A rare collared tennis racquet with solid concave throat, fine-grooved rounded handle, small racquet head, fully leather end wrap and butt cover, and of course, a ribbon collar around shaft. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Ribbontennis

A Bailey's 'Young America' tennis racquet with solid concave throat, leather collar around shaft and plain rounded handle. Name of model features across crown on obverse, and manufacturer's details across throat on obverse. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis

An extreme tilt-top real tennis racquet, with solid convex throat, leather collar around shaft, and leather handle grip. Throat on both faces features impressed trademark of an elephant above three crowns. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis

Wilson tennis racquet and screw press. Punched label on side of shaft states V.N. Siddall. Wooden racquet head press with four wingnut screws. Labelled "The Davis Press...E.A. Davis London" Materials: Wood, Synthetic Gut, Lacquer, Adhesive tape, Plastictennis

A Dunlop Fort 'Maxply' model tennis racquet, with whipping on shoulders & shaft, and handle wrapped in perforated leather. Model name on base of head/throat on obverse; manufacturer name on base of head on reverse. Materials: Wood, Vinyl, Leather, Ink, Plastic, Paint, Adhesive tapetennis

An Adidas Ilie Nastase tennis racquet, with tape whipping around shoulders, and leather handle grip with patterned perforations. Autograph by Nastase features along shaft and neck, on obverse. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, Fibre, Adhesive tapetennis

An A.R.Co. Crown tennis racquet, with fibreglass and hide shoulder reinforcements, bamboo laminated shaft, and leather handle grip with X-formation perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, Adhesive tape, String, Fibre, Fibreglass, Bamboo, Hidetennis

A Wright & Ditson 'All American' model composite wood racquet with open throat and octagonal handle. Spiral-wrapped perforated grip tape sealed onto handle with plastic tape. Striped plastic reinforecments and bronze paint around shoulders. Green painted section on shaft with gold writing on obverse: WRIGHT & DITSON/CHAMPIONSHIP QUALITY and on reverse is manufacturer's name and icon. Manufacturer's name and racquet model also printed in cursive script across base of head on both sides of racquet. Leather end wrap and 'WD' printed on butt. On obverse and reverse, manufacturer's name is printed as decal across base of head. Obverse and reverse both feature model name and eagle symbol across shaft. On one side of shaft in green section:'PAT. NO.1664466'. At base of throat on each side of racquet is featured a shield symbol with letters: 'WD'. In marker on shoulder, probably owner's initials: HCP. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, String, Nylon, Plastic, Painttennis

Spiral bound booklet, plastic cover, black plastic binding, On front cover: Western Mining Corporation Bendigo Gold Project, Environment Effects Statement, December 1987. On front page, colour aerial photograph of Bendigo mining areas mentioned in report. Key on front page related to photograph: 1. Woodvale Evaporation Ponds. 2. New Moon area. 3. North New Chum Williams United shaft. 4. Carshalton, Carshalton shaft. 5. South Nell Gwynne, North Bendigo shaft. Contents: historical perspective; Western Mining Corporation Ltd Bendigo activities; project outline, project approvals - controlling factors, elements of the mining project, surface based exploration, underground operations and surface support, mining areas and operations ore and mullock haulage, New Moon area, water management, environmental management. Planning and land use, socio-economic environment, physical environment and biological environment are examined and discussed. bendigo, goldmining, bendigo mining nl, bendigo goldfield, environmental effects statement, bendigo gold project, woodvale evaporation ponds, new moon, north new chum, carshalton, south nell gwynne, western mining corporation

The Junction Dam and Clover Dam Power Station, stages of the Kiewa Hydro-Electric Scheme, were needed to meet the increased power demands of the wartime industry in Victoria. Clover added 26 megawatts to the grid. Junction Dam was completed and ready to hold water by September 1943, but was emptied in December 1943 and not filled again until May 1944. Construction of Clover Power Station commenced in July 1941 and both turbines were in service by May 1945.Clover Power Station and Junction Dam were part of the Kiewa Hydro Electric Scheme constructed by the State Electricity Commission of VictoriaSet of black and white photographs taken by the official SECV photographer who gave each photo a number prefixed by K (for Kiewa) K1630- 23 Aug 1944 Clover Power Station K1633- no date Clover Power Station K1683- 10 Oct 1944 Weir K1700- no date Tail boy for Clover Power Station K1710- 11 Oct 1944 Part of aqueduct – Clover K1767- 6 Jan 1945 Switchboard in the power station K1769- 6 Jan 1945 Turbine and shaft K1770- 10 Jan 1945 Houses under construction at Bogong Village K1897- 22 Feb 1945 Equipment in the power station K1808- 22 Feb 1945 Equipment in the power station K1910- 31 May 1945 Top of the turbine and the shaft K1964- 16 Jul 1945 Equipment in the power station K1970- 17 Jul 1945 Bogong Village K1983- 30 Jul 1945 Turbine in power station K1984- 30 Jul 1945 Bogong Village K1989- 2 Aug 1945 Turbines in power station K1990- 2 Aug 1945 Equipment in power station K1991- 2 Aug 1945 Bogong village K2011- 28 Aug 1945 Equipment in power station K2015- 28 Aug 1945 Generators in power station K2016- 28 Aug 1945 Top of the turbine and the shaft K2018- 30 Aug 1945 Spiral casing, the turbine and the shaft On the back- each photograph has a handwritten reference number starting with K and the date stamped or writtensecv; kiewa hydro electric scheme; junction dam; clover power station; bogong

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

John Robert Hoskins was a Councillor with the City of Bendigo from1888 - 1902 and Mayor from 1901 - 1902. Hoskins' interests in the region included the mining company Hoskins & Co, which distinguished itself on the late Derwent Reef United Company's leased ground in 1868 by achieving a yield of over an ounce to the ton. In the late 1870s John R. Hoskins formed a estate agency in partnership with Frederick Illingworth. He was also manager of the New Nil Desperandum, formed to work the shaft of the old Raywood mine, from 1906 to 1908. Event program for the Mayoral Dinner July 25, 1902. Gold, green and brown ink on cream card. Half fold with menu printed inside and Toast List on back cover. Scalloped edges.Front cover: (Picture) Bendigo Coat of Arms / Mayoral Dinner / Given by / The Mayor / (Cr .J. R. Hoskins) / July 25, 1902 / Town Hall / Bendigo bendigo town hall, making a nation exhibition, c roberts caterer, mayor j. r. hoskins, councillor j. r hoskins, mayoral ball, city of greater bendigo events, city of greater bendigo ceremonial item

This photograph shows a large bullock team at the foot (eastern side?) of the Orbost township.This is a pictorial record of transport used in the late 19th century in Orbost.A large black / white photograph of a bullock team pulling a laden cart. A man is sitting on top of the freight. In the background is a horse - drawn cart loaded with sacks (maize?) with a man on a horse to the side and another standing on the shafts. In the foreground are two men on horses. There is a small house and barn in the background.on back - " At the foot of the township - 1889"orbost transport-bullock-teams horse-drawn-transport

This pointed chisel, made in Melbourne, was used in the making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This chisel is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This chisel was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Pointed chisel; dark round wood handle and metal shaft. Made in Melbourne. Chisel blade has an illegible inscription on it. This chisel is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”.Pressed into the metal "FRANK - - - / MELBOURNE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model sovereign of the seas, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, wood working tool, pointed chisel, chisel made in melbourne, sovereign of the sea, ship model, hobby, ship model tool, tool, chisel

This item was last used at the Ballarat School Of Mines, Flintoff Building Studies Centre, Youille Street, Ballarat. Instructors at the above centre used them. Two pages photocopied from a text book dealing with timber trusses (100-101) are filed for reference.A steel disc equipped with four cutting blades bolted to disc periphery. Disc mounted on a plain shaft, top end can be inserted into a chuck, bottom end enters a pilot hole. Purpose - to produce a circular deep groove in structural timber. Stored in a green wooden box.Stamped on disc top and bottom faces "TECO 418" On front of box, ' "TECO " GROOVING TOOL' On lid of box, "TIMBER ENGINEERING Co - SYDNEY - N S W " Brass hook for closing lid.ballarat school of mines, flintoff building studies, cutting blades, disc, chuck, plain shaft, circular deep grooves

Technical drawings of Antimony Mine - Plan view, Transverse Section view, and Longitudinal Section view. Includes Main Shaft, No.1 Level 184', No.2 Level 244', No.3 Level 304', No.4 Level 372'. Multiple copies, including copy with overlay of Civic Centre.Scale 40 feet to 1 inch. Surveyed 20-12-21. Traced 1-7-66. W-2568/B/1.

A book titled ' The Royal Historical Society of Victoria Bendigo Branch, Historic Guide to Bendigo with map(Loose), of goldfields showing streets, lines of reef, principal shafts. Recommended for tourists, students, prospectors and historians. 1980.' Cambridge Press, Bendigo. Eighth Edition. Maps, photos, illustrations.bendigo, history, gold mining, book, books, bendigo history, history, victoria, victorian history, australian history, gold, gold fields, gold discoveries, place, the royal historical society of victoria bendigo branch

A copy of a book titled 'The Royal Historical Society of Victoria Bendigo Branch Historic Guide to Bendigo with map of goldfields showing streets, lines of reef, principal shafts. Recommended for tourists, students, prospectors and historians.' Sandhurst Municipal Centenary Edition. 4th edition. Maps, photos, illustrations.bendigo, history, gold mining, book, books, bendigo, bendigo history, history, australian history, victoria, victorian history, goldfields, gold, the royal historical society of victoria

Sixteen page booklet Geological Survey Report, Mines Department Victoria. 'Geology of the Bendigo Area' by H.E. Wilkinson. Photo of Lansell's 222 Mine on the New Chum Line, Bendigo. Tallest poppet head on the field, approximately 38 m high, with a shaft depth of 635 m.bendigo, mining, geological survey report

One page document. On top of page 'Wattle Gully Mine, Chewton, Mining and Equipment' Document details the main shaft, concentrating plant, drainage water, compressed air and ventilation. Machinery mentioned: Ingersoll -Rand compressor; Ruston-Hornby diesel engine and Jaques jaw crusher.bendigo, mining, wattle gully gold mine chewton

Information regarding the Glasgow and Golconda Consolidated Gold Mine, Golden Gully. Mine is on the Napoleon Reef, shaft depth of 800 ft. A description of the physical remains is given and the significance of the site is described. It is the only site in Bendigo 'which retains evidence of the tramway between the mine and the battery site'bendigo, mining, glasgow golconda mine site

4 typed pages of the history of the Central Deborah Gold Mine from 1939 to 1954. Mentions the start of mining at this site and Victor Pabst, who in 1917 recommended that the shaft be deepened. His advice was not acted on for another twenty-two years. Also mentioned is the geology and Method of Mining.mine, gold, central deborah gold mine, central deborah gold mine, history of central deborah gold mine, geology of the central deborah gold mine, method of mining

Map, Longitudinal section through the Saddle Reefs along portion of Hustler's Line of Reefs, Bendigo. Plate No. XXX1V(34). Underground Survey Office,Bendigo, September 1913. Geological Society of Victoria.//Signed H.A.Whitelaw. Drawing shows the vertical shaft descending to over 3454 ftUnderground Survey Office, Bendigomap, bendigo, hustler's line of reefs

Pink, blue, cream and olive coloured material on sunshade. Dark crown shaft with lighter coloured handle. Wodden handle has twisted leater strand with fringed tassel for hanging. Material and metal closing catch. Paragon, S. Fox and Co. Limited on inside metal strutS. Fox and Co. Limitedcostume accessories, clothing accessories, umbrella

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Decal inscription on obverse: NEW/DAYTON/RACQUETS. Materials: Wood, Metal, Glue, Lacquer, Leather, String, Ink, Painttennis