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National Wool Museum
Machine - Scouring Bowl, J Dyson & Sons Pty Ltd, c.1890
Scouring is the process that removes wool wax and other unwanted products from wool. Wool is washed in a hot detergent solution. It moves through a series of scouring bowls and is then rinsed and dried. Careful handling and washing preserves the strength and softness of wool. If the wool contains lots of seeds and other vegetable matter, it must be cabonized. This means it is treated with a solution of sulpheric acid and then baked at high temperature to remove impurities. The disused scouring water left-over from this process was often let drain into rivers and watercourses causing pollution. Many of Geelong's wool scours along the Barwon River were closed due to environmental damage. The race system on this bowl is not the original it has been modified with a variation of the harrow system. Used at E.P. Robinson South Geelong from c.1890-1970.Scouring bowl.J. Dyson & Sons Pty Ltd, Geelongsouring bowl, j dyson & sons, geelong, wool processing, e. p. robinson, textile industry, factory, mill -
Australian Gliding Museum
Machine - Glider - Sailplane, 2012
The ES52 Kookaburra is a two seat high wing glider – sailplane of wooden construction designed by Harry Schneider and built Edmund Schneider Pty Ltd. It was first flown on 26 June 1954 and became the glider of choice for training new pilots of many gliding clubs around Australia in the 1950s, 1960s and 1970s. Several found there way to New Zealand. Further two kits were sent to Brazil and at least one of these was finished and flow successfully. The ES52 performed well with a glide ratio of about 22:1 and had soaring and cross-country capabilities. A notable feature of the ES52 design was the staggered side-by-side seating arrangement of the cockpit. This made for good in flight communication between instructor and trainee. Overall, thirty six were built by Edmund Schneider Pty Ltd. A longer wing version (the ES52B) was also introduced that had a better glide ratio (around 25:1). Five examples of this version were built. In Germany a modified ES52 was built incorporating a metal tube fuselage frame and with the addition of a engine driven propeller mounted on top of the wing which enabled the glider to be self launching. This museum collection item consists of the fuselage, tailplane, elevators, fin, rudder from the Mark I, ES 52 Kookaburra, formerly registered as VH-GFF and last owned by the Barcaldine and District Airsports Club of Queensland. The glider was in a damaged condition when it was acquired by the Museum. A decision was made by the Museum to repair the glider for display rather than endeavouring to restore it to an airworthy condition. The reconstruction of the wings is being undertaken by using parts of damaged ES 52 Kookaburra wings (as it happened from later ES 52 Marks). The Log Book for VH-GFF reveals operational life with a succession of gliding clubs around Australia. This exhibit will be of interest to gliding enthusiasts wishing to inspect the popular two seat club trainer of a by-gone era.This is a wood and fabric covered aircraft that is being rebuilt from the components of several aircraft as a non-flying exhibit.Fuselage marked with Edmund Schneider Pty Ltd Serial Number 9 and comes from the glider previously registered as VH-GFF.australian gliding, glider, sailplane, edmund schneider, es 52, kookaburra, barcaldine and district airsports club, victorian motorless flight group, alice springs gliding club, raaf richmond, raaf williamtown, gayndah gliding club, blackwater gliding club, southern downs aero and soaring club, charleville gliding club -
Australian Gliding Museum
Machine - Glider – Sailplane
Prior to World War II an international competition was held for design of a standard sailplane for use in Olympic competition in 1940 in Finland. The design chosen was the “Meise” from DFS in Germany and its designer Hans Jacob. The 1940 Olympics were cancelled due to the outbreak of war and post war international gliding competition has been organized as World Championships, not as an Olympic event. After the war the Meise was manufactured by firms in Europe and a few were built by amateurs from plans. In 1945, a United Kingdom firm, Chilton Aircraft Limited, revised the plans for the DFS Meise Olympia keeping its aerodynamic shape and prepared new technical drawings for the production of the Chilton Olympia. It engaged Elliotts of Newbury (a firm with aircraft production experience during the war) to built a set of wings for its prototype. The wings were made by Elliotts but it apparently refused to let Chiltons have the jigs required to build more wings. The matter was resolved by Chiltons transferring its production rights and equipment to Elliotts. Elliotts produced several batches of Olympias (the “EON Olympia”) – probably about 150 in total from 1947 including Marks 1, 2 and 3 versions (featuring some structural changes and design improvements). The Australian Gliding Museum’s Olympia is a Mark 2 (actually 2B according to the logbook) which can be distinguished by the built in main wheel and blown Perspex canopy. It was designated as serial number EON/O/34 by Elliotts. It was damaged badly at Bristol, UK, in 1949. The wreckage was acquired by a Melbourne based syndicate including Dave Darbyshire, and imported into Australia. Additional damage occurred in shipping due to the need to shorten the wings to fit them into a crate. The syndicate rebuilt the glider and re-launched it in 1956 (registration number VH-GHR). It was flown by the syndicate and several gliding clubs in Victoria and South Australia until about 1972. A potentially airworthy example of a now rare sailplane of historical importanceSingle seat wooden sailplane, partly restored.australian gliding, glider, sailplane, dfs, hans jacob, meise, olympics, eon olympia, chilton aircraft, elliotts of newbury, dave darbyshire, great eastern gliding club, barossa valley gliding club, murray bridge gliding club -
The Beechworth Burke Museum
Ceremonial object - Ushabti of Taweret-Khaiti, Circa 1292 BC
Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt -
Kew Historical Society Inc
Photograph - Brick and Stucco Bungalow, J E Barnes, c.1920
The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending o the importance of the photographic atelier.Real estate photograph for a local agent by the Kew photographer, Josiah Earl Barnes. The photo is of a weatherboard or brick rendered bungalow with a twisted wire fence. Given Barnes' status a a Kew photographer, the house is probably locate din Kew or East Kew. Unfortunately the handwritten information on the mount bordering the photo is damaged and cannot be read. The bungalow has a gabled, tiled roof with terra cotta finials at the front of both gables. The house has a central doorway, framed by a pseudo portico supported by four wooden columns. On each side of the doorway, at the front, there are paired sash windows, which, like the half-timbered gable, are picked out in a darker colour.Handwritten, mostly illegible description by selling agent on mount surround: " .... in Diningroom, Drawing Rooms, ... Photographers details printed on mount: "J. E. Barnes / Photo / Phone 1966 Haw KEW"houses - kew, bungalows - kew, real estate photographs, j.e. barnes -- photographer -
Bendigo Military Museum
Book - BOOKS, RECORD of SERVICE & DEMOBILISATION
Two versions of Record of Service books with second version revised Aug 1944. Contains info on pay, leave, vaccinations, enlistment details, physical description for SGT E. G. DRISCOLL VX113437. The third book - demobilisation Procedure Book containing details of demobilisation 4/7/46 From 1st Aust. Cinema Unit.Three stapled booklets with brown covers and white pages. 1. Record of Service Book 1 - writing on covers very faded ( unreadable) and Red ink stains on back. Contains 11 pages of instruction and data (Page 1-22). 2. Record of Service Book 2 - In better condition but tape or sticker on front has caused some damage. Some of the data from Book 1 copied across and some not. Contains 20 pages inside. No 1- 40. 3. Demobilisation Procedure book - cover has name, rank, Unit and date of demob. Inside has data related to demob with 12 pages inside.1. Record of Service - Name, on cover and some indecipherable writing on front and back. 2. Record of Service - Name & No. on cover - Revised version Aug 1944. 3. Demob. Procedure Book - Personal data on cover and details inside.service book, demobilisation book, ww2 -
Ballarat Tramway Museum
Functional Object - Four Wheel Flat top Trolley, Commonwealth Railways - Port Augusta Workshops (Understood), 1940's?
Four wheel flat top track trolley- deck wood frame and sides on four fabricated/pressed wheels, with bearings, axles- Used to transport materials- hand pushed or towed. Metal tie rods in front over axles and metal has connecting tow/couplers. Relocated to Bungaree c2015 when 22 moved. Photographed at Bungaree 6-4-2020 by Neville Britton, see image btm18i1.jpg. Record updated 6-4-2020. See detailed information on back of sheet in folder for sketches, timber damaged, notes re a number plate and a note regarding work done 7/97 in replacing underside diagonal bracing supports.On underside in paint, "To Cargeeg, 50 Pasadena East Bentleigh, Melbourne"trams, tramways, commonwealth railways, maintenance equipment, railway trolley -
Ballarat Tramway Museum
Poster, Philip Smyth of Visual Creations Ballarat, "150 years of Gold", 13/06/2001 12:00:00 AM
Poster of banner, "150 Years of Gold" used in the launch of Gold Tram (No. 45) on 14/6/2001 at the depot. Painted using water based poster paint, onto a roll of white paper, with a yellow or gold background, the words have been pained in a deep blue. Has been torn at the right end at the time of the launch. Has been stored rolled. btm1777i1 - shows banner 75% rolled out. btm1777i2 - shows banner - right hand edge showing damage btm1777i3 - shows banner in use at the depot on 14/6/2001 - See Fares Please! July 2001 for further details. See Fares Please! July 2001trams, tramways, gold tram, launch, banner -
Ballarat Tramway Museum
Document - Instruction, State Electricity Commission of Victoria (SECV), "Questions - Applicants for Inspectorship", Feb.1946
Three page foolscap typed (carbon copy) instruction sheet titled "Questions - Applicants for Inspectorship", Dated 18/2/1946 pined in top left hand corner. Pages 2 and 3 stapled together. First page asks 10 questions of a varied nature and pages 2 and 3 gives suggested answers. Has initials THT/HEJ in top left hand corner. Asks questions re a person damaging a tram, trolley wire falling onto the road, derailments, obstructions, improper tickets, how to use a loop if part defective, how to maintain service, intoxicated or drunken crew, complaints from passengers.In black ink across top of instruction "BTPS 320." trams, tramways, sec, instructions, traffic staff, inspectors, accidents -
Ballarat Tramway Museum
Sign, A. Simpson and Son Limited Enamellers of Pirie St Adelaide, "NOTICE" - Conductors Duty, 1950's
Demonstrates how the SEC used enamel signs to convey instructions to passengers or to confirm the advice of the conductor and how enamel signs were made.Enamel sign, black capital letters and lines on white background, with words in lower case "NOTICE It is the Conductor's duty to issues a Check for every fare received. This Check denotes the destination to which the Passenger is entitled to travel, and must produced on demand, or another fare paid.". Sign has a black enamel backing, with marks from the enamelling process and holes in each corner. The words "NOTICE" and "produced on" and "another fare" have been chipped off. On rear is a manufacturer's notice (A. Simpson and Son Limited Enamellers of Pirie St Adelaide) regarding fixing the sign and possible damage to surface. In bottom left hand of rear is words "No. 3 O?? No. 3"trams, tramways, signs, sec -
Mont De Lancey
Book, Edith F. Carey et al, The Channel Islands, 1924
An up-to-date account of The Channel Islands to sketch out the history of Jersey, Guernsey, Alderney and Sark, pointing out a few of the many legends and traditions associated with them, the storm and stress through which they have battled, some of the remnants of feudalism which they have managed to preserve, and certain conspicuous men and women who once lived in them. Mr Wimbush has painted them as they are - these delectable fragments of France.A blue self patterned hardcover non fiction book with the title printed in gold lettering: Channel Islands Edith. Carey (author), Henry Wimbush (illustrator) and the publisher A&C Black at the bottom.It has a damaged white paper dustjacket with the same information printed in blue lettering as well as a coloured illustration of The Sister Rocks, Alderney in a blue lined frame. The back of the jacket has a list of Books and Postcards on the Channel Islands with details and prices. There is an inscription on the right hand endpapers written in faded black ink. Opposite the tile page is a frontispiece coloured illustration of St. Peter-Port, Guernsey, from the Pool. There are several coloured illustrations throughout the book.p.226non-fictionAn up-to-date account of The Channel Islands to sketch out the history of Jersey, Guernsey, Alderney and Sark, pointing out a few of the many legends and traditions associated with them, the storm and stress through which they have battled, some of the remnants of feudalism which they have managed to preserve, and certain conspicuous men and women who once lived in them. Mr Wimbush has painted them as they are - these delectable fragments of France.travel books, books, channle islands, history -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, The Courier Ballarat, 6/03/1969 12:00:00 AM
Yields information about the nature of operating a tramway system in Ballarat, collisions with motor cars. Shows the accident and the clean up process.Black and White copy photograph of a newspaper photograph taken by The Courier, photo taken 6/03/1969, published 6/04/1969? - No. 18 derailed after collision with a Holden motor car at the intersection of Grenville and Bridge Sts, looking east, close-up of damaged car. 3751.2 - not published. Shows Policeman, tow truck, tow truck operator and tram and onlookers. Tram had the destination of Mt Pleasant. Dickins and Neptune signs in the photo. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, bridge st, accidents, derailments, tow trucks, tram 18 -
Ballarat Tramway Museum
Photograph - Digital image Set of 10, Warren Doubleday, Repairs to No. 40, 7/8/2004 to 26/12/2004
Set of 10 Digital Images of the work involved in the repairs to tram No. 40 during the period 7/8/2004 to 26/12/2004. .1 - No. 1 end panel removed .2 - work to sand down underway - not top gutter rail. .3 - Trolley with trolley pole bases .4 - damaged to gutter metal work .5 - close up showing the rust to the metalwork at No. 1 end drivers dash .6 - removed panels .7 - rust to the gutter metal work .8 - Alastair Reither sanding one of the pillars .9 - ditto .10 - work progressing with undercoat and new timber panel - ex the packing case that arrived with the Isolating Transformer.trams, tramways, btm, maintenance, painting, tramcars, trolley poles, tram 40 -
Falls Creek Historical Society
Journal - Schuss Vol. 21. No. 6 August 1955
Schuss was advertised as Victoria’s Official Ski Journal It was issued monthly from 1935 to 1961 except during the war when summer issues covered two months. This continued after the war, but it averaged 10 issues annually over its 25 year life. Schuss was published by the Ski Club of Victoria which had a membership of 38 Ski Clubs and demanded to be recognised as the prime authority on skiing in the state. The other 30 ski clubs with 85% of the members disagreed and the politics of skiing became heated. These clubs formed the Federation of Victorian Ski Clubs with their own journal, Ski Horizon. With the establishment of the Victorian Ski Association, Ski-Horizon published its last issue in Nov - Dec. 1955 and the role of the official journal was fully taken over by “Schuss”. This item is significant because it contains stories, images and information documenting the development of the ski industry in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. Items related to the Falls Creek Area in this issue include:- Page 196 - A report on the Victorian Championships held at Falls Creek on 14 August 1955. Page 201 - SKYLINE Lodge of Falls Creek carried about eight feet of snow on its roof after the big August fall. As this consolidated more was added, till there was some 15 to 20 tons of packed snow on the roof. It also caused some damage which will require repairs in the spring; assistance from members is required in this work. This unusual depth of snow ensures skiing on the slopes above Skyline till well into the summer months. schuss journal, victorian championships 1955, skyline lodge -
Melbourne Tram Museum
Newspaper, The Sun, The Herald, "Man in the news - blacklisted Tom 'sick of it'", Jan. 1969
Newspaper Clipping - set of nine sheets of newspaper clippings adhered to both sides of a sheet of ruled quarto paper with punched holes on the left hand side - various newspapers, mainly to do with Tom Pesteranovich and his black listing following working during a strike, industrial courts, use of University students, Conductor John Brooker also black banned, stop work meetings, . Also covers new train fares, St Kilda Junction works, derailments on the rail system, fire damage to rail bridges and a note inviting people to join Puffing Billy. See also Reg Items 2561 and 2693 for further items on this industrial matter.trams, tramways, mmtb, kew depot, unions, drivers, strike, st kilda junction, fares, railways, derailments -
Melbourne Tram Museum
Uniform - Coat Button/s, Stokes and Sons, Buttons of Birmingham, 1910-1920
Set of three coat buttons: 1 - Small Prahran and Malvern Tramways Trust - PMTT - made by Stokes and Sons Melbourne - approx. 20mm dia. The badge backing piece is brass. 2 - Large PMTT - heavily worn - made by Stokes and Sons Melbourne - approx. 26mm dia - missing lug. 3 - MMTB button or Badge - damaged - made by Buttons of Birmingham UK - approx. 25mm dia. Each button has a backing piece on rear with a lug (except for 2) for sewing onto a jacket and have name of manufacturer stamped on rear part. "Buttons Ltd" of Birmingham, England has their trade mark, a pair of fully opened scissors.trams, tramways, mmtb, melbourne tramways, uniforms, buttons, pmtt -
Melbourne Tram Museum
Photograph - Digital Image, Sydney Road, Coburg, looking south from near Bell St, c1920
Digital Image of Sydney Road, Coburg, looking south from near Bell St, showing the track repair work to remove bricks from the rails that were resulting in damage to the track foundations by letting water into the track. Photo supplied for identification purposes May 2020, by the Editor, Australian Railway History - see htd4680doc for email correspondence. Image belongs to the ARHS NSW Div. Rail Resource Centre No. 117413 Was used in the June 2020 issue of Australian Railway History - see Reg Item 4684. In the background are the Commercial Bank of Australia, A. M. Hadden Chemis, Walkers Stores, Joblings boots, a Lending Library with adverts for The Age, The Argus, The Herald.trams, tramways, sydney road, coburg, track repairs, trackwork -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Lee A Ratten, mid 1940's
Black and white photograph of tramcar 869 in Glenferrie Road with Dash Canopy lighting. 1941 eleven SW6 class trams built by MMTB at Preston Workshops, numbers 866 to 876. Entered service 19 June 1941. Based at Malvern Depot c1948 to c1991. Advertisements in shop for Turf and Ardath. Sign on front of tram: "For comfort travel between 9:30 & 4:00" Tram has the destination of St Kilda Beach via Balaclava. Route number 69. Extensively damaged by fire in Church St at North Richmond terminus Tuesday, 14th November 2006. August 2014 transferred from Preston Workshops to Newport Workshops.trams, tramways, sw6 class, glenferrie rd, dash canopy lights, tram 869 -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION; HIS ROYAL HIGHNESS THE PRINCE OF WALES VISIT TO MCG INVITATION
An invitation on damaged card with the words, ' In Honor and in the Presence of His Royal Highness The Prince of Wales, K.G., P.C., G.M.M.G., G.C.V.O., G.M.B.E., M.C. The Government of Victoria Requests the honor of the Company of The Worshipful the Mayor of Bendigo & Mrs. Curnow at the Melbourne Cricket Ground, Monday, 31st May, 1920 at a Demonstration of Physical Culture to be given by Children of the Metropolitan State Schools. Admit two only. Guests are requested to be in their places at 1.40 p.m. Please present this Card at the Members' Entrance. The Lower Tier of Seats in the Grey-Smith Stand, is on the West Side of the Members' Pavilion, is Reserved for Government Guests to the extent of its seating capacity. Entrance near the Bowling Green.'civic mementoes, royal souvenirs, invitation, lydia chancellor, collection, royal family, melbourne cricket ground, m.c.g., official invitation, invitation, royal tour, the prince of wales -
Bendigo Historical Society Inc.
Newspaper - ESMA TURNER COLLECTION: AMALGAMATED SOCIETY OF ENGINEERS
Esma Turner Collection - ( Esma Turner - secretary of the Huntly and District Historical Society ) Amalgamated Society of Engineers / A4 size booklet plastic cover, cardboard back, plastic binding - front page black and white photo 'Grand Times' Esma Turner with remnants of a once-grand presentation, article Historic portraits create a mystery By Steve Kendall - taken from the Bendigo Weekly - Friday October 31st 2008 relating to the repair of a badly-damaged historic photo presentation, which led to further research into the Amalgamated Society of Engineers. / included in the booklet: - 'the origins of the Amalgamated Society of Engineers / it’s time of operation, its significance or any other detail'.book, engineering, esma turner/ / the huntly and district' s historical society. / article historic portraits create a mystery by steve kendall -/ 'the origins of the amalgamated society of engineers / its time of operation , its significance or any other detail .' -
Bendigo Historical Society Inc.
Administrative record - Factory Order Book
The item is a soft cover book recording factory orders of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page records the customer orders by date, name and goods supplied. The soft cardboard cover is navy blue with considerable wearing to the bottom right hand side corner, water damage to the top left hand corner and stains on the front and back. A paper rectangle is stuck to the front cover on which was stamped "Factory Order Book" but much of it is missing. The pages are bound together with string. The book includes the date range of October 1896 to December 1897. All pages have been used. This item is part of the Margaret Roberts Collection.A paper rectangle is stuck to the front cover on which is stamped "Factory Order Book". The left hand side and some of the top and bottom has been torn away. margaret roberts collection, ironmongers, forest street, bendigo businesses -
Bendigo Historical Society Inc.
Book - GRANT DAVIS COLLECTION: ALBUM OF CUTTINGS RE PLAYS , CYCLING ETC
GRANT DAVIS COLLECTION -ALBUM OF CUTTINGS RE PLAYS , CYCLING ETC String-bound brown paper .Damaged Loose Hard cardboard covers .Front cover has the word Album with decorations above and below in silver .The first page has a photo of Franklyn (Frank ) Joseph Davis.4.2.1868 -4.6.1952 . Also written is Frank Davis, Perth St Prahran.The second page has The Tattler - The Rose -scented handkerchief - a play written by a Melbourne lady - two photos are shown of play Actors . There is a letter from the Queensberry Cycling Club .Other pages have references to plays , Elocution competitions , the Melbourne Shakespeare Society - Programme dated 1902.book -
Bendigo Historical Society Inc.
Document - POSTER '' WERE YOU THERE THEN''
Australian First World War recruitment poster printed in 1916 most likely referencing the Gallipoli Campaign. It features the image of a woman in a white dress standing in front of a tattered Australian flag against a yellow background. She is pointing to it with her left hand as if asking the viewer if they were there when the flag was damaged. It appeals to the guilt of the viewer that they had not enlisted to help defend Australia at Gallipoli and to their sense of patriotic duty to enlist. The image is in the upper half with the text beneath both set against a red background. Facsimile published by the Australian, November 1968 from the original in possession of the Mitchell Library, Sydney NSW. Printed by W.A. Gullick Government printer, Sydney.military, world war 1, poster -
Bendigo Historical Society Inc.
Document - NEW RED WHITE & BLUE MINE - NEW RED WHITE & NEW CHUM RAILWAY MINE MANAGER'S REPORT 17/2/03
Handwritten extracts from the New Chum Railway Mine Manager's Report 17/2/03. Mine Manager W Hicks. Extracts: Machinery. New Boiler is giving every satisfaction. While bailing water after the Xmas holidays, one of the ropes broke with a full tank of water. The tank being fitted with safety appliances, acted. Therefore no damage was done to the shaft. The old ropes were taken off and replaced by two new ones of 2,500 feet each, with a breaking strain of 34 tons. Mine 7 machinery are all in good working order. 1925 - Portion of Cath. Reef battery sold to Big Blue.document, gold, new red white & blue mine, new red white & blue mine, new red white & blue mine manager's report 17/2/03, w hicks, cath reef battery -
Mont De Lancey
Book, Milshinock, The Weekly Times Farmers' Handbook, c 1940's
A handbook for farmers compiled from articles from practical information from the Rural Section of the Weekly Times in Australia. It has informed generations of farmers on the way of the land, with useful tips and invaluable advice. Few farms would have been without a well-thumbed copy.A brown hardcover book with the title printed in black text, The Weekly Times Farmers' Handbook on the front cover. Compiled from the Farmers' Information Bureau with Practical Information from the Rural Section of The Weekly Times. Second Edition is printed in a black rectangular shape at the bottom with the price - 2/6. Three black lines decorate both sides and across the cover information. Ink stains on the front. The spine has the faded title written. The title page is missing, but there remains A Forward and Preface. An index is at the back, along with advertising for farming products and equipment. Diagrams, illustrations are included. 286Pp. Stains and foxing on the edges of the pages are visible. Some damage to the spine top and bottom.non-fictionA handbook for farmers compiled from articles from practical information from the Rural Section of the Weekly Times in Australia. It has informed generations of farmers on the way of the land, with useful tips and invaluable advice. Few farms would have been without a well-thumbed copy.farming australia, the weekly times, farmers -
Port Fairy Historical Society Museum and Archives
Book - Journal Methodist Sunday School from May 1904 to November 1917, Wesleyan Book Depot
The register was used by the Port Fairy Methodist church for the record of issuing and exchanging loan library books to their congregation between the years 1900 - 1924 A book which tells the story of parishioners borrowing books from a library held by the Port Fairy Methodist Church and their namesA red blue and cream marbled covered book with a label for Port Fairy Methodist Sunday School Library stuck crookedly to the front cover as well as a centred label stating Library RegisterTop Label- Port Fairy Methodist Sunday School LIBRARY No.................. Time allowed for reading this book, 14 days; beyond this time it must not be detained without the consent of the Librarian. Any Scholar damaging this Book must replace it or be suspended from the privilege of the Library. Lower label- Library Register. Monogram underneath and in pencil- PORT FAIRY -above "Library and in pencil between "Library Register." and the monogram- -W.S.S.- and underneath the monogram in pencil- October 1st 1900 penciled number 9 and letter w also on labellibrary register, methodist church -
Federation University Historical Collection
Photograph - black and white, Cologne Cathedral from the Rhine, c1950
Cologne Cathedral is a renowned monument of German Catholicism and Gothic architecture and is a World Heritage Site. It is Germany's most visited landmark, attracting an average of 20,000 people a day. (Wikipedia) Though not targeted itself, the cathedral was very near to the central railway station and suffered fourteen hits by aerial bombs during World War II. Badly damaged, it nevertheless remained standing in an otherwise completely flattened city. The twin spires were an easily recognizable navigational landmark for Allied aircraft bombing deeper into Germany, which may explain why the cathedral was spared. Repairs were completed in 1956. An emergency repair on the northwest tower's base carried out in 1944 using poor-quality brick taken from a nearby ruined building remained visible until 2005 as a reminder of the war, when it was decided to restore the section its original appearance. (Wikipedia) Black and white photograph showing a grand cathedral from a waterway. It is Cologne (Koln) Cathedral from the Rhine. To the left of the photo bombed buildings are evident. The photograph is believed to have been taken by Frank Wright.cologne cathedral, koln, germany, rhine, bombing, world war two, frank wright -
Warrnambool and District Historical Society Inc.
Bottles (2), Bottle, c. 1900
These two bottles were found by workmen building a new retaining wall on the north side of the Les O’Callaghan History House building in Gilles Street Warrnambool. The wall replaced one damaged beyond repair following a car accident in 2019. The building was erected in 1889 as the caretaker’s cottage in the Warrnambool Sea Baths complex (for most of its existence it had two swimming pools, a hot sea water baths building and a caretaker’s cottage). The water in the baths were pumped up from the ocean and, for the hot baths, heated on site. These baths were the municipal baths until the mid 1950s. The bottles may have originated from the one of the families residing in the cottage or from passers-by in the adjoining Merri Street or from patrons of the baths. They appear to be over 100 years old but there is no way the ownership of the bottles can be established.These bottles are of interest as archeological finds after repair works to the Les O’Callaghan History House. .1 A dark green (or black?) glass bottle with a hollowed out concave base, no stopper and a slightly chipped rim on the top. The bottle is stained inside. .2 A green glass bottle with a hollowed out concave base, a moulded top with no stopper and an elongated neck. The bottle is stained inside. warrnambool & district historical society, heritageworks warrnambool, les o’callaghan history house, warrnambool, history of warrnambool -
Wangaratta RSL Sub Branch
Framed Print, February 19th 1942, Darwin Harbour
Image depicting the explosion of a ship, filled with TNT and ammunition, hit during the first Japanese air raid on Australia's mainland, at Darwin on 19 February 1942. In the foreground is HMAS Deloraine which survived unscathed. On that day, 236 people were killed when 242 Japanese aircraft, in two separate raids, attacked the town, ships in Darwin's harbour and the town's two airfields in an attempt to prevent the Allies from using them as bases to contest the invasion of Timor and Java during World War II. MV Neptuna was a 5,952 ton cargo motor vessel. and was 1 of 11 sunk during the Japanese air raid on Darwin on 19 February 1942. In January 1942 HMAS Deloraine evaded an attack by the Japanese submarine I-124 north-west of Darwin and was jointly credited with the submarines' sinking after she inflicted the initial damage. The Bombing of Darwin, also known as the Battle of Darwin, on 19 February 1942 was the largest single attack ever mounted by a foreign power on Australia. Brown timber frame containing blue black and white print of ships being bombed.February 19th 1942, Darwin Harbour In the foreground the corvette HMAS Deloraine. Smoke billowing in the background is from burning oil tanks on shore, the mushroom cloud is from the explosionof the ammunition ship Neptuna. Watercolour by Tom Offordbombing of darwin, battle of darwin, 19 february 1942, ww2, mv neptuna, hmas deloraine -
National Wool Museum
Trap, Rabbit, Henry Lane (Australia) Ltd
Steel-jawed rabbit traps were widely used in urban and rural Australia from 1880 to 1980. This trap is symbolic of the battle that Australians have waged against burgeoning rabbit populations for over a century. Despite the fact that most children first learn about rabbits as cute and cuddly animals, rabbits cause enormous damage to Australian soils and biodiversity. The introduction of rabbits to this country was an environmental disaster. Lane's Ace rabbit trap was the most commonly used trap in Australia. Hundreds of thousands of the traps were made and used in this country. As such, this item is representative of every day life in Australia during the period from 1880 to 1980. During the Great Depression from 1929 to 1932, rabbit trapping was a means of survival for many people. Rabbits provided meat and pelts which were sold for making felt hats such as the Akubra.On base of trap - "LANE'S" ACErabbit