Showing 2753 items
matching bird
-
Eltham District Historical Society Inc
Photograph, 14 Stokes Place, Eltham, 1982, 1980
14 Stokes Place was the home of Peter and Carla Vermey. The land was purchased in May 1979 and the home built by Peter and Carla Vermey after the developer, Macquarie Builders went bankrupt. Sold October 2017 by Morrison and Kleeman Real Estate. Stokes Place was part of the Stokes Orchard Estate which was developed from the break-up of the the orchard owned by Frank Stokes who lived on the northeast corner of Nyora Road and Eucalyptus Road. His daughter Beryl advised that the Shire had levied a rate assessment on individual parcels of land within the orchard which became unaffordable resulting in its sub-division and sell off. The Stokes Orchard Estate was developed by Macquarie Builders in two stages starting with stage 1 in 1976. Stokes Place was part of Stage 2 in 1979. The Estate was bounded between Nyora Road, Eucalyptus Road, Diosma Road and Stokes Place. The original orchard only just reached the left most portions of Stokes Place and did not go fully up to Diosma, rather to just beyond the extant of Stokes Place. Stokes Place was known within the family as "The Oats" as that is where they grew oats. Frank Stokes moved to Eltham c.1945 after visiting Harold Bird to view his orchard, located diagonally opposite Stokes Orchard from the intersection of Eucalyptus Road, Pitt Street and Nyora Road. It was on Harold Bird's recommendation that Frank purchased the land.The Stokes Orchard Estate collection is typical of housing developments of the late 1970s and 1980s. It was one of the earliest estates in Eltham following the nearby Woodridge Estate development.Digital fileScanned from a print contained in owner's photo album (81 prints in total digitised)stokes place, eltham, stokes orchard, stokes orchard estate, streets, houses, peter and carla vermey -
Eltham District Historical Society Inc
Photograph, 14 Stokes Place, Eltham, October 1983, 1980
14 Stokes Place was the home of Peter and Carla Vermey. The land was purchased in May 1979 and the home built by Peter and Carla Vermey after the developer, Macquarie Builders went bankrupt. Sold October 2017 by Morrison and Kleeman Real Estate. Stokes Place was part of the Stokes Orchard Estate which was developed from the break-up of the the orchard owned by Frank Stokes who lived on the northeast corner of Nyora Road and Eucalyptus Road. His daughter Beryl advised that the Shire had levied a rate assessment on individual parcels of land within the orchard which became unaffordable resulting in its sub-division and sell off. The Stokes Orchard Estate was developed by Macquarie Builders in two stages starting with stage 1 in 1976. Stokes Place was part of Stage 2 in 1979. The Estate was bounded between Nyora Road, Eucalyptus Road, Diosma Road and Stokes Place. The original orchard only just reached the left most portions of Stokes Place and did not go fully up to Diosma, rather to just beyond the extant of Stokes Place. Stokes Place was known within the family as "The Oats" as that is where they grew oats. Frank Stokes moved to Eltham c.1945 after visiting Harold Bird to view his orchard, located diagonally opposite Stokes Orchard from the intersection of Eucalyptus Road, Pitt Street and Nyora Road. It was on Harold Bird's recommendation that Frank purchased the land.The Stokes Orchard Estate collection is typical of housing developments of the late 1970s and 1980s. It was one of the earliest estates in Eltham following the nearby Woodridge Estate development.Digital fileScanned from a print contained in owner's photo album (81 prints in total digitised)stokes place, eltham, stokes orchard, stokes orchard estate, streets, houses, peter and carla vermey -
Eltham District Historical Society Inc
Photograph, 14 Stokes Place, Eltham, October 1983, 1980
14 Stokes Place was the home of Peter and Carla Vermey. The land was purchased in May 1979 and the home built by Peter and Carla Vermey after the developer, Macquarie Builders went bankrupt. Sold October 2017 by Morrison and Kleeman Real Estate. Stokes Place was part of the Stokes Orchard Estate which was developed from the break-up of the the orchard owned by Frank Stokes who lived on the northeast corner of Nyora Road and Eucalyptus Road. His daughter Beryl advised that the Shire had levied a rate assessment on individual parcels of land within the orchard which became unaffordable resulting in its sub-division and sell off. The Stokes Orchard Estate was developed by Macquarie Builders in two stages starting with stage 1 in 1976. Stokes Place was part of Stage 2 in 1979. The Estate was bounded between Nyora Road, Eucalyptus Road, Diosma Road and Stokes Place. The original orchard only just reached the left most portions of Stokes Place and did not go fully up to Diosma, rather to just beyond the extant of Stokes Place. Stokes Place was known within the family as "The Oats" as that is where they grew oats. Frank Stokes moved to Eltham c.1945 after visiting Harold Bird to view his orchard, located diagonally opposite Stokes Orchard from the intersection of Eucalyptus Road, Pitt Street and Nyora Road. It was on Harold Bird's recommendation that Frank purchased the land.The Stokes Orchard Estate collection is typical of housing developments of the late 1970s and 1980s. It was one of the earliest estates in Eltham following the nearby Woodridge Estate development.Digital fileScanned from a print contained in owner's photo album (81 prints in total digitised)stokes place, eltham, stokes orchard, stokes orchard estate, streets, houses, peter and carla vermey -
Eltham District Historical Society Inc
Document, 14 Stokes Place, Eltham: Building plans and contracts, 1979c
14 Stokes Place was the home of Peter and Carla Vermey. The land was purchased in May 1979 and the home built by Peter and Carla Vermey after the developer, Macquarie Builders went bankrupt. Sold October 2017 by Morrison and Kleeman Real Estate. Stokes Place was part of the Stokes Orchard Estate which was developed from the break-up of the the orchard owned by Frank Stokes who lived on the northeast corner of Nyora Road and Eucalyptus Road. His daughter Beryl advised that the Shire had levied a rate assessment on individual parcels of land within the orchard which became unaffordable resulting in its sub-division and sell off. The Stokes Orchard Estate was developed by Macquarie Builders in two stages starting with stage 1 in 1976. Stokes Place was part of Stage 2 in 1979. The Estate was bounded between Nyora Road, Eucalyptus Road, Diosma Road and Stokes Place. The original orchard only just reached the left most portions of Stokes Place and did not go fully up to Diosma, rather to just beyond the extant of Stokes Place. Stokes Place was known within the family as "The Oats" as that is where they grew oats. Frank Stokes moved to Eltham c.1945 after visiting Harold Bird to view his orchard, located diagonally opposite Stokes Orchard from the intersection of Eucalyptus Road, Pitt Street and Nyora Road. It was on Harold Bird's recommendation that Frank purchased the land.The Stokes Orchard Estate collection is typical of housing developments of the late 1970s and 1980s. It was one of the earliest estates in Eltham following the nearby Woodridge Estate development.Digital file30 digital files scanned from documents provided on loan by Peter and Carla Vermeystokes place, eltham, stokes orchard, stokes orchard estate, streets, houses, peter and carla vermey -
The Ed Muirhead Physics Museum
Electrometer, Quadrant Elliot
Brass quadrant electrometer consists of four quarter-cylindrical brass boxes (quadrants ) each mounted on a glass insulating pillar. The whole is housed within an electrostatic shield (Faraday cage) - a beehive shaped wire cage enclosure (aka a “bird cage”). The quadrants and cage stand on a round base platform on three legs with levelling screws (tribach base?). Arising from the platform is a separate vertical rod arises from the periphery and terminates over the axis of cylindrical symmetry and from which provision is made for a conducting suspension fibre which supports the horizontal “paddle” which is free to rotate within the cylindrical cavity of the four quadrants. The suspension and paddle are unfortunately missing.Label on front: “Natural Philosophy Laboratory No. University of Melbourne” Engraved on front: “Elliott Bros London” -
Mont De Lancey
Book, G. E Studdy et al, Bonzo's Annual, 1948
A vintage 1950's collection of Bonzo the dog stories for children with two tone coloured illustrations throughout the book. Bonzo has a lot of fun adventures. These Bonzo annuals were popular from 1935. They ceased publication during the war years and resumed afterwards.A vintage 1950's hardcover children's book with the title Bonzo's Annual printed at the top in green lettering on the front cover.There is a large coloured illustration of the dog Bonzo riding on a rocket above the town rooftops with a smiling full moon in the sky. It is bound on the left side with faded grey fabric tape. The back cover is plain grey coloured.The frontispiece illustration shows Bonzo on a swing attached by ropes to a giraffe's long neck with a monkey and two toucan birds looking on. The illustration is from the story 'Bonzo's Festival. The title page has the title, author, illustrator, publisher details and a coloured illustration of Bonzo as an artist at his easel. Pp. 92.fictionA vintage 1950's collection of Bonzo the dog stories for children with two tone coloured illustrations throughout the book. Bonzo has a lot of fun adventures. These Bonzo annuals were popular from 1935. They ceased publication during the war years and resumed afterwards.children's books, books, children's stories, dog stories, annuals -
Bendigo Historical Society Inc.
Book - CHILDREN'S BOOK COLLECTION: HARRY THE HERO CHILDREN'S BOOK
Blue hard bound 'Harry the Hero or Forgiveness Wins ' CHILDREN'S book by Jesse Page Author of 'The Story of a Yellow Rose ; 'The Children's Saviour etc. , The Religious Tract Society , 56, Paternoster Row and 65 St Pauls Churchyard /showing picture of bird, branches , flowers and moon on front /gold lettering / inside front cover writing in ink -'Endsleigh Private School awarded to Master Harold Merifield 2nd prize for Arithmetic , E. Gibbins Xmas .Embossed .Frank Catford Bookseller Bendigo / black and white / coloured illustrations / Little Dot Series / 6 x short stories / back of the book has several pages advertising further readingJesse Pagebooks, children's, story book, harry the hero /jesse page author / the religious tract society , 56, paternoster row and 65 st pauls churchyard / 'endsleigh private school /.frank catford bookseller bendigo / little dot series -
Bendigo Historical Society Inc.
Book - Victoria and its Metropolis
Victoria and its Metropolis past and present. This is Vol. II of a two-part set. Leather bound with a black cover, heavily ornamented in gold around the edges of the cover and with the printed material also in gold lettering in an ornamental pattern. The spine of the covers is brown with gold ornamental patterns and printing. Volume Two has 822 pages with many black and white illustrations and chapters on the regions in Victoria and biographical notes on the pioneer settlers of these districts. Volume one was written by Alexander Southerland. Volume two by L.J. Ellery, W.C. Bernot, Baron Ferd. Von Mueller, J.E. Nield, A.A.C. Le Souefand Henry Giles Turner. Published in 1888 in Melbourne by McCarron & Bird.history, victoria, 1888 -
Bendigo Historical Society Inc.
Document - MINING WARDEN COLLECTION: BENDIGO HISTORICAL MINING RECORDS
Historical records originally from the Mining Warden's Office, Mines Department, Bendigo. Information collated from 1870's to 1980's. A summary document lists the BEN# from 3754 to 4080 and describes the mine name; the BEN#, the line of reef located on, the start and end year. Individual mine data is enclosed in a manilla folder within the box. Reef lines listed are: Derby Christmas Garden Gully Gravel Hill Thistle Carshalton Myers Flat Birds Hit or Miss Break of Day Crusoe Big Hill line Sample entry: Brilliant Co., BEN# 3757, Garden Gully line of reef, 1870 - 1880.bendigo, mining, mining warden records -
Bendigo Historical Society Inc.
Book - ALEC H. CHISHOLM COLLECTION: BOOK ''GOOD INTENTIONS'' BY OGDEN NASH
Book. ALEC H. CHISHOLM COLLECTION. 195 page hardback book of humorous verse by Ogden Nash, an American poet. Published in 1944 for J.M.Dent & Sons Ltd by George Jaboor, Melbourne. Printed by Speciality Press, Melbourne. A newspaper cutting inside front cover from The Australian, 22 May 1965, relating to Ogden Nash. Catalogue sticker '2038 NAS' on spine. Handwritten in ink on flyleaf ''To my old friend Alick Chisholm with best wishes for 365 days of health and happiness in 1946 Any man who loves birds and animals as you do, must be a great man 31/12/45 Tom Nettlefold''Ogden Nashbooks, collections, poetry, alec h. chisholm collection, ogden nash, tom nettlefold, poetry -
Federation University Art Collection
Work on paper - Printmaking - Linocut, Shimmen, Heather, The Ubiquitous Balance by Heather Shimmen, 2003
Heather SHIMMEN (1957- ) Born Melbourne, Victoria Heather Shimmen is a painter and printmaker who ises etching, lithographic and linocut techniques. She often uses mixed media and collage. Throughout her prints Heather Shimmen interleaves personal histories. Between 1976 and 1978 Heather Shimmen studied Fine Art Painting at RMIT in Melbourne. During that time she was taught for one year by George Baldessin This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed linocut with fabric overlayart, artwork, heather shimmen, shimmen, linocut, printmaking, edition, bird, hand, tree branch, bee, moth, princt council australia, pca, available -
Ballarat Tramway Museum
Document - Report, Melbourne and Metropolitan Tramways Board (MMTB), MMTB Annual Reports 1977 to 1979, 1977 to 1979
Three copies of the Annual report of the MMTB for the years end 1977 to 1979. 3952.1 - "MMTB Annual Report 1977", brown card cover with a drawing of Z24 on the front cover, 24 pages, white paper, giving details of the MMTB Board, Officers, Introduction, Financial, Engineering, Industrial, Balance sheet, Summary of Income and Expenditure, Schedule of Debentures and Inscribed stock, auditors report, Schedule of tram and bus routes, and record of annual traffic receipts, passengers etc.. Photos include Z's in Bourke ST, after a heavy storm, new Volvo bus, display/advertising tram, Dandenong Rd, Route map board and Cathy Pacific advertisement. Printed by McCarron Bird. 3952.2 - "MMTB Annual Report 1978", gloss cover with a photo of Z18 in Wellington Parade on the front cover, 24 pages, white paper, giving details of the MMTB Board, Officers, Introduction, Financial, Engineering, Industrial, historical highlights, Balance sheet, Summary of Income and Expenditure, Schedule of Debentures and Inscribed stock, auditors report, Service Statistics, Schedule of tram and bus routes, and on inside back cover, route map. On back cover is a photo of Z20 in Wellington Parade. Photos include bus lane on Eastern Freeway, construction of Burwood Extension, first tram to Warragul Road, opening of Burwood tramway (1916), Volvo bus Bell St, upgraded computer installation, Volvo bus chassis, Z class bogie. Printed by McCarron Bird. 3952.3 - "MMTB Annual Report 1978-79", gloss card cover with a photo of Z 116 on the front cover, 24 pages, white paper, giving details of the MMTB Board, Officers, Introduction, Financial, Engineering, Industrial, historical highlights, Balance sheet, Summary of Income and Expenditure, Schedule of Debentures and Inscribed stock, auditors report, Service Statistics, Schedule of tram and bus routes, and on inside back cover, route map. On back cover is a photo of Z73, Nicholson St, Fitzroy. Photos include first tram on Burwood Extension, Volvo bus Westgate freeway, K. J. Brennan, map of Bundoora extension, Box Hill tram, V214, vintage trams day 1979, MAN Bus, Swanston St at dusk and montage of painted W2's. Printed by McCarron Bird.trams, tramways, mmtb, melbourne, annual reports, operations, trackwork -
City of Ballarat
Artwork, other - Public Artwork, Home by Chris Mether, 2014
Home is a collection of birdhouses on floating islands using the iconic form of the human house - a pitched roof, square walls, windows and doors. This minimal form is often drawn by children; a dolls house, a cubby house, a letter-box or a chook house. Home creates a safe refuge for birds with the plants acting as a water filtration system. The exposed roots draw out pollutants, such as nitrogen, phosphorous and toxic metals, which have entered the waterway through urban run-off. The result is a beautiful sculptural experience and a healthier water system for all to enjoy. The artwork was funded by The City of Ballarat and The Victorian State Government.The work is of aesthetic significance to the people of BallaratHome is a collection of birdhouses on floating islands home, chris mether, studio mether, public art, ballarat, delecombe, wetlands -
Orbost & District Historical Society
digital recording, Richard Rudolph Kreymborg, 2015
This recording was originally made C1970's-1980's at a service club meeting in Orbost. It was transferred from a tape recording in 2015. Rudy was the son of George James KREYMBORG and Ada Victoria (nee DAVIS). Born at Bulumwaal, near Bairnsdale he arrived in Orbost after time in Melbourne and then at the Bell Bird Hotel where his family had the mail run. In Orbost Rudy lived on the back of his his truck next to the present Murray Goulburn Store in „B‟ Road, Orbost with tw horses for company. (More info. from newsletter "RICHARD RUDOLPH KREYMBORG 1904-1987" by John Phillips.) Richard Rudolph “Rudy” KREYMBORG was a well-known district identity, a man who was often described as a legend in his lifetime. He lived a rough life, breaking horses, delivering mail on horseback, building roads and bridges, driving bulldozers and talking.A disc in a black plastic case. It is a recording of Richard Rudolph Kreynborg(b.1904 d.1987). It has been copied from a n original recording. -
Eltham District Historical Society Inc
Document - Property Binder, 810 Main Road, Eltham
Photocopy publication: Eltham Methodist Church One Hundred and Twenty-Five Years 1850-1975, Chris Allan editor. History of early Eltham, railway, schools, churches by A Bird. Map of Eltham with sites of significant buildings. Maps church site. Plan of church. Reminiscences by Edna Bill, Val Gangell, Don Brown. Notes by Ken Eckersall, Peter Gray, Ron Hubery. Newspaper article: Lessons in history, Diamond Valley News, 2 August 2000. Newspaper article: Parents stop teachers, Diamond Valley News, 2 August 2000, State-wide preschool teachers strike and Hurstbridge pre-school.main road, eltham, eltham methodist church, eltham uniting church, josiah holloway, hurstbridge pre-school, kinglake national park, churches -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Whittlesea, Banyule, Darebin, Manningham, Nillumbik & Yarra; Vol. 8, No. 3, Jul-Aug 2003, 2003
Vol. 8, No. 3, Jul-Aug 2003 CONTENTS Short Story by Christine Fontana 3 Corrina Taustche on Terri Bird 7 Barry Dickins on John Jenkins 10 Fiona Sievers on Jordie Albiston 11 Julian Chapple's tales from India 12 Justin Fitzpatrick on the Warrandyte Theatre 13 Sandy Jeffs' Poetry 16 Book Review - Barenboim and Said 19 CD Review by Betty Scarlett 20 Jenni Mitchell - 'To The Ice' 21 Scott Henley on Marion Borgelt Exhibition 22 'Wandering Whittlesea' 24 'Origin: Dunmoochin' at Montsalvat 25 Artin' About 26 Wining & Dining 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, art masters, thompsons amcal pharmacy, clemm christesen, christine fontana, corrina tauschke, terri bird, willy wonka's ice cream gourmet food, nillumbik art in public places award, eltham wiregrass gallery, wild dog hill recording and project studio, sushi wushi eltham, fiona sievers, julian chapple, warrandyte mechanics institute, montsalvat, eltham fullife pharmacy, warrandyte cafe, northcote pottery, smiths gully general store, jenni mitchell, scott henley, marion borgelt, zelij moroccan interiors, st andrews hotel, city of whittlesea heritage program, hawkestowe park, bundoora homestead, dunmoochin, il primo restaurant carlton, hurstbridge nursery, bulleen art & garden centre, eltham gourmet poultry & game, bahnhof cafe, manningham arts centre, manningham gallery, arts on burgundy, bendigo bank, hurstbridge & districts community bank branch, alan marshall short story award -
Eltham District Historical Society Inc
Photograph, Stevenson Homestead "Bankhead", Kangaroo Ground. Robert Stevenson and family
Stevenson, Robert, Kangaroo Ground, was born in the County of Evelyn, Victoria in 1845, He is the son of the late Joseph Stevenson and retains the property purchased by his father, with 47 acres adjoining, making in all 127 acres, where he carries on farming, and also a vineyard, the grapes from which have taken a number of prizes at agricultural societies’ shows at Heidelberg and other places. He was married in 1872, and has a family of two sons and five daughters. From: Victoria and it’s Metropolis: Past and Present by Alexander Sutherland ; R. L. J. Ellery ...[et.al. Melbourne : McCarron, Bird, 1888]. Page. 414 This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, kangaroo ground, bankhead, robert stevenson, stevenson homestead -
Phillip Island Conservation Society Inc.
Work on paper - newspaper cutting photocopy, "...the dress-suited jesters of the feathered world/Parade of the Fairy Penguins", unknown
The general public was fascinated by the nightly 'Penguin Parade' on Phillip Island. Many articles have been written about the birds and the Penguin Parade attraction since the 1930s. So many people spent their summer holidays on Phillip Island in one of the many guest houses, then caravan parks and holiday homes and a visit to the Penguin Parade by them and their visitors was very common during their holidays. Articles tended to be a mix of basic penguin behavior information and anthropomorphic descriptions. Accompanying photographs were almost invariably taken by flashlight (now illegal), or of penguins taken from their burrows during daylight hours for photo opportunities. The article provides evidence of the level of knowledge about Phillip Island's Little/Fairy Penguins at this time. (approx 1960?)Photocopy of 2 page magazine article. Black print. Images poor quality due old photocopy.little penguins, fairy penguins, eudyptula minor, phillip island penguin parade, dorothy vernon, penguin rookery, penguin behaviour, phillip island tourist attractions -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Noli Me Tangere, 2013
A GLOBAL PERSPECTIVE Before the increase of air transport, everything that arrived or departed from Australia did so via the ports and wharves. The Mission to Seafarersis not a Victorian initiative, but rather a global network that currently operates in over 260 ports worldwide, assisting over 1.3 million seafaring men and women each year. The importance of the Mission’s role is demonstrated in the Chaplain’s Report 1947, which notes that ships and their crews are: “...inextricably linked with the well-being of Australian industrial and economic life... This, in turn, means that you cannot escape some share in responsibility for their welfare.” This window, titled ‘Noli Me Tangere’, was installed in memoriam of Moira Oliver, the wife of the Reverend Frank Oliver, chaplain at the Mission 1930-60, and whose dedication in life and service to the welfare of seafarers was inspirational to many.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Moira Bird Oliver, wife of Padre Oliver , a photograph of Padre Oliver listing a ship and a photograph of sailors playing tug-of-war during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Mission to Seafarers' chaplain Frank L Oliver, visiting a ship whilst in port, c1950s BELOW: The crew of the motor ship Nyhaugin a tug-of-war with the crew of the SS Madgeburg at the 1926 Boxing Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, moira bird oliver, moira bird oliver (nee good), padre frank leslie oliver, picnic, tug-of-war, flinders street, catherine mclay, arthouse -
The Beechworth Burke Museum
Animal specimen - Ural Owl, Trustees of the Australian Museum, 1860-1880
Ural Owls are one of the largest nocturnal birds of prey and are distributed across Northern hemisphere land masses from Scandinavia in the west, across Russia and China to Japan in the east. They average between 500-640mm in length, have large ears, a very long tail, and wing spans up to 1340mm. Ural Owls display reverse sexual dimorphism. They have a range of calls and sounds that vary between regions and among subspecies. Ural Owls prefer mature primary forest habitats that are not too dense, but adapt to a range of environments, including damp heathland and high elevation mountain forests. The species is considered nocturnal but may be more correctly described as ‘cathemeral’, due to frequent daylight activity in the taiga zone. Ural Owls are non-migratory and highly territorial. They prefer to hunt from a perch into open areas of forest, seeking small mammal prey, such as voles, as well as birds, amphibians, and invertebrates. Ural Owls have a broad, rounded head and a well-developed round facial disc with a small V-shaped indentation. They tend to be plain greyish-brown to whitish overall, though some subspecies display darker colour variation. The underparts are pale cream to grey-brown and boldly overlaid with dark brown streaking. Ural Owls lack the richer colour tones of other Strix owls. Their flight style gives the appearance of a large bird. The eyes are dark brown and relatively small, and the bill is yellowish. Tarsi and toes are feathered grey and the talons are yellowish brown with darker tips. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Ural Owl is an average sized specimen with a broad, rounded head and characteristic V-shaped facial marking between the eyes. Overall plumage is plain and consistent in colour and pattern, with white, brown and grey streaks. The eyes are large and the bill is small and yellow. This specimen stands on a wooden perch with identification tags attached to its leg.Swing tag: Strix noctua / Athene noctua, [illegible] / near leiden / 26 Mai 1860. / Holland / Other tag: N38 / Strix noctua / Holland. / Metal tag: 4062 /taxidermy, taxidermy mount, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, carnivore, territorial owl, animalia, large owl, long-tailed owls, ural mountains, taiga zone owls, cathemeral, monogamous, iucn red list, strix, wood owl, attacking owl, long-tailed owl, large-eared owl, owls with facial disc -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 5A, 1974
Black and white photograph - Grade 5A, 1974"Attached to photograph" Back Row- L to R: ?, ?, ?, ?, ?, ?, ?, David Kellett, ?, ?. 2nd Row- L to R: ?, Bernard Tierney, Larry O'Sullivan, John Spearling, ?, Jason Wymen, Robert Carlton, ?, Trevor Rattray. 3rd Row- L to R: Duncan Boyle, ?, ?, Sharna Baker, Wendy Maher, ?, Kathryn (?), Vicki Riggiagianis, Naomi Mathews, ?. Front Row- L to R: Tracey Bird, Luisa (?), Michelle Mayer, ?, Michelle Hodges, Christine Beard, Fiona Reith, Rhonda Smilie. Teacher: Mrs Dyall -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 4A, 1971
Black and white photograph - Grade 4A, 1971."Attached to photograph" Back Row- L to R: ?, ?, Wayne Hodgson, John O'Sullivan, Cameron Nichol, ?, Rodney Cuthbert, Max Berry, Ross Bird, ?. 2nd Row- L to R: ?, ?, ?, Helen Mazur, Gary Oxley, Craig Lucas, Jeffrey Hopkins, Jeff James, ?, Lyal Tan. Front Row- L to R: Elizabeth Cuzens, ?, ?, Hayley Brownrigg, Natalie Bereznick, ?, Erica Birkner, Julie Griffith, Terasa Taggart, Dianne Axeford. Teacher: Mr J Roach. -
Yarrawonga and Mulwala Pioneer Museum
Bottles collection of 4 bottles
Owned by Bruce McKeanbottles from the past 1 large Blue Bottle 40 cm. Circumference 32 cm height 1 Richmond Brewing CoP/L bottle. 29.5 height 27 circumference 1 decorative vodka bottle 29 h 27 circ 1 decorative F Longmore & Co bottle 31.5 h 24.5 circThe Tungamah hotel was once owned by the Richmond Brewing Co No markings on large blue bottle Beer bottle has words Trade mark and the badge of a Lion pressed into the glass Vodka bottle has pressed decoration and the following words Karloff Vodka Karloff Co Sydney Serve iced. Decorative Longmore has a diamond pattern on the neck. Words F Longmore &Company Melbourne. trade Mark appears to be a snake and a bird,maybe a crow. Crack in glass on the base -
Phillip Island and District Historical Society Inc.
Photograph - Post Cards, F & J Postcards, Early 20th Century
One of 15 A3 sheets of copies of postcards on each page. Shirley Jones Collection.Copies of Postcards: Left side from top to bottom: 1 & 2. Main Street, Cowes. 3. Rural scene nears Cowes. 4. View of Newhaven from San Remo. Right side from top to bottom: 1. Three men sitting on the Cowes Pier - Baths in the background. 2. Coastal scene at Cape Woolamai. 3. Newhaven Pier. 4. Granite Quarry at Cape Woolamai. Left side from top to bottom: 1. "Main St Cowes". 2. "Main St Cowes". 3. "Scene Near Cowes". 4. "Newhaven from San Remo Phillip Island". Right side from top to bottom: 1. "Phillip Island from Cowes Pier". 2. "Phillip Island - Cape Woollami - Home of Mutton Bird". 3. "Phillip Island - Newhaven San Remo in distance". 4. Phillip Island - Granite Quarry Cape Woolamai".main street cowes phillip island, rural scene phillip island, views newhaven, cowes pier phillip island, coastline cape woolamai, granite quarry cape woolamai, shirley jones collection, thelma astbury -
Phillip Island and District Historical Society Inc.
Photograph, 1925 - 1936
Two of a collection of 6 photographs donated by Anne Grayden. First photograph "Registration" No. 199-05 Second Photograph "Registration" No. 199-061. Colour photograph of front of Charles Grayden's Business Card. Map of Phillip Island in the background. 2. Colour photograph of back of Charles Grayden's Business Card.1. On Front: Telephone Cowes 61 - Cowes Pioneer Motor Service - Personally Conducted Tours to all Beauty Spots - Chas. Grayden, Proprietor - [over On Back: Business Card of Charles Grayden 1925 - 1936. 2. On Front: Personally Conducted Tours to all Beauty Spots including Nobbies & Summerland Surfing Beach, Newhaven, Forrest's Caves & Rhyll. Evening Trips to Mutton Bird & Penguin Rookeries. Agents for Ideal Summerland. Booking Office, opposite Pier, near Koala Cafe.charles grayden, cowes pioneer motor service, anne grayden, tourism phillip island -
Melbourne Legacy
Postcard, Postcards of India
Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. These postcard scenes are from Bombay which is a stop on the route from Australia to Europe. India was often the first time young soldiers saw a different culture on their way to the first World War. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs (none of these have been written on or posted). J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', (which stopped in Bombay), arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1. These places in Bombay, India could have been visited by the first Legatees when they were soldiers in World War 1.Postcards x 7 with images from Bombay in India.01139.1 Bombay - A street scene, Pydowni Junction 01139.2 Bird's eye view of Fort from Taj Mahal Hotel, Bombay 01139.3 Cuffe Parade - Bombay 01139.4 General Post Office - Bombay 01139.5 Bombay - Queen's Road showing palms 01139.6 A woman tapping rubber tree (possibly from Sri Lanka as it was printed in Colombo). 01139.7 Bombay from Harbour Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one -
Mont De Lancey
Tin
Rectangular, red tobacco tin with hinged lid and gold lettering on lidOn lid in gold lettering: "State Express Ready Rubbed Virginia Tobacco" Also on the lid the company logo of a pair of crossed flags and 2 floral sprigs, surmounted by a bird with outstretched wings. Above the logo are the words: "Absolutely unique" and below the logo, on a wavy black background stripe, the words: "ARDATH FINE CUT". Inside the lid: "State Express Ready Rubbed" and "Ardath Fine Cut, with the logo in between. Underneath are printed the words: "has the name of ARDATH printed on the paper lining"tobacco containers, tobacco tins, smoking equipment -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Cape Schank [Schanck], Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings -
Federation University Art Collection
Artwork, other - Ceramic mural, John Gilbert, 'Enigmatic Land' by John Gilbert, 1973
ENIMATIC LAND OF BIRDS THAT SING FLOWERS FROMS SEEDS THAT SPRING OF REPTILES AND FISHES CREATURES FROM THE BEGINNING SUN AND MAN AND SCIENCE THE SYMBOLS THAT SILENTLY BUILD AND CHANGE IN COOL AND WARM YOU ARE THERE AND HERE OF YESTERDAY NOW THE SPLITTING EARTH MURAL BY JOHN GILBERT 1973John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large ceramic mural by John Gilbert commissioned for the wall of the E.J. Barker Library. The mural features brown and green glaze with features of indigo. The work has no particular pictorial representation. It is an arrangement of colour and form, designed for enjoyment rather than to analyse. The theme relates to the development of the Universe through basic symbols such as plant forms, fish, birds and to mans development through symbols of science and engineering. The outer edge is symbolic of earths crust being peeled away to reveal science and nature. The mural depicts the changing of seasons from Winter to Summer (left to right). The mural was completed at John Gilbert's Slate Gallery studio, Mount Helen, and took eight months to make.gilbert, artwork, john gilbert, art, ballarat school of mines, mural, ballarat institute of advanced education, ballarat pottery, ceramics, old ballarat pottery, edinburgh pottery -
Glenelg Shire Council Cultural Collection
Artwork, other - Illustration, THE OLD BRIDGE, PORTLAND, n.d
Illustration. Taken and cut from a book. View of bridge across Salt Creek. Bridge has the appearance of being timber and features to the left of the bridge a half arch opening through to the other side of the creek. 3 people are on the bridge. Fore ground has part of a fence visible through long grass and some shrubbery. Observatory Hill in background with a large cross structure on the top to the left. A road or path is visible up the side of the hill towards a dwelling with a panel fence and trees. Two people are on the path and what appears to be 3 sheep to the left of them grazing on the hill. Sky appears cloudy with 3 birds flying. Underneath is written THE OLD BRIDGE, PORTLAND.portland victoria