Colour photograph showing some old graves with large trees set behind.linton cemetery

Colour photograph showing some old graves in front of a stand of large trees.linton cemetery

Colour photograph of cream brick building with pitched tile roof and trees behind.shire of grenville, shire offices, buildings

A4 copies of Landata Victoria Historical Search documents - Vol 7052 Fol 1410222. Includes Carter Family Tree property notes. William George Carter of Grandview Grove Ringwood, Nurseryman, is now the proprietor - three acres or thereabouts shown on map (12202a) - 14th March, 1947. Transfer B284834 Registered 21 September, 1961 - 1 acre shown on map (12202c) north of Plymouth Road. NOTES ON GRANDVIEW GROVE PROPERTY (Carter Family Tree extract) The Grandview Grove property was purchased by William (Bill) and Doreen Carter in 1947 as three acres of uncleared bushland. They had a 2 bedroom fibro-cement house built on the land which they informally called "Willoreen". With Doreen looking after sons Peter (born in 1940) and Robin (born in 1950), Bill worked locally at Croydon Dairy. The family spent much of their spare time clearing the land, where Bill then grew and sold fruit, flowers and berries, particularly strawberries, as a hobby and to supplement their income. Bill continued to do so while Peter and Robin were growing up, and after Doreen died in 1958. In 1961 Bill sold one of the three acres to one of his seven sisters, Grace, who lived in Kew but later moved to Rosebud and sold the land without ever building on it. During the 1960s, Grandview Grove was renamed Bemboka Road. After retiring as a milkman, Bill moved to Rosebud, Vic, and in 1977, sold the property to the Anglican Church, who were looking to invest in the site in anticipation of proposed future residential development in the area. As nearby properties were subdivided during the 1980s, the house, which the Church had initially utilised as low-cost family accommodation, was modified internaly to become a church/Sunday school. By the early 2000s, construction of a contemporary-design church and carparking area between the house and street alignment had been completed but the house remained as a detatched meeting room until falling into disrepair and was eventually demolished around 2010.

Photograph shows a rural scene with large gum tree (scar tree or canoe tree) in foreground and farmland in background. This is on Bonds Road Rosanna near the Rosanna Golf Club.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.canoe tree, first nations, bonds road rosanna

The poem "The Trees of Ballarat" places the trees within the poet's view of Ballarat.As the Ballarat trees are such a feature of the city and the Ballarat Botanical Gardens, they are a treasured part of the history.1 sheet of white paper with a black and white photo of Ballarat Town Hall in Sturt Street and the poem of 5 verses on the righthand side of the picture in small black print. There is 1 copy.None. poem, "trees of ballarat", h.e.ramsay, john garner, doctor, john garner collection, ballarat, ballarat botanical gardens, trees, friends of ballarat botanical gardens, pen pictures of ballarat, gardens

Black and white photographic image of a harbour with two long piers running into it and a shorter jetty with a building on it and circular jetty protruding from it. In the foreground are trees, a dirt road to the foreground right and a railway track visible between the trees.Front: THE ROSE SERIES P. 1113/ COPYRIGHT (typed, lower left) PANORAMA OF THE HARBOUR, PORTLAND (typed, lower centre) Back: (no incriptions)

This is a photo of the old Halls Gap swimming pool, after the changing shed was built.The photo shows a swimming pool ina cleared area surrounded by trees. There is a white fence around the pool and two pine trees are in the foreground at the corners of the pool. There is a building on the far side of the ppol. There are people visible in and around the pool.recreation, swimming pool

The photo is of Mountain Grand guesthouse.Photo shows a large building with verandahs in front of the on the left and right wings. Verandah on the right is semi-circular to accommodate the design of the room behind it. A large eucalyptus tree stands in the foreground. Two cars are parked beside the tree."Kodacolor print, Kodak, April-71M" stamped on back in pink.accommodation, mountain grand

Sepia photo: image, mounted on board, shows Bendigo Post Office and Law Courts, Pall Mall, trees out front inside tree guards. Hansom cab just visible on bottom RH side of image.bendigo, streetscape, pall mall, bendigo, sandhurst, post office, law courts, pall mall

Painting of Schwerkolt Cottage by Barbara Rogalski, member of WHS "Autumn" is one of 4 paintings.Oil painting of end of building in treed setting with autumn tree in foreground on grass. Schwerkolt Cottage - Mitcham Painting mounted on beige fabric with inner beige plastic frame. Outer frame of brown wood with gold rim.Signed by B. Rogalskipainting, schwerkolt cottage - autumn, barbara rogalski

This tree is a significant tree located beside the Diamond Creek Trail in Alistair Knox Park. It was identified as the same tree in earlier photos from the 1980s. This images was taken just before the COVID-19 pandemic hit and the tree also has been tagged with grafitti on its trunk.alistair knox park, diamond creek trail, grafitti, significant tree

The landscape painting depicts rolling green hills with a valley through the centre. Scattered throughout the painting are numerous trees and cattle. The foreground is a darker green which creates a shadow effect. Within the foreground are more detailed trees, tree stumps and birds. The background is a cloudy sky in shades of blue, pink, purple and orange. Work has a heavy gilded ornate frame.Front: (No inscriptions) Back: (Not available)

The sheet of photocopied A4 size paper shows an aerial photograph of the Bendigo East State School and the location of significant trees on school property. The trees have been numbered and colour-coded. Blue: Avenue of Honour Sugar Gums, Green: Commemorative Sugar Gums planted on school grounds. Red: Indigenous trees which are not associated with commemorative plantings. Gemma Starr Collectionbendigo east state school, bendigo schools, gemma starr collection, school avenue of honour

Postcard Front - Glenorchy bridge over water with gums in colourGreetings from Stawell - Gold Pen. Bridge supports. Note from Mother. also gold pen. Also parts of trees

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting on stretched canvas featuring the colours pink, grey and silver. School of Business Services Art CollectionVerso: Pauline O'Shannesy-Dowling May 2005 "Tree" (V) Mixed media on canvas 30 cm x 40 cmart, artwork, o'shannessy-dowling, pauline o'shannessy-dowling, available, tafe business collection

Typed below photograph, 'Major General Beavis receiving new plaque for Memorial Tree North Ringwood State School grounds. Tree originally planted in 1955 in sand brought from Gallipoli in 1936 when R.A. Pullin was serving in H.M.A.S. Australia. The visit commemorated the 20th anniversary of the landing'.

Photograph shows rural view with cattle and trees. This is the scar or canoe tree in Yallambie. Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"scar tree, canoe tree, yallambie

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

Photograph shows a large gum tree encircled by an iron fence. This tree is known as a canoe or scar tree - a section of bark has been removed by first nations people to make a canoe.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"canoe tree, scar tree, first nations

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Photograph of Stawell Shire Hall taken 1988. 1988 view of the Stawell Shire Hall. Photo taken from the other side of the road. The decoration on top of the building is missing. The tree on the right hand side is losing its leaves and 2 cars are parked on the right, behind the tree. Stawell Shire Hall 1988 Geoff Oates P.O. Box 402 Stawell.stawell

40th Anniversary badge in a shape of a Linden leaf. Linden tree is very symbolic for Slovenians. During the period of the Slovenian national awakening and the Slovenian people's increasing national awareness, the linden tree became one of the symbols of the Slovenian nation.SDM 40 let - SAM 40 yearsbadge, slovenian associoation melbourne, 40th anniversary

Also second copy which is a very clear photo.Sepia toned photograph of Pine Hill Guesthouse, showing rambling building on top of hill, landmark tree, and pine trees on hillside. Road in foreground is Princes Highway. In far distance a glimpse of Cunninghame Arm. Lakes Entrance VictoriaPine Hill Lakes Entranceguesthouses, roads and streets, topography

Camp 3. made by Gudrun and Isolde Frank, camp 3 c.Black and white sketches for calendar. 1943. 6 sketches. 1 - Cloudy sky, with hut and tree to the right and a truck front right; 2 - a guard tower on left hand side, 4 water tanks in Centre and a cloud to the right. front shows some rocks; 3 - Cloudy sky, 2 big trees (one on left and one on right), 3 bare trees in Centre. Across the front are 4 sheep and 4 four posts; 4 - 1 horse in foreground the 3 in back ground with trees in background; 5 - two children picking vegetables with a small hut to the right and a fence in front of 2 trees; 6 - 5 men working in a garden, 1 with wheelbarrow.the number 4 top right hand cornercamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers