath farrugia, noelene whitaker, margaret wood, phyllis johnson, marie stubbs, eileen pearson, jennifer o'sullivan, joy edwards, virginia burns, walter thompson, mae buckingham

A photo of Legacy President Colin Bannister and a group of people. Most, including L/- Bannister, are holding envelopes and it is possible they are representative of charities receiving donations from an organisation - perhaps the Army. It can be seen that one person is from the RSL, and another from The Salvation Army. The photos came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a fundraising marathon run (some are items 00433 to 00438, 01410 to 01415).A record of a donation to Legacy in 1985.Black and white photo of President Colin Bannister and a group of people with envelopes.fundraising, donation

What seems to be the final meeting of the committee formed to publish a biography of Sir Stanley Savige, including a statement of receipts and payments. 3000 copies of the book were accounted for, including 2237 actual sales. A balance of 489 pounds and twopence was authorised to be handed over to the Hon. Treasurer of the Sir Stanley Savige Fund. The remainder of the book stock was in Melbourne Legacy's hands for sale or disposal, and although it was noted that sales were not as good as expected, it was felt that the books sold ensured that Sir Stanley Savige's life and work would not be forgotten.Finalisation of the project to publish a biography of the founder of Legacy.Three sheets of copy paper, carbon copiessavige book, committee

Correspondence showing the return of money borrowed to fund the writing of the biography of Legatee Savige. 00782.2 and 00782.3 are letters to H.G. Brain as one of the donors who financed the publication of the biography of Sir Stanley Savige, enclosing receipts for 200 pounds (00782.1). Of particular interest is the 3d (threepenny) Victorian Stamp Duty stamp stuck to the receipts and overwritten in blue ink to denote they are duplicates, which indicative of government regulations at the time (1957). 00782.4 is a copy of a letter sent to W.B. Russell (the author) confirming the arrangements for writing and payment of the book.A record of some of the financial arrangements made by the publishing committee in order to get the biography written and published. Receipt copies x 3, with green 3d. Victoria Stamp Duty stamps affixed White typewritten letters x 3.Receipts signed, dated and marked 'Duplicate' in blue ink. 00782.2 signed in blue ink 'W.W. Cooper' and annotated in pencil (writing illegible) 00782.3 signed in blue ink 'W.W. Cooper'savige book, committee

This plaque was made to commemorate the generous funds donated Mr A.M Nicholas in 1936 almost entirely funding the building of the new Mission to Seamen at Port Melbourne opened in 1937. Mr Nicholas died in Feb 1937. The new building was opened on the 4th of December 1937 by Lord Huntingfield, the plaque was dedicated and unveiled the same by his nephew Mr Nicholas Lightfoot. The plaque was removed from the building which ws demolished in 1995. The plaque is really similar to the memorial plaque made in memory of Ethel Godfrey (see item 2053).Mr Nicholas together with Mr HW Shmith organised rights to produce Aspirin aka ASPRO in Australia in 1915 during WW1. The Nicholas Family were significant philanthropists in Melbourne and Victoria and this plaque commemorates his gift to the Mission for visiting seamen between 1937 and late 20th C. The story of the donation is told in an unpublished autobiography by the then Rev'd Frank Oliver, based at 717 Flinders st. as senior Mission Chaplain 1930-1960.A heavy ceramic plaque with moulded metal alloy frame, polychrome glazed irregular ceramic tesserae design and memorial text in Gothic script in central lozenge set into a rectangular clay base.in each corner design features initials: "ihs" / IN central lozenge of design text reads: " To the Glory of God/ and in grateful memory of/ ALFRED MICHAEL NICHOLAS Esq / through whose generous gift/ the whole of this Institute / and Chapel were built./ Died February 26th 1937"1908, plaque, alfred m. nicholas, memorial, alfred michael nicholas, port melbourne, 1937, aspro

The Linton library opened in 1871 under the auspices of the Linton Mechanics' Institute. It was later funded by grants for Free Libraries, and operated as a lending library until the 1960s. It was known at different times as the Linton Public Library and the Linton Free Library. This photograph shows a somewhat dilapidated "Linton Free Library". The verandah shown in earlier photos of this building has been removed. The building next to it is the former Nelson family home and Nelson Bros. undertaker's office, which was restored in 1987 to become the LDHS Resource Centre.Colour photographs taken in 1988 showing front of a building with a square, pedimented parapet. The building is painted pale blue with white trim, and a chimney can be glimpsed on the right. Next to it a white-painted building with green trim, which has a verandah and pitched roof. Buildings formerly used as library and undertakers.linton free library, nelson brothers undertakers, ldhs resource centre, buildings

The first Sunbury Community Health Centre was built on the corner of Horne Street and Gap Road in a temporary building. As result of further funding in 1974, a permanent building was erected and opened in 1981 and operated from that site until 2000 when it was relocated into a larger and more modern building on the former Sunbury Primary School site in Macedon Street to accommodate Sunbury's expanding population and needs.It now operates under the name of Sunbury and Cobaw Community Health Centre. The old building was demolished and replaced with a fast-food outlet.A non-digital coloured photograph of the Sunbury Community Health Centre showing the notice board displayed in the front giving phone details and parking area.sunbury community health centre, health centres, gap road, horne street

In October 2011 the Ballieu Government announced funding cuts to public and private technical training organisations as a cost saving measure. The government reduced funding for seven subject areas including business and clerical, finance and hospitality, totaling $300 million across the state. During a visit to Ballarat on 15 June 2012 Premier Ted Ballieu was met by hundreds of protestors angry at the TAFE cuts. It was expected that the Ballarat TAFE sector would be cut by $20million (or 40%), and up to 60 TAFE programs would be cut. A report in 'The Australian' on 01 June 2012 projected the TAFE cuts would result in the loss of almost 2000 jobs across the state. 'If the projections are correct, Victorian college redundancies would dwarf those in manufacturing and aviation, matching the worst predictions of job losses across Australia's entire banking sector.' Ballarat's National Tertiary Education Union (NTEU) and the Ballarat Trades and Labor Council (BTLC) are following up their earlier protest campaigns with a monster meeting to be held at Ballarat Trades Hall, Camp Street on Sunday 8 July. The monster meetings will take place in close proximity to Bakery Hill where over 10,000 diggers protested against an the gold license system in 1854. .1) A brown and black Monster Meeting poster based on the Eureka Monster Meeting poster. The post uses text similar to the 1854 Eureka Poster to advertise a meeting to fight TAFE cuts as announced by the Victorian Government led by Premier Ted Ballieu. .2) A white hand flier with red text calling on the people of Ballarat to attend a meeting at Ballarat Trades Hall to fight TAFE cuts. Both items are authorised by Jeremy Smith NTEU UB branch President and Brett Edgington BTLC President.university of ballarat, national tertiary education union, jeremy smith, monster meeting, brett edgington, ballarat trades and labour council, tafe, trades hall, ballarat trades hall, eureka, eureka stockade, union

Winter was Treasurer of the Irish National League. "AUSTRALIAN AID TO IRELAND. - GRATEFUL ACKNOWLEDGMENTS. The following letters have been received:— "The Irish National League, "43 O'Connell-street Upper, "Dublin, 14th Oct., 1886. "My Dear Mr. 'Winter, — I beg to acknowledge receipt of your favour of the 16th August, enclosing; draft for £250 from the Irish National League of Australasia towards the Irish Parliamentary Fund. The treasurers of the fund, to whom I have handed the draft, are transmitting by this mail a formal receipt for the amount of your generous contribution. ' I am very happy to learn from reports which have appeared in our newspapers here within the past few days that the vacancy in Melbourne has been accepted by our worthy, able, and patriotic prelate, the Most. Rev. Dr. Carr, Bishop of Galway. While the Catholic people of the diocese of Melbourne will find in Dr. Carr an able, zealous, and dignified prelate; of whom they will haye every rea son to be proud, the Irish Catholics of the diocese will, in an especial sense, find in him one who knows the wants of their country, who is deeply in sympathy with .the just feelings and aspirations of her people, and who is second to none in his desire to see his native land happy and prosperous I thought our friends in the Federal Council of the League would be anxious to know what man ner of man the new prelate is, and, therefore, writing to you so soon after his appointment I think it my duty to say so much. "Assuring our friends of our warm gratitude for the generous assistance they are continually giving us in the struggle in which we are en gaged — I remain, my dear Mr. Winter, yours sincerely, T. Harrington. "Joseph Winter, Esq., Advocate office, Melbourne," ''The Irish National League, 43 O'Connell-street Upper, " Dublin; 12th October, 1886. 'My Dear Sir, — I beg to acknowledge with thanks receipt of your letter of 16th August, with 'draft for' £250 from the Federal Council of the Irish National League of Australasia to the Parli mentary Fund. Joseph G. Biggar. ' 'J. Winter, Esq.' ' ; IRISH PARLIAMENTARY ELECTION FUND. The following acknowledgment has been received by the Rev. J. H. O'Connell, Victoria : — " The Irish National League, 45 O'Connell-street Upper, Dublin, 12th October, 1886. '"Rev. Dear Sir, — I beg to acknowledge with best thanks receipt of your letter of 24th August, with draft for £1000 towards the Irish Parliamentary Fund from the Executive Committee of the Irish Parliamentary Fund of Melbourne.— Yours faithfully, "Joseph G. Biggar. "Rev. J. H. O'Connell, St. George's Presbytery, Carlton, Melbourne." (Sydney Freeman's Journey, 4 December 1886) MR JOSEPH WINTER AND THE IRISH NATIONAL LEAGUE - Mr Joseph Winter, of Melbourne, has received a courteous letter from Mr. Harrington, M.P., enclosing the following official document : — ' On the motion of the Right Hon. the Lord Mayor, T. Sexton, M.P., seconded by Dr. B. J. Kenny, M.P., the following resolution was unani mously adopted by the Organizing Committee of the Irish National League :— 'That we have heard with regret of the proposed retirement from the treasurership of the Irish National League of Australia of Mr. Joseph Winter, manager of the Melbourne Advocate, and we seize this opportunity of placing on record our appreciation of tbe signal services which he has rendered to the Irish people by his unselfish and devoted advocacy of their cause, especially during the past eight years, during which time the sum of £27,487 has reached the home move ment through his hands. We desire to assure Mr. Winter that his services will not be forgotten by his countrymen in Ireland, and we venture to express the hope that the Irishmen of Australasia may still be permitted to command them.'(Sydney Freeman's Journal, 6 April 1889) Image of a moustached man known as Joseph Winter.ballarat irish, winter, bishop carr, carr, joseph winter, irish national league

This file contains 11 items relating to War Memorials in Glen Eira: 1/Black and white photograph, undated, source unknown, of Caulfield Park War Memorial 2/Copy of photograph of Caulfield Park War Memorial, undated, source unknown 3/Colour photograph of Caulfield Park War Memorial, dated June 1982, source unknown, and slide of same 4/Print of webpage of Friends of Caulfield Park, dated 02/08/2013 with colour image of and information about the war memorial there 5/Two black and white photographs, undated and source unknown, of war memorial at Koornang Park 6/Four colour photographs and one black and white copy of photograph of war memorial and its inscription at Koornang Park. Date and source unknown 7/Article dated 30/04/2013 from GLENEIRA LEADER about funding for plaque for Lone Pine at Caulfield Park 8/Article dated 23/04/2013 from THE AGE about state funding for repair of war memorials including one at McKinnon 9/Article dated June 2013 from GLEN EIRA NEWS about state funding for repair of five WWI memorials in Glen Eira. Includes two photographs. 10/Article from GLEN EIRA NEWS dated April 2012 about restoration of Caulfield Park War Memorial. Includes colour photography 11/A booklet titled 'The Burra Charter and its Application: Essay 3: War Memorial, Caulfield Park', written in October 2000 by Eleanor Bishop. The booklet contains a conservation analysis, statement of cultural significance, statement of conservation policy, and conservation management plan for the Caulfield Park War Memorial. This includes a brief history and description of the Caulfield Park War Memorial, and 7 colour photographs of the memorial dated September 2000, 2 undated black-and-white photographs, and a copy of the original drawing of the memorial which won its design contest in 1930.monuments and memorials, war memorials, plaques, world war 1914-1918, caulfield park, friends of caulfield park, ritchie mr, world war 1939-1945, koornang park, city of caulfield, glen eira, glen eira council, mckinnon war memorial, hopetoun gardens, hyams jamie, mckinnon, lobo oscar, esakoff margaret, hyams jamie, delahunty ms, caulfield rsl, kiernan noel, bishop eleanor, caulfield park war memorial, foot henry b., parks and reserves, paddy's swamp, caulfield, royal victorian institute of architects, caulfield municipal council, architectural competitions, schefferle n. mr, architectural features, conservation management plan

Framed portrait of Thomas Marks who was President of the Association for the Advancement of the Blind 1900, 1935-1937. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Marks sits at a table, wearing black tails and pants, a white pleated dinner shirt and black evening dress bow-tie. One hand rests next to a cup and saucer, the other rests on his lap. Tom Marks was educated at the Royal Victorian Institute for the Blind. He was a founding member of the Association for the Advancement of the Blind (now Vision Australia) at its establishment in 1895. He went on to serve as President of organisation in 1900 and was later appointed as a part time paid secretary – an office he occupied from 1904 to 1927. He again served as President from 1935 to 1937 during which time he celebrated his 80th birthday. As the living conditions of many blind people were deplorable at this time – they were often confined to a room or shed without any social contacts – it was realized that support for blind persons was needed to serve as a refuge for the oppressed, a home for the indigent, a rest home for the sick and a convalescent home to provide both respite care and permanent accommodation. Mr Marks had a reputiation of having good contacts and being able to use people with more knowledge than himself. An able musician, Tom Marks was often employed in the homes of wealthy families. As a result he met Mr and Mrs Grimwade who were already supporters of Vision Australia. They organized a gymkhana to raise money for the nucleus of a building fund. From this time Tom Marks was involved in the finances of the centres at Brighton, Ballarat and Bendigo, which were the ultimate result of the fund. He was also part of a team that negotiated the financial agreement between the RVIB and Vision Australia over fund raising and the allocation of money, which lasted from 1930 to 1939. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Thomas Marks / President 1900, 1935-1937/ Association for Advancement of the Blind'. association for the advancement of the blind, thomas marks

Thirty two page book/booklet titled "Moving Victoria", providing information on the 1986-1987 Victorian Government Transport Budget and Capital Works Program. Has the Victoria Transport logo on the base of the front cover. Foreword by Tom Roper, Minister, details new initiatives, eg Jolimont Decentralisation, Port Melbourne - St Kilda light rail, Overseas initiatives, Transport funding, costs, industry, employment, the Ministry and its authorities, including Ports and Grain Elevators Board and the State Bicycle Committee. Information provided for: Metropolitan Transport Authority - The Met Road Construction Authority State Transport Authority Road Traffic Authority See Reg Item 1774.5 for the 1987 - 1988 version..trams, tramways, minister for transport, metropolitan transit authority, state transport authority

Report - approx. 180 pages, double sided A4, comb bound with manila covers, titled "Union Metplan - Public Transport Unions / VHTC submission to Government on Metplan August 1988". Provides a strategy for the future of Melbourne's Public Transport from the Transport Unions and Victorian Trades Hall Council (VHTC) viewpoint. Has an index, list of people involved in the study, provides viewpoints on extensions to the rail and tram networks, revenues, funding and employment conditions. On the inside cover is a light card pocket containing a card library borrowing slip with the name of the report title written on it. See also Reg item 2809 for a August 1988 summary paper and 1572 for associated documents.Stamped on front cover "Discarded from PTC Library 10 October 1989" and written in pencil "Union Metplan 1988". On first sheet stamped "Ministry of Transport and MTA Library"trams, tramways, reports, melbourne, mta, atmoea, unions, metplan

This top hat, with the initials J.H.H., belonged to John Hunter Henderson, a doctor who practised in Warrnambool from 1904 to 1939. For many years he was a member of the Warrnambool Hospital Board of Management. On his retirement in 1939 he went to live in Melbourne where he died aged 81. The John Hunter Henderson fund was established at the Warrnambool Hospital to develop the training facilities for medical and nursing staff. The bowler hat belonged to his driver (name unknown) and it is presumed that he drove a horse and buggy in the early years of the 20th century. These items are of considerable significance as they are associated with Dr Henderson, a long-serving doctor in Warrnambool and they show the status and comparative affluence of doctors in the first half of the 20th century. .1 This is a black top hat with the crown covered in beaver fur or felt of some kind. The upturned brim is slightly worn on one edge. The crown has a black corded band with a bow on one side. There is a stud with an air hole on the crown. Inside there is a brown leather lining with information on the maker on the inside base and a crown image. .2 This is a bowler hat made of black felt with lining on the edges of black cotton material. The brim is slightly turned up on the sides. The crown has a black corded band with a bow at one side. There is a circle of air holes on the side of the hat. Inside there is leather lining with some information on the maker on the inside base. .3 This is a hat box lid with a leather covering over cardboard. It is a spherical shape with some side damage where the leather is peeling. There is a leather strap handle with a metal buckle. There are remnants of travel labels pasted on to the lid. .4 This is a hat box made of leather with a metal lock on one side. It has remnants of paper travel labels on the sides. Inside the box is an insert made of maroon-coloured cardboard for storing the top hat. This insert has a leather strap to stabilize the hat. There is a name on the base of the box written on a piece of adhesive plaster. .1 J.H.H. Woodrow & Sons Hat Manufacturers to H.M. the King 13 Market St Manchester, 8 Castle St Liverpool, 45 Piccadilly London, 42 Cornhill, London, 11 Gordon St Glasgow, 40 Westmoreland St Dublin, Made in England Lincoln, Stuart & Coy Proprietary Limited Flinders St Melbourne .2 The Tropical Hat .3 Midland Railway .4 Dunedin, F.H.Moreton doctor john henderson, warrnambool, history of warrnambool, top hat

Opinion piece by Mal Harrop, Eltham regarding the origina of the first Eltham Communitry Festival in 1975, the brainchild of then Shire President, Alistair Knox. Discusses the funding of the festival with the help of Eltham Apex Club Ltd leading to the Eltham Ohienix Club which ran the festival for the next nine years with assistance from service cluybs and community members. Discusses the original objective of the festival toi bring together old and new Eltham, to help newcomers undersrtand the environmental and artistic heritage of the area, and to help local groups and schools to raise money and attract new members.Newsprinteltham festival, 2005, eltham community festival, rotary club of eltham, rotary eltham town festival, eltham phoenix club, eltham apex club, alistair knox, graeme bell, montmorency garden club, montsalvat jazz festival

In 2010, the Government announced that the ETV fleet would be no longer be funded by the MCA from September 2011, saving £32.5m over the Spending Review period. The Department stated that "state provision of ETVs does not represent a correct use of taxpayers money and that ship salvage should be a commercial matter between a ship's operator and the salvor".Two days after the announcement that the fleet was to be disbanded, Anglian Prince was sent to the aid of the UK's newest and largest nuclear submarine HMS Astute, which ran aground off the Isle of Skye in Scotland during sea trials.Builder's plaque, Imai Mfg Co, for the 'Jaramac 48' - Text is impressed into the front and painted red. A red painted border surrounds the edge of the plaque. A small silver plate is attached to the upper right hand corner with engraved text on it.1979 circa. Jaramac 48 - 4,200 HP, Harbour Tug, Built 1975. Renamed 'Mac Tide 48'JARAMC 48/OWNER J. RAY MCDERMOTT & COMPANY INC/ OFFICIAL NO./ GROSS TONNAGE 554t.84/ NET TONNAGE 71t.00/ CONTRACTOR HASEGAWA & CO., LTD./ BUILDER IMAI MFG. CO., LTD/ HULL NO. SHIP NO. 145" Gold Plaque "DONATED BY/ J Ray McDermott (Aust) P/l)/ 1979"

HUMBLE BEGINNINGS The Mission to Seafarers, which was originally known as the ‘Bethel Union’, was established in London in 1835, a recognition of the spiritual needs of seafarers who live a lonely life at sea. In 1857, the Bethel Union began a mission in Victoria aboard the Emily, a large hulk vessel donated by the government, with the object of establishing a floating church for sailors moored in Hobson’s Bay. The first chaplain, his wife and their eight children, three servants and livestock called the Emily home for two and a half years. Each week, sailors were taken to the Emily via a longboat to join in the Sunday services. Today following the same custom, seafarers are transported by bus to and from the docks by a volunteer bus service run from the Mission building at 717 Flinders Street. This window, named ‘On the Seas’, was installed in 1980 and represents the origins and history of the Mission to Seafarers through the symbols of a cross, maritime and Masonic imagery.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window by Greg Cummins with a photograph of seamen in front of a van and a view of Port Melbourne.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: View of the Princes Pier from the Port Melbourne Mission windows in 1928. BELOW: A group of visiting seafarers standing in front of the Mission bus during an outing to the beach, circa 1950s.reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, greg cummins, flinders street, catherine mclay, arthouse

THE HOME OF THE MISSION TO SEAFARERS By 1907 the Mission to Seafarers Victoria had moved from providing its services aboard a floating vessel, the Emily, to three different bases in Melbourne locations: Williamstown, Port Melbourne and the North Bank of the Yarra - opening a central home in 1907, and finally at 717 Flinders Street in 1917. The Mission to Seafarers Victoria complex, includes the landmark domed gymnasium, which opened in 1920. The State heritage listed buildings of the Mission are considered architecturally significant urban examples of two distinct architectural styles: the external Spanish Mission Revival and the Arts and Crafts influence of the interior. This window, titled ‘Missions to Seamen’, was installed in 1980 and depicts a cargo ship, tug and lighthouse representing the working seaman, and is further supported by the Flying Angel emblem of the Mission to Seafarers ministry.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window depicting a ship and tugboat, two photographs of the Flinders Street building and seamen departing for a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: A photograph of the Mission to Seafarers complex on Flinders Street with horse drawn carts going by, taken in 1927 BELOW: Visiting seafarers gathered in front of the Mission entrance prior to a picnic on Boxing Day 1926reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, flying angel flag, tugboat, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, catherine mclay, arthouse

THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse

THE HARBOUR LIGHTS GUILD The ‘Ladies Committee’ was formalised in 1906 to assist the chaplain with the social demands of the Mission, and was renamed the ‘Ladies Harbour Lights Guild’ the following year. According to former members, it operated with all proper decorum and with precise guidelines that restricted women from coming into contact with seafarers outside of Mission activities. With some 1,600 Victorian members during its early years, these volunteers gave their prayers, money, handiwork time and considerable energy in order to assist in providing for the welfare needs of visiting seafarers. The heritage chapel of St Peter, often referred to as the Mariners’ Chapel, features many examples of stained glass. Commemorating the service of Mercantile mariners, the funds to build the chapel were raised by the ladies of the Harbour Lights Guild. This window, titled ‘Faith’, was installed in 1933 to commemorate the devoted service of Miss Ethel Godfrey, a founding key member of the Ladies Harbour Lights Guild.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Ethel Godfrey, and two photographs of ladies from the Harbour Lights Guild.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: a member of the Harbour Lights Guild dancing with a Tongan man at a social event during the 1960s. BELOW: A group photo of the ladies of the Harbour Lights Guild in front of the stage at the Mission to Seafarers Victoriareflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, ethel augusta godfrey 1861-1935, lhlg, harbour lights guild, ladies harbour lights guild, dance, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, catherine mclay, arthouse

A KEY MELBOURNE LANDMARK Although primarily dedicated to providing for the welfare of visitors from abroad, the Mission has always been a community-based organisation, and its doors are always open to the general public. Today, the Flinders Street complex lends its ample space to a variety of community pursuits – including yoga classes, religious sermons and gallery exhibitions. The Mission also continues as a popular venue for weddings and other social events, mainly due to the endearing historical connections and unique architecture and ambience. It is a distinctive and significant feature of Melbourne’s riverside streetscape. This window, titled ‘Thou of Little Faith’ is part of a pair that were installed at around the time the Mission was built in 1917. It is dedicated to a prominent family member of the ‘Forges of Footscray’ store fame, who were great supporters of the Mission’s work.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the window in memry of James Leslie Forge, a photograph during a service in the chapel and a wedding photograph.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE RIGHT: Sunday services in St Peter the Mariner's chapel, attended by seafarers and the public, circa 1950s BELOW RIGHT: Mr and Mrs Lee under the arches after their wedding at the Mission on May 1st, 1967reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, james leslie forge, weddings, service, chapel of saint peter, catherine mclay, arthouse

Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June-July 2013 (opening night 17 June 2013) and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. The high tea held on 29 June 2013 was an opportunity to visit the exhibition.For over 150 years the Mission to Seafarers in Victoria has continued to meet the welfare needs of seafarers who arrive on Australian shores from around the world. This exhibition presents a selection of stained glass windows and historical photographs from the Mission, to capture a glimpse of some of the people and scenes integrale to this relationship.Slightly pink cream colour flyer An invitation to enjoy an afternoon of high tea and heritage at the Memorial Chapel of St Peter / 2pm-4pm-Saturday 29 June 2013reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, justine m. philip, mission to seafarers, flinders street, creative victoria, prov, stained glass windows, arthouse, catherine mclay