Showing 2622 items
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Bendigo Historical Society Inc.Photograph - BASIL MILLER COLLECTION: METAL TRAMS
Photo pocket - 'snapshots form Norman J. Oliver photographic service, Hargreaves Street Bendigo, Phone 3-5233. Green and Blue printing on cream card. Negative of electric tram with metal panels, taken outside tramways depot, c1920 car in the background and a picket fence.person, individual, basil miller -
Bendigo Historical Society Inc.Document - W.D. MASON COLLECTION: OWEN WALTER WILLIAMS LEADLIGHT DESIGN
Copy of original design created and drawn by Owen Walter Williams in the early 1900's. This design used for the leadlight made for the entrance to the Bendigo Leadlight Cafe 1998. The design show three panels, the two side ones decorated with flowers motive and the middle one with a family crest.bendigo, business, owen williams -
NMIT (Northern Melbourne Institute of TAFE)Book: The Australian Post Office Course of Technical Instruction; Applied Electricity 1 1962
Each section in the book is individually paginated. The text is illustrated with numerous black-and-white photographs, schematics and illustrations.Plain text cover with brown coloured cloth backstrip and black titles to the front panel. A training manual for the trainee linesman for the Australian Post Master-General (The Australian Post Office). nmit -
Hume City Civic CollectionClothing - Dress - Inmates
Garment was worn by female patients at the Sunbury Asylum.Inmate's dress in off-white canvas (?) with red stripe (blue stripe on left arm only). Round neck with front reinforcement and added panel and binding in cream cotton. Bodice and skirt pleated into waistband. Back opening to thigh level with three pairs of button-stitched eyelets.costume, sunbury asylum, george evans collection -
Wangaratta Art Gallery
Textile, Kate Just, SAFE Banner, 2014
HOPE & SAFE presents the material results of Kate Just’s two recent public banner projects in the UK and Melbourne responding to violence against women and current media coverage of this issue. Referencing and reviving moments in feminist history in which collective action and craftwork were deployed to enact change, HOPE & SAFE invokes a utopian reimagining of women’s safety and agency within the urban environment. In 2013, Just travelled around the UK with her KNIT HOPE Project. It involved an invitation to individuals and communities to publicly join her in knitting a night-reflective fluorescent yellow banner that spells the word HOPE in silver block letters. Later, various HOPE walks were taken in public at night with it. Bearing the artist’s daughter’s name, the resulting HOPE Banner manifests the artist’s wish for a brighter future for women broadly and for her own child specifically. Materially and conceptually, the banner entwines dualities of male and female, public and private, individual and collective. The uniquely patterned individual pieces refer to the work of many hands, joined together to form a seamless whole. The durability of the builder’s line and the high-vis reflective material, which is worn by construction workers, police and cyclists, imbues the banner with a level of visibility and authority. The singular large scale photograph HOPE Walk (Leeds) extends these complexities, documenting a moment in which police on horseback, donning coordinated yellow and silver jackets, asked if they could join the ‘protest.’ On return from the UK in early 2014, Just undertook the KNIT SAFE Project in Melbourne. It involved the communal crafting of a sister banner, a night reflective black and silver ‘blanket’ that spells SAFE. The more sombre SAFE Banner operates as a shield or soft monument constructed in the shadow of recent high profile violent deaths of women in Melbourne including Jill Meagher, Tracey Connelly and Fiona Warzywoda. The photograph SAFE Walk (Melbourne) captures a small group of banner holders quietly interacting with each other in the warm glow of a street lamp, projecting an almost fictional ideal of collective resistance to the harsh realities of the world. Also presented in the exhibition is the book HOPE SAFE, documenting the projects in their entirety and featuring an in-depth essay by art critic and historian Dr Juliette Peers. Photograph by Simon Strong. Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2015.A rectangular banner with a background made up of black yarn square panels that vary in shape and size with different knitted and crocheted designs, with lettering applicated onto the background using reflective nylon thread. A metal pole has been threaded through the top of the banner to enable it to be carried.wangaratta art gallery, wcta, textile, kate just -
National Wool MuseumInstrument - Yarn speed meter, c. 1995
Timber box with brass clasp at the front. Inside is lined with green felt. Black plastic yarn meter with handle grip, pulley wheels and window showing the measurement gauge. Patent panel on the back. 2 pieces of paper- one is a diagram of the battery (?). The other is a general overview of the product.wool, hatra, yard speed meter -
Stawell Historical Society IncPhotograph, Murals with descriptions inside the Town Hall 1930
Details of a decorative murals taken from The Weekly Times Diamond Jubilee Celebrations. The decorative mural is on the righthand side of the town hall stage. Three smaller images (floral) are on the right hand side of the mural. The artist of the murals was Will Rees.Enlarged black & white photograph of a mural with a woman seated holding a musical instrument. The image is an enlargement of the righthand panel beside the stage in the town hall. The enlargement taken from the Weekly Times newspaper cutting of the Stawell Diamond Celebrations The paper was handed on to the Society by Stawell Athletic Club.stawell -
Whitehorse Historical Society Inc.Photograph, Opening of Whitehorse Heritage Trail, 2/07/2001 12:00:00 AM
Heritage Trail funded by grant to the City of Whitehorse from Commonwealth of Australia to celebrate 100 years of Federation.Coloured photograph of Anna Burke, MHR, for Chisholm, and the Koori representative unveiling the Display Panel at opening of Whitehorse Heritage Trail at Gardiners Creek Reserve, Burwood. On Right: Cr. Bill Bowie, Mayor City of Whitehorse|On left: Lois Binnie, Heritage & Leisure Manager, City of Whitehorsewhitehorse heritage trail, city of whitehorse, burke, anna, bowie, bill, binnie, lois -
Whitehorse Historical Society Inc.Functional object - Jewellery Box
Rectangular box with lid covered in mother of pearl. Lid is raised on its four side at an angle with a platform in middle. This platform has been carved with a floral motif with a bird. One panel on the top of the box is missing. The lid is lined with dark blue velvet and lid in cream silk.personal effects, containers -
South Gippsland Shire CouncilPhotograph, Framed, South Gippsland Shire Councillors 2001, 2001
Framed colour photograph featuring the South Gippsland Shire Councillors 2001. Features one woman and eight men standing in formal row. Title and names of each councillor in text panel below. Grey card window mount set in brown wood frame with gold trim. -
Ballarat Tramway MuseumPhotograph - Black & White Photograph/s, The Courier Ballarat, c1963
Yields information about View Point terminus and the tram liveries in 1963.Black and white print on heavy matt photographic paper of No. 26 at View Point terminus, junction between Macarthur St and Wendouree Parade c1963. Tram has the destination of City, a Twin Lakes and Briquettes advertisements on the front dash panel. Two people also near the tram.On rear in pencil "26 View Point terminus 1963"tramways, trams, view point, macarthur st, tram 26 -
Ballarat Tramway MuseumPostcard, Ron Scholten, SEC Ballarat No. 21 and 11?
Colour photograph, printed on a postcard back format of SEC Ballarat No. 21 and 11? crossing at the Urquhart St loop, Drummond St South. No. 21, has destination of Bell St and No. 11?, destination of Lydiard St North and has a Twin Lakes sign on the front dash panel.trams, tramways, drummond st sth, urquhart st, tram 40 -
Ballarat Tramway MuseumPhotograph - Black & White Photograph/s, Lloyd Rogers, Jun. 1961
Yields information about the appearance of SEC trams early 1960's in the Gardens and the streetscape.Black and white photograph of Ballarat tram 21 in the Gardens section of Wendouree Parade, June 1961. Tram has the destination of Victoria St., a roof advert for A. H Collins timber of Sebastopol, front dash panels adverts for The Age newspaper and Mutual Homes. Photo by Lloyd Rogers.In ink "Car 21 - Gardens Ballarat June 1961 (Car 21 ex Adelaide) and "7/4/61" In Pencil "Ballarat June 1961"trams, tramways, wendouree parade, gardens, tram 21 -
Ballarat Tramway MuseumFunctional Object - Tramcar, Duncan and Fraser, SECV Tram No. 28, 1916
Single truck (4 wheels), drop ends, modified California Combination, panelled sides, 4 external doors, 2 internal sliding doors, longitudinal seats, air braked. Image used by Mal Rowe 21/9/2019. See Destination City and Destination Eaglehawktrams, tram 28 -
Ballarat Tramway MuseumFunctional Object - Tramcar, Duncan and Fraser, SECV Tram No. 33, Built 1917, completed 1920
Single truck (4 wheels), drop ends, modified California Combination, panelled sides, 4 external doors, 2 internal doors, longitudinal seats, air braked. Image - tramcar on depot fan - c1994 - Reg item 4071. See Destination City, Destination Eaglehawktrams, tram 33 -
Tennis AustraliaLine marker
An hand-pushed, tricyclical line marker, with a paint chamber and conveyor wheel, distributing paint to the application wheel situated behind the chamber. Across a circular metal panel - situated between the stems connecting the chamber to the wooden handle - is the inscription: THE GEM. Materials: Wood, Metal, Lacquer, Painttennis -
Tennis AustraliaAcrylic painting, 1977
Painting: 'A Volley with Time' depicting a boy in overalls near a house surrounded by garden, hitting a ball with a racquet. Artist's signature at lower left: KEITH '77 and copyright symbol. Inscr: '93' written on back of panel in black marker. Materials: Acrylic paint/Pigment, Wood, Metaltennis -
8th/13th Victorian Mounted Rifles Regimental CollectionPhotograph, 1960 circa
Training of this nature often carried out on Nail Tree Hill just west of Albury during a night parade. Soldier with Bren LMG Sergeant J Bauerle, Officer giving hand signal Lieutenant Allister Waite.Representative of night parade training carried out by CMF soldiers in early 1960s.Framed black & white photograph of soldiers from 8th/13th Victorian Mounted Rifles engaged in a training exercise at night in a bush area. Ten troops in photograph armed with Bren light machine gun and .303 Lee Enfield rifles. Light wooden frame with glass panel.8/13 vmr, training, bauerle j sergeant, waite a lieutenant -
Melbourne Tram MuseumSign - Adhesive label, c2001
Adhesive sign or label for use in tramcars operated by M>Tram that gave the listing for the number to be entered into the destination sign indicator panel for each tram destination, possible for B class trams (see 1318 same size) Includes signs for the Grand Prix. Printed on "JAC" paper.trams, tramways, signs, tramcars, b class, destination indicators, m>tram, grand prix -
Melbourne Tram MuseumDocument - Instruction, Phillips Communication Systems, "AVM Control Head", mid 1980s
Laminated yellow sheet - two sheets laminated together, titled "AVM Control Head", giving instructions for the use of the AVM panel fitted to the driver's area of a tram. Shows the various messages that can be given, the use of the various buttons, and actions that the driver should take to specific messages.trams, tramways, avm, automatic vehicle monitoring -
Eltham District Historical Society IncNewsletter, Newsletter, No. 110 September 1996
Contents: • Next meeting, Speaker Panel; Eltham Architects (les Clarke, Geoff Watt, Bill Woodburn, Robert Marshall) • September Meeting • Spring Excursion • Andrew Ross Museum • President’s Report • Demolition of Former Eltham Shire Offices • A Visit to the Other Eltham by Russell Yeoman • Library Display The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Eltham District Historical Society IncPhotograph, Pedestrian access upgrade, Pryor Street, Eltham, c. Oct 1987
Looking down Pryor Street towards the intersection with Main Road, Mac's Liquor on left. Shows upgraded footpath area with new paving and planter boxes. Date based on other similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Colour photographeltham, main road, shire of eltham, infrastructure development, commercial place, display panel, eltham festival, mac's liquor, pryor street -
Nillumbik Shire CouncilPublic Art: Helen BODYCOMB (b.1964, South Australia) and Enver CAMDAL (Lives and works Turkey), Enver Camdal et al, Nest (Location: Roundabout, Main and Luck Street, Eltham), 1997
Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush -
Bialik College70th Anniversary Exhibition Panel, Melton Centre for Jewish Education, 2012
Panel from the exhibition held to celebrate the College's 70th anniversary in 2012. Photo: Bialik College Melton leadership tour Israel, January 2011. Haim Aronowitz (Melton Centre guide), Marc Light, Gary Velleman, Sidra Moshinsky. Please contact [email protected] to request access to this record.judaism, israel, history, 2000s -
Ballarat Tramway MuseumPhotograph - Bendigo - tram depot c1945
Photo shows the Bendigo tram depot, c1945 after the arrival of the first bogie trams. Tram 23 with cream rocker panels, possibly No. 20, another tram and the welding truck. Appears that there is some welding going on with the ladder positioned just inside the depot and a pole connected to the overhead alongside the truckYields information about Bendigo tram depot after the arrival of the first bogie tramsBlack and white photograph of the Bendigo tram depot c1945tramways, trams, sec tramways, bendigo, bendigo depot, tram 23, welding truck -
Federation University Art CollectionPainting - oil/oil stick on canvas, Untitled by Annie Burns
Annie BURNS Annie Burns attended the Victorian College of the Arts. She lives and works in Melbourne. Her works are mainly oils on canvas, wood panels and aluminium. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artwork featuring a woman in a tutu like skirt.art, artwork, oil, oil on canvas, available, annie burns -
Yarra City CouncilArtwork, other - Mural, Fiona McMonagle, The Park, 2022
'The first panel celebrates the long history of runners that use the park. Richmond Harriers Athletics Club was established in 1913 and is the oldest athletics club in Victoria. The central panel depicts young female footballers and recognises female athletes and the popularity of women and girls' teams in contemporary sports. The final panel depicts a children’s cricket match. The young players are represented through the depiction of a game that is part of our national psyche and firmly entrenched in Australian culture.'Inner-city parks like Citizens Park have many diverse uses. They provide places to play, to exercise and to relax. They are spaces for community and are often subject to competing values and interests. The re-development of the Jack Dyer Pavilion at Citizens Park allows for the growth of the local community’s diverse interests and values and enables participation and interaction. 'The Park' focuses on the recreational uses of Citizens Park and its role as a community space in an area that is changing rapidly. The mural consists of three panels that address inclusivity and access to sport. Three core sporting groups who each utilize the pavilion and park as a public recreational space are represented: children, sport teams and runners. In fostering the representation of these groups, the panels also attest to the past, present, and future of this important space.Three sporting groups are represented: athletics/runners, women footballers in line formation and young cricketers in action/play. Accompanying plaquesport, women, community, richmond, parks -
Ballarat Tramway MuseumFunctional object - Tramcar component - Panel ex Geelong tramcar No. 2 with SECV logo
The penel was recovered by the restorer of MESCo/SECV Geelong tram No. 2 and provided information about the paint scheme and layout. The Geelong tramway system closed in March 1956, No. 2 making its last run in January 1956. The body was subsequently sold to Phil Shoppee, a farmer at Murradoc on the Bellarine Peninsula. The farmer had used the tram body as a feed store, with this part placed up against a water tank or similar. This prevented it from being painted over. The panel shows the methodology of securing it to the tram body and the location of the lining and the emblem. The SECV logo or emblem dates from the formation of the SECV in 1921. The panel dates from the 1950s, possibly from a repaint after the side entry gates on the car were replaced by hinged doors in the mid-1950s. See reference.Yields information about the location of the lining and logo on the tram body and colours. One of the few original SECV logos formed from gold leaf in the Museum's collection.Sheet steel - treated - SEC green paint with a gold leaf SECV logo or emblemtrams, tramways, geelong, tram 2, secv tramways, logos, secv, emblems -
Vision AustraliaAdministrative record - Text, Our 82nd year in Braille and Talking Book: eighty-second annual report and statements of account for 1975-6, 1976
Annual report of the Braille & Talking Book Library including Minutes of the AGM, Board of Director's Report, President's report and financial statements. Items also included are: Colvan Charity Cup Golf Day raffle winner receives car from Bib Stillwell, Frank Moorhouse wins Braille Book of the Year with Barrett Reid, Dr Stephen Murray-Smith and Lloyd O'Neil making up the judging panel, luncheon to celebrate Alice McClelland's 54th year of service to the library, rationalisation of Moon books with RBS NSW, popularity of Fraser Twins Sound magazine, retirement of published Lloyd O'Neil from judging panel and appoint of Joyce Nicholson, death of Joan Armytage, former auxiliary organiser then committee member and renovation of library and construction of talking book room and recording studios (in notes to accounts).1 volume of print and illustrationsbraille and talking book library, annual reports -
Kiewa Valley Historical SocietyTobacco Hand Press
Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of it major industries. Many of the italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Wooden, panelled red (painted on outside) rectangular box on side are iron bars with steel reinforcements around the box, near the top and bottom on 4 sides and across the middle on the 2 ends and front (not back). Diagonal steel between bottom and middle iron on the front. Ends: 2 iron bars from the ground curved up to top holding an iron rectangular beam that goes from end to end. Midway of beam is a vertical long screw at the top of which is a cross formation of 4 iron rods forming a handle for turning. Inside, the screw is attached to an iron frame which is attached to a wooden panelled platform enabling it to be raised or lowered as required.tobacco. mongans bridge. kiewa valley. hand press. parmesan. rossaro. lorenzi brothers.
