the Ballarat school of mines was the first school of mines in Australia, this book contains records from 14 years after its completion. Contains staff payments and details from local suppliers.A large volume with faded brown hard covers, brown leather faced spine and corners. Pages of plain brown paper. Contains receipts, glued and folded, each numbered by hand in blue pencil in order of insertion. This book starts with number 491 (31 Dec 1890), numbering reset to 1 after number 1000 (3 Apr 1889). Last receipt number 634 (1 Sept 1890). Auditor C.Kent, 11 Dec 1890.Auditors initials and/or signature in very many.ballarat school of mines, henry hall, salary, charles a smith, alex monsbourgh, george day, phoenix foundry, ballarat district exhibition, j.w. mills and son, carpenter, joe white, ballarat school of mines museum, purdue saddle and harness makers, r.t. vale, ballarat harness factory, w. hamer, thomas clegg, a.g. corbett, j. miller, h. ellsmore, lonie, dingle and co., john king, john king, druggist, john mann, alex e. monsbourgh, invoices, receipts, union foundry

A Balloon Tennis set, comprising of a chest (.1), with a colour lithographic print across top of lid, featuring the images of men and women playing the game, and inscription: GAME OF BALLOON. Contents include: racquets (.2 - .3); a stand (.4, 7 parts); a scorer (.5, 4 parts); and instructions (.6, 2 parts). Game was U.S. patented in August 1889. Materials: Wood, Cane, Paper, Ink, Paint, String, Metal, Lacquer, Glue, Leathertennis

Manuscript - draft - 8 A4 pages, titled "The Northern Tramway Company", by Duncan MacAuslan about the development and operation of a horse tramway company that ran from Moreland and Sydney Road to Bridge St Coburg. Opened March 1889, insolvency, ownership and lease issues with Council, purchase by Council in 1911 and closure in Dec. 1915 to enable the construction of the electric line by the MBCTT. See the August 2020 issue of Trolley Wire for the full completed article and photographs.trams, tramways, horse trams, coburg, northern tramway co., sydney road

This photograph shows the interior of St. Joseph's church about 1911. St Joseph's church was the third Catholic church in Warrnambool with the Foundation Stone of the present day church in Lava Street laid in 1869 and the second stage of the building completed in 1889, the architects being Jobbins and McLeod. No information is available on the writer of the postcard.This postcard is of interest as it features a rare interior of a major church in Warrnambool.This is a postcard featuring a glossy photograph of the interior of St. Joseph's church, Warrnambool in sepia tones. The photograph is of the nave and the main altar on a festive occasion. The back of the postcard has hand writing in black ink INTERIOR OF ST. JOSEPH'S CHURCH, WARRNAMBOOLst. joseph's church warrnambool, postcard warrnambool

Large building housing three businesses - T. Dillon, clothing(1899-1948); A.E. Bilton, Chemist (1887-1930's)with J.H. Knight, Dentist (upstairs) and the Piccadilly Cafe. c. 1900. Built in 1889 for Mr Sharman, proprietor of the Globe Hotel to replace single storey building destroyed by fire.Large photograph glued on cardboard. Triple fronted, two storey brick building. Signage shows Charlton Pharmacy top centre of upper storey, A.E. Bilton,(Chemist) J.H. Knight (Dentist), T. Dillon on LH side and Piccadilly Cafe on RH side. One man standing in front of the chemist shop.high st, chemist, cafe, clothing, bilton, dillon, knight

The Charlton Pharmacy established by Russell English 1974 (?) Dillon Building built in 1889 for Mr Sharman, proprietor of the Globe Hotel. Three, 2-storey shops; Dillon's Clothing Store, Bilton's Chemist Shop (later a dentist J. Knight upstairs) and a Cafe. Part of the Charlton Shire streetscape series 1987Colour photograph of two story, triple fronted red brick building. Signage reads THE CHARLTON PHARMACY and RUSSELL ENGLISH M.P.S. on verandah frontage. CHEMIST in red on front of white building on LH side, and advertising for Palcolor on both building and verandah. Signage on upper storeys reads T.DILLON, LADIES & GENTS TAILOR and A.E. BILTON. Signage in window on RH side reads CHARLTON RESTAURANT. Cars parked on both sides of the road. Three people in front of the chemist.charlton pharmacy, russell english, dillon building, sharman, bilton's chemist

Dillon Building built 1889. The third building operated as a cafe in the 1960s - 1980s. Heather's Choice Gift Shop sold out in early 1990s. The Old Globe Hotel established 1874, rebuilt c. 1903 and again in 1940 for licensee J. Credlin. Was the Soil Conservation Authority office , then flats and offices.Colour photograph of the café section of the Dillon Building and the Globe Hotel. LH side of the photo is the cafe section of the two storet, red brick Dillon building. Signage in LH café window reads CHARLTON BYO RESTAURANT and on the RH window MEALS, TAKE AWAYS, SNACKS, COFFEE, DRINKS. Sheer curtains in the cafe windows. The signage on the RH building reads SOIL CONSERVATION AUTHORITY. There are two men in a cherry picker in front of the Soil Conservation building trimming the tree. There are three witches hats on the road and a man in an orange hi-vis vest watching, A woman is walking past on the footpath.dillon, globe hotel, the old globe hotel, credlin, soil conservation authority

MacDonald, Murdoch, D.D., B: Western Ross; University of Edinburgh and Glasgow; 1863 ordained Nairn, Free Church of Scotland; 1876 Toorak Vic; 1883 1st professor of Systematic Theology, Ormond College, Professor Systematic Theology and Church History; 1889 Moderator Victorian Assembly; 1906 resigned and died.B & W waist length studio portrait of Rev Professor Murdoch MacDonald."Murdoch MacDonald 1883 first professor of systematic theology at Theological Hall Ormond College."macdonald, murdoch, ormond college, moderator 1889, presbyterian, professor of systematic theology

Fairfield Vineyard was established by George Morris in 1859. In 1894 it was the largest vineyard in the southern hemisphere with 280 hectares under vines, storage a million gallons and 120 Chinese employees. it is also reported that Ned Kelly worked at Fairfield Vineyard Fairfield House is a historic Italianate mansion built in 1889 and restored in 1975.Black and white photograph of a Victorian era mansion, with a brick winery building with a three-arched roof to the right of the house.On back of photo: "Fairfield"wineries, north east victoria, wine industry, fairfield cellars, fairfield house

Ethel Benzley b 1880 d 1962 m Henry Lempriere Pringle. Youngest daughter of Jacob and Amelia Benzley nee Phillips.A b/w photograph of a young girl, Ethel Benzley, riding a bicycle.Ethel Benzley sister of Adelaide, Sophia, William and Elizabeth Benzley.benzley, ethel, beissel, olive (mrs), sophia, william, elizabeth, jacob, amelia, phillips, amelia (miss), pringle, henry lempriere, ethel (mrs), transport, bicycles, george evans collection

St Andrew's Kirk is located Sturt Street. This sketch comes from from the Premier Album of Ballarat Views circa 1870-1880.st andrew's kirk, church, building, sturt street, ballarat, premier album of ballarat views

St Patrick's Cathedral is located in Sturt Street. This sketch comes from from the Premier Album of Ballarat Views circa 1870-1880.building, church, sturt street, st patrick's catherdral, premier album of ballarat views

Item has been passed down Susan Erey's family from her grandmother 1880 -1950 to her mother 1909 - 2011 Female skirt or kilt pin made with hand wrought wire.costume accessory

Sketches of Early Stawell possibly 1880's. Poppet Head. Sister Rocks. St Matthews Church. Town Hall and Post Officestawell mining

Book. ALEC H CHISHOLM COLLECTION. 66 page paperback. A critical appreciation of the poems of the Australian poet, Henry Kendall. Includes a brief biography and time line. By Thomas Thornton Reed, Bishop of Adelaide. An Australian Men of Letters Series. Published in 1960 by Rigby Ltd., Adelaide. Photo of Henry Kendall (c.1880) opposite title page. Kendall, born 1839, Ulladulla. Died 1882, Redfern. Catalogue sticker ''2180 REE'' on spine.Thomas Thornton Reedbooks, collections, poetry, alec h chisholm collection, henry kendall, thomas thornton reed, poetry, biography

Illustration, wall hanging, printed on a yellow coloured cloth background with sewn edges of a scene looking east along Collins St from about Queen St. Has a number of cable trams in the view. Has the 1970 calendar underneath. Has two pieces of wood stapled at top and bottom with a hanging cord. Has the words "Collins St Melbourne Victoria 1880" under the image and "hand printed in Australia by Rodriquiz" along the bottom edge.Has a price label on the top edge "$1.00"trams, tramways, collins st, cable trams, illustrations

This book gives the history of the Warrnambool Rowing Club. The club was formed in 1873. In 1885 Mrs Fanny Nelson built a boathouse on the Hopkins River bank and leased it to the Warrnambool Rowing Club. A two-storeyed building for the Rowing Club was opened in 1889 and today the club operates from Proudfoot’s Boathouse near the mouth of the river. This is an important book as it details the history of the Warrnambool Rowing Club. Rowing has been a popular recreational pursuit in Warrnambool since the early days of settlement as the proximity of two rivers makes this possible and the Warrnambool Rowing Club has a history well worth recording. This is a soft-cover book of 85 pages with a white cover with a black and white photograph on the front of the old rowing club sheds on the Hopkins River and several images on the back cover of Warrnambool in the 19th century. The book has eight chapters and has pages with information on life members and committees, a Foreword, a Contents page, an Acknowledgements page, an Index and Endnotes. The book is written by Susan FinneganFront Cover: ‘City of Warrnambool Rowing Club, 140 Years on the Hopkins River’warrnambool rowing club, warrnambool

The initials on this watch are not clear but, even so, no information is available on the original owner, whether the initials are ‘J.T.F.’ or not. The makers, Hunt and Roskell, were a firm of manufacturing and retailing jewellers and silversmiths in England in the 19th century (founded 1843 and taken over by J.W. Benson in 1889 and continuing to trade as Hunt and Roskell Limited until 1965). This watch is suitable for display material only unless some provenance can be establishedThis is a silver watch with an outer casing covering the dial but showing the time in a smaller circular frame. The figures are Roman numerals on the dial and on the outer casing. The second hand is missing and the hour hand is bent. The dial has an inset showing the seconds. The face has black markings on a white background. There is a large ring at the top of the case for attachment to a chain. Back of watch case: ‘J.T.F.’ (?) Inside case: ‘69188’ Back of watch: ‘Examined by Hunt & Roskell, 156 New Bond Street, London’ hunt & roskell, silver watch, warrnambool

R.T. Vale had a stationary and bookshop in Ballarat. He had studied at the Ballarat School of Mines, and served on its Council. In 1886 he was elected to the Victorian Legislative Assembly as the member for Ballarat West, serving until 1889 and again from 1892 to 1902. From 1894 to 1896 he was a minister without portfolio.Two handwritten letters from Richard T. Vale. .1) Letter on Government of Victoria Education Office letterhead dated 09 May 1898. .2) Letter of Legislative Assembly Victoria letterhead dated 28 October 1898..1) Dear Martell, I want you to send to dept details as to Room required size of classes how often they meet [illegible] of present accommodation and [illegible] how they clash ad how the proposed rooms are to be erected send at once. Yours truly R.T. Vale .2) 28.10.1898 D.M. I called at [illegible] today plans not quite colored yet I have to be traced from sheets full of detail drawings [illegible] to service and would made had it been safe when they tried [illegible]. I [illegible] would have to wait another fortnight. Yours R.T. Vale.richard t. vale, r.t. vale, legislative assembly victoria, goverment of victoria

The photograph shows the popular tourist attraction, Loch Ard Gorge, which is located along the Great Ocean Road in Victoria, near Port Campbell. The gorge is named after the famous sailing ship, the LOCH ARD, that was wrecked there in 1878. Only two of the 54 passengers and crew survived. FOYLE “Foyle” written on the photograph is the name of Foyle’s Photographic studio. At the time of the photograph, the studio was owned by both Charles and Lilian Foyle (sometimes known as Lillian or Lily), either of whom could have taken this photograph. They also worked together at a later date on the photographs, sketches and paintings of the famous and historical Pioneers’ Honour Board, which is currently on view in the Warrnambool Library. Foyles Photography was the studio of James Charles Foyle. He owned “Foyle’s Photo Card Studios” in Liebig St, Warrnambool, which operated between 1889 – 1919. A letter to the editor (by Mr Edward Vidler) in the Melbourne Argus, 3rd August 1907, mentions that in that year Warrnambool would celebrate the 60th anniversary of its proclamation as a town, and that talented local artist Miss Lily Foyle would paint 200 portraits in watercolour of the pioneers who settled in the district prior to 1860. The Pioneer Honour Board can still be seen on display in the Warrnambool Library. In the Warrnambool Standard, Dec. 1917, “Mr Foyle’s studio was awarded the contract to decorate rail cars on newly opened Trans-Continental railway, assisted by his sister, Miss Findlay.” HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built-in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square-rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29-year-old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3 am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke and opened the case of brandy, which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged, and some of it was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register.Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history. Foyle's photographs date from the late 19th century to the early 20th century, representing a time of growth in the Warrnambool district and a time when the still relatively new technology of photography was more available to the community.Photograph of Loch Ard Gorge. This sepia coloured rectangular photograph is mounted on a brown cardboard backing that has a wood grain pattern. The photograph has an inscription above it, below it, and in the bottom left corner. It was made for the purpose of a presentation by the Port Campbell Progress Association. Printed above the photograph "PRESENTED BY THE PORT CAMPBELL / PROGRESS ASSOCIATION". Printed below the photograph "LOCH ARD GORGE / PORT CAMPBELL". Hand written on bottom left corner "Foyle". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph, port campbell, port campbell progress association, foyle photograph, foyle photographic studio warrnambool, warrnambool photo studio

The Kookaburra is a sociable bird commonly seen in small flocks. These flocks mainly consist of family members. If not in flocks, these birds are commonly seen in pairs. They have a distinct appearance with brown wings, back and brown around the eyes, with majority of the plumage being white. This species reside in woodlands and open forests, however they can be seen in parks, wetlands, farms and any other space that is open with grass. This native Australian bird can mainly be found across the eastern Australia, however they have been introduced Tasmania, South-west Western Australia and New Zealand. Although this is a taxidermy mount, it looks exactly like a Kookaburra in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Kookaburra has a predominantly white body. The back, wings and tail are a light shade of brown. There is a strip of brown going across the eyes. This specimen stands upon a wooden branch and has an identification tag ties around its leg. This bird is stout in shape and has a medium length tail and a broad bill. This bill is darker on top and lighter in colour on the bottom.W8083 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, kookaburra, australian birds, laughing kookaburra

The Eastern Whipbird isusually be found in pairs. They have a distinct white stripe on either side of the beak which helps to identify this bird. This species generally resides in wet habitats such as wetlands and rainforests, where there is dense vegetation. The Eastern Whipbird can be commonly found along the east coast of Australia. Since this is a taxidermy mount, there are a few inconsistencies. The main inconsistency is the colour of the specimen, the plumage should be an olive-green colour. This particular colouring has likely faded due to the taxidermy process and also the age of the specimen. There should also be black plume on top of the head which is missing from this specimen. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Eastern Whipbird is a small species of bird which has a dramatic stripe of white colouring on either side of the small bill and the crest is black. The belly and throat are black while the back, wings and tail are dark brown. This specimen stands upon a wooden perch and has an identification tag tied around its leg.25a / Thickhead / catalogue page 11taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, eastern whipbird, australian birds

The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow

Noisy Miners are native to Australia and can be found on the East Coast. Noisy Miners live in northern Queensland and all along the eastern coast to South Australia and Tasmania. Noisy Miners are found in woodlands and open forests. They have also become well adapted to suburban situations and are a common sight in parks and gardens. The Noisy Miner feeds on nectar, fruits and insects. Very occasionally they will eat small reptiles and amphibians. Food is either taken from trees or on the ground. In keeping with its highly social nature, the Noisy Miner usually feeds in large groups. The Noisy miner specimen is mounted accurately. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Noisy Miner is identified by its mostly grey body and black crown and cheeks. The bill is yellow, as are the legs and the naked skin behind the eye. The name is well suited as the common calls are uttered repeatedly by the members of the colony .Despite their moderate size, Noisy Miners aggressively attack larger birds such as hawks and kookaburras. These attacks may be so vigorous that most other birds are excluded from an area occupied by Noisy Miners.Swing tag: 65a. Garrulous Honey-Eater / See Catalogue, page 19 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, noisy miner, garrulous honeyeater, yellow beak, honeyeater, east coast

This fairly large woodpecker of the Picadae family is widely distributed across most parts of Europe and the UK, with some occurrence in Western Asia. Preferring semi-open habitats such as woodlands, heathlands and gardens, the species is unique amongst woodpeckers as it prefers to hunt and feed on the ground for its ant prey. This species has a distinctive bright red crown, black moustasche-like stripes, mostly green back plumage and a paler green to yellow breast. This is a female of the species as the male has a red centre to the moustache stripe at the side of the beak. This specimen is a fairly accurate depiction of a Green Woodpecker. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Green Woodpecker has a distinctive red crown on its head that appears patchy. It has a black face, a black moustache-like stripe on each side of the beak, pale eyes and long light yellow-orange beak. The back of the bird is green, and its flank and breast is a pale cream-yellow colour. It has slightly visible distinct white-dotted brown feathers folded into its wings. The specimen is mounted on a wooden perch, with a metal tag tied around its right leg and a paper tag around each leg.Swing tag: 1e. / Green Woodpecker / Catalogue page 66 / Metal tag: 4308 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, reynell eveleigh johns, bird, woodpecker, green woodpecker, eurasian green woodpecker

Hobbies are mainland birds that prefer to spend their time in forests and woodlands. They are widespread in Australia's colder eastern states, particularly Adelaide, Victoria, and Southern NSW. With a diet of bats, insects, and small birds, they use their refined wing structure, which is long and narrow in shape, more suited to speed than precision, and sharp reflexes to catch prey in mid-flight. Because they are members of the Falconidae and Falconiformes raptor families and have similar characteristics, they are frequently confused with their relative, the Peregrine Falcon. Close inspection reveals that they are half the size and have a more pronounced dark masking around the eyes. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australian Hobby is a medium-sized bird with a falcon-like appearance, long wings, and a commanding posture and presence. This bird has a distinctive brown/black helmet on its head, as well as a mask-like face that is highlighted by the prominent white half collar. Over the top of reddish brown underpart feathers, streaks of black lined patterns decorate the protruding chest. With its squared off tail feathers, the bird's back is dark brown and appears elongated and domineering. It is perched on a wooden stand and is secured with wire that does not obscure the talons.No swing tagtaxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, falcon, falconidae, falconiformes, peregrine falcon

The Satin Bowerbird is a medium-sized common bird found from Queensland to Victoria in rainforests and wet sclerophyll forest. During the summer, the diet consists mostly of fruit, with insects as a supplement. They're famous for their courtship behaviour and for decorating stick-structured nests with blue sparkling objects. With it's stunning glossy blue-black feathers, which evolve from green-brown in appearance, this Satin Bowerbird is more than seven years old, and therefore not any younger as they are often mistaken for females, which are supposed to look like the green catbird. The eyes of this mature male are violet-blue, and the bill is pale bluish white. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Satin Bowerbirds are medium-sized birds. The adult male has striking glossy blue-black plumage, a pale bluish white bill and a violet-blue iris.47a / Satin Bower-bird / See Catalogue, page 16 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, satin bowerbird, bowerbird

The Satin Bowerbird is a medium-sized common bird found from Queensland to Victoria in rainforests and wet sclerophyll forest. During the summer, the diet consists mostly of fruit, with insects as a supplement. They're famous for their courtship behaviour and for decorating stick-structured nests with blue sparkling objects. With it's stunning glossy blue-black feathers, which evolve from green-brown in appearance, this Satin Bowerbird is more than seven years old, and therefore, not any younger as they are often mistaken for females, which are supposed to look like the green catbird. The eyes of this mature male are violet-blue, and the bill is pale bluish white. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Satin Bowerbirds are medium-sized birds. The adult male has striking glossy blue-black plumage, a pale bluish white bill and a violet-blue iris.Swing tag: National Museum Victoria / Satin Bowerbird / Ptilonorhynchus Violaceus / B2027 / (Vieillot) / W. Shaw Collin. / Mount: PTILONORHYNCHUS / VIOLACEUS / SATIN BOWERBIRD / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird