In 1980, Mr Laurie Bennett presented the Kew Historical Society with a number of photographs and postcards from the estate of his mother Eileen Mary Bennett (nee Clark). His mother was the daughter of Lawrence FH Clark(?-1946) and Mary Clark (?-1925) of 22 Harp Road, East Kew, in whose yard the photograph was taken. A year before the donation occurred a notice appeared in the Canberra Times stating that: "BENNETT, Eileen Mary. — May 8th at Tuross Heads, N.S.W. Late of 22 Harp Rd, East Kew, (Vic). Dearly loved wife of the late Harold Bennett, loved mother and mother in law of Laurie and Shirley (Melbourne), Kevin and Doreen (Canberra), grandmother of Linda, Stephen, Paul, Gabrielle, Peter, Mark and Jon."Part of a large collection of photographs and postcards in the collectionFamily portrait of members of the Bennett family of 22 Harp Road, East Kew. laurie bennett, eileen mary bennett, eileen mary clark

In 1980, Mr Laurie Bennett presented the Kew Historical Society with a number of photographs and postcards from the estate of his mother Eileen Mary Bennett (nee Clark). His mother was the daughter of Lawrence FH Clark(?-1946) and Mary Clark (?-1925) of 22 Harp Road, East Kew, in whose yard the photograph was taken. A year before the donation occurred a notice appeared in the Canberra Times stating that: "BENNETT, Eileen Mary. — May 8th at Tuross Heads, N.S.W. Late of 22 Harp Rd, East Kew, (Vic). Dearly loved wife of the late Harold Bennett, loved mother and mother in law of Laurie and Shirley (Melbourne), Kevin and Doreen (Canberra), grandmother of Linda, Stephen, Paul, Gabrielle, Peter, Mark and Jon."Part of a large collection of photographs and postcards in the collection. This dated photograph allows the researcher to identify development by 1916 in Kew and East Kew.High Street, Kew East in 1916 looking west. "High Street, East kew, near rail bridge."laurie bennett, eileen mary bennett, eileen mary clark

In 1980, Mr Laurie Bennett presented the Kew Historical Society with a number of photographs and postcards from the estate of his mother Eileen Mary Bennett (nee Clark). His mother was the daughter of Lawrence FH Clark(?-1946) and Mary Clark (?-1925) of 22 Harp Road, East Kew, in whose yard the photograph was taken. A year before the donation occurred a notice appeared in the Canberra Times stating that: "BENNETT, Eileen Mary. — May 8th at Tuross Heads, N.S.W. Late of 22 Harp Rd, East Kew, (Vic). Dearly loved wife of the late Harold Bennett, loved mother and mother in law of Laurie and Shirley (Melbourne), Kevin and Doreen (Canberra), grandmother of Linda, Stephen, Paul, Gabrielle, Peter, Mark and Jon."Part of a large collection of photographs and postcards in the collectionPanoramic photographic positive of North Kew where the Belford and Kilby Farms were located on the south side of the Yarra River. This photo, donated in 1980 by Laurie Bennett is the original of the two identical photos in the collection.laurie bennett, eileen mary bennett, eileen mary clark, floods -- yarra -- 1903

The ribbon is a souvenir of the first 'Australia Day', held 30 July 1915. This was not the celebration of nationhood as we know it today, but a national fundraising effort during World War I. Across Australia, this day was set aside for fundraising to assist wounded soldiers returning to Australia during WWI. In Linton Australia Day 1915 was celebrated with a jumble sale, raffles, and the collection of donations. There was also a stall outside the Shire Offices, attended by a group of girls dressed as Red Cross nurses, which sold flowers, postcards, toys and souvenirs. Mrs Surman, then Stella Todd, was one of this group of girls, along with her sister Millie Todd. (See photograph, Registration no. 055.) Presumably the souvenir ribbon was purchased by one of the Todd family on this day.Small white-blue silk ribbon. Printed - black writing - flags - Australia and Britain. Map of Australia. This ribbon was part of a collection of historical items belonging to Mrs. Stella Surman (formerly Stella Todd), of Linton."Australia-Day-1915" "Remember Australia's Heroes"australia day 1915, world war 1914-1918, souvenirs

Samuel Carson was a local farmer who in the late 1800's acquired land to the West of Warrnambool in the Farnham park estate and towards Tower Hill near Gorman's lane. By the time of his death on May 23, 1920 he left an amount of 11666 pounds. Apart from amounts left to individuals, he bequeathed one hundred pounds each to ten different orphanages, and homes for neglected children and the blind and leaving the remainder to charitable organisations at the discretion of his trustees.The donation of 3500 pounds in August 1922 was in the latter category. This plaque commemorates Samuel Carson's generosity to the newly refurbished Warrnambool Base Hospital. He left a son William who farmed at Yangery at the time of his father's death. This item is significant in that it links a local identity through his generous donation to the local hospital. It therefore has strong social,historical and interpretative value. His generosity is a significant part of the history of Warrnambool Base Hospital.Heavy rectangular cast brass plate with raised edge and text in capitals. Corners have rounded cutouts and there is a hole in each corner for attachment. The Samuel Carson Childrens' Ward.warrnambool, warrnambool base hospital, samuel carson, samuel carson warrnambool, childrens' ward warrnambool 1928

Various letters written to Mrs P Amery of 11 Maury Road, Chelsea during her role as the Honorary Secretary for the Chelsea RVIB Auxiliary. Correspondence between Head Office and the Auxiliaries (who provided a lifeline of donations) was a crucial way to maintaining a good relationship, providing support and acknowledgement for the hard work undertaken by volunteers. A summary of these letters is listed below: 1939 - Appreciation for holding the role as Honorary Secretary. 1941 - Congratulations on appointment as secretary to the RVIB Chelsea Auxiliary. 1944 - Congratulations on re-election as Honorary Secretary 1952 - Acknowledgement of unselfish and valued service upon her retirement of the Secretary role. 1954 - Acknowledgement of service upon her retirement on behalf of the President and Committee members of the Chelsea auxiliary5 letters from the RVIB to Mrs P AmeryVarious illustrations based upon the letterhead used at the timeroyal victorian institute for the blind, p. amery, auxiliaries

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Handmade apron created out of a blue and white dress fabric that has a pattern of leaves. The apron is highlighted with red braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Brigtly coloured pinfaore using a representative 1950s fabric with a design of kitchen items in different coloursprotective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pink and white cotton apron highted with blue braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion -- 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Olive green and white pinafore decorated on the bodice with yellow braid. protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s

One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Multicoloured cotton apron using a fabric design employing floral emblems and figurative detail. The apron is hemmed with a pleated fabric of a different colouraprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pleated pink and white striped cotton apron interspersed with bands of a separate blue and white fabric.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.One of three single piece commercialy produced pinafores, each in a different size.protective clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s

One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Navy blue and white pinafore picked out with sections of plain blue fabric on the pocket, waist and bodice.Label: "Taniwha / Quality Will Tell"protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1960s, fashion -- 1960s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pinafore using a fabric coverd with an abstract design in bue, pink and yellow. A plain pink cotton fabric is used to decorate the pocket and the shoulders.Label: "Admiration / All Cotton"protective clothing, handmade clothing, costume accessories, lisa sylvan, pinafores, fashion design, women's clothing -- 1950s, fashion -- 1950s

This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition; he retired in 1945. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. W T Nisbe... is probably William Thomson Nisbet, traveller of 'Maroona', Brenbeal Street, Balwyn listed in 1903, 1914, 1919 electoral rolls. His wife was Mary Grace Nisbet, son was William Thomson Nisbet Jnr (clerk) and daughter was Olive Thomson Nisbet (dressmaker). The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to.Black and white photo of Fred Lyons in one of his hansom cabs with his horse 'Barney' taken near Surrey Hills railway station. Another hansom cab is to the right of the photo and there is another man standing on the footpath. In the background are shops and the partial hoarding of W T Nisbe... is visible. The photo was taken between 1916-1927. On rear of the duplicate print in pencil in Jocelyn Hall's handwriting : "NO 59 / and 89 / Spare ? / perhaps better than enlargement"transport, horse drawn vehicles, businesses, fred lyons, frederick adolphus lyons, william thomas nisbet

This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to. Empire Day celebrations were held in Surrey Hills from 1906-1911; they were revived between 1933-1938 by the Surrey Hills Progress Association. They featured street parades with highly decorated vehicles provided by local businesses and bonfires, including the one in Beckett Park.Black and white photo of Mr Fred Lyons with his taxi decorated for Empire Day. The tourer car is parked in the street and is festooned with flowers and ribbons on the hood, bonnet radiator, running board and in the tyre spokes. Mr Lyons stands by the driver's side door. He is wearing a suit with a winged collar and tie. A small child is watching from the footpath on the left just behind a mature tree. There are houses in the background. empire day, motor vehicles, festivals and celebrations, taxis, fred lyons, frederick adolphus lyons

This book was awarded to Lilian Jane Tweedie in 1893 for First prize in Latin (Preparation). Lilian enrolled in Clarendon Ladies' College in April 1891. In the original register it lists parent as William, occupation Barrister and residence as 58 Doveton Street, South Ballarat. Lilian's sibling attending Clarendon Ladies' College is Sarah Florence (enrolled 1884). Siblings attending Ballarat Clarendon College are George (enrolled 1889) and Arthur (enrolled 1885). Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown cloth with gilt decoration and inscription on spine. Floral end papers, detached papers, slight foxing on pages, 664 p.Book plate inside front cover: Clarendon Ladies' College,/ BALLARAT./ First Prize./ Latin (Preparation) Class III/ Awarded to/ Lilian Jane Tweedie/ REV. R. KENNEDY,/ PRINCIPAL./ December, 1893. Stamped on fly leaf: "BALLARAT COLLEGE NOT TO BE REMOVED FROM LIBRARY" Donation label on fly leaf: Literature./ College emblem/ Ballarat College Library/ PRESENTED BY/ Miss E. Tweedie/ &/ Mr F. Tweedie 1947/ PLEASE REPORT ANY LOOSE LEAVES, ETC.lilian-jane-tweedie, 1893, book-prize, clarendon-ladies'-college, william-tweedie, 58-doveton-st-south-ballarat, sarah-florence-tweedie, george-tweedie, arthur-tweedie.

Illustrated book with dustjacket. Book has a dark green cover with the title, author's surname and publisher's name embossed in gold on the spine. Dustjacket has a cream background, with an illustration of a woman wearing a headscarf (? Florence Nightingale 0n shades of green and black on the front and spine. Title and author's name printed in bron on front of dust jacket. Author's surname and publishers\"s name are printed in green on the spine, along with title printed in brown .non-fictionOriginally published in two volumes, this biography of Florence Nightingale draws extensively from her own correspondence as well as being a founder of modern nursing, Florence was a social reformer and statisticianflorence nightingale, nursing-history, crimean war, social reform

A pamphlet from the Ringwood East Progress Association asking for assistance in raising funds for a Community Centre with a Public Hall. How to help: Fill in the form by raising funds by: Running a Card Evening Assisting to organise a Fete, Bazaar or Barbecue Running or organising a Street Stall Making a cash Donation for .... enclosed herewith. Support your local Traders. G.V. Birtchnell, Variety Box J.E. and A.M. Bould, T Conn, Butcher E Edwards, Greengrocer B.J. Hall, East Ringwood Pharmacy Hampson's Newsagency & General Store Mayford Pty Ltd R.L. and B. C Mullins, Eastwood Lending Library and Milk Bar A.R. Page, Ringwood East Store and Post Office K.W. L. and M.A. Whyte, Milk Bar, Delicatessen, Licensed Real Estate Agent. M.E. and G.R. Withers

Yields information about the presentation of a set of tickets that were presented to the City of Ballarat at the time of closure of the system.Newspaper clipping from The Courier, Ballarat, 22 September 1971 of tickets and passes being given to the City of Ballarat by Mr. Denmead. Shows close up photo of ESCo 1 1/2d tokens, a photograph of a presentation sheets of sample tickets dated 1906 and Mr. Denmead holding metal passes and two tokens. Notes the items as being passed to Council for safe keeping. Article notes that the tokens in the close up photo was owned by Mr. Lyle Kay of 5A Finch St. Ballarat. See Reg Item 3775 for a Courier print of the photograph of the tickets. 1846.1 - added 23/10/2004 - duplicate cutting. Original item replaced by a better condition cutting 13/6/2017, from donation of Ruth Nelson. See Reg Item 8000 for the actual framed set of tickets.tickets, passes, tokens, closure

Yields information about the closure of the SEC Ballarat system in particular the changes made to Bridge St.Newspaper clipping pasted onto a single sheet of paper with two Punch holes on the left hand side with one hole through the photograph within the cutting. Clipping from The Courier, Ballarat, Monday, 23/8/1971 (newspaper date, with page 10), with a photo and associated caption of Council employees painting out parking lines in Bridge St. in preparation for a bus stop. Has a single truck tram in the photo heading along Bridge St. for the city. Caption notes that the work was being done in preparation for the bus service introduction. Photograph taken either Saturday afternoon after shops closed or on Sunday as street has very few cars in it. See Reg item 3767 for print of photograph. 1069.2 - copy of cutting, image added 10/9/2013, from a donation by Dave Macartney.In red ink in upper central right hand corner, "21/8/71"trams, tramways, closure, bus changeover, bridge st, bus stops

Yields information about a piece of the original equipment from the ESCo Ballarat power station.Colour photograph of the ESCo Wendouree Parade power station - DC face plate starter for one of the rotary converters - DC hand operated drum and multiple lever panel" - see Jan. 1998 issue of Fares Please! for details of the donation and a copy of the photograph as used. Photo taken by Warren Doubleday. Printed on Kodak Paper. Photo taken mid Dec. 1997. Photos of cabinet with doors opened and signs added 2/4/2018. Images .1 - Brookhirst makers plate with Patent Nos. .2 - Machine with doors open .3 - wiring diagram .4 - Brookirst cabinet latch at the bottom of the machine. .5 - Safety sign re opening the doors. .6 - bottom section of cabinet with cable found in machine .7 - top half of machine .8 - similar to .6 .9 - close up of the cable. See January 1998 Fares Please!esco, power station, rotary converters

Thirty Eight page, side staple book , printed on duplicating paper, foolscap size, with a yellow cover. Titled "Ballarat Tramway Preservation Society /Electric System /Instructions to Drivers in Electric Car Operation" Dated 1972. Contains an Introduction written by Clyde Croft, as Driver Training Officer, and dated 27/7/1972; index, reference Index for quick solution of equipment defect, procedures to adopt, Accident Procedure, instructions and details on equipment, an ABC for Tram Drivers and points to remember. 3379.1 - added 31/12/2008, as above, a photocopy bound with black plastic comb binding, A4 size within a green folders. Made by Warren Doubleday early 1980's. 3379.2 - added 5/1/2016 - from donation of Lindsay Rickard via Hawthorn Tram Depot Dec. 2015. Unbound copy - has been imaged to a pdf file.trams, tramways, rules, instructions, by laws, btps, drivers, conductors

Demonstrates the use of horse trams as trailers after the start of the electric trams in Ballarat and the street scape and tramway loading at the same time.B&W print of an ESCo tram just past the intersection of Doveton St. and Sturt St. travelling east along the north side of Sturt. Steet towing a heavily laden horse tram as a trailer. Photo appears to be taken soon after opening of the electric trams, as the tram does not have any destination box above the driver. Possibly summer 1905/1906. Numerous people in the street, some horse drawn vehicles in the photograph. Shows buildings along the south side of Sturt St. and part of the verandah of the building at the NE corner of Doveton St. On textured photographic paper. For a list and description of the same base image see Archives file - "Notes on ESCo Tram towing a heavily loaded trailer" 2nd copy added 6-8-2016 from a donation of Mike Ryan via Hawthorn Tram Depot.On reverse side - black ink stamp "E.G.Butland" Copy 2 has "TMSV 332 Flinders St, Melbourne 3000" stamped on the rear.tramways, trams, sturt st, trailers, horse tram, town hall, esco

Pink folded card. Lions Club of Box Hill 22nd May, 1981 Dance Programme 1 Circular Waltz 2 Schottische (Plain) 3 Valetta Waltz 4 Evening Three Step 5 Barn Dance (Progressive) 6 Polka Mazurka/ Highland Schottische 7 Lancers 8 Pride of Erin 9 Maxina 10 Varsoviana 11 One Step 12 Palma Waltz 13 Alberts 14 Jolly Miller Medley: Barn Dance, Gypsy Tap, St. Bernard Waltz, Foxtrot, Pride of Erin 15 Polka 16 Charmaine 17 Waltz Catillions 18 Gay Gordons 19 Living Waltz 20 Tangoette 21 Circular Waltz Auld Lang Syne Donation 50c Partner No 297. A piece of Red and gold ribbon is stapled to front of card.person, individual, peter ellis oam

Yellow cloth backed paper ticket with white front, printed in black ink with fare value of $2.50. Blank or Unused Scholar's monthly ticket for use by under 15 years students, number No. 7386. Has form number "TYE 3-570" in top left hand corner. Space for an expiry date to be stamped on the ticket and name, address and school of the student. The 1969 Schedule of Fares and Charges shows these tickets. 1728.1 - ditto, ticket No. A7423. Added 16/10/04 - after being on display in cabinet in 39 since 1992. 1728.2 - ditto, ticket No. A7382. Added 19/05/06 - from filing cabinet. 1728.3 - ditto ticket Nos. A004773, 75, 89,91, 91 and 4956 added 30/6/2016 from Donation of Bendigo Tramways. See 1969 Schedule of Fares and Charges for the Ballarat Tramways - Reg. Item No. 704.trams, tramways, secv, ballarat, schools tickets