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Mont De Lancey
Container - Lidded Container, c1920
Used for storing various threads for mending in the home - cotton, silk, wool nylon.A decorated brown lidded round container coated inside with black and brown type lacquer. The outside of the container and lid has patterns painted by hand in yellow and red of a bird, ying and yang symbols and oriental script all surrounded in black lined sections. It appears to be made from papier-mache which is layers of cardboard glued together and tightly compressed. This can be seen by the damage sections which grey cardboard shows though. It would have been lacquered over and painted. The container has a variety of sewing items and mending threads for stockings, socks and other work. Some pearl buttons included.As mentioned above, the container has various patterns painted on it. The sewing items include brands of threads for sewing work - Darneezi, Eagley, Rite Tone, Clark's Filosheen,Chadwick's Wool and Nylon, Nylusta.sewingcontainer, threads, containers, sewing equipment -
Mont De Lancey
Domestic object - Dressmaking Patterns, Simplicity, 1960's 1970's 1920's, 30's & 40's
Many women in Australia sewed at home and Madame Weigel's patterns spanned nine decades, closing down in 1969. Simplicity and Butterick patterns are still made today. Simplicity was founded in 1927 in New York, Butterick is the oldest pattern company in the world, founded in 1863. One source states that Ebenezer Butterick is credited with creating the first multi-size sewing patterns in 1892. It is now been purchased by another company.15 Assorted dressmaking patterns: 11 from the 1960's and 70's, 3 vintage - Simplicity, Butterick, Style and Madame Weigel. One is a J & L Stretch Fabric Multi-Sized Family Pattern. The patterns are presented in paper packets with coloured pictures on the front depicting the items which can be made. Inside are tissue paper patterns with paper instructions. Pattern No 9196 has a yellow and white checked piece of material pinned to the front as a possible sample of the material used. The three vintage ones are Madame Weigel patterns, two for women and a child's one. All packets are worn through use and damaged.'Simplicity, Butterick, Style, Madame Weigel and J & l Stretch Fabric' patterns are printed at the top of the relevant patterns with appropriate illustrations of what can be made.sewing, sewing patterns, sewing equipment -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Cars to head back to Mall", "Rail Gates issue 'complex': Acting Premier", 25/03/2021 12:00:00 AM
Newspaper clipping from The Courier, 25/3/2021, titled "Cars to head back to Mall" about the return of east bound traffic back to Bridge St Mall, following a City of Ballarat decision the previous day. Story by Jolyon Attwooll. Underneath is a story by Alex Ford about the Lydiard St North level crossing gates which were damaged by a Velocity set out of control during May 2020. Quotes the Acting Premier, James Merlino. All pending a accident report. Titled "Rail Gates issue 'complex': Acting Premier" See Reg Item 8108 for the next chapter - booms to be installed.bridge st, bridge mall, city of ballarat, level crossings, lydiard st nth, accidents -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, John Phillips, 18/11/2000
Black and white photograph of ten of the people who attended the first Council of Tramway Museums of Australasia (COTMA) in 1975 at the 25th anniversary conference at Ballarat during November 2000. Photographed in front of Ballarat Tramway Museum Horse Tram No. 1. Featuring John Pennack, David Verrier, Richard Gilbert, Bill Kingsley, John Radcliffe, Ron White, Keith Kings, Bob Cowing, Peter Kahn and Keith Stodden. An almost identical photograph by Bob Merchant appeared in the Feb.- March 2001 issue of Trolley Wire. 2nd copy added 17/11/2007 - Item in good condition, no damage.tramways, trams, cotma, btm, conferences, tram 1 -
Melbourne Tram Museum
Photograph - Set of 12 Black & White Photograph/s, Melbourne & Metropolitan Tramways Board (MMTB), 1966
Series of 12 black and white photographs of the trackwork on the MMTB system. .1 - demolished track at a junction .2 - section of rail showing the flangeway missing .3 - junction plates between different weight railway . .4 - wood blocked track showing broken joint and failure .5 - ditto .6 - V crossing ,7 - ditto at a wooden sleepered crossing with puppy dog spikes. .8 - crossing possibly between tram and rail .9 - H crossing rail showing broken joints and wear .10 - ditto .11 - section of rail pumping - waterlogged .12 - damaged joint, pumping, broken joint plate.trams, tramways, trackwork, rails, points, crossover, track materials, track repairs -
Melbourne Tram Museum
Book, Melbourne & Metropolitan Tramways Board (MMTB), "MMTB Air Raid Precautions", Jan. 1942
Olive green heavy paper covered book + 28 pages, centre stapled titled "MMTB Air Raid Precautions", dated January 1942. Gives instructions what to do if an air raid siren, the signals, shelters, traffic department, notes re dimming switches in trams, buses, depots, operations under air raid conditions, damage, duties of staff, Preston Workshops, types of bombs, what to do. Has a coloured printed sketch of how to stop severe bleeding. 2nd copy added 5/5/2019 from donation of Barry Brooks ex Bob Prentice Collection.trams, tramways, world war 2, depots, air raids, tramcars, buses -
Moorabbin Air Museum
Document (item) - Wamira documents and drawings
XYZ456 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, The Courier Ballarat, 6/04/1971 12:00:00 AM
Yields information about the incidents that can occur on a street tramway system - collisions resulting in derailments than can affect other people as well.Black and white photograph of damage after a collision to Ballarat tram No. 28 Ballarat Courier photo. Shows detail of the BTPS received the tram. Photo taken 6/4/1971, published 7/4/1971 of No. 28 driven through Bridge St after collision in Victoria St. See Reg Item 1063 for the newspaper cutting. Colour photocopy, laminated, of this photograph on display 4/2000 at 02-02-06. 672.1 - Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.672 - Ballarat Courier Photo stamptrams, tramways, ballarat, accidents, bridge st , tram 28 -
Ballarat Tramway Museum
Newspaper, Geelong Advertiser, "Tramlines out, street repair", "Vandal damage tram to become scrap", 27/10/1959 12:00:00 AM
Newspaper clipping from the Geelong Advertiser, 27/10/1959. Page 1 - top right hand corner, article and photograph - "Tramlines out, street repair", of the removal of tram track in Aberdeen Street between Pakington Street and Latrobe St. Page 2 - top right hand corner, article and photograph - "Vandal damage tram to become scrap" - about the decision by the Newtown and Chilwell Council to give the tram in Queens Park to the 3rd Geelong Flinders Pioneers as scrap metal. Tram No. 38. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdf.geelong, closure, track removal, preserved trams, queens park -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Historic Lake Wendouree tram track to be relaid", 20/08/2019 12:00:00 AM
Set of two copies of newspaper clippings from The Courier, Ballarat, regarding the reconstruction of the track between Depot Junction and Carlton St. .1 - Print of the on-line article - "Historic Lake Wendouree tram track to be relaid", 20 August 2019, detailing the project and costs, with comments by Peter Waugh, including photographs of ESCo 15, a damaged track joint, a Ballarat tram map and a horse tram. Notes the success of Pick My Project. Project cost given as $792,418.95. Article by Jolyon Attwooll. .2 - photocopy of a letter in The Courier, 24/8/2019 applauding the decision written by Stephen Downey of Golden Point.wendouree parade, trackwork, reconstruction, city of ballarat, grants, esco -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; ORCHESTRAL CONCERT
A damaged white programme with blue print. On the front cover is a picture of a harp and the words ' Young Men's Christian Association of Bendigo Orchestral Society (Frank Grose, Conductor.) Orchestral Concert Shire Hall, Rochester Saturday, May 26th, 1923, at 8 p.m. Assisted by Lily Jackson, Soprano. Edith Lansell, Contralto. Muriel Boldt, Pianiste. Arthur E. Sayer, Flautist. Frederick C. Stuart, Accompaniste. F. H. Sparkman, Arcade Press, Bendigo. J.A. Hart Thos. Shambrook Joint Hon. Secs.' On the inside is the programme and on the back cover are the names of people who are members of the Bendigo Y.M.C.A. Orchestral Society.A blue Royal Historical Society of Victoria stamp, also a white label D1713 in blackprogram, music, orchestra, lydia chancellor, collection, event, music, orchestras, bendigo y.m.c.a., entertainment -
Melbourne Tram Museum
Document - Form/s, The Met, "Tram Defect Report", mid 1980's to mid 1990's
Set of three "Tram Defect Reports" .1 - Printed on orange card with a centre crease for folding "Tram Defect Report: - mid to late 1980's - mentions AVM's with some 65 defects listed and notes. Has space for Tram Number, Date, Run Number. Form No. 10247. Appears to be applicable to "All Electric" trams. Has space on the rear to record accident damage. .2 - "W class Tram Defect Report" - has spaces for faults, not convectively numbered. Photocopied form on A4 paper.. .3 - "Z, A, B class Tram Defect Report" - photocopied onto white A4 paper..1 "c1980" in ink in top centre. .2 - "Form for crew use at depot's" and "c1995" .3 - "C1995" in top right hand corner.trams, tramways, forms, the met, faults, w class, z class, a class, b class -
The Beechworth Burke Museum
Photograph
The photograph is of the Powder Magazine and gorge in Beechworth. The Magazine was built for six hundred and ninety-seven pounds in 1859 by "T Dawson and company." However, the walls were constructed later in 1860 by "Atchison and Lumsden," a different building firm. The Beechworth Magazine was one of many made by the government for the storage of gunpowder. However, the building eventually stopped being used as the mining decreased in the area, finally becoming unsused with the invention of nitro-glycerine compounds. The magazine was created to hold large quantities of gunpowder and much of its design was to hinder the prospective of damage. These safety features included double arched foundations and an arched inner roof, which would move a possible explosion upwards. Also, a process of lighting conductors, ventilation and heavy granite walls were incorporated in the designThe photograph shows historic significance due to its association with the mining era in Beechworth in the late 1800s. The photo shows the Powder Magazine after construction, most likely when it was storing gunpowder during a signifiant time period for the region.Black and white photograph printed on paper.beechworth, powder magazine, gunpowder, mining, beechworth powder magazine, explosives, atchison and lumsden, t dawson and company, gorge, granite, granite building, 1860 -
Orbost & District Historical Society
black and white photographs, 1934
These photographs were taken just after the McKillop's Bridge was completed after the flood damage. The current McKillop’s Bridge was built by the Country Roads Board in two stages between 1931-36, during which its height was raised after the original bridge superstructure was washed away in record floods of January 1934, prior to its original official opening. In its reconstructed form the original concrete abutments were turned into additional piers and the welded-steel trusses were cantilevered back over them to meet the new higher road approaches. It is sited at McKillops Crossing, named after pioneer overlanding squatter George McKillop who crossed here in 1835. This was a stock crossing place for almost a century before the bridge was constructed. (info. from Victoria Heritage Register)This is a pictorial record of the history of McKillop's Bridge, in itself of historical significance for its association with Victoria's long and important pastoral history, its technicl significance and aesthetic significance.Three black / white photographs. 3133.1 shows the approach to a washed away bridge. 3133.2 is of a bridge over a river with men clearing debris. 3133.3 is a close-up showing the wreckage of the bridge.mckillop's-bridge snowy-river flood-damage-1934 -
The Beechworth Burke Museum
Photograph - Postcard
The photograph is of the Powder Magazine and gorge in Beechworth. The Magazine was built for six hundred and ninety-seven pounds in 1859 by "T Dawson and company." However, the walls were constructed later in 1860 by "Atchison and Lumsden," a different building firm. The Beechworth Magazine was one of many made by the government for the storage of gunpowder. However, the building eventually stopped being used as the mining decreased in the area, finally becoming unsused with the invention of nitro-glycerine compounds. The magazine was created to hold large quantities of gunpowder and much of its design was to hinder the prospective of damage. These safety features included double arched foundations and an arched inner roof, which would move a possible explosion upwards. Also, a process of lighting conductors, ventilation and heavy granite walls were incorporated in the designThe photograph shows historic significance due to its association with the mining era in Beechworth in the late 1800s. The photo shows the Powder Magazine after construction in 1960, most likely when it was storing gunpowder during a signifiant time period for the region.Black and white rectangular postcard printed on cardObverse: No 2 POWDER MAGAZINE BEECHWORTH. BUILT OF LOCAL GRANITE IN 1859-60. Reverse: KODAK / POST CARD / CORRESPONDANCE. ADDRESS ONLYbeechworth, powder magazine, gunpowder, mining, beechworth powder magazine, explosives, atchison and lumsden, t dawson and company, gorge, granite, granite building, 1860 -
Stawell Historical Society Inc
Photograph, Armstrong’s Area Houses c 1990's -- 2 Photos -- Coloured
Residence Fountainhead Brewery Armstrong's Est. c 1872. The rear view photograph shows a more recent renovated building. Some evidence of demolition to rear of building (servants stairs etc.) Following notes taken from information in album 9 - "Compare earlier photos and note balcony etc. Later views, This photo early 2003. Owing to timber decay balcony was removed for safety. Finances permitting complete balcony will be replaced. Twin columns and iron lace are not original. Early description mentions statues in "niches" beside door. Female statue left is original. White pedestal at left was male stature damaged by a falling tree. Both statues were fountains." Photographs taken by Mr. Don Richard and held in Album 9b Armstrong’s Area.Two coloured photographs, of a brick double story building. The front view of the building has 4 windows and 2 doors. Two white columns at the entrance with decorative iron work support the roof of the porch with 2 white chairs and a table on top. Either side of the entrance door are 2 white wall indents "niches" with pot plants. The second photo show the back view of the two story building with a single story building attached that has a tin roof. A timber fence with a gate shows the side entrance to the single story building. 648M NHNN 8H01HPRO3 WIMMERA 1MHGINGstawell -
Otway Districts Historical Society
Photograph, R. Preston, Kawarren: an UP goods train, 1958, 14 December 1958
Kawarren was an early timber and limestone loading point. Timber was shipped in by Watson and Facey, Condon Brothers, and Coppock, amongst others, some of which had tramways up to 6.5 km long to the station. Bushfires roared through the area in 1939 and made the area unworkable. An outcrop of limestone existed near Kawarren but it was not until the railway was built that it became workable. 360 metres north of Kawarren station two then three kilns were erected, and later a shed and covered area over a short length of the rail siding in order to prevent rain damage to the lime while it was being loaded. Sluicing was introduced, and the tramway was extended further when the quarry ate deeper into the hillside. Limestone traffic of around 2,000 tonnes each year kept the station busy until the trade ceased in 1957.B/W. On the 14 December 1958 at Kawarren an UP goods train shunts on the siding. A man is talking to the engine driver while another man approaches the engine.kawarren; railways; timber; lime; -
Eltham District Historical Society Inc
Photograph, St. Katherine's Church, St. Helena, Vic
Located at 277-279 St Helena Road Saint Helena, Victoria. In 1841 Anthony Beale, born on the Island if St Helena took a pastoral lease on the Plenty River where he built a cottage, St Helena, which ultimately gave this area its name. Beale's wife Katherine Rose, nee Young died in 1856 and he erected "The rose Chapel" to her memory. After his death in 1865 the chapel was willed to the Church of England and consecrated in 1876. It was severely damaged by bushfire in 1957. It was fully restored and rededicated in November 1957. The bell calls parishoners to Sunday services is believed to a have come from the Island of St Helena. Source: Mr. A.E. Parsons, Pryor St., Eltham (Mrs. Glasgow - daughter)Statement of Significance Last updated on - October 10, 2005 St Helena's is a rare surviving example of a churchyard cemetery. It is of local historical significance because of its association with the local pioneering family, the Beales, and other notable citizens including Walter Withers and Graham Webster. The cemetery is also the oldest in the municipality, of State significance. The high level of maintenance and the rural ambience contribute to the overall significance of the site. St Katherine's Church building has been reconstructed and is of local historical interest, principally for its value in interpreting the original setting within the Cemetery. It contains stained glass windows of local historical significance, commemorating casualties of the Beale family in World War One. - Victorian Heritage Database This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image"St Katharine's Church, St Helena, Victoria"sepp, shire of eltham pioneers photograph collection, other areas, st katherine's church, st helena -
Eltham District Historical Society Inc
Document - Register, Common/State School at Eltham No. 209, 1864-1917
Copies made from original register held by Eltham Primary School as part of the school's sesquicentennial recognition 1856-2006. Lists students by registration number commencing with William John Taylor (No. 1) in 1864. Initially recorded as the Register of the Common School at Eltham No. 209, it lists child's name, years of attendance and classes attended, age when first admitted, date of admsission, date of leaving and occupation of parents. The register was revised to the Register of the State School at Eltham No. 209 capturing students from 1873. Some overlap between the two variants exists. The latter register includes additional information of date of passing the Standard of Education, names of parent or guardian and residence of parent or guardian. The register was discontinued in 1917. Later pages of the original register are very damaged with large sections illegible.eltham state school no. 209, register of students, dalton street, eltham primary school -
School of Health and Biomedical Sciences, RMIT University
Book, 'Synopsis of Prescriptions of the Golden Chamber' by Zhang Zhongjing
张仲景 张仲景(约 150~219 年),名机,东汉末年医学家,著成《伤寒杂病论》,确立 了对伤寒病的六经辨证体系和治疗杂病的原则。被后世尊称为 “医圣”。 Zhang Zhongjing Zhang Zhongjing (about 150~219 A.D.), courtesy name Ji, a well known physician of the late Eastern Han dynasty. He compiled the famous “Treatise on Cold Damage and Miscellaneous Disease” and established the six-meridian pattern identification and syndrome differentiation. Later generations portray him as the “Medical Saint”. Three reproduction volumes printed on light tissue paper in black ink with blue soft cover and white thread binding. zhang zhongjing, chinese medicine, rmit chinese medicine collection -
Flagstaff Hill Maritime Museum and Village
Book - Instruction Manual, British War Office, Manual of Siege and Garrison Artillery Exercises Vol 1, ca 24-06-1882
This little book has been designed to fit into a small space such as a pocket, backpack or trunk. The brass book lock helps keep the pages and covers together, preserving them from being bent, torn or damaged in handling.The book includes four of ten parts of the Manual, published for use in training the garrison troops, including the placement and firing of cannon. The four parts included in this Volume I are: - Part 1 - Gunnery Part 2 - Ammunition Part 3 - Siege Artillery Part 4 - Garrison Gun Drills The remaining six of then parts are: - Part 5 - Material and Appliances Part 6 - Elementary Instruction Part 7 - Machines Part 8 - Mounting and Dismounting Ordnance Part 9 - Sleighs Part 10 - Sheers and DerricksThe book is significant to both British and Australian history, being issued for the training of the garrison defense of both countries in the late 10th Century. It is also significant for its connection with other historical military items within the Collection at Flagstaff Hill Maritime Museum and Village.Manual of Siege and Garrison Artillery Exercises Vol 1 [Parts I, II, III, IV] Publisher Her Majestys Stationery Office Date 1879, Corrected June 24th 1882 Small, red, hard-cover book with embossed gold letters and British Coat of Arms on the front. The book has a brass closure or locking clip across the text block. There are diagrams and a foldout table within the text. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, training manual, book, british garrison, garrison artillery, siege exercises, british government training book, technical book, pocket book, manual of siege and garrison artillery exercises vol 1, garrison exercises, military training, defense training, british artillery, royal artillery, gunnery, gun drill, brass book lock, british war office, locking clip, reference book -
National Wool Museum
Machine - Scouring Bowl, J Dyson & Sons Pty Ltd, c.1890
Scouring is the process that removes wool wax and other unwanted products from wool. Wool is washed in a hot detergent solution. It moves through a series of scouring bowls and is then rinsed and dried. Careful handling and washing preserves the strength and softness of wool. If the wool contains lots of seeds and other vegetable matter, it must be cabonized. This means it is treated with a solution of sulpheric acid and then baked at high temperature to remove impurities. The disused scouring water left-over from this process was often let drain into rivers and watercourses causing pollution. Many of Geelong's wool scours along the Barwon River were closed due to environmental damage. The race system on this bowl is not the original it has been modified with a variation of the harrow system. Used at E.P. Robinson South Geelong from c.1890-1970.Scouring bowl.J. Dyson & Sons Pty Ltd, Geelongsouring bowl, j dyson & sons, geelong, wool processing, e. p. robinson, textile industry, factory, mill -
Australian Gliding Museum
Machine - Glider - Sailplane, 2012
The ES52 Kookaburra is a two seat high wing glider – sailplane of wooden construction designed by Harry Schneider and built Edmund Schneider Pty Ltd. It was first flown on 26 June 1954 and became the glider of choice for training new pilots of many gliding clubs around Australia in the 1950s, 1960s and 1970s. Several found there way to New Zealand. Further two kits were sent to Brazil and at least one of these was finished and flow successfully. The ES52 performed well with a glide ratio of about 22:1 and had soaring and cross-country capabilities. A notable feature of the ES52 design was the staggered side-by-side seating arrangement of the cockpit. This made for good in flight communication between instructor and trainee. Overall, thirty six were built by Edmund Schneider Pty Ltd. A longer wing version (the ES52B) was also introduced that had a better glide ratio (around 25:1). Five examples of this version were built. In Germany a modified ES52 was built incorporating a metal tube fuselage frame and with the addition of a engine driven propeller mounted on top of the wing which enabled the glider to be self launching. This museum collection item consists of the fuselage, tailplane, elevators, fin, rudder from the Mark I, ES 52 Kookaburra, formerly registered as VH-GFF and last owned by the Barcaldine and District Airsports Club of Queensland. The glider was in a damaged condition when it was acquired by the Museum. A decision was made by the Museum to repair the glider for display rather than endeavouring to restore it to an airworthy condition. The reconstruction of the wings is being undertaken by using parts of damaged ES 52 Kookaburra wings (as it happened from later ES 52 Marks). The Log Book for VH-GFF reveals operational life with a succession of gliding clubs around Australia. This exhibit will be of interest to gliding enthusiasts wishing to inspect the popular two seat club trainer of a by-gone era.This is a wood and fabric covered aircraft that is being rebuilt from the components of several aircraft as a non-flying exhibit.Fuselage marked with Edmund Schneider Pty Ltd Serial Number 9 and comes from the glider previously registered as VH-GFF.australian gliding, glider, sailplane, edmund schneider, es 52, kookaburra, barcaldine and district airsports club, victorian motorless flight group, alice springs gliding club, raaf richmond, raaf williamtown, gayndah gliding club, blackwater gliding club, southern downs aero and soaring club, charleville gliding club -
Australian Gliding Museum
Machine - Glider – Sailplane
Prior to World War II an international competition was held for design of a standard sailplane for use in Olympic competition in 1940 in Finland. The design chosen was the “Meise” from DFS in Germany and its designer Hans Jacob. The 1940 Olympics were cancelled due to the outbreak of war and post war international gliding competition has been organized as World Championships, not as an Olympic event. After the war the Meise was manufactured by firms in Europe and a few were built by amateurs from plans. In 1945, a United Kingdom firm, Chilton Aircraft Limited, revised the plans for the DFS Meise Olympia keeping its aerodynamic shape and prepared new technical drawings for the production of the Chilton Olympia. It engaged Elliotts of Newbury (a firm with aircraft production experience during the war) to built a set of wings for its prototype. The wings were made by Elliotts but it apparently refused to let Chiltons have the jigs required to build more wings. The matter was resolved by Chiltons transferring its production rights and equipment to Elliotts. Elliotts produced several batches of Olympias (the “EON Olympia”) – probably about 150 in total from 1947 including Marks 1, 2 and 3 versions (featuring some structural changes and design improvements). The Australian Gliding Museum’s Olympia is a Mark 2 (actually 2B according to the logbook) which can be distinguished by the built in main wheel and blown Perspex canopy. It was designated as serial number EON/O/34 by Elliotts. It was damaged badly at Bristol, UK, in 1949. The wreckage was acquired by a Melbourne based syndicate including Dave Darbyshire, and imported into Australia. Additional damage occurred in shipping due to the need to shorten the wings to fit them into a crate. The syndicate rebuilt the glider and re-launched it in 1956 (registration number VH-GHR). It was flown by the syndicate and several gliding clubs in Victoria and South Australia until about 1972. A potentially airworthy example of a now rare sailplane of historical importanceSingle seat wooden sailplane, partly restored.australian gliding, glider, sailplane, dfs, hans jacob, meise, olympics, eon olympia, chilton aircraft, elliotts of newbury, dave darbyshire, great eastern gliding club, barossa valley gliding club, murray bridge gliding club -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Kew Historical Society Inc
Photograph - Brick and Stucco Bungalow, J E Barnes, c.1920
The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending o the importance of the photographic atelier.Real estate photograph for a local agent by the Kew photographer, Josiah Earl Barnes. The photo is of a weatherboard or brick rendered bungalow with a twisted wire fence. Given Barnes' status a a Kew photographer, the house is probably locate din Kew or East Kew. Unfortunately the handwritten information on the mount bordering the photo is damaged and cannot be read. The bungalow has a gabled, tiled roof with terra cotta finials at the front of both gables. The house has a central doorway, framed by a pseudo portico supported by four wooden columns. On each side of the doorway, at the front, there are paired sash windows, which, like the half-timbered gable, are picked out in a darker colour.Handwritten, mostly illegible description by selling agent on mount surround: " .... in Diningroom, Drawing Rooms, ... Photographers details printed on mount: "J. E. Barnes / Photo / Phone 1966 Haw KEW"houses - kew, bungalows - kew, real estate photographs, j.e. barnes -- photographer -
Bendigo Military Museum
Book - BOOKS, RECORD of SERVICE & DEMOBILISATION
Two versions of Record of Service books with second version revised Aug 1944. Contains info on pay, leave, vaccinations, enlistment details, physical description for SGT E. G. DRISCOLL VX113437. The third book - demobilisation Procedure Book containing details of demobilisation 4/7/46 From 1st Aust. Cinema Unit.Three stapled booklets with brown covers and white pages. 1. Record of Service Book 1 - writing on covers very faded ( unreadable) and Red ink stains on back. Contains 11 pages of instruction and data (Page 1-22). 2. Record of Service Book 2 - In better condition but tape or sticker on front has caused some damage. Some of the data from Book 1 copied across and some not. Contains 20 pages inside. No 1- 40. 3. Demobilisation Procedure book - cover has name, rank, Unit and date of demob. Inside has data related to demob with 12 pages inside.1. Record of Service - Name, on cover and some indecipherable writing on front and back. 2. Record of Service - Name & No. on cover - Revised version Aug 1944. 3. Demob. Procedure Book - Personal data on cover and details inside.service book, demobilisation book, ww2 -
Ballarat Tramway Museum
Functional Object - Four Wheel Flat top Trolley, Commonwealth Railways - Port Augusta Workshops (Understood), 1940's?
Four wheel flat top track trolley- deck wood frame and sides on four fabricated/pressed wheels, with bearings, axles- Used to transport materials- hand pushed or towed. Metal tie rods in front over axles and metal has connecting tow/couplers. Relocated to Bungaree c2015 when 22 moved. Photographed at Bungaree 6-4-2020 by Neville Britton, see image btm18i1.jpg. Record updated 6-4-2020. See detailed information on back of sheet in folder for sketches, timber damaged, notes re a number plate and a note regarding work done 7/97 in replacing underside diagonal bracing supports.On underside in paint, "To Cargeeg, 50 Pasadena East Bentleigh, Melbourne"trams, tramways, commonwealth railways, maintenance equipment, railway trolley -
Ballarat Tramway Museum
Poster, Philip Smyth of Visual Creations Ballarat, "150 years of Gold", 13/06/2001 12:00:00 AM
Poster of banner, "150 Years of Gold" used in the launch of Gold Tram (No. 45) on 14/6/2001 at the depot. Painted using water based poster paint, onto a roll of white paper, with a yellow or gold background, the words have been pained in a deep blue. Has been torn at the right end at the time of the launch. Has been stored rolled. btm1777i1 - shows banner 75% rolled out. btm1777i2 - shows banner - right hand edge showing damage btm1777i3 - shows banner in use at the depot on 14/6/2001 - See Fares Please! July 2001 for further details. See Fares Please! July 2001trams, tramways, gold tram, launch, banner -
Ballarat Tramway Museum
Document - Instruction, State Electricity Commission of Victoria (SECV), "Questions - Applicants for Inspectorship", Feb.1946
Three page foolscap typed (carbon copy) instruction sheet titled "Questions - Applicants for Inspectorship", Dated 18/2/1946 pined in top left hand corner. Pages 2 and 3 stapled together. First page asks 10 questions of a varied nature and pages 2 and 3 gives suggested answers. Has initials THT/HEJ in top left hand corner. Asks questions re a person damaging a tram, trolley wire falling onto the road, derailments, obstructions, improper tickets, how to use a loop if part defective, how to maintain service, intoxicated or drunken crew, complaints from passengers.In black ink across top of instruction "BTPS 320." trams, tramways, sec, instructions, traffic staff, inspectors, accidents