Bottle, Large, Whisky or Wine bottle, clear glass, handmade 3 piece mould, cork and wire seal (missing), c mid 1800's. H 29cm x Dia 7.5.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bottle

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits and hats, sitting on rocks beside water. The background is a grassy paddock with a post and wire fence in the far distance. The man on the left is Frank Wright.Written in pencil on back - F.W. & Charlie, Smeaton, March 1940frank wright, brass band, conductor, smeaton

Draw knife wooden 2 handles with circular blade. Blade attached by rivets. Handles attached. One has wire wrapped around it. 880mm long Blade length 590mm Width 75mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Green glass wine bottle with partial contents, silver foil around top and wire holding cork in. White paper label reads Champagne, Devonshire Cider, Grown & Bottled by Ferris Ellis.Ferris Ellisorganisation, industry, vineyard

Document; Manilla folder contains loose documents: correspondence, tribute agreement, wire rope test reports,, certificate of inspection of boiler, certificate of inspection of air receiver, transfer of claim, share receipts.MCCOLL RANKIN & STANISTREETorganization, business, gold mining, mccoll rankin & stanistreet

8472.1 - Truncated conical though nearly cylindrical tin with domed lip with brass handle knob shaped very much like an acorn and a curve of wire for a carry handle attached by riveted eyes.

Black and white portrait photograph of Basil Watson. Timber frame, glass front and wire stand on back. ''Basil'' is handwritten in ink on lower RHS; imprint on backing sheet: '' Sears Studios, Melbourne''Sears Studios, Melbourneperson, individual, basil watson

Reading spectacles found in hut belonging to Georgie Ah Ling, who operated a market garden for about 70 years on the edge of the township of Donald. Round glass, gold coloured wire framed spectacles in a hard covered case lined with dark blue material. Gold and dark blue suppliers sticker, partly torn, on inside lid of case.Sticker on inside of case partly torn, but probably reads "W. R. Swaby F.V.O.A. Jeweller Donald". reading spectacles, hut, georgie ah ling, market garden, donald

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape

“Overdale” Holden Homestead Concongella. James Holden settled on "Overdale" in the late 1860's. The Holden Family still live at "Overdale" The Holden Family have served on the Stawell Shire Council for over 100 years.Black and White enlarged photograph of house in file and small original photo in album. Building has prominent stone wall and trees around the house which has an inner timber and wire fence. Overdale sign on the stone wall.stawell

Identified as Dr. Roberta Donaldson of "Luxmee", 4 Windsor Crescent, Surrey Hills. Dr. Donaldson was in practice in Surrey Hills for 50 years. After graduating in medicine at Melbourne University she was at the Royal Childrens Hospital when she decided to go to India as a member of the Zenana (?) Medical Women's Bible Group. She spent three years there but became ill and had to return home. It took a year or more to recover her health. Her uncle Thomas Emerson of Kent Road, Surrey Hills, talked her into commencing a practice at Surrey Hills which she did in Blackburn Street early in the 1920s. Within a short time she took over Dr. Navroji (Neville) Gandevia's practice in Windsor Crescent. Her sister Agnes joined her and their mother Amelia took over the care of the household enabling both sisters to concentrate on their practices. Her father had been a doctor at Linton, near Skipton and her brother was a doctor in Skipton. The practice ceased in 1970, Dr Roberta having given 50 years of service as a gynaecologist in Surrey Hills.A black and white photograph of a lady wearing round wire rimmed glasses. Her dark hair is pulled back from her face. She is wearing a satin-look top and a string of pearls.windsor crescent, house names, surrey hills, doctors, royal children's hospital, kent road, blackburn street, 'luxmee', dr roberta donaldson, thomas emerson, dr agnes donaldson, dr navroji (neville) gandevia

Father of William and Jack Kelly who both served in WWIIPortrait, Photographic; W.C.Kelly. DCM Wooden frame with gold coloured inlay. on light green mounting board. Paper and cork backing. Sealed with duck tape. Picture frame hook with hanging wire Self adhesive label stuck to glass bottom left hand corner/ 4521 PTE W. C. Kelly D.C.M /46th. Inf. Btn. 1st. A.I.F. portrait

Cartoons by Dunera internee at Camp 1 TaturaFramed pen & ink sketched of two men walking and 2 older men standing alongside barbed wire fence. Title "Two Generations". In black and gold wooden frame with a white mat.illustrations, pen, ink, dunera internee, camp 1 artwork

This photo was taken in the 1950's when Pearce Bros. owned the Tawonga Store. I.R.Northey's van is parked outside the store. Kodak photos are advertised. The Bakery existed. The road is sealed and telephone and electric wires are shown. The Pearce Bros owned the Tawonga Store in the 1950s when the population of the area in the Upper Kiewa Valley and High Plains was high due to the construction of the Kiewa Hydro Electric Scheme by the State Electricity Commission of Victoria.Sepia photo of Pearce Bros. Tawonga Store including a house next door, cars in the sealed street and part of the Bakery opposite. It has a slim wooden frame & white cardboard border. It has a clear glass cover. The back is lined with brown paper with a white cord across for hanging the photo.tawonga store. pearce bros. tawonga bakery. i.r.northey.

"The Art of Napping", Woonsocket Napping Machinery Co., c.1924. Catalogue of napping machinery sent to Collins Bros by an American manufacturer of napping machinery. The napping (or raising) done by these machines is all done by wire, not teasels.Book: "The Art of Napping" Woonsocket Napping Machinery Co., c.1924. Letter from The Woonsocket Napping Machinery Company to Mr. Charles W. Ayling, 16 October 1924, page 1. Letter from Woonsocket Napping Machinery Company to Mr. Charles W. Ayling, 16 October 1924, page 2. Blueprint of Napping Machine, Woonsocket Napping Machinery Co. with speeds at which machines should run. Letter from Woonsocket Napping Machinery Co. to Collins Cros. Pty. Ltd., 17 April 1950textile finishing, cotton, woonsocket napping machinery co., raising, raising machinery, lustring, tentering

The photograph shows a cable tram in Lonsdale St crossing William St. Alf Twentyman in his notes has identified it as West Melbourne trailer 364. In the background is the Supreme Court building and a tangle of telephone wires.Yields information about cable trams in the 1890s.Photograph, black and white, with notes on the rear.On rear in blue ink "West Melbourne 364 probably early 1890s, later became North Melburne No. 4"trams, tramways, cable tram, tram 364, lonsdale st, william st, supreme court

Refer to Cat 58251. Jacket - Thick woollen material - brown khaki colour, two breast pockets, held shut with a button on each. It has epaulettes and long sleeves, on the shoulders are red curved, sewn on, badges "Royal Australian Infantry". 2. Trousers - thick woollen material -brown khaki colour. Button fly. 3. Grey cord lanyard. Inside jacket is label 3795952, Patterson written in blue ink.winter uniform, vietnam war, army

Hard cardboard cover, dark green buckram with gold print on front cover & spine. 265 pages, cut plain light beige paper, illustrated with black & white photos, maps & illustrations. Front & back end papers & fly leaves illustrated in dark green & cream, 2 soldiers in uniform with map in back ground.books, military history

This Book of Common Prayer, with once owned by Florence Harrison. It was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. It is one of a set of similar books. This book is in our St Nicholas Seamen's Church Collection. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This book is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The book is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this book to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Prayer book, cardboard front cover, textured black cover, rice paper pages with gold leaf edges. "The Book of Common Prayer with the additions and deviations proposed in 1928".There is an image on the fly page. Published in Oxford at the University Press London. The book was owned by Florence Harrison. The book is now part of the St Nicholas Seamen's Church Collection. Logo: [Shield enclosing three crowns and an open book with test, resting on six rods] Inscription: "Florence Harrison"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, prayer book, the book of common prayer, oxford university press, florence harrison, church service

Book, black cover gold writing ' Mylius's History of England' written on front cover. 425 pages. Inside on fly leaf 'an abridged History of England for the use of schools' Handwritten on page 2 ' George Samuel Harris, Avondale Farm, Axedale, Nr (near) Bendigo' On back page in pencil coloured in frame ' G.S. Harris, Axedale'T. Jones, 63, Paternoster Row, Dublin. 1844.

This ammunition bag was used by Harry Mitchell (son of Lindsay Mitchell) at the Bendigo Rifle Club in 1959, the bag was designed to hold 303 riffle bullets used in target shooting or could hold 7 cartridges for a shotgun. The Gladstone bag was very popular in the 1940/50 era, it fitted on the handlebars of a bicycle and it was used by footballers and sportsmen. A couple bottles of beer would fit comfortably in the bag and was.used to take beer home after the hotels closed at 6pm. These two articles were donated by Lindsay Mitchell to the Numurkah Historical Society. The Sunbeam Mixmaster belonged by Marjory Welch, Nana of Margaret Mitchell and would have been used in late 1930 and during 1940's. It was painted and used by Linda Mitchell, (great great grand daughter) when at universitv in 1987 White Sunbeam Mixmaster was purchased by Margaret Mitchell 1965. lt was her first mixmaster after she was married in 1964 The bread bins. The green and white belonged to Mary Mitchell (Lindsay Mitchell's Mother) The colourful bread bin belonged to Lorna Welch (Margaret Mitchell's Mother) 1 x Ammunition bag, (1950's), 1 x Gladstone bag (1950's), 2 x tin bread bins, 1 x White Coloured Sunbeam Mixmaster (1965) , 1 x Cream-coloured Sunbeam Mixmaster (1940's), 1 x Red Fly-spray can (1950's)mitchell family, gladstone bag, mixmaster, school bag, bread bin, kitchen, ammunition bag, sunbeam, flysprayer

John Bruce MacCathie. POB: Dalkeith, Scotland. DOB: 4 AUG 1923. WWII: He served in the Royal Navy, Service No C/JX340061. POST WWII: As a member of the British Armed Forces he applied to stay in Australia – the National Archives holds his application form. MARRIAGE: He married Isabel Noel Fulton in 1949, in Vic. AUST. MIL. FORCES: He joined the Aust. Army and served from 1953 to 1977. His number then was 35175 in the Royal Aust. Engineers. His last rank was Sergeant. Returned Service League: He spent some time as a member of the Castlemaine Sub Branch. DEATH: He died 28 JUN 2005. His remains are in the Garden of Remembrance, Springvale, VIC. FAMILY: He was survived by his wife Isabel ( dec 2020) and two children. Ribbons 1. 1939-45 Star 2. Atlantic Star with Rosette, 3. Africa Star with Rosette. 4. Italy Star, 5. Defence Medal, 6. War Medal 1939-45, 7. General Service Medal 1962, 8. Long Service and Good Conduct Medal.1. Jacket - Khaki, woollen. On both arms are Sergeants cloth stripes and a cloth badge for Royal Aust. Engineers. It has eight medal ribbons on left breast. 2. Trousers - Khaki, woollen. Zip fly, no cuffs on ankles. 3. Lanyard - cotton, black. Small loop one end, large loop at other end.Written in jacket is “35175 MacCathie” A tag in jacket shows his Navy no. “C/JX340061” - British Navy.post ww2, uniform, winter, passchendaele barracks trust