THIS COPY OF PHOTOGRAPH WAS TAKEN FROM COLLAGE OF CLUNES GUN CLUB. JANUARY 1903. REG. NO. OF COLLAGE 1001.1.2.3COPY OF PHOTOGRAPH OF MR. J. GORDON. MEMBER OF CLUNES GUN CLUBlocal history, photography, photographs, gun club

Brown Phenyl bottle glass, shaped as a parallelogram (or diamond); would have been sealed with a cork. In the 1950s, Phenyle was commonly used in outdoor toilet pans and gully traps as a powerful germicide. It was from an era when most common household poisons had their own unique shaped bottle so if the label was removed or illiterate people still knew what the contents were. Brown glass, shaped as a parallelogram (or diamond); would have been sealed with a cork. Embossed: “This bottle is the property of VDMA” “Not To Be Taken” “Poisonous” “Regd No 2140”. It also has stars embossed to indicate a poison bottle. The base has the AGM markings for post 1934.bottles, agm, agm (australian glass manufacturers), phenyl

Two light brown covered auction catalogues for an auction held at the Gordon Gold No Liability mine at Gordon, Vic. On the 9th and 10th July, 1941of mining equipment, milling plant, cyanide plant, sawmill plant, stores, corrugated iron buildings, men's cubicles, residences and costly sundries. Sale by order of the Legal Manager, Mr. G. S. Anderson of Anderson, Hodgson & Lithgow. J. H Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - gordon gold no liability, mr g s anderson, anderson hodgson & lithgow, j h curnow & son, j l jamieson & co, the cambridge press

Official guide to the 2000 Wilson Australia Junior Amateur Championships, and Wilson Junior Interstate teams matches. Brisbane 21-28 April 2000. Played at Indooroopilly Golf Club and Nudgee Golf Club. Victorian team Manager John Scrivener, assistant manager Bruce Harding. Team Members, Anthony Brown, Mark Leishmann, Troy Little, David Walker, Heath D`Altera, Luke Bower. Former HGC President Bruce Harding was a team official for Victoria's Junior teams from 2000-2010.28 p., brown text, plus 3 loose sheets with scores. Handwritten scores for each Victorian match throughout booklet.bruce harding, australian junior amateur championships, junior golf

Embossing indicates that the brown glass bottle contained Penfold brand wine, a South Australian wine company formed in 1913. This particular bottle was the shape used for their fortified wines and would date between c.1917 and the early 1930s. It was found on the beach or in the sea.The brown glass bottle has a lip and collar with a tall neck and narrow shoulder and would have had a cork stopper. " PENFOLD / THIS BOTTLE IS THE PROPERTY OF / PENFOLDS WINES"

This hot water bottle was designed to lay flat in a bed between the sheets. Its purpose was to warm the bed before use. The bottle was filled with hot water then a stopper was placed in the top to seal it, preventing the water from running out. The inscription on the attached label of this hot water bottle gives both the donor's details and the location of the bottle when it was first displayed at Flagstaff Hill Maritime Village. the "P.M.O." are the initials for the Port Medical Office. The donor's details are also written in pencil on the base of the bottle. In the 16th-century people warmed their beds with the 'bed warmer', which was a long-handled, metal pan filled with hot coals and embers and covered with a lid. The pan was placed between the bedsheets to warm the bed before the person retired to sleep for the night. In the early 19th-century earthenware bed warmers came began to be used for the same purpose. They would be filled with hot water and sealed then often wrapped in fabric. The ceramic material would hold the heat for quite some time, without being too hot for the person in bed to also warm their feet as they went off to sleep. Hot water bottles were later made from glass, copper, brass or tin. Some manufacturers made them into decorative pieces that still had practical use. In 1903 a patent was taken out for the first rubber hot water bottle, invented by Slavoljub Eduard Penkala, a Croatian engineer. This bottle is of historic significance, as an example of personal heating equipment used in the late 19th and early 20th centuries.Hot water bottle, earthenware, pale colour with brown glaze on top over the shoulder and mouth section and clear glaze on the remainder of the sides. The cylindrical bottle tapers to a slightly narrower base. One side of the bottle, about a sixth of the circumference, is flat. The base of the bottle has a handwritten inscription. An inscription was on the paper label originally attached to the bottle. Inscription hand written on base of bottle "Mrs K. Rob _ / Browns Rd / Offic / 3 _ _ 9" Inscription on paper label " "Mrs K Robinson Browns Rd Officer 3809 - Hot water bottle P.M.O." flagstaff hill, warrnambool, shipwrecked-coast, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, domestic item, hot water bottle, heating equipment, ceramic bottle, stoneware bottle, potter, earthenware, personal item, bed warmer, foot warmer, flat-sided hot water bottle, household item, stoneware, clay, ceramic

Lake Bolac Hotel constructed in 1862 following the establishment of a 'shanty' on the same site by James Brown in 1856. James Brown originally established a "shanty" in 1856, then built a wooden hotel and then erected the current bluestone hotel in 1862. It is made from locally quarried bluestone. In early years the hotel served the community for church services, as a barber-shop and as a morgue.

In the KHS Minutes of June 1999, it is recorded that Marion Blatchley (a member) had restored the brown bridal hat. This is the only possible candidate. The minutes do not record the date of the hat's origin.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Open weave straw woman’s hat featuring a low domed crown and a wide brim. The dark brown hat has a pale green ribbon surrounding the base of the crown. Unclear handwritten marking: Sylvie Walsh (sic). Wynne Saish (sic)women's clothing -- hats, sun hats, raffia hats

The .30 caliber Browning Machine gun was the basic machine gun of US forces and became more common in British and Australian armoured when US tanks were adopted.Representative of US training manuals in WW11.Natural coloured covered booklet " War Department Basic FIELD Manual Browning Machine Gun Caliber .30 HB M1919A4 ( mounted in Combat Vehicles ) August 12, 1942."military, world war two, wwii, us, machine gun

In a time when travel to distant parts of the world were difficult. Magazines such as these, offered people the opportunity to see the sights of the World. The link to Warrnambool, with this publication is the R.A. Philp stamp on the front cover. R. A. Philp was a bookseller who operated his business in Timor St opposite the Post Office.Soft card, light brown cover, with black text. Inside black rectangular border is the title “John L. Stoddard’s Portfolio of Photographs of Famous Cities scenes and Paintings.” In smaller text “Published weekly by the Werner Company of Chicago. ”Art Series 10 on top left corner. Inside are 16 pages of Black and white photos of scenes from around the world, with explanatory text underneath each photo. Back cover has list of contents of Series 11. Purple stamp, R.A. Philp, bookseller Warrnambool, in centre top. Gordon and Gotch, London, Melbourne, Sydney, Brisbane, Capetown.warrnambool, philp, booksellers., stoddard

Page turners were used in churches and synagogues to read Holy books, to turn pages in huge manuscripts and books (and later newspapers) as well as open double pages without a sharp knife (letter openers). This was from the home of W.J. Sebire in Wandin.A highly polished cream coloured long vintage celluloid page turner used for reading. It has a curved round ended long smooth blade which is paler than the darker short round pointed handle. Both sections have small dark brown fine floral designs on one side. There is a 3mm crack all round near where the handle meets the blade. On one side only are small dark brown floral patterns on the handle and one on the blade.page turners, holy books, celluloid

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Black and White postcard, General Gordon. (SH 110.1 Ships F - H).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, general gordon, post card, postcard

Black and White Postcard, General Gordon. (SH 110.2 Ships F - H).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, general gordon, post card, postcard

Black and white photo of Game Family home in 18 Gordon Crescent, Blackburngame family, gordon crescent, blackburn

Property sketches done for Frank Gordon Real Estate in the 1990s. Evans Stbuilt environment - domestic, frank gordon & co, evans street

The Ballarat School of Mines was established in 1870,. It was the first School of Mines in Australia. The Associateship was held in high regard and recognised throughout the world. Stanley Browning Vial is listed no the Ballarat School of Mines Associateship Roll for 1903. Printed certificate on vellum, with handwritten details. The certificate was made out to Stanley Browning Vial, and signed by President of Council Andrew Anderson and Vice President J.M. Bickett.All names have been crossed out, the seal has been removed and hand written in red is the word 'cancelled'.ballarat school of mines, associateship, vial, anderson, bickett, stanley browning

Brown glass, high shouldered Richmond Brewery lager bottle. Embossed with “Tiger” motif and “Regd Tiger” just below shoulder. Around base: “The Property of Richmond N.S. Brewing Co Pty Ltd”. The base has the AGM mark for post 1934. Bottle would hold 26 fluid ounces. Crown sealed closure of type c1950s. The Richmond Brewing Co existed from 1926 to 1962 when it was sold to Carlton & United Brewery. It used the Nathan System of brewing hence the N.S. in its name. Brown glass, high shouldered Richmond Brewery lager bottle. Embossed with “Tiger” motif and “Regd Tiger” just below shoulder. Around base: “The Property of Richmond N.S. Brewing Co Pty Ltd”. The base has the AGM mark for post 1934.bottles, agm, agm (australian glass manufacturers), richmond brewing co, lager bottles

The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers

‘Ropy lava’ is known for its sculptural and layered qualities. It occurs in specific lava flows that are slow moving and slow cooling, allowing for unique formations to be created out of the motion. Ropy Lava is a flow that has a hardened crust with molten material underneath, the tension between these states is what creates its characteristic form. The brown/red hue of the stone is an indication of age, as it is oxidised iron deposits. This rock deposit is thought to be sourced from the area by Talbot, in western Victoria. This area has a rich mineral history and experienced the gold rush in the 1850's. The traditional owners of this area are the Dja Dja Wurrung people.This geological specimen shows the conditions in which the Australian landscape was created as well as provides an indication as to how these events occurred. It is representative of a common natural process that contextualises the formation of Australia with the formation of other landmasses. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Hand sized specimen in brown/red hues42 / victoria, talbot, lava, ropy, ropy lava, mineral, geological specimen, geological, geological heritage, natural stone, natural history

Willys M.T.S. Section car 50 with receiver only, circa 1942Photo: Clare Brownpolice vehicles; transport branch; wireless patrol; motor police branch; willys car

"Having a monthly circulation of 211,670 copies, the Victoria "School Paper" is claimed by the Education department to form the staple provision for leading matter in the elementary schools." -( December 29, 1920, The Argus). In Victoria the Education Department's School papers were compulsory reading for children until the 1930s when the Victorian readers became compulsory and the School Papers supplemented them. This one is for Grades V and VI.This item is an example of a school text book used in the very early 20th century. School textbooks reflect the development of education in Australia.From them we can understand what was taught and how children learned in Australian schools in earlier times.A collection / compilation of magazines called the "The School Paper". Binding is string and the back cover is cloth covered. on front - "William Brown"education school-reader the-school-paper-1900

Grave Marker - “Moray” Private CemeteryInscription James Brownstawell

Grave Marker - “Moray” Private CemeteryInscription James Brownstawell

Grave Marker - “Moray” Private Cemetery taken 1998Inscription James Brownstawell

Grave Marker - “Moray” Private Cemetery taken 2012Inscription James Brownstawell

Grave Marker - “Moray” Private Cemetery taken 2012. Restored by Mr David Constable descendent of David and Catherine Constable.Inscription James Brownstawell

This brown leather school bag / satchel was used by Carol Poole (nee Smith) whilst attending Ormond State Primary School 3074 c 1952. Most school children used these bags to carry their exercise books, readers, pens and pencils and lunch to and from daily Classes The bag had 2 shoulder straps that enabled it to be carried on the child’s back Mrs Carol Poole , a member of CMHS, grew up in McKinnon and attended the Ormond State Primary School c1952.A brown leather school bag/ satchel with 2 fastening straps and metal buckles, but minus shoulder straps No 13schools, pupils, ormond state primary school, moorabbin, ormond, mckinnon, bentleigh, satchels, schoolbags

Photo of the flower covered grave of Jean Watson who died as a result of an accident in 1920 at age 14 years; daughter of Christopher Watson and Carrie Watson (nee Shillinglaw. Inscribed on reverse in pen on deteriorating brown paper: "To dear Mrs Watson as a small tribute of our love to that memory of Jean from E. Sweeney & school mates Eltham School"marg ball collection, caroline (carrie) watson (nee shillinglaw 1876-1956), ellen sweeney, eltham cemetery, eltham state school no. 209, graves, jean watson (1906-1920)