Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

Old shoe horn made of cow hornfootwear accessories, shoe horns, animal products

While the first successful land sales in Boroondara occurred in Hawthorn in 1843, and Kew in 1845, these areas were to be without local pounds until April 1858, when the Governor of Victoria, in accordance with Act 18 Victoria No 30, was pleased to direct the establishment of a Pound at Glass’s Creek on that part of land bounded by the Kilby Road, Burke Road and High Street. While the Governor was required to proclaim the establishment of a pound, the appointment of a poundkeeper was the responsibility of the Justices of the Peace in the local Court of Petty Sessions. The Pound took its name from the most distinctive natural feature of the area, Glass’s Creek, named after the early pastoralist Thomas Glass.The register is of historic significance as an indicator of suburban life in the second half of the 19th Century. It shows how farming and city life on the urban fringe were intimately connected. It is also significant to the early history of Hawthorn and Kew, who both claimed the Pound following their separation from the Boroondara Roads Board in 1861."Kew Pound Book"glass creek pound (kew), animal pound, dog pound, kew pound, j. smith, john oakes, samuel b. cash, edward s. delaney, emma oswin, samuel cash

Horse drawn buggy. Black leather upholstered chair with studded back. Four large timber spoked wheels the back wheels are larger than the front wheels, with steel trim on edges of wheels. Axels connects wheels and have turning mechanism. Two metal steps on each side of carriage. Small wooden seat on back of carriage facing the back. Steel barrier at front of the carriage. Wooden attachment with two wooden poles to attach to cart to horse.No visible markings.transport, animal, buggy, cart, horse, dairy, carriage, jessie.

The giraffe was photographed when the children from Bulla Primary School were taken on an excursion to Werribee Parl Open Range Zoo and mansion. The children were amused at the way the giraffe had to spread out his front legs in order to reach the food in the container. The excursion to the Open Range Zoo was a part of the children's nature and environmental studies.A non-digital photograph of a giraffe in an open area feeding from a large container on the ground.werribee park open range zoo, bulla primary school, school excursions, exotic animals

The museum register is somewhat ambiguous but it is recorded - along with about 12 others - that this specimen was transferred from the 'Nat. Sc. Dept' in September 1899. The specimen also apparently has something to do with Frederick McCoy; his name is entered as the party that identified the skeleton. It seems certain that these were a batch (accession numbers MUZD1113-1126) of specimens given to the university teaching museum during the move of the state museum from the university campus to its subsequent site on Russell St. Examination of the Currawong skeleton (and some of the others in this batch) revels that the specimen has been remounted at some point. The other items in this batch are, like this specimen, predominantly mounted articulated vertebrate skeletons: [Specimens are listed with accession number and name as written in the original register] MUZD1113 - 'Lepus timidus' (Mountain hare), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1114 - 'Emydura' (Short-necked Turtle), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1115 - 'Astur novaehollandiae' (Obsolete binomial name for Accipiter novaehollandiae - Grey Goshawk); mounted skeleton, currently in storage, disassembled, in the Tiegs Zoology Museum. MUZD1116 - 'Grey crow-shrike ♂' (Grey Currawong), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1117 - 'Herpestes, India' (Mongoose sp.), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1118 - 'Macropus giganteus (aged[?]), Goulburn River' (Eastern Grey Kangaroo), ♀ skull; whereabouts unknown MUZD1119 - 'Macropus giganteus, ?' (Eastern Grey Kangaroo), skull; whereabouts unknown MUZD1120 - 'Raia ? lemprieri' (Obsolete binomial name for Dentiraja lemprieri -Thornback Skate), stuffed; whereabouts unknown MUZD1121 - 'Cyprinus carpio' (Common carp), skeleton - roughly prepared; whereabouts unknown MUZD1122 - 'Ovis' (Domestic sheep probably Jacob Sheep, '4 horned breed'), skull; whereabouts unknown MUZD1123 - 'Cervus canadensis (Wapiti)', skull and lower jaw - no horns; currently on display in the Tiegs Zoology Museum MUZD1124 - 'Antelope', no further information; whereabouts unknown MUZD1125 - 'Encope emarginata' (Echinoderm), currently on display in the Tiegs Zoology Museum MUZD1126 - 'Heterocentrotus trigonarius' (Pencil urchin), currently on display in the Tiegs Zoology Museum (accession number is not written on wooden base, but on the inside of the specimen.)Mounted skeleton of Grey Currawong (Strepera versicolor). Skeleton is mounted on a black wooden stand with a round base.Accession number '2259' is written in ink on the sternum. Wooden mount has black label with white text on the base reading 'GREY CROW SHRIKE/ STREPERA VERSICOLOR'. animal, vertebrate, bird, skeleton, frederick mccoy, national museum of victoria, passeriformes, artamidae

Twelve page product catalogue with a blue front and back cover and black printed text. front: [printed] Geigy / Diazinon / for Lice and Kedagriculture, animal management, chemicals, treatment, diazinon, lice, geigy, parasites, sheep, ked, rural industry

Eight page product catalogue with printed blue and black text, graphics and photographs. front: [printed] DALGETY-N.Z.L. / JULY 1966 ISSUE / MERCHANDISE BULLETIN / ALL THE PRODUCTS CATALOGUED ARE OBTAINABLE AT / DALGETY-N.Z.L. BRANCHES AT STATE PRICES F.O.R. MELBOURNEagriculture, animal management, sheep, rural industry, dalgety, product catalogue, merchandise bulletin

Four page booklet featuring printed text, with a red banner and logo on the front cover. front: [printed] COOPER / Information / SERVICE / ITCH MITE AND ITS CONTROL BY DELTA – B.H.C. / AND SOME OTHER INSECTICIDESproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Four page booklet featuring printed text, with a red banner and logo of a sheep on the front cover. front: [printed] COOPER / RELEASE OF / INFORMATION / THE EXHAUSTION OR STRIPPING OF DIPS / by G. C. Brander, B.Sc., M.R.C.V.S.products, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Four page booklet featuring printed text, with a yellow banner and logos of a sheep and a cow on the front cover. front: [printed] COOPER’S / SALES & SERVICE / Bulletin / THE USE OF ARSENIC & DIELDRIN DIPS / IN COMBINATIONproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Double sided flyer with brown, black and white printed text and graphics. The front features a graphic of a sheep administering it’s own chemicals. front: [printed] WORM and FLUKE / both Controlled with / COOPER’S PTZ/HCE / SAVE MONEY – SAVE TIME – SAVE LABOURproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Four page brochure featuring black and white text and graphics. Cover features an image of sheep and horses in a paddock. front: [printed] “Sheath Rot” Can / Be Cured / by C. A. Hall, Technical Services Officer, Victoriaproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Four page booklet featuring printed text, with a yellow banner and logo of a sheep on the front cover. front: [printed] COOPER’S / SALES & SERVICE / BULLETIN / THE “PORT-O-SPRAY” / Designed by William Cooper & Nephews (Australia) Pty. Limitedproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Double sided flyer with green, black and white text and graphics. Cover features an image of a syringe. front: [printed] FOR SAFEY’S SAKE / PHILLIPS / 5CC AUTOMATIC / VACCINATORproducts, advertising, vaccination, animal husbandry, agriculture, phillips

Double sided flyer with green, black and white text and graphics. Cover features an image of a drencher. front: [printed] PHILLIPS / 1 oz. NON-AUTOMATIC DRENCHER / FOR ADMINISTRATION OF ALL DRENCHES WITHIN ITS DOSE RANGEproducts, advertising, vaccination, animal husbandry, agriculture, phillips

Eight page folded brochure featuring red, black and white text and graphics. Cover features an image of drenching equipment. front: [printed] PHILLIPS / MODEL ’53 PRE-DIRECTED / STOMACH TUBE / for / Internal (Oesophageal) Drenching with Phenothiazine / Specially made for use with / “PHILLIPS” 2oz. AUTOMATIC DRENCHERproducts, advertising, vaccination, animal husbandry, agriculture, phillips

Double sided flyer with blue, black and white text and graphics. Cover features an image of a drencher. front: [printed] PHILLIPS / 10 c.c. AUTOMATIC DRENCHER / For Carbon Tetrachloride Drenchesproducts, advertising, vaccination, animal husbandry, agriculture, phillips

Double sided flyer with pink, black and white text and graphics. Cover features an image of vaccination equipment and a sheep. front: [printed] PHILLIPS / COBALT / BULLET / EJECTOR / SPECIALLY DESIGNED FOR THE RAPID ADMINISTRATION OF / COBALT BULLETS TO SHEEP BY THE OESOPHAGEAL METHOD.products, advertising, vaccination, animal husbandry, agriculture, phillips

Four page leaflet with blue, red, black and white printed graphics and text. Cover shows illustration of five worms, three are wearing hats. front: [printed] COOPER / Information / SERVICE / WORMS / MAY REDUCE THE VALUE OF / YOUR WOOL CLIP AS MUCH AS / 40% / ISSUED BY WILLIAM COOPER & NEPHEWS (AUSTRALIA) PTY. LIMITEDproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Double sided leaflet with yellow, black and white text and graphics. Front shows images of sheep and a fly. front: [printed] COOPER’S / DI-ZON / The Diazinon based blowfly remedy / for long term blowfly control / EFFECTIVE AGAINST ALL BLOWFLIES / Patent No. 159879products, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Four page booklet with black, white, blue and yellow printed text and graphics. Cover shows images of two sheep, a dog and a child. front: [printed] BREAK THE CHAIN OF INFECTION / wipe out HYDATIDS / and PROTECT / YOUR CHILDREN / YOUR STOCK / YOUR MONEY / YOUR DOGproducts, agriculture, animal breeding, animal husbandry, vaccination, health

Eight page booklet with black and white printed text. front: [printed] DRENCHES / AND THEIR USE / IN THE CONTROL OF THE / STOMACH AND INTESTINAL / WORMS OF SHEEPproducts, agriculture, animal breeding, animal husbandry, vaccination, health

Double sided leaflet with cream, black and white printed text and graphics. Front shows an image of sheep standing under a liquid spray. front: [printed] EASY TO USE / NO PREMIXING / COOPER’S LIQUID ARSENICAL DIP products, agriculture, animal breeding, animal husbandry, vaccination, health

Eight page booklet with blue, black and white printed text and graphics. Front cover shows an image of a large factory building. front: [printed] YENNORA / The New Era in Sydney Wool Marketingproducts, agriculture, animal breeding, animal husbandry, vaccination, health

Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork

Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection, sculpture, animal

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching by Wes Walters featuring a bulldog.wes walters, walters, printmaking, etching, dog, bulldog, animal