The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.An undated and untitled hand-drawn and coloured subdivision plan detailing the boundaries of a number of irregular allotments bordering Cotham Road, Glenferrie Road and Stirling Avenue (now Stirling Street). The plan predates the actual subdivision that led to the creation of the eight commercial properties occupying 118-132 Cotham Road. The plan may represent an old subdivision that was further subdivided at a later date, or it may be a subdivision that never eventuated. On MMBW Detail Plan 1575 (1903), the area represented by the proposed subdivision was residential rather than commercial. The irregularity of lots is also apparent in the MMBW Plan. The largest of the unnumbered blocks on the hand-drawn subdivision plan may relate to the boundaries of the nineteenth century mansion identified as ‘Kelso’ on the MMBW Plan.subdivision plans - kew, cotham road - kew,, glenferrie road - kew , stirling avenue street - kew

Set of 46 sheets, photocopies stapled in the top left hand corner, titled "Control Room Log Sheet" for the period 2 to 9 Feb. 1990, giving details of the Tram Power supervisors control log book. Released under a FOI request and stamped 27 April 1990 PTC. gives details of the times of events in the control room and the notes taken by staff.Hand written notes on the top of the first sheet as to the range of the dates of the reports.trams, tramways, ptc, freedom of information, foi, reports, inspectors, traffic officers, delays, incidents, events, carlton control, log books

Newspaper photograph of horse drawn buggies in Orrong Road showing rural Caulfield, circa 1857caulfield, orrong road, buggies, horses

Photograph pre construction of the Great Ocean Road showing three adults and horse drawn carriage. pre-road-construction. horse-drawn-carriage. g.o.r

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of an early Map of Phillip Island not drawn to scale. Copy from Records Office, London.On back of photo - "If used must bear acknowedgement - reproduced by permission of the Hydrographer of the Navy" "Received 18/3/1955 from London Records Office per Mr mcGrigor-Phillips" Printed on Map "Phillip Island"local history, photography, photographs, maritime documents, maps, exploration, john jenner, bryant west, phillip island map

The Friendly Societies Carnival at Mentone 1916 during WW1 was arranged to showcase the local activities and raise funds for the 'Discharged Wounded Soldiers Fund' = £140 was raised. As elsewhere in Australia most of the local young men had enlisted in the AIF and some were coming home wounded - many were killed on overseas battlefields. This Parade was led by the Cheltenham Brass Band with the following Friendly Societies AOF, IOR, HACBS, PAFS, and ANA. The PAFS - Protestant Alliance Friendly Society - had 2 entries 'Fruit & Vegetable Display' and 'The Murder of Nurse Edith Cavell' both floats won their category. The Carnival gave prizes for sports events on the Mentone Oval and a concert was held at night at the Mentone Ice Skating Rink.World War 1 1914-1918 had a devastating impact on many early settler families whose sons had volunteered to serve in AIF. 1916 many of these young men were returning injured or had been killed overseas The Community rallied around to support these men and their families by holding fund raising events like the CarnivalBlack & White photograph of a horse drawn wagon displaying Fruit and Vegetables for a procession c 1916Handwritten ; Decorated wagon possibly part of a procession of market gardeners cartsfriendly societies cheltenham 1916, nurse edith cavell, cheltenham brass band 1916, ww1 1914-1918, wounded soldiers fund, allnutt ella, smith j l; smith mary ann, stanley helen, smith vic, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

ink pen drawing of two ink bottles and a pen unmarked suspected drawn by Patrick Tobinpatrick tobin

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was probably taken around Churchill Island and shows the community engagement through the decades.Photograph of a woman and child sitting in a white horse drawn wagon with 'Churchill Island' painted on the side.Catalogue number written on reverse in pencil.churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a group of volunteers operating the horse drawn fire engine with a modern fire engine in the backgroundCatalogue number written on reverse in pencil churchill island, photograph

Hogan street looking west; features Criterion Hotel, horse-drawn cart, motor vehiclestatura

Early Hogan Street looking East towards Court House; with horse drawn cart; lampposttatura, buildings, historic, transport, horse

This photograph appears as an illustration in, "Green Grows Our Garden, " A.P. Winzenried. P58.Black and white photograph. 2 men pitching hay off horse drawn cart in the Orchard.pitching hay, horse drawn cart, students working outside, orchard

MR. CAMPBELL WAS A DAIRYMAN IN CLUNES.COPY OF PHOTOGRAPH OF MR. HARRY CAMPBELL AND SON FORBES. MILK CANS IN HORSE DRAWN CART.local history, photography, photographs, clunes dairy

Great Western Irvines WineryB/W Photograph of man moving barrels on back of horse drawn wagon in front of winerywinery

Colour drawing of a variation on the theme carnation, drawn in Grade 2, in school at Opcine, near Trieste

Used by Mrs Jean Ashcroft, (nee Broad)originally from Galasheils ScotlandCream linen, drawn thread and cream embroidered. Tray cloth with cream knitted lace bordermanchester, table linen

From the estate of the late Jean Ord, mother of the donor.A pair of blue linen mats with white embroidery thread on drawn thread work with scalloped edge.handcrafts, embroidery, manchester, table linen

Black and white photo (2 copies) of horse drawn buggy outside Eriksson's house in Blackburn.eriksson, buggies

From the McNamara collection.White cotton dickie front Plain back with embroidered collar and front with drawn thread work.dickie front, embroidery, mcnamara

Black and white imahe of the Maryborough Town Hall and Port Office, with horse drawn vehicles in the foreground. maryborough, victoria, maryborough town hall, maryborough post office

The first St. Hilary’s Church of England (Kew) was a timber building on the corner of John and Rowland Streets, designed in 1888 by Albert Purchas. This timber building was demolished in the 1940s to make way for a new church and tennis courts. The drawing was made to accompany a newsletter article by Dione McIntyre.Pen and ink drawing of the rear view of ‘old’ St Hilary’s, drawn by Dione McIntyre, 2013. "Rear view of 'old' St Hilary's"st hilary's church (kew), dione mcintyre, churches -- kew (vic)

Colour photograph of ladies dressed in period costume in back of four wheeled horse-drawn wagon."l-r Cameron, Judy and Emma Nicol, Alice Knight".smythesdale homecomers parade 1981, ldhs activities

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin