Showing 1525 items matching "famous australians"
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Duldig Studio museum + sculpture gardenSculpture, Karl Duldig, Moses by Karl Duldig 1956 (Bronze Cast 1979), 1956 / 1979
... For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous ...This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground. -
Nillumbik Shire CouncilPrint (drypoint): Rick AMOR (b.1948 Melbourne, AUS), Rick Amor, 'The Ruin' from 'The Baldessin & Friends' commemorative folio, 2016
... George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018 -
Nillumbik Shire CouncilPrint (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
... George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure -
Nillumbik Shire CouncilPrint (etching, acquatint, stencil): Jock CLUTTERBUCK (b.1945), Jock Clutterbuck, ‘Frosty Night Cartouche’ from 'The Baldessin & Friends' commemorative folio, 2016
... George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...Jock Clutterbuck is a sculptor and printmaker of national significance, known for his sophisticated abstract forms with underlying esoteric mysticism. Clutterbuck overlapped with Baldessin when he studied sculpture and printmaking at the Royal Melbourne Institute of Technology, RMIT (1965-66). He taught at RMIT from (1969-73) before lecturing in sculpture at the Victorian College of the Arts (1974-2000). He is represented in many national and international public art collections and is a recipient of many National prizes and awards. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.‘Frosty Night Cartouche’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Following a visit to the Press in 2015, Clutterbuck was reminded of a suite of paintings he had produced some thirty years earlier inspired by plein-air drawings of the night sky. This print attempts to capture something of the enchantment, mystery and drama of a frosty rural property where Clutterbuck spent many years. It is a frost dreaming; a subtle personal homage to Baldessin, embodying the reverence of a fellow artist towards an old friend. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Frosty Night Cartouche' (title); right 'Jock Clutterbuck' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)ekphrasis2018, symbols -
Nillumbik Shire CouncilPrint (etching): Michael LEUNIG (b.1945 Vic, AUS), Michael Leunig, ‘Pilgrim’ from 'The Baldessin & Friends' commemorative folio, 2016
... George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...Michael Leunig is an Australian cartoonist, poet and cultural commentator. His best known works include The Adventures of Vasco Pyjama and the Curly Flats series. Leunig was declared one of Australian Living Treasures by the National Trust of Australia in 1999. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.one colour (yellow) etching on Somerset paper. Thick lines weave in and out to produce a figure reminiscent of his 'curly flat' characters holding a long stem flower/vine. ekphrasis2018, pilgrim, baldessin, leunig -
Nillumbik Shire CouncilPrint (sugarlift etching): Jan SENBERGS (b.1939 Lativia, arrived AUS 1950), Jan Sensbergs, 'New Jersey - rust belt' from the 'Baldessin & Friends' commemorative folio, 2016
... George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt -
Nillumbik Shire CouncilPrint (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
... George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Nillumbik Shire CouncilPrint (woodcut and etching on chine-colle): John WOLSELEY (b.1938 Somerset, UK; arrived 1976 Melb., AUS), John Wolseley, 'Life world of the Longicorn beetle' from the 'Baldessin & Friends commemorative folio', 2016
... George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. ...Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media -
Sunshine and District Historical Society IncorporatedArchive - Sunshine And District Historical Society H.V. McKay's Advertising Signs Exhibition
... His company, famous for the Sunshine Harvester, used signage to reinforce the brand’s identity across Australia and beyond. ...His company, famous for the Sunshine Harvester, used signage to reinforce the brand’s identity across Australia and beyond. ...H.V. McKay’s Advertising Signs H.V. McKay’s advertising signs were more than just promotional tools—they were visual emblems of industrial pride and rural transformation. His company, famous for the Sunshine Harvester, used signage to reinforce the brand’s identity across Australia and beyond. Characteristics of H.V. McKay Advertising Signs • Brand Name “Sunshine”: This was McKay’s flagship brand, stamped on everything from machinery to buildings. The name itself evoked optimism, productivity, and Australian ingenuity. • Bold Typography: Many signs featured large, serif lettering with high contrast, often in red, yellow, or black colors associated with vitality and visibility in rural landscapes. • Imagery of Machinery: Some signs depicted the Sunshine Harvester or other agricultural implements, emphasizing innovation and reliability. • Materials: Signs were typically made of enamel, tin, or painted wood. Enamel signs were especially durable and popular for outdoor use. • Placement: Signs appeared on factory walls, railway sidings, rural supply stores, and even on the sides of barns and sheds across farming regions. Sunshine’s Historical Context • The H.V. McKay Pty Ltd, commonly referred to as the Sunshine Harvester Works, in Braybrook Junction (later renamed Sunshine) was located on this site. The factory became a hub of local industrial activity, and signage played a key role in branding the town itself. • By the 1920s, the H.V. McKay Harvester Factory had become the largest manufacturing enterprise in the Southern Hemisphere. • The Sunshine Harvester Works employed thousands of people from both Sunshine and the surrounding suburbs. • In 1930, the company merged with the Australian arm of the Canadian manufacturer Massey Harris, forming H.V. McKay Massey Harris Pty Ltd. • In 1953, Massey-Harris merges with Harry Ferguson Ltd, forming Massey-Harris-Ferguson Ltd and in 1958 renamed to Massey Ferguson Ltd • The Massey Ferguson Factory closed in the 1980’s and the demolition of the site started in 1988. • The site today is the home of the Sunshine Market Place, Brimbank Council Offices, Visy Cares Hub, Sunshine Police Station, Sunshine Magistrates' Court and a number of other shops and offices. • The only building remaining of the original factory is the Bulk Store, now the Visy Cares Hub. Note: These signs are reproductions except for one. Can you spot the original sign? 5684.01 - H.V. McKay's Advertising Signs Exhibition.jpg 5684.02 - H.V. McKay's Advertising Signs Exhibition.jpg 1013.01 - H.V. McKay Advertising Sign.jpg 1013.02 - H.V. McKay Advertising Sign.jpg 1013.03 - H.V. McKay Advertising Sign.jpg 1013.04 - H.V. McKay Advertising Sign.jpg 1013.05 - H.V. McKay Advertising Sign.jpg 2897 - Massey Ferguson Gate Sign.jpg 3041 - Sunshine Farm Machinery and Tractors Sign.jpgh.v. mckay -
City of BallaratSculpture - Public Artwork, John Undy, Robert Burns Memorial Statue by John Udny, 22 April 1887
... This is Australia’s first monument to the famous Scottish poet Robert Burns and his dog. ...This is Australia’s first monument to the famous Scottish poet Robert Burns and his dog. ...This is Australia’s first monument to the famous Scottish poet Robert Burns and his dog. It was carved from marble in Italy by sculptor John Udny and is inscribed with quotes from the writer himself and features beautiful patterned tiles at its base. This sculpture tells us much of Ballarat’s Scottish history by placing their most revered poet and ballardier of Auld Lang Syne at the corner of Lydiard and Sturt Streets. The local design was carried out by artist John Undy in Carrara marble and placed with this scene. The proud figure of Burns faces west and is accompanied by his collie dog with a book purposely hanging in his hand and a pencil in the other as his constant companions. Burns is mounted on a plinth engraved with some beautiful Burn’s poetry and surrounded by art deco styled tiling and a cast iron palisade. The statue is of aesthetic and historical significance to the people of BallaratCarved marble statue of Scottish poet Robert Burns and his dogIncludes panels with poems and writings by Robert Burns. Plaque reads - Designed by Thomas Thompson Ballarat Sculptured by John Undy, Carrara, Italy.robert burns, scottish poet -
City of BallaratArtwork, other - Public Artwork, Burke and Wills Memorial Fountain
... This memorial to the famous explorers also features the names of those who assisted their ill-fated crossing of Australia. ...This memorial to the famous explorers also features the names of those who assisted their ill-fated crossing of Australia. ...Ballarat son Robert O’Hara Burke and his good mate William John Wills are commemorated in the Burke & Wills Fountain. This memorial to the famous explorers also features the names of those who assisted their ill-fated crossing of Australia. The fountain was once lit with gas and stocked with goldfish and tortoises.The fountain is of historic and aesthetic significance to the people of BallaratBluestone and cast metal fountain Robert O'Hara Burke, Leader, Died 30th June, 1861. William John Wills, Second, Died 39th June, 1861. Ludwig Becker, Naturalist, Died 29th April, 1861. Charles Grey, Assistant, Died 17th April, 1861. John King the only survivor of the EXPEDITION Died at St Kilda January 13th 1872. In Memory of the explorers who perished while crossing the Australian Continent in the year 1861. Erected by the Inhabitants of Ballarat. burke & wills, robert o’hara burke, william john wills, ludwig becker, charles grey, john king -
City of BallaratArtwork, other - Public Artwork, The Pioneer Miner's Monument, 1951
... The artwork tells the story of gold discovery with plaques and dates of some of the more famous gold nuggets finds in Ballarat and is a reminder that these gold discoveries changed the world for Australians. ...The artwork tells the story of gold discovery with plaques and dates of some of the more famous gold nuggets finds in Ballarat and is a reminder that these gold discoveries changed the world for Australians. ...The Pioneer Miners’ Monument marks the very first finding of gold at Poverty Point in 1851. The quartz structure features a replica of the 62.8kg Welcome Nugget – the world’s largest at the time, found in Ballarat in 1858. The original was once displayed, and local mothers would sit their babies on top for luck. The artwork tells the story of gold discovery with plaques and dates of some of the more famous gold nuggets finds in Ballarat and is a reminder that these gold discoveries changed the world for Australians. The monument is of aesthetic and historical significance to the people of BallaratFitted copper miniature poppet head set atop a rough made plinth in Quartz and concrete mortar. A copy of the Welcome Nugget (Ballarat) is affixed to the front of the memorial. Includes several plaques listing the nuggets, the companies involved, the shop that paid for the last repair. THIS MONUMENT WAS ERECTED/ BY THE BALLARAT HISTORICAL/ SOCIETY TO COMMEMORATE THE/ FINDING OF GOLD AT POVERTY/ POINT 21ST AUGUST 1851 AND IS/ DEDECATED TO THE MEMORY OF/ PIONEER MINERS OF BALLARATgold, ballaraat, gold rush -
Dandenong & District Historical SocietyBook, The Lasting Impact of Waverley Riding School
... Australia's premier establishment. The hundreds of people, young to elderly, who rode at Waverley were a privileged group, It was joy, fun and adventure. As riders gained experience, there were more and more varied horses and ponies to ride, residential holidays on site and in faraway places, day rides, gymkhanas and Royal Melbourne Shows. New sights and activities were continually presented to eager expectant riders — the antics of their Border Collie and the train, the rise of the famous...Australia's premier establishment. The hundreds of people, young to elderly, who rode at Waverley were a privileged group, It was joy, fun and adventure. As riders gained experience, there were more and more varied horses and ponies to ride, residential holidays on site and in faraway places, day rides, gymkhanas and Royal Melbourne Shows. New sights and activities were continually presented to eager expectant riders — the antics of their Border Collie and the train, the rise of the famous ...non-fiction -
Dandenong & District Historical Society
Book - A History of the Colony of Victoria from Discovery to its Absorption into the Commonwealth of Australia, Henry Gyles Turner, A History of the Colony of Victoria A.D 1854-1900, 1904
... Historic Information of Victoria & Commonwealth of Australia People - Explorers Famous people of the time. Areas of Victoria & Indigenous information A History of the Colony of Victoria A.D 1854-1900 Book A History of the Colony of Victoria from Discovery to its Absorption into the Commonwealth of Australia Henry Gyles Turner ...non-fictionpeople - explorers, famous people of the time., areas of victoria & indigenous information -
Lake Bolac & District Historical SocietyBlack and white photograph, Neil Murray, Singer and Song-writer, of Lake Bolac
... Lake Bolac born singer/song-writer Neil Murray wrote the well-known Australian hit song "My Island Home" which was sung and made famous by Christine Anu. ...Lake Bolac born singer/song-writer Neil Murray wrote the well-known Australian hit song "My Island Home" which was sung and made famous by Christine Anu. ...Lake Bolac born singer/song-writer Neil Murray wrote the well-known Australian hit song "My Island Home" which was sung and made famous by Christine Anu. Here the pair are depicted receiving an award for their musical contribution to Australian culture at the APRA Music Awards in 1995.lake bolac, neil murray, christine anu, "my island home", apra music awards -
Moorabbin Air MuseumMachine - Douglas DC-2 A30-9 ("VHCRK", Nc13782), 1934
... Historical Details: The AARG aircraft as NC13782, the 32nd DC-2 to be constructed, was one of the first ten DC-2's purchased by famed American WW1 ace Eddie Rickenbacker in October 1934 to create his famous "Great Silver Fleet" at Eastern Airlines in the USA. Replaced by D. Description: The Douglas DC-2 holds an important place in world and Australian aviation history with its success in the 1934 England to Australia Air Race. ...Historical Details: The AARG aircraft as NC13782, the 32nd DC-2 to be constructed, was one of the first ten DC-2's purchased by famed American WW1 ace Eddie Rickenbacker in October 1934 to create his famous "Great Silver Fleet" at Eastern Airlines in the USA. Replaced by D. Description: The Douglas DC-2 holds an important place in world and Australian aviation history with its success in the 1934 England to Australia Air Race. ...Historical Details: The AARG aircraft as NC13782, the 32nd DC-2 to be constructed, was one of the first ten DC-2's purchased by famed American WW1 ace Eddie Rickenbacker in October 1934 to create his famous "Great Silver Fleet" at Eastern Airlines in the USA. Replaced by D. Description: The Douglas DC-2 holds an important place in world and Australian aviation history with its success in the 1934 England to Australia Air Race. Operating as a scheduled KLM airline service, with passengers and airmail, a DC2 PH-AJU "Uiver" placed outright. Level of Importance: Nationaldc2 uiver -
Moorabbin Air Museum
Machine - Avro Lincoln RF392 (G-Aprj "G-29-1"), 1945
... Description: The Avro Lincoln bomber was the successor to the famous Avro 683 Lancaster of World War 2 . In the immediate post war era the Australian Government Aircraft Factory undertook the licenced manufacture of 73 Lincolns for the RAAF the first of which flew. ...Description: The Avro Lincoln bomber was the successor to the famous Avro 683 Lancaster of World War 2 . In the immediate post war era the Australian Government Aircraft Factory undertook the licenced manufacture of 73 Lincolns for the RAAF the first of which flew. ...Historical Details: AVRO LINCOLN B.2 G-APRJ/RF342 DELIVERED TO RAF FROM AVRO 6-1945. RAF 6-1945 to 7-1948 at TFU. AWA LTD/EMI LTD LOAN FROM RAF 7-1948/7-1955 D NAPIER & SONS LTD LOAN FROM RAF 7-1955 / 12-1958 SOLD TO D NAPIER & SONS LTD LUTON 12-1958; SOLD TO COLLEG. Description: The Avro Lincoln bomber was the successor to the famous Avro 683 Lancaster of World War 2 . In the immediate post war era the Australian Government Aircraft Factory undertook the licenced manufacture of 73 Lincolns for the RAAF the first of which flew. Level of Importance: Regional -
Moorabbin Air Museum
Machine - Pratt & Whitney R 2000 1,300 HP Air Cooled Radial
... Description: The R1340 Wasp engine was developed in America during the 1920’s and was widely used in US aircraft; the most famous of which was the North American Harvard. They were built in Australia by the Commonwealth Aircraft Corporation and powered the CAC Wir. ...Description: The R1340 Wasp engine was developed in America during the 1920’s and was widely used in US aircraft; the most famous of which was the North American Harvard. They were built in Australia by the Commonwealth Aircraft Corporation and powered the CAC Wir. ...Historical Details: . Description: The R1340 Wasp engine was developed in America during the 1920’s and was widely used in US aircraft; the most famous of which was the North American Harvard. They were built in Australia by the Commonwealth Aircraft Corporation and powered the CAC Wir. Level of Importance: State -
Moorabbin Air Museum
Machine - Rolls Royce Merlin Mk 46 - 1,600 HP Liquid Cooled V 12
... famous of all British aero engines. It powered a variety of types including the Spitfire, Hurricane, Lancaster and Mustang and was built under licence in Australia and America. ...famous of all British aero engines. It powered a variety of types including the Spitfire, Hurricane, Lancaster and Mustang and was built under licence in Australia and America. ...Historical Details: . Description: Developed from the kestrel, the Rolls Royce Merlin is the most famous of all British aero engines. It powered a variety of types including the Spitfire, Hurricane, Lancaster and Mustang and was built under licence in Australia and America. A modified v. Level of Importance: State -
Vision AustraliaAdministrative record - Text, 80th Annual Report Royal Blind Society of N.S.W. (1960), 1960
... Albert's appointment as Vice President, the unexpected demolition of 'Heathfield; in Woollahra due to it's condition and a rethinking of strategy given the demand for a kindergarten in the western suburbs, intention to rebuild the lower hall in William St to accommodate studios, offices, repair and storage facilities to satisfy the growing demand for tapes, outline of the Blind Book Society and how it became an auxiliary to the Society so that the assets and goodwill of the BBS were transferred to the RBS, support for this action by Frank Clune and other authors, transcription work done by the Braille Writers Association of NSW includes Leaving Certificate exams, knitting patterns, recipes and musical compositions, references to the change in talking book machines and teachers checking transcribers work to ensure mild censorship does not occur, two examples of how the support can change the life of a blind person, the assembling of a giant flower basket (10 x 15 feet) for the Town Hall Float in the Waratah Festival which was filled with 25,000 sweet peas and a bow of 6 foot wide satin - sadly the truck carrying this would not start and the float was not seen, dropping of sales due to plastic goods and imported products, 17 First Prizes and 12 Second Prizes in various handicrafts at the Royal Easter Show, the work of Margaret Green in providing services to blind children across the state, a visit by world-famous blind pianist George Shearing, pictures of the opening of the "Light House" home for Aged Blind Women and the Alexis Albert Hostel for Aged Blind Men, renovations have occurred at the Helen Keller Hostel and drama and singing classes are held as well as the local choir Waimea Singers directed by Nellie Sweeney, cricketer Ken Curtis took a hat trick - the first in Australian blind cricket history - in the third match between NSW and Victoria at Kooyong in December 1960, three musicians (Julian Lee, Percy Roberts and George Herrmann) were in contact with pianist Percy Shearing before his television appearance, drama classes provided by Irene Alexander have been well attended with some students giving dramatic presentations on radio stations, monthly musical concerts continue to be held in the Society's hall, the continued success of the Black and White Ball, the huge success of the 2UW Blind Appeal providing much needed funds, the addition of the Silver Lighthouse to the group of Auxiliaries, the passing of E K Gordon who was a Foundation Member of the Committee as well as roles with the Newcastle branch and Nursery for Blind Babies, the ACT Liaison Group obtained free passes for bus services within the Territory, the 'Glow Worm' sessions ended in its 21st year on 2GB with Goodie Reeve now reading news excerpts and Betty Hatherley's session on 2UW have been replaced by recorded announcements....Albert's appointment as Vice President, the unexpected demolition of 'Heathfield; in Woollahra due to it's condition and a rethinking of strategy given the demand for a kindergarten in the western suburbs, intention to rebuild the lower hall in William St to accommodate studios, offices, repair and storage facilities to satisfy the growing demand for tapes, outline of the Blind Book Society and how it became an auxiliary to the Society so that the assets and goodwill of the BBS were transferred to the RBS, support for this action by Frank Clune and other authors, transcription work done by the Braille Writers Association of NSW includes Leaving Certificate exams, knitting patterns, recipes and musical compositions, references to the change in talking book machines and teachers checking transcribers work to ensure mild censorship does not occur, two examples of how the support can change the life of a blind person, the assembling of a giant flower basket (10 x 15 feet) for the Town Hall Float in the Waratah Festival which was filled with 25,000 sweet peas and a bow of 6 foot wide satin - sadly the truck carrying this would not start and the float was not seen, dropping of sales due to plastic goods and imported products, 17 First Prizes and 12 Second Prizes in various handicrafts at the Royal Easter Show, the work of Margaret Green in providing services to blind children across the state, a visit by world-famous blind pianist George Shearing, pictures of the opening of the "Light House" home for Aged Blind Women and the Alexis Albert Hostel for Aged Blind Men, renovations have occurred at the Helen Keller Hostel and drama and singing classes are held as well as the local choir Waimea Singers directed by Nellie Sweeney, cricketer Ken Curtis took a hat trick - the first in Australian blind cricket history - in the third match between NSW and Victoria at Kooyong in December 1960, three musicians (Julian Lee, Percy Roberts and George Herrmann) were in contact with pianist Percy Shearing before his television appearance, drama classes provided by Irene Alexander have been well attended with some students giving dramatic presentations on radio stations, monthly musical concerts continue to be held in the Society's hall, the continued success of the Black and White Ball, the huge success of the 2UW Blind Appeal providing much needed funds, the addition of the Silver Lighthouse to the group of Auxiliaries, the passing of E K Gordon who was a Foundation Member of the Committee as well as roles with the Newcastle branch and Nursery for Blind Babies, the ACT Liaison Group obtained free passes for bus services within the Territory, the 'Glow Worm' sessions ended in its 21st year on 2GB with Goodie Reeve now reading news excerpts and Betty Hatherley's session on 2UW have been replaced by recorded announcements. ...Articles in the annual report include: a brief history of the organisation on it's 80th anniversary, resignation of Herbert Thompson who had provided over 50 years of voluntary service in the library, Braille teacher and Council member with a plaque commemorating him in the Library, the addition of Reverend Noel McCaw on the Council as Mr Thompson's replacement and A.F. Albert's appointment as Vice President, the unexpected demolition of 'Heathfield; in Woollahra due to it's condition and a rethinking of strategy given the demand for a kindergarten in the western suburbs, intention to rebuild the lower hall in William St to accommodate studios, offices, repair and storage facilities to satisfy the growing demand for tapes, outline of the Blind Book Society and how it became an auxiliary to the Society so that the assets and goodwill of the BBS were transferred to the RBS, support for this action by Frank Clune and other authors, transcription work done by the Braille Writers Association of NSW includes Leaving Certificate exams, knitting patterns, recipes and musical compositions, references to the change in talking book machines and teachers checking transcribers work to ensure mild censorship does not occur, two examples of how the support can change the life of a blind person, the assembling of a giant flower basket (10 x 15 feet) for the Town Hall Float in the Waratah Festival which was filled with 25,000 sweet peas and a bow of 6 foot wide satin - sadly the truck carrying this would not start and the float was not seen, dropping of sales due to plastic goods and imported products, 17 First Prizes and 12 Second Prizes in various handicrafts at the Royal Easter Show, the work of Margaret Green in providing services to blind children across the state, a visit by world-famous blind pianist George Shearing, pictures of the opening of the "Light House" home for Aged Blind Women and the Alexis Albert Hostel for Aged Blind Men, renovations have occurred at the Helen Keller Hostel and drama and singing classes are held as well as the local choir Waimea Singers directed by Nellie Sweeney, cricketer Ken Curtis took a hat trick - the first in Australian blind cricket history - in the third match between NSW and Victoria at Kooyong in December 1960, three musicians (Julian Lee, Percy Roberts and George Herrmann) were in contact with pianist Percy Shearing before his television appearance, drama classes provided by Irene Alexander have been well attended with some students giving dramatic presentations on radio stations, monthly musical concerts continue to be held in the Society's hall, the continued success of the Black and White Ball, the huge success of the 2UW Blind Appeal providing much needed funds, the addition of the Silver Lighthouse to the group of Auxiliaries, the passing of E K Gordon who was a Foundation Member of the Committee as well as roles with the Newcastle branch and Nursery for Blind Babies, the ACT Liaison Group obtained free passes for bus services within the Territory, the 'Glow Worm' sessions ended in its 21st year on 2GB with Goodie Reeve now reading news excerpts and Betty Hatherley's session on 2UW have been replaced by recorded announcements.1 volume of text and imagesroyal blind society of new south wales, annual report, justice maxwell, paul cullen, h.f. benning, herbert thompson, c d darvall, ken bunn, e t herford, roy kippax, k. g hunter-kerr, phyllis bourke, w.a. davis, alexis albert, noel mccaw, buildings, talking books, blind book library, kenneth bruce, frank clune, dame mary gilmore, roy young, braille writers association of new south wales, transcription, t brockhoff, zita ainsworth, l farrell, a faulks, percy cooper, m duncan, dorothy juleff, margaret green, victor maxwell kindergarten, light house home, alexis albert hostel, helen keller hostel, waimea singers, nellie sweeney, ken curtis, cricket, julian lee, percy roberts, george herrmann, irene alexander, maurice chevalier, nola dekyvere, betty hatherley, l c haynes, fundraising, l atkins, l a maurer, j lamond, j wishart, jill hamer, w. cannington, e k gordon, j blair, b macleay, lions club of mayfield, lions club of sydney, lions club of burwood, apex, lions club of bondi, n g wilson, j v brickwood, goodie reeve, 2uw, 2gb -
![Ceramic, Ino Kiyoshi, [Vase] by Ino Kiyoshi, c1982](/media/collectors/530576742162ef0fa09a2288/items/5566bbdf2162f113608fc669/item-media/60f41b51b06f0c13a9354719/item-fit-380x285.jpg?cb=6)
Federation University Art CollectionCeramic, Ino Kiyoshi, [Vase] by Ino Kiyoshi, c1982
... Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous...Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous ...Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia.Australian Studio Ceramics Gift of the artist, 1982Impressed seal for Kiyoshi Ino on baseceramics, gippsland campus, jan feder memorial ceramics collection, ino kiyoshi, japanese ceramics -
Federation University Art CollectionCeramic, [Untitled] by Ino Kiyoshi, c1982
... Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous...Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous ...Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia. Gift of the artist, 1982impressed seal for Kiyoshi Ino on baseceramics, shikuhu ino, jan feder memorial ceramics collection, gippsland campus, yinnar, yinnar art resource collective -
Whitehorse Historical Society Inc.Document, Daniel Harvey, 1977
... Daniel Harvey was well-renowned for his famous orchard and vineyard equipment and his name appears in the book "Digging Stick to Rotary Hoe": Men and Machines in Rural Australia, by Frances Wheelhouse. ...Daniel Harvey was well-renowned for his famous orchard and vineyard equipment and his name appears in the book "Digging Stick to Rotary Hoe": Men and Machines in Rural Australia, by Frances Wheelhouse. ...Daniel Harvey was well-renowned for his famous orchard and vineyard equipment6 x A4non-fictionDaniel Harvey was well-renowned for his famous orchard and vineyard equipmentharvey daniel, orchards, inventions, vineyards, wheelhouse frances -
Whitehorse Historical Society Inc.Document, Hoadley, 2024
... Abel Hoadley (1844 - 1918) arrived in Australia 1865 and eventually acquired a small factory in South Melbourne where he produced chocolates and the famous "Violet Crumble"....Abel Hoadley (1844 - 1918) arrived in Australia 1865 and eventually acquired a small factory in South Melbourne where he produced chocolates and the famous "Violet Crumble". ...The Hoadley Family Tree and the development of "Violet Crumble".non-fictionThe Hoadley Family Tree and the development of "Violet Crumble".hoadley abel, hoadley mrs, hoadleys chocolates -
Rutherglen Historical SocietyPhotograph - Image, 1970s
... Located within the heart of the winery, the atrium style Cellar Door was designed by legendary Australian architect; Robyn Boyd and constructed in 1972. Offering views of the century old storage casks and famous dirt floors, the Cellar Door offers an up close experience to the making of our world famous wines....Located within the heart of the winery, the atrium style Cellar Door was designed by legendary Australian architect; Robyn Boyd and constructed in 1972. Offering views of the century old storage casks and famous dirt floors, the Cellar Door offers an up close experience to the making of our world famous wines. wineries north east victoria wine industry morris winery robyn boyd rutherglen australia winery cellar door On back of photo: "S/S [upper case H in a circle] Morris" Black and white photograph of the interior of a wine cellar with stacks of wine casks of various sizes. ...Located within the heart of the winery, the atrium style Cellar Door was designed by legendary Australian architect; Robyn Boyd and constructed in 1972. Offering views of the century old storage casks and famous dirt floors, the Cellar Door offers an up close experience to the making of our world famous wines.Black and white photograph of the interior of a wine cellar with stacks of wine casks of various sizes. A substantial number of people are in a glassed-in area at the back of the room. Glassed-in area ( cellar door sales area) designed by Robyn Boyd. 1972On back of photo: "S/S [upper case H in a circle] Morris"wineries, north east victoria, wine industry, morris winery, robyn boyd, rutherglen australia, winery, cellar door -
Melbourne LegacyFilm, Legacy
... famous for in the 1960s. A Widow's Club meeting is shown and a party of the Northern Suburbs Progressive Twenties who raised money for Legacy. They were smoking, drinking, and eating what looks like cheerios and slices of bread in a large room hung with streamers and balloons and dancing to pop music. Junior Legatee Karen Miller was interviewed about her experience travelling to Switzerland to represent Australia...famous for in the 1960s. A Widow's Club meeting is shown and a party of the Northern Suburbs Progressive Twenties who raised money for Legacy. They were smoking, drinking, and eating what looks like cheerios and slices of bread in a large room hung with streamers and balloons and dancing to pop music. Junior Legatee Karen Miller was interviewed about her experience travelling to Switzerland to represent Australia ...30 min colour and sound 16mm film, severely faded, beginning with an interview with a Vietnam widow and going on to explain the help Sydney Legacy gave to bereaved families including outings, health, etc. Lionel Long, who was a Legacy ward, is interviewed and sings one of the ballads he was famous for in the 1960s. A Widow's Club meeting is shown and a party of the Northern Suburbs Progressive Twenties who raised money for Legacy. They were smoking, drinking, and eating what looks like cheerios and slices of bread in a large room hung with streamers and balloons and dancing to pop music. Junior Legatee Karen Miller was interviewed about her experience travelling to Switzerland to represent Australia at the Swiss Bank Centenary, Switzerland, with a boy from NSW, going on to stay with a Legacy family in London for a week. The functions of Legatees are explained as a Legatee is shown with one of his families. Also interviewed is a practising solicitor who attributes his qualification to the help he got from Legacy. Girls are shown rehearsing for their debutante presentation and the film segues to the actual presentation with the Governor Sir Roden Cutler, Governor of NSW, and his wife. Legatees are shown cutting, trucking and delivering firewood to widows. Photography by Frederick Richardson; sound by Peter Willesee; Executive Producer Michael Willesee; produced and edited by Bob Lawson. A Trans Media Production. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of Sydney Legacy in the 1960s giving an overview of the work they did.A film in a blue plastic canister produced about the activities of Sydney Legacy in the 1960s.Label of 'Colour Film Pty Ltd, client Trans Media Colour print' handwritten 'Copy No 3'activities, widows club, junior legatee, operation firewood, sydney legacy -
Beechworth RSL Sub-Branch
Print - Picture 11th Battalion Cheop Pyramid 1915, Contingent of the 1st Division Australian Imperial Force AIF / 11th Battalion Before Deployment to Gallipoli / Cheop Pyramid, Sunday 10th January 1915
... Apart form being a a very famous picture of the 11th Battalion on the Pyramid Cheop. The 11 battalion was formed in Western Australia has no connection to the people of Beechworth...Apart form being a a very famous picture of the 11th Battalion on the Pyramid Cheop. The 11 battalion was formed in Western Australia has no connection to the people of Beechworth https://11btn.wags.org.au/ Contingent of the 1st Division Australian Imperial Force AIF / 11th Battalion Before Deployment to Gallipoli / Cheop Pyramid, Sunday 10th January 1915" A wooden framed collage of the print of 11th Battalion Before Deployment to Gallipoli on Cheop Pyramid, Egypt, Sunday 10th January 1915. ...This item was either purchased or donated to the Sub Branch. Apart form being a a very famous picture of the 11th Battalion on the Pyramid Cheop. The 11 battalion was formed in Western Australia has no connection to the people of BeechworthA wooden framed collage of the print of 11th Battalion Before Deployment to Gallipoli on Cheop Pyramid, Egypt, Sunday 10th January 1915. Top centre is the AIF Badge, bottom left is the Battalion Patch, Bottom right is a miniature set of the three medals and centre is the Title " Contingent of the 1st Division Australian Imperial Force AIF / 11th Battalion Before Deployment to Gallipoli / Cheop Pyramid, Sunday 10th January 1915"Contingent of the 1st Division Australian Imperial Force AIF / 11th Battalion Before Deployment to Gallipoli / Cheop Pyramid, Sunday 10th January 1915"https://11btn.wags.org.au/ -
Melton City LibrariesLetter, Letter from Margaret B Gibson, 1928/2014
... Australia with two of his uncles in 1855 by the ship “Red Jacket”. A stone- mason by trade he worked about Melbourne and at Geelong until attack by “gold fever” but met with no success at this venture so he returned to his trade, arriving at Melton about 1860. There he married and settles for about 20 years. In 1880 the Cherokee Heights with its subdivision was famous...Australia with two of his uncles in 1855 by the ship “Red Jacket”. A stone- mason by trade he worked about Melbourne and at Geelong until attack by “gold fever” but met with no success at this venture so he returned to his trade, arriving at Melton about 1860. There he married and settles for about 20 years. In 1880 the Cherokee Heights with its subdivision was famous ...David McKenzie obituary, Romsey Examiner 1928 Another of Australia’s very old pioneers in the person of Mr McKenzie, passed away last weekend at his daughters residence At regent at the ripe old age of 92 years ( he would be 93 in November) Born at Berwick of Tweed Scotland, the late Mr McKenzie arrived in Australia with two of his uncles in 1855 by the ship “Red Jacket”. A stone- mason by trade he worked about Melbourne and at Geelong until attack by “gold fever” but met with no success at this venture so he returned to his trade, arriving at Melton about 1860. There he married and settles for about 20 years. In 1880 the Cherokee Heights with its subdivision was famous and Mr McKenzie moved there with his daughter. He continues in his trade, his work extending to Gisborne, Bacchus Marsh, Romsey, and Springfield and other places, where to this day, may be seen monuments of his skill and through tradesmanship as a mason. During his residence in the Mount, he took a keen interest in all the affairs of Kerrie and Cherokee, and he was a familiar figure at all the public gatherings at which he nearly always filled the position of Chairman, because of outstanding qualifications. He was a man of those sterling qualities possessed by those men who laid the foundation of this country so well and truly. Loyal, broad of vision, just in thought and deed, honourable to the extreme in all dealings, fearless in the cause of right, a lover of home and family, and ready to lend a hand to all progressive movements. To the memory of those grand men the youth of today should lift their hats in reverence. Mr McKenzie was a prolific reader of educational works, and the wonderful knowledge he retained upon a variety of subjects was a source joy to those who associated with him. His wife predeceased him by 43 years ago soon after arrival in Cherokee. A Pioneer of Melton There are probably some residents left at Melton and Bacchus Marsh who will remember the late Mr McKenzie, one of them has written as follows:- I knew the late Mr. McKenzie since I was a little boy – over 50 years ago- and no better man ever lived than he, he was a good man from every point of view. The late Mr McKenzie was born on the November 25th, 1835 at Montrose, Scotland. He came to Australia in 1853 and resided for a time with his uncle the late Mr. Gibson on the Kororoit Creek near Melton. A few years later he settled in Melton. In 1861 he was married to Miss Mary Buchanan, the eldest daughter of the late Mr. George Buchanan, one of the early settlers of Melton. Deceased resided on the main road to Bacchus Marsh one mile from Melton. He was a stone- mason by trade, and some fine buildings in Melton and surrounding districts to this day, stand to his credit. He built the Presbyterian Church Melton. The old school, the Shire Hall, many private dwellings and numerous bridges. He was highly respected, as he was well known for the good work he put into all he had to do with. He also took numerous contracts in the Melton Shire, and was also employed by the Shire as Clerk of Works. He was a most conscious man. In his day he took a prominent part in all public affairs, and was a leading spirit in the old school Board. He was one of the pioneers of the Melton Rechabite Tent. He was one of the earliest workers and supporters of the Melton Presbyterian Church, of which he was an elder, and for a great number of years, its Sunday School Superintendent and Teacher. He also lead the singing for many years before the days of the organ, as he had a splendid voice, and could sing his old Scotch songs and hymns up to within six months of his death. For the past five years he has resided with one of his daughters at north Preston, where he died. He had good health up to within six months of his death and could well remember all the early happenings at Melton and surrounding districts. There are five daughters and one living son:- Margaret Mrs. Walter Wyatt Twose of Burnley Elizabeth Mrs George Shebler of Brunswick Georgina Mrs Jack Sinclair Isabel Mrs H Knight of North Preston Jane Mrs William Gibson of Warragul John W. of Fremantle - Western Australia Letter from Margaret to the Melton Presbyterian Churchchurches, local architecture -
Melton City LibrariesPhotograph, Oppy's bicycle, 1994
... Australia and overseas. On October 27th he launched Melton’s History – Plains of Promise 1985 Local identities local significant events The famous bicycle was left at its permanent “home” at the rooms of the Rochester Historical Society formerly Rochester Railway Station 1994. ...Born in 1904, Opperman attended Melton School 430 1913/14. Achieved fame in bicycle racing, later was a well known Member of Parliament, held ministerial positions both in Australia and overseas. On October 27th he launched Melton’s History – Plains of Promise 1985 The famous bicycle was left at its permanent “home” at the rooms of the Rochester Historical Society formerly Rochester Railway Station 1994.local identities, local significant events -
Victorian Bands' LeaguePostcard, Malvern Tramways Band, 1921, c. 1921
... Australia for many years. The conductor, Mr Harry Shugg, arrived to conduct the band in 1915 having previously been conductor of the Geelong Harbour Trust Band. Harry Shugg went on to conduct the band for an amazing 31 years where they won numerous competitions. On the back of the postcard is a handwritten message dated 16/12/1921 from Harry Shugg to a M. W. Boina This postcard is significant as it presents an photo of a very famous ...The Malvern Tramways Band (Stonnington City Brass) was one of the leading brass bands in Victoria and Australia for many years. The conductor, Mr Harry Shugg, arrived to conduct the band in 1915 having previously been conductor of the Geelong Harbour Trust Band. Harry Shugg went on to conduct the band for an amazing 31 years where they won numerous competitions. On the back of the postcard is a handwritten message dated 16/12/1921 from Harry Shugg to a M. W. BoinaThis postcard is significant as it presents an photo of a very famous band and their conductor. It is also significant as it has a message on the back written by Mr Harry Shugg with no address which means that the postcard was handed to the recipient. It is part of a series of four postcards which show the different groups that Harry Shugg conducted over his lifetime.Rectangular black and white photograph printed on a postcard. On the back is a hand written message.Back: Printed: "Postcard", "Kodak Australia" "Correspondence | Address Only" Vertical print: " Muntz Studio, Malvern" Message: "To M. W. Boina, Wishing the Compliments of the Season Harry Shugg (Winners South St 1921)"malvern tramways band, stonnington city brass, brass band, victorian bands' association, victorian bands' league, harry shugg
