Items form part of the collection of "William Anthony THEODORE DSM". Refer catalogue No. 7926P for service details.Gold metal frame with hard cardboard inserts with hanging hooks attached. Folds over with two photos inside in each half. Both with glass protection. Both photos taken inside of a Church of two windows with lead light image. First - picture of two sailors looking up at a cross in the sky from deck of a ship and some writing at bottom. Second - Picture of Christ giving a sermon to some soldiers hiding in a trench with some writing below.Sticker on back identifying Bill Theodore, a resident of Victoria Heights Residential Care.tobruk, church, william anthony theodore dsm

This framed watercolour was created by 20th-century landscape painter Harold Morse Ward. He was born in Brooklyn New York in 1889 and died in Sacramento, California, in 1973. Ward graduated from the Pratt Institute in Brooklyn and furthered his studies in Paris. He was a high school art teacher for many years, later establishing the art department at the Sacramento Junior College in 1923. In 1949 he won a Carnegie Grant for further research in fine arts. He wrote and illustrated the book ‘The Thing Called Art’. His subjects were often taken from the Sacramento area.This is the only example of artwork by early-to-mid 20th-century recognised artist H M Ward in our collection. It is representative of the artwork displayed in homes during that era. Harold Morse Ward received a Carnegie Grant for research in art. He was a descendant of the inventor of the telegraph, Samuel Morse.Painting; the timber framed watercolour painting behind glass depicts a cottage on a hill beside a winding creek with trees and bushes. Artist is H M Ward. Signed "H M Ward"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, watercolour, landscape, h m ward, harold morse ward, 20th century art, sacramento artist, the things called art

The collection includes a small number of cast iron kitchen range components which appear to originate from more than one fuel-burning cooker. They are possibly relics from the two nineteenth century kitchens destroyed in the 1951 bushfire or bits from abandoned obsolete cookers. There are two oven doors, both with different types of hinges and handles discernible despite their badly corroded condition. One door is rectangular with a raised edging and a handle in the shape of a fist gripping a rod; the other door has a slightly curved top and is also framed and retains its strap hinges and central lock/handle. Door from a fuel burning domestic oven. It has a slightly curved top, is framed and retains its strap hinges and central lock/handle

Detached sector panel from upper lantern. The lens segment is one of a pair of freestanding panels that formerly stood on a platform in the upper lantern room on either side of a small fixed light. The platform rested above the 1860/62 Chance Bros. first order, fixed lens and could be accessed by a ladder. The two sector lens panels were each set in a bronze frame and comprised a curved wider (belt) piece in the centre with nine curved, slim line pieces above and below it (19 pieces in total). The belt aligned with the light source to provide optimal focus and range. The panels, the light and the platform were installed in 1934 to upgrade the original optical system with red warning lights. Fitting them above the lantern was a convenient and inexpensive way to do this, with each lens panel set up behind a red glass panel to project a red sector to the seaward over to Cape Howe and the Western Shore. The two sectors are likely to be Chance Bros. by manufacture although they do not appear to bear the maker’s name. This is probably because Chance Bros. typically fixed metal plaques to their apparatus and tended not to stamp smaller components such as their lens frames. It could possibly indicate that the two sectors are former components of a larger system, i.e. another lens. This can easily be confirmed by closely inspecting the bronze frames. A series of holes on the frame would indicate that ‘they would have bolted to other panels to make a larger lens assembly’. The absence of holes would confirm that ‘they were made specifically to stand alone’. The sector panels were removed from the Gabo lantern in February 1992. At some point after their removal, they were found in boxes marked with ‘Ince Pt.’, however it is thought that Ince Point lighthouse ‘never had … stand alone sectors’. The panel in the Gabo Island collection is one of two segments discovered at the Eden Killer Whale Museum in about 2007. One section was repatriated to Gabo Island and the other was to go to Smoky Cape Lighthouse in northern NSW. The Gabo lens segment has first level contributory significance for its historic value and provenance to the lantern room. It is recommended that Parks Victoria/AMSA seek to return the Smoky Cape segment to Gabo Island and reunite the sector panels.The Gabo lens segment has first level contributory significance for its historic value and provenance to the lantern room.Section of a lens from a lighting apparatus , rectangular louvers of glass enclosed in a metal frame.

The Tudor Blocks sets included new blocks that were interchangeable with the other Lott's bricks, but had with one profiled surface with a single colour of paint on the raised surface, which gave the appearance of the panels of a wood-framed Tudor building, or of leaded windowsLarge cardboard box containing many blocks & four "trees". A book of illustrations of models. The Tudor Blocks sets included new blocks that were interchangeable with the other Lott's bricks, but had with one profiled surface with a single colour of paint on the raised surface, which gave the appearance of the panels of a wood-framed Tudor building, or of leaded windows.Lott's Tudor Blocks new series illustrations of models. Boxes 1-6, price1/6, Lotts Bricks Ltd, Watford England. Note: Price 1/6 means one pound 6 shillingstoys, lotts tudor blocks, building blocks

Framed portrait of John Wicking who was President of the Association for the Blind 1973-1984 as well as a generous benefactor. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Wicking wears a navy suit, white shirt and navy blue Kiwi tie. John Wicking served as President of Vision Australia from 1973 to 1984 and as Vice President in 1990. He was Managing Director and Chairman of Kiwi International when he was introduced to the Committee in 1971. With a natural air of authority, he was known to be both strong and wise. One of the first hurdles Mr Wicking faced following his election as President in 1973 was understanding the health service system and sorting out the differing views of committee members over recommendations for projects costing hundreds of thousands of dollars with no funds to implement them. The ten years of his Presidency were a time of exceptional growth and expansion. He was instrumental in acquiring an adjacent property to those already owned in Glenferrie Road in 1974 at a cost of $120,000, on which the Low Vision Clinic was erected – the first of its type in Australia. Land was also bought in both the metropolitan and country areas for future expansion. Day care centres were opened in Ballarat and Bendigo and new metropolitan services commenced. Mr Wicking formed a committee to explore the possibility of a radio station people unable to read standard print. As a result 3RPH commenced broadcasting in 1981. Mr Wicking was also involved in the incorporation of Vision Australia under the Companies Act in 1990. After his retirement as President Mr. Wicking continued as a committee member until 1994. In 1995 he was instrumental in the establishment of the Tilly Aston Heritage Collection, on which he served as Chairman until sadly passing away in 2002. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John O. Wicking AM / President 1973-1984 / Association for the Blind'. association for the blind, vision australia, john wicking

Swimming Certificate for the Borough of Ringwood Municipal Baths. Proficient in swimming in 66 yards, 200 yards, and 400 yards and 1 mile and Life Saving Tests. Two good B&W pictures of Town Hall and pool.Sample swimming certificate, cardboard, with two B&W pictures on it. At the top is a picture of the old Ringwood Town Hall, and at the bottom a picture of the Ringwood outdoor swimming pool and building.

Negative. Victoria Hotel,on left of picture, S.Jones & Co; L.McPherson & Co; Bank of Commerce; Jones,Bird & Co, in left of picture. Also found in Box 87-2402.52.cottage, miners, victoria hotel, pall mall, bendigo., victoria hotel, pall mall, bendigo.

Picture postcard 'Port Melbourne Railway Pier, Melbourne' 1904. Tinted photo on grey background. Penny stamp and Daylesford address on back, message beside picture on front.'6/5/04 Arrived home safe. (illegible initial)'transport - shipping, piers and wharves - railway pier

The huts, in camp 3, were home to some of the Templer families from Palestine in 1941.Black and white photograph depicting 3 huts across the middle of the picture, some smaller trees behind the huts and a large tree at the right hand side top of picture. palestine families, templer families, templers, camp 3 templers, camp 3 internees, m haering

Framed black and white photograph of Collingwood Town Hall and Court House where Collingwood Technical School was based from 1912 – 1923. Originally designed by Mr. P Kerr, Govt. Architect, and built about 1853 for the Collingwood Town Hall and Court House.’ iInscription on the picture mount, reads: 'THE ABOVE BUILDING WAS USED AS / THE COLLINGWOOD TECHNICAL SCHOOL / DURING 1912-1923 / Originally Designed by Mr. P KERR, Govt. Architect, and built about 1853 for the / COLLINGWOOD TOWN HALL AND COURT HOUSE'.collingwood technical school, buildings, collingwood town hall, collingwood court house, nmit,

Collection of Dorothy Williams. Brooch belonged to her Grandmother Lucy Stafford - born 1878Oblong silver ( hall marked ) brooch. Decorated with 'Ivy' leaves, 'violin' and engravings (P+1) & Lion , plus 20 other symbols. Missing pin from rear of brooch.P+1 & lion ( picture) plus 2 other symbolscostume accessories, jewellery

Associated with Burgoyne's winery (Mt Ophir)Photograph of Mt Ophir cellar and surrounding country side. Printed on photographic paper (sepia) on cardboard mountOn small board near centre of picture: "Burgoynes Australian Wine"mt ophir, burgoyne's winery, mount ophir

WWI Historical significance.Khaki tobacco tin for WW1.Imperium Britanigum. 'M (Picture Britanica.) M'. Christmas 1914.

One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Digital copy of a an original mounted photograph showing the Camberwell Railway station being demolished and the Auburn Railway Station. The photos were later dated by the photographer as being taken in 1915.verso: "2015 / Top picture - Original Camberwell railway station being demolished / Bottom picture - Original Auburn Railway station on left / Taken by E.J. Dower"theme -- connecting victorians by transport and communications, camberwell railway station, auburn railway station, theme - travelling by train

Trish hand stitched this cross for her husband - ex veteran. It was a birthday present as his birthday was on Remembrance Day.Textile - Cross stitch hand made 'Remembrance Day' picture in colour with 100% cotton and Aida fabric. Light grey, grey and black lettering. Illustration - in colour, poppies with background silhouette of soldier and 4 crosses. Framed - clear varnish on timber, MDF book, glass front.textile, remembrance day

Collection of ARTHUR CYRIL EBDON See also: 2605.2, 2606, 2607, 2608.3.1) Brass cup with handle (flattened brass) made from shell case. .2) Brass paper knife made from ammunition (rifle) blade flattened brass. .3) Brass frame (photo/picture) made from ammunition (rifle) & flattened brass, square shape..1) Stamped on base: “St / GFSP 289 / DE2 1916 / ?”metal craft- brassware, handcrafts - trench art, military history - souvenirs, passchendaele barracks trust

Illustration. Taken and cut from a book. Image is a oval The view is looking from land across a path with the sea and cliffs. Man and woman with dog on lead, walking down path. A large sailing vessel is visible anchored to the left with a further ship in the distance to the right. A smaller sailing ship with a white sail sits just inside the first cape. Sky appears murky textured with clouds. Printed at the bottom CAPE BRIDGEWATER.Front: 'CAPE BRIDGEWATER' - printed, lower frame.cape bridgewater

Between 1867 and 1920, anaesthesia for dental operations was often maintained by blowing the vapour of ether or chloroform into the patients' oral or nasal pharynx. Junker's inhalers are a "blow over" device used with a hand-held bellows to bubble air through liquid chloroform and to the patient. It was initially intended for use with bichloride of methylene, a mixture of chloroform and methyl alcohol. Ferdinand Ethelbert Junker introduced his inhaler in 1867 as appointed physician to Samaritan Free Hospital for Women (although it didn't have that name until c.1904). Glass jar with liquid measure markers etched onto. The jar has a metal lid, with a metal tube descending into the jar. Two metal tubes are protuding out of the top of the lid, and each has a small section of rubber tubing attached. There is also a metal hook, used to attached the jar to the physicians (anaesthetist's) lapel.Stamped into frame of metal lid: LONDON MADEjunker, blow over, chloroform, samaritan free hospital for women

This photo is a collection of objects that stood on the roads in the past and were collected by the former Bulla Shire and mounted in front of their offices in Macedon Street, Sunbury.A black and white photograph of two lamp posts, two milestones and a hitching poston back: "Relics of the past" "Regional" Frame Sizelamp posts, lights, street lighting, bulla shire, hitching posts, milestones, regional newspaper, george evans collection

Two women with possum shins and stolesPhoto mounted by Big Hill Art and Framing

Council mayor and councillors during bicentennial 1988-89Colour Photograph, Bicentennial Council 1988-9Inscription in middle of frame between 3 photographs

Framed certificate of Freedom of Entry to the City of Sunshine

Group Ladies R.S.S. & AILA Auxiliary c1940's R.S.S. was the RETURNED SAILORS & SOLDIERS AILA was the AIRMEN IMPERIAL LEAGUE OF AUSTRALIA BACK ROW L-R unknown , Mrs McL WALKER, unknown, unknown Mrs CHATFIELD CENTRE ROW L-R: Mrs ANYON, Mrs FITZELL Miss FAWCETT Mrs ROEBY unknown, unknown FRONT ROW L-R: Mrs MORIATY Mrs LUGAR Mrs PICKERING Mrs NEWTON Mrs KINDRED unknown Mrs EGGINTONSEPIA PHOTOGRAPH ENCLOSED IN A COVER WITH A METAL BACK. Three rows of ladies with the front row seated. lady in the centre of the front row is holding an R.S.S pennant Photographs were framed this way in the 1940'sstawell, soldiers, sailors, airmen