Detailled Area plan of the Urban Renewal Project in North Fitzroy. Features the longitudinal section at Rowe St.ink, acetate

The Axis Kettle was developed through the EcoRedesign project funded by the Federal Government and based at RMIT in the 1980s and 1990s. The project involved the expertise of significant Victorian designers such as Paul Taylor, Gerry Mussett, Liam Fennessy and Michael Grima, as well as prominent sustainability experts such as academics John Gertsakis, Chris Ryan and Alan Pears. Axis changed the way kettles were used, guiding users to save resources through their behaviour. It is regarded globally by academics from prominent design institutions such as Loughborough and Delft as one of the first successful eco-design projects. The drawing is part of the Centre for Design collection, RMIT University. Simon Lockrey, 2017 The drawing is historically significant as an early eco-design project. Design drawing of KambrookKettle by Paul Taylor for Form Australia as part of the Centre for Design at RMIT University, featuring electric kettle drawn in black pen + ink with blue ink where kettle lid is. Written design descriptions appear along side the image and title below.LID / SANHOPRENE / GRIP / RECYCLED SKIN / ELECTRIC KETTLE. c 12TH FEB. '93household appliances, industrial design, sustainability, rmit university

Desigend for A.R.C Engineering Pty. Ltdink, paper

Dyed green linen and cotton yarn attached to cardboard tagInscribed in blue ink, top centre: '1% Chlorantine/ Yellow 2GLL'; centre centre: '.5% Chlorantine/ Blue 3GLL'; bottom centre: '.06% Chlorantine/ Red 6BLL'dye, linen, cotton, ink, cardboard

Dyed green linen and cotton yarn attached to cardboard tagInscribed in blue ink, top centre: '1% Chlorantine/ Yellow 2GLL'; centre centre: '.5% Chlorantine/ Blue 3GLL'; bottom centre: '.06% Chlorantine/ Red 6BLL'dye, linen, cotton, ink, cardboard

Dyed green linen and cotton yarn attached to cardboard tagInscribed in black ink, top centre: '5g Sample/ 1% Yellow RS/ 3.4 ON 2RS/ 1% Blue 3RI/ 500 mgs Alkali'linen, dye, cotton, ink, cardboard

Dyed yellow linen and cotton yarn attached to cardboard tagInscribed in blue ink, top centre; '1% Chlorantine/ Yellow 2GLL'; centre centre: '.03% Chlorantine/ Red 6BLL'; bottom centre: '.02% Chlorantine/ Blue 3GLL'dye, linen, cotton, ink, cardboard

Dyed yellow linen and cotton yarn attached to cardboard tagInscribed in blue ink, top centre; '1% Chlorantine/ Yellow 2GLL'; centre centre: '.025% Chlorantine/ Red 6BLL'; bottom centre: '.025% Chlorantine/ Blue 3GLL'dye, linen, cotton, ink, cardboard

Model light created as part of a 4th year Industrial Design project at RMIT (product design and packaging exercise, second term, 1967)plastic, cardboard

The Hardware Club was established in the 1980s in Hardware House, Hardware Lane Melbourne by Andrew Maine, Jules Taylor and Paul Jackson, who all worked together at 3RRR. Artists, fashion designers, and musicians all flocked to the Club in the 1980s. It was the place to experiment with fashion and dance to dawn at a time when may venues closed early. Hardware Houses rooms were perfectly suited for the purpose, its polished wooden floorboards ideal for a dance floor,mezzanine floor for spectators, and crucially the Club had two bars and a 24 hour licence. Initially the trio from 3RRR took over the club on Friday nights only , and then other nights followed. In 1983 graphic Designer Robert Pearce was commissioned to design this poster for The Hardware Club. According to Jules Taylor it was inspired by "subways of New York with a touch of Berlin and Film Noir ..." Ann Carewdesign, graphic design, australian fashion

Architecture as Idea was curated by recent RMIT graduates Dale Jones-Evans, Randall Marsh and Roger Wood who had founded Built Moderne in 1983. The exhibition challenged the way architectural exhibitions could be. Rather than exhibiting representations of architecture (drawings, models, photographs) the curators invited their 26 exhibitors (25 men and 1 woman, Jennifer Hocking) to build an object expressive of their idea of architecture. Exhibition posterarchitecture, design

Set of three letters regarding job applications and referencesink, paper

Barber House, Carlton was designed by Edmond & Corrigan and built in 1980. The drawing was commissioned by Edmond and Corrigan. This image was published in Transition magazine, No.27/28 1989.This drawing of Barber house by Robert Pearce, who was best known as a fashion designer, broke the mould of how architecture could be represented. Suddenly it was understood as a part of contemporary culture. Illustration of Edmond & Corrian's Barber House, CarltonStamped in black ink, bottom left: 'Robert Pearce'architecture, domestic architecture, illustration, design

Letter from Lecki Ord to Joan Kirnerink, paper

ink, paper

This booklet contains the outlines of two series of talksink, paper

"Cobbalanna", the original Simpson family home where Mentone Girls' Grammar School started.

Photograph of Kerferd Library opening in 1971 at Mentone Girls' Grammar

photograph of the 4 Simpson sisters

photograph of the 1997 Opening of the Janice Douglas Junior Centre, with Principal Janice Douglas, Premier Jeff Kennett and School Council President Alan Frees

The original building purchased by Jeannie McCowan at 88 Beach Road when the School had to relocate from the current St. Bede's site. When the School increased in size, as promised, a House was named after Miss McCowan in 1969.

This candlestick holder belonged to the Treacy sisters who ran a newsagents/stationery shop in Melville St for many years. (see family files and archive boxes re: Treacy)White enamelled metal candlestick holder with half-melted red candle stick in it. The base is a saucer shape with a finger handle on one side. In the middle of the base is a white cylinder in which you insert the candleAn attached tag: "B&M Treacy Candle Stick" "original"candlestick holder, candles, light, treacy sisters

Sepia Photograph. Man with white whiskers, in Masonic regalia of the Janitor in the Chapter degree, holding a Sword upright in his right hand, gloves in his left hand standing beside an ornate chair (part).Photograph is labelled by an embossed photgraphers name across the bottom. " Richards & Co 19 STURT STREET BALLARAT." Plus an ensignia (coat of alms) placed between the 'Co and the 19" janitor, freemasons, ballarat, circa 1900

Document with 29 photos. tattered re folds & torn right corner bottom rt corner

Sawbridgeworth was built in 1887 by Arthur Wiseman. The house was named after the little English village in Hertfordshire where the Wisemans had lived for hundreds of years. Arthur's brother, Albert, built his mansion, called Ashleigh, which also fronted Widford Street. Wiseman House is located alongside St. Matthew's Anglican Church.Wiseman House is an important building in Glenroy's and St. Matthew's history.Black & white photograph of front facade of Sawbridgeworth House with people in a horse and buggy.Copied with permissionwiseman, st. matthew's

Sawbridgeworth, 32 Widford Street Glenroy, was built in 1887 by Arthur Wiseman to help promote the sale of land in Glenroy. It was St. Agnes Church of England Girls Home 1922 to 1964. Now called 'Wiseman House' it has been part of the property of St. Matthew's Anglican Church since 1965.Black and white photograph of SawbridgeworthCopied with permissionsawbridgeworth, wiseman house

Sawbridgeworth (now known as Wiseman House) was built in 1887 by Arthur Wiseman.Black and white copy photograph