Showing 14238 items
matching art (drawing from models or objects)
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Ararat Gallery TAMA
Functional object, Shosho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Ararat Gallery TAMA
Functional object, Shosho, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Warrnambool and District Historical Society Inc.
Button Cleaner
This object would have been used to place on a jacket around the button area. The buttons would have been brass and on a uniform of some sort; probably one belonging to the armed forces or a bandsman or a public utility such as the fire brigade. The source of the lettering has not been traced. An item such as this could still be used today.This item has been retained as a memento of past times when dress uniforms for men were more common.Brass flat oval shape with narrow space ending with a round space in the centre. There are some dents and stains on it.V A 1043 then crossed out 1070 -
Bunjil Park Aboriginal Education & Cultural Centre
stone axehead
This stone was held by a European family for 200 years and was found on the family farm. It was gifted to Uncle Brien Nelson in Castlemaine. This implement could be many thousands of years old. This unusually large axe head would not have been carried from place to place and was probably hidden for occasional use crafting large objects.This stone axe head is shaped to a sharpened rounded edge at one end and is broad and blunt at the other end. It is an elongated teardrop shape in cross section. It has a distinctive waist in the middle where the haft was attached using hide and or fibre.This axe displays grooves caused by a disk plough.jaara, heavy stone axe head -
Great Stupa of Universal Compassion
Ceremonial object - Gau box (amulet) with chain
Gau boxes are ancient religious objects with deep cultural and spiritual significance in Tibet. Worn on a chain around the neck and hung close to the heart, they are believed to ward off negative energy and attract blessings. They open up to a concealed inner space, containing a picture of a deity, a scroll of mantras or sacred relics, blessed by a lama. Large square gau box incrusted with turquoiseritual implements, amulets -
Whitehorse Historical Society Inc.
Photograph, Whitehorse Emergency Relief Network
The Nunawading Ladies Benevolent Society became the Whitehorse Emergency Relief Network in 1999, when a number of local organizations were encouraged to form a network by Betty and Keith Rooney. The object was to collect domestic items of good quality to assist people in need, especially women who have been the victims of domestic violence.Coloured photograph of the interior of the Whitehorse Emergency Relief Network 10-12, Thornton Crescent, Nunawading. Domestic goods showneastern emergency relief centre, thornton crescent mitcham nos 10-12 -
Whitehorse Historical Society Inc.
Photograph, Eastern Emergency Relief Network
The Nunawading Ladies Benevolent Society became the Whitehorse Emergency Relief Network in 1999 when a number of community organizations were encouraged to form a network by Betty and Keith Rooney. The object is to collect domestic items of good quality to assist people in need, especially women who have been the victims of domestic violence.Coloured photograph of the opening of the Eastern Emergency Relief Network, 10-12 Thornton Crescent, Mitcham on April 13 1999. Photograph shows people viewing donated goods.whitehorse emergency relief network, mitcham, thornton crescent no 10-12 -
Vision Australia
Administrative record - Text, Vision Australia 2004-2005 annual report, 2005
Annual report providing overview of activities and achievements including: the merger of three organisations into one national service, transition from CD and cassette services to digital via DAISY books, tactile hands on exhibition held at the Sydney Object Gallery, a new sensory playroom was developed in the Hunter region and 'Lighthouse on the Boulevard' was published.1 volume with illustrations providing overview of organisational achievementscorporation records, vision australia, gerard menses, kevin murfitt, owen van der wall, keith barton, david blyth, maryanne diamond, paul gleeson, timothy griffiths, graeme innes, mike janes, june ashmore, malcolm daubney, lynette davis, john coleman, marie bashir, don nardella, bruce mcallister, adam spencer, stephen jolley, geoff butcher, ebru sumaktus, krystal keller -
Ballarat Diocesan Historical Commission
Reliquary, St Therese Brass Reliquary
This reliquary (container for relics) contains a relic of St Therese of the Infant Jesus. A relic may be a piece of clothing, or some object associated with the saint. The use of reliquaries became an important part of Christian practices from at least the 4th century and this one, formerly in the Bishop's oratory at Ballarat, dates from the early twentieth century."Brass monstrance styled Reliquary of St Therese of the Infant Jesus. Inscribed on the back "J P O'Collins 1922" -
Orbost & District Historical Society
fan, C1960
Trudi Hogeman made this fan from old greeting cards. This is an old way of making fans with blanket stitch around the edges. She was a member of a craft group when she made this object. Trudi Hogeman died in January 2017 and is buried at Marlo. Her daughter is heather Terrell, president of the Orbost Historical Society.This item is an example of a handcrafted item and reflects the needlework skills and hobbies of women at the time.Six teardrop shaped leaves held together by a paper clip to form a fan. It has been blanket stitched around the edges of each leaf. Leaves are made of cardboard photographs possibly cut from greeting cards. All cards have floral images.handcraft hogeman-trudi fan -
Eltham District Historical Society Inc
Photograph, View of communications tower from War Memorial tower, Kangaroo Ground, July 1998
Handwritten sketches showing additions to the Police/Emergency services communications tower in 2004. Harry Gilham noted that the cylindrical shaped object was blocking the view from the War Memorial tower to the land area and made suggestions to the Nillumbik Shire Council and CFA that it be raised to the sky area above the Mt St Leonard-Healesville range.Colour photo print 12.5 x 19 cmHandwritten notes on both sides regarding 2004 modificationskangaroo ground, shire of eltham memorial park, emergency services communications tower, harry gilham, nillumbik shire council, war memorial tower -
Ballarat RSL Sub-Branch Inc.
Dog Tags
This object relates to John Joseph McCARTHY. She was born on 01/01/1927 in Ballarat, VIC. John Joseph served in the RAN (A44955) enlisting on, 16/04/1951 in Wendouree, VIC before being discharged from duties with the Lonsdale. John Joseph McCARTHY was not a prisoner of war. His next of kin is Dorothy McCARTHYsecond world war (ww2), 1939 - 1945, personal items, ballarat rsl, ballarat -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Ray Hearn, 'End Game' by Ray Hearn
Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics -
Orbost & District Historical Society
bowl, Mid 20th century
Carnival glass is an inexpensive pressed glass, made as both functional and ornamental objects. Most carnival glass was made between 1907 and 1925, with production tapering off by the end 1931 during the great depression. the name "carnival glass" came about because when the demand for the glass tapered off it was often given away as prizes at carnivals.Large amber coloured glass bowl. It has four short legs moulded to the base. It is very ornate and solid. On the base is a pattern of fruit and flowers. The rim is fluted and the bowl is oval shaped. It is carnival glass. -
Flagstaff Hill Maritime Museum and Village
Tool - Leg Vice, Prior to 1950
A leg vice is a mechanical apparatus used to secure an object to allow work to be performed on it by a carpenter or cooper such a planning wood. Vices generally have two parallel jaws, one fixed and the other movable, threaded in and out by a screw and lever. A leg vice gives greater holding power or force to a piece of material while a carpenter works on the timber.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Leg Vice metal attached to cooper's bench Noneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, vice, leg vice, coopers tools, workbench vice, carpenters tools, woodworking tools -
Warrnambool RSL Sub Branch
Artefact, Trench Art- Model Bi-plane WW1, C1915- 1918
Trench art was typically made by soldiers from pieces of shell and shrapnel, which would have been collected and refashioned into many different objects ,some being of a functional type such as containers and holders while others such as this are more decorative. The maker of this art piece was Stanley Morgan 6383 who was born at Mepunga which is East of Warrnambool.This item has significance being a typical example of trench art which has survived over 100 years. Being linked to one of the largest conflicts in which Australia has engaged it has strong historical significance.This model is constructed of metal and wood. It has a propeller mount on either side of the cockpit with propellers front and back. It has two German crosses on the back and one on either wing.The body of the plane rests on four wheels which sit under the wings with two smaller wheels at the front.There is a gold coloured plaque mounted at the front. It stands on a modern wooden mount,On small plaque at front of mount,”Crafted by Trumpeter Stan Morgan France WW1. On the base of the mount on a small sticker,”Mr Lloyd Morgan 19 Mountfield Ave Malvern East Vic 3145warrnambool, trench art, stanley morgan 6383, morgan mepunga -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Tooth extractor associated with midwife Mary Howlett, c. 1866 - 1920
Tooth elevators and extractors were first used in Greece in the 11th and 12th centuries. Many of these instruments were named after birds (eg. the Pelican) or objects which they resembled (eg. screws, keys, toothkey hooks). In France, the instrument is also referred to as a "clef anglais". (Bennion, Elizabeth. 'Antique Medical Instruments', 1979, p. 204-205.)Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Dental instrument consisting of a metal shaft with small hook attachment and bone or ivory handle. midwifery, dentistry -
Wangaratta RSL Sub Branch
Trench Art P38 Lightning Plane
The Lockheed P-38 Lightning is an American single seated, piston-engined fighter aircraft that was used during World War II. Trench Art is the name given to objects manufactured by both soldiers and civilians from shell casings, bullets, shrapnel and miscellaneous battlefield debris, and is predominantly associated with World War I (1914 – 18)Brass shell castings in form of P38 Lockheed lightning planeNiltrench art, plane, p38, lightning plane, world war 2 -
Ballarat RSL Sub-Branch Inc.
Victory Medal
This object relates to Robert William FUHRSTROM. He was born on 1/04/1896 in Main Lead, VIC. His next of kin wasW F FUHRSTROM (Father). Robert William served in the Army (1701) enlisting on, 14/01/1916. Upon his death, Robert was serving with the 58th Battalion. Robert William FUHRSTROM was not a prisoner of war.medals, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
War Medal 1939-1945
This object relates to John GORDON. He was born on 18/02/1870. John enlised on, 01/12/1914 in Carlton before being discharged from duties with the AAMC on 22/03/1919. John GORDON was not a prisoner of war. His next of kin is Ada GORDON (wife). John Gordon was awarded the British War Medal.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Certificate of Appreciation - Framed from Shire of Ripon
This object relates to Robert William FUHRSTROM. He was born on 1/04/1896 in Main Lead, VIC. His next of kin wasW F FUHRSTROM (Father). Robert William served in the Army (1701) enlisting on, 14/01/1916. Upon his death, Robert was serving with the 58th Battalion. Robert William FUHRSTROM was not a prisoner of war.first world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat -
Melbourne Legacy
Document, Sir Stanley Savige Memorial Trust No.1 Basic Papers
The Trust was set up as a memorial to Sir Stanley Savige. The object of the Trust was to further the work of the Junior Legacy movement in Melbourne. Over the first ten years of the trust 248 families were assisted. Includes original Trust Deed, much financial information, contributors and amounts contributed. Individual items to be scanned and itemised when possible. TBC.Significant in that the Board of Management of Melbourne Legacy saw fit to commemerate Sir Stanley Savige by one, a biography and two in a manner more fitting, by the establishment of a trust fund, to further the assistance that Melbourne Legacy could give to the families of deceased service personnel. Folder of documents pertaining to the Sir Stanley Savige Memorial Trust.Manilla folder, white sticker with blue and white border with title typed in black and underlined in red. Foolscap,quarto paper, divisions all typed in black ink, headings underlined in red. Some handwritten notes and letters.savige trust account, history -
Glen Eira City Council History and Heritage Collection
Newspaper, The Sun News Pictorial, 18 August 1930, 1930
This newspaper was found under the floor during works on Town Hall in Caulfield. It was published in the same year (1930) that the portico was added to the Town Hall. The newspaper publication month coincides with the commencement of works in August 1930. It is possible that this object was deliberately placed underneath the floor at the time. The Sun News Pictorial was established in 1922 and published Monday to Saturday.Copy of The Sun News Pictorial, 18 August 1930. Pages are numbered to 36, but only 24 pages intact. Missing inserts. -
Ringwood and District Historical Society
Sewing Box and Contents, Small Paisley Patterned Sewing Box, belonged to Maggs Family, Ringwood. C1900, c. 1900
Belonged to the Maggs family. A craft box for crochet work containing very fine crochet hooks, thimbles, scissors and sewing needles. Possibly used for beading work as well.Paisley patterned small sewing box with 6 compartments. On top tray and area below for flat objects - two pairs embroidery scissors; three bone threaders; one small cable needle; one brass safety pin; two retracting crochet hooks; seven metal crochet hooks (very fine); three bone crochet hooks with metal end (2 hooks, 1 pointed); and one metal pointer with bone end.; The top tray contains three thimbles (2 plastic, one metal); a tape measure and a book of needles (very fine). +Additional Keywords: Maggs -
Bendigo Military Museum
Certificate - CERTIFICATES, FRAMED
"VX35497 Pte T.W. GOLDSWORTHY" was a POW at Sandakan and died there on 20 April 1945. Refer also to Cat 3226.This is a framed display. The edge is of dull gold colour. Inside the frame there is an approx 27mm wide border - green colour. The objects in the frame are:- A certificate from the Shire of Maldon for the service and sacrifice of "Trevor Goldsworthy". Also, there is the King's memorial scroll for the death of "Pte T. W. Goldsworthy" Aust. Military Forces. Also, there is a B & W portrait of VX35497 Pte T.W. Goldsworthy, 2/5 Hygiene section. He is in uniform. Also, two paper notes from Malaya. 25 cents printed 1 Sep 1940, 10 cents printed 15 Aug 1940.The Maroon Certificate is signed by Thomas J Ottrey, President, and Edward A Rewell, Secretary. It is dated 15 June 1946.sandakan death march, pow, ww2, pte t.w. goldsworthy -
Warrnambool and District Historical Society Inc.
Scales, Early 20th century
These scales would have been used for weighing small items (e.g. letters and packages) in a home or business. These scales have no known local provenance but are retained for display purposes.1 The beam balance scales have a brown wooden rectangular base with four metal screws and indents for weights. The scale mechanism has a round metal dish for weights and a rectangular metal dish to hold the object to be weighed. .2 A circular metal weight 8 oz. .3 A circular metal weight 4 oz. .4 A circular metal weight 2 oz. .5 A circular metal weight 1 oz. .6 A circular metal weight ½ oz. .7 A circular metal weight with a smaller top for ease of holding ½ oz. .8 A circular metal weight 4 drams .2 8 oz. .3 4 oz .4 2 oz. .5 1 oz. .6 ½ oz. .7 ½ oz. .8 4 drams weights and measures, history of warrnambool -
Flagstaff Hill Maritime Museum and Village
Weapon - Ammunition Shell, late 19th-early 20th century
Ammunition shell was used in a 40 lb Armstrong Rifled Breach Loading (RBL) Gun. The shell was fired into Westernport Bay by the Hastings Battery Field Artillery in late 1800’s or early 1900’s. It was recovered by divers in recent times. It does not contain explosives because the projectile and explosive were separate items. The Armstrong 40 lb BL Gun There were 4 x 40lb Armstrong (RBL) Guns issued to the Ham and Beef Battery at Hastings Victoria. After the Hastings Battery field artillery disbanded, the 4 Guns were transferred from the Hastings Battery to the Warrnambool Battery field artillery in 1904. (There is a photograph of one of these guns on its carriage, pictured in front of the Orderly room (Drill Hall) at Warrnambool, which is now the Library of South West TAFE). The 40lb Armstrong Guns were recalled back to Melbourne when the government issued the updated 4.7inch QF (Quick Firing) Naval Guns, mounted on carriages, to the Warrnambool Garrison Artillery 1907. The Hastings Museum today holds one of the original 40lb Armstrong RBL guns that were at first at Hastings and then Warrnambool, evidenced by tracing the numbers on that gun. This gun has now been restored. Surviving 40 lb Armstrong BL Guns in Australia The Hastings Museum has restored one of the Guns that was at Hastings and then from 1904-1907 in Warrnambool. This Gun is now on display at the Hastings Museum. This ammunition shell from a 40lb Armstrong RBL gun is very significant because of its association with the Warrnambool Battery Field Artillery in the early 1904-1907. It is known that the original 40lb Armstrong RBL gun used in Warrnambool is now restored and on display at the Hastings Museum. Ammunition shell from a 40Ib Armstrong Rifled Breach loading (RBL) Gun. Metal bullet-shaped object, flat base, tapering to cone-shaped tip. Parallel equidistant ridges run from outer edge of base to position where cone shape begins. Tip has a square-shaped hole in the centre and has a very uneven surface. Base has corrosion and metal is flaking away. Does not contain explosives. Remnants of white paint-like substance in several places. From the Hastings, Victoria, area. Late 19th - early 20th century.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ammunition shell, 40 lb armstrong rbl gun, volunteer corps, war equipment, defence forces, warrnambool bettery field artillery, hastings battery field artillery, defence of warrnambool -
Phillip Island and District Historical Society Inc.
Photographs, D Wood et al, Late 19th Century and early 20th Century
The Clarke twins, Jimmy and Jack, were born at San Remo on the 15/5/1887. Parents were Captain George and Mrs Clarke. George Clarke died 1904. Ada & Joe Walton were born at Newhaven, Phillip Island a day after the Clarke boys. The midwife, Mrs Findlay, attended both births. Ada Walton married Norm Churchill of Kilcunda. they had a son, Joe. Joe Walton and wife had two sons, Brian & Arnie. Joe became a builder and lived all his life on the Island. Both the Clarke boys never married.Three sepia portrait photographs and two photographs of members of the Clarke family. 325-11 Four children - Jimmy & Jack Clarke at rear, twin girl and boy in front most likely Ada and Joe Walton. (details in "History of Object". 325-12 Sepia portrait of Jack & Jimmy Clarke - twins. 325-13 Sepia portrait of Mrs Clarke - mother of Jack & Jimmy Clarke, wife of Captain George Clarke. 325-14 Sepia photograph of Jimmy Clarke 325-15 Black & White photograph of Jimmy & Jack Clarke seated on garden seat.Full descriptions of the photographs on the back of each photo.jimmy & jack clarke, ada & joe walton, arther woodley -
Federation University Historical Collection
Instrument, W. H. Stanley, Surveying level, July 1899
Used by students attending surveying classes at the School of Mines & Industries, Ballarat.Surveyor's level caste in metal with brass trimmings. Features external focus, twin inclined vertical crosshairs with stadia wires. With ray-shade clinomenter. Three levelling screws. Without transverse level (mounting provided). dust shield for object. Features glass lens x 2. Timber carry case features dovetailed joints, separate lid attached to body of case with two brass piano hinges along back side. Case has a metal carry handle screwed to each end. Matches tripod Item 4116 Item's serial number: 99142*The timber lid of the carry case has 'L3' painted on it in white paint. *The paper label glued to reverse side lid of inside carry box reads: STANLEY'S PATENT LEVELS AND THEODOLITES No.99142 July 1899 STADIA POINTS SET=1 : 100. In taking readings of a distant staff by means of the subtense points in the diaphragm, read every 1/100 foot (or metre) on the staff as being equal to one foot (or metre) of distance from the centre of the instrument adding to the reading of plus constant of 18 3/4 inchess from any distance shown. W.F. Stanley, Great Turnstile, Holborn, London. *The paper label glued to lower edge inside lid of carry box reads: N. H. SEWARD, "Optical House" 457 BOURKE STREET (Near Queen Street) MELBOURNE *Engraving on brass plate encompassing the catch on front edge of the timber carry case reads: H&C L (inside an engraved heart on LSH) EUCHRE LEVER (engraved on RHS of brass plate) *Maker's mark is engraved along the length of the telescope barrel: 99142 Stanley. Great Turnstile Holborn, London. level, theodolite, surveying instrument, surveying, scientific instruments -
Bendigo Historical Society Inc.
Photograph - BEEHIVE BUILDING
Black and white photocopy of photograph on board. Oval shaped image. Beehive Building. Large group of men standing at front. Inscriptions: In image - on verandah 'James Buick & Co. Beehive Stores'. On building below parapet 'Beehive Chambers, James Buick & Co, Beehive Chambers'. On windows 'Bee Hive, Billiard Saloon'. 'H? Birch, Legal Manager'. 'CW Bell, Legal Manager'. History of object: James Lerk 2000 'James Buick's Beehive Store & Mining Exchange, Pall Mall Bendigo. Legal Managers staff and speculators are standing on the roadway' Photographed for Bendigo Advertiser 11.1.2001.buildings, commercial, beehive building