Uncertain, but thought to have been presented to the 8/13 Victorian Mounted Rifles. Ornate silver cup with two handles intended for an annual boat race competition between Senior Non-Commissioned Officers and Other Ranks. Unit is not known but thought to be 8/13th Victorian Mounted Rifles. There is no record of it being awarded.The Max Benporath Annual SNCOs V ORs boat race Trophy / Presented by / Marg, Aaron, Sean and Bree Benporathtrophy, 20th light horse, cup

Warrant Officer 2 W. Woolford served with Royal Marines in W W11. He migrated to Australia after the War and joined 8/13 Victorian Mounted Rifles.Silver cup trophy on Bakelite base, with engraving on side and small plate on base.8/13 Victorian Mounted Rifles Albury Pistol Championship 1951 WOII W Woolfordwoolford, pistol, shootng, vmr

Silver tankard engraved with presentation details.Presented to 37th Bn Officers Mess by [unknown] MacArthur 24.6.3937th, mess, macarthur

This trophy dates from before World War Two and was reused by 8/13 Victorian Mounted Rifles post-war.Silver cup with heavy handles. Engraved on both sides. First presented in mid-1930s and later reused in 1959.3rd Military District Annual Competitions / Jumping in sections of four / 1933 17/19th Rgt / 1934 13th Rgt / 1935 4th Rgt. On other side of trophy: Pistol Shooting Championship / Donated by 8/13 Vic Mtd Rifles / 19593rd military district, light horse, pistol, jumping, shooting

Part of a collection of silverware in the 8/13 Victorian Mounted Rifles Officers Mess. Passed to Heritage following closure of the mess.Large decorated metal tray with two handles. It has engraving at centre.mess, officer, silver, tray

Lieutenant Burke served with the Cobram troop of 8/13 Victorian Mounted Rifles. He donated the tray upon his departure from the regiment.Small silver rectangular with donor's name engraved at centre.Presented to / 8/13 VMR Officer's' Mess / by / Lieutenant John E Burke / 1967-1969 1976- 1989cobram, burke, officer, mess

Tray being part of the regimental silver of the 8/13 Victorian Mounted Rifles.Large circular tray with raised rim, engraved at centre.military, vmr, mess

Battery Quartermaster Sergeant Harold Bauerle served with the Albury Battery in the 1920s and 1030s. Shortly following Federation the military unit in Albury was redesignated No 4 New South Wales Battery Australian Field Artillery (AFA). It was under the command of Major John Wilkinson, an Albury solicitor and comprised about 100 citizen soldiers, 4 guns and about 40 horses. Training centred on the Albury Drill Hall located in Victoria Street. A reorganisation in 1912 resulted in the Battery being named No 17 Battery AFA. When war broke out in 1914 the Battery then under the command of Major Joseph Shellshear, and Albury doctor, offered its services as a trained artillery battery to the Australian Imperial Force (AIF). The Battery cooled its heels and continued to train till July 1915 when a second division was raised in the AIF and trained artillery was needed. When the call came 150 officers and men of the 17th Battery went into the AIF, many to the 13th Battery with Major Shellshear in command and others to other AIF batteries of the 4th and 5th Artillery Brigades. The 13th Battery was adopted immediately by the townsfolk of Albury as the Albury Battery. The Battery served in France and Belgium and was involved in all the major battles fought by the Australians perhaps most notably at Noreuil where the Battery found itself surrounded but continued to fight till eventually the enemy was driven back. Following the war members of the Battery nominated this battle as their most significant achievement and consequently a newly developed recreational reserve on the Murray River foreshore was named Noreuil Park. In 1919 the Battery resumed training as part of the Citizen Military Forces or Militia. Changes of title were frequent, first 27th Battery, then 60th Battery and finally 40th Battery AFA. Battery commanders included Captain Leslie Colquhoun, an Albury real estate agent, Captain Roy Collings, Albury town clerk and Captain Clifton Mott a newspaper editor. The Depression of the early 1930s almost brought about the closure of the Albury Battery but it survived through the intervention of the mayor, Alderman Alfred Waugh, who made direct representation to the Minister for Defence. When the Second World War erupted in 1939, the Battery was at full strength and a rich source of officers and trained men for the second AIF. Militia training of the few remaining officers and Albury adopted the 2/23rd Infantry Battalion which had been raised at the Showground. Following WWII, CMF soldiering recommenced in the form of an armoured regiment, the 8th/13th Victorian Mounted Rifles. After nearly a half a century of service in war and peace the Albury Battery has faded and exists now in this collection of objects and images. This trophy is representative of community support for a Citizen Military Forces unit drawn from a regional NSW Town in the period between the World Wars.Silver cup with two handles mounted on Bakelite base being the McClure Cup for most efficient NCO in Albury Battery 1935-36 . inscription on side of cup."McClure Cup / for / Most efficient NCO / 1935-36 / won by / BQMS H.C. Bauerle"bauerle h c bqms, albury battery, mcclure cup

Colonel J D ( Blue ) Keldie had a distinguished career in RAAC including service in Vietnam where he was awarded the Military Cross.Black and white photograph of a silver tray with set of twelve silver goblets each with the badge of an Armoured Corps regiment including 8/13 Victorian Mounted Rifles." Gift to Col. J.D. Keldie MC by the combined units of the RAAC on 22/1/81 on his farewell. He was Director during 179 - 80.

Local Indigenous PlantHelene Wild. Silver Banksia. Watercolour, 36 x 51cmDetails of the plant on the back of the painting

A history of Canterbury Cricket Club from 1887. Each chapter dedicated to a decade through to the 1980's. Includes appendices and results, awards, achievements. 58p. photosA history of Canterbury Cricket Club from 1887. Each chapter dedicated to a decade through to the 1980's. Includes appendices and results, awards, achievements. 58p. photosFrontis page: Given to Surrey Hills Historical / Society 15/7/14 / Simon Gardiner(mr) simon gardiner, (mr) sid mackie, (mr) keith silvers, (mr) len larkin, (mr) clyde ingram, (mr) frank gion, cricket, sport, (mr) n nesbit, (mr) s bisset, (mr) w grubb, (mr) r falconer, (mr) f leach, (mr) - slater, "tuss" curtis, (mr) stan self, (mr) maurie webb, (mr) norm shores, (mr) geoff matthews, (mr) wally bates, (mr) t mackie, (mr) harry swan, (mr) r mcconchie, (mr) r vaux, (mr) a pearson, (mr) - walduck, (mr) mick maguire, (mr) bob trengrove, (mr) lindsay ridgwell, (mr) john mccarthy, (mr) ewan mccarthy, camberwell union cricket club, canterbury cricket club, (mr) s parry, (mr) w lauchlan, (mr) e yeomans, (mr) a cooper, (mr) h gates, (mr) - gittus, (mr) f sheppard, (mr) - walker, (mr) a abud, (mr) - bishop, (mr) a. leach, (mr) - edgoose, (mr) - allan, (mr) a brooks, (mr) c swan, reporter competition, north balwyn, mont albert, (mr) s stevens, (mr) j carlson, (mr) c yeo, (mr) e hosken, (mr) j smart, (mr) n booth, (mr) l warmbrun, (mr) w lachlan, deepdene, canterbury, box hill, surrey hills, eastern suburbs cricket assoc., (mr) t alway, (mr) k briggs, (mr) n thackeray, (mr) r rudd, (mr) r littlefield, (mr) (cr) r dimmick, (mr) g guiver, (mr) t cameron, (mr) ian coles, (mr) gerry hegarty, 1960-1969

Looks back on twenty-five years history of the Federation of Veteran Vintage and Classic Vehicle Clubs. Note: Alexander Staig and David Staig of Surrey Hills feature on pages 5-9.Looks back on twenty-five years history of the Federation of Veteran Vintage and Classic Vehicle Clubs. Note: Alexander Staig and David Staig of Surrey Hills feature on pages 5-9.automobiles, antique and classic cars, (mr) malcolm grant, (mr) alexander staig, (mr) david staig, surrey engine and boiler works, (miss) elsie stevens

A history of Canterbury Cricket Club from 1887. Each chapter dedicated to a decade through to the 1980's. Includes appendices and results, awards, achievements. 58p. photosA history of Canterbury Cricket Club from 1887. Each chapter dedicated to a decade through to the 1980's. Includes appendices and results, awards, achievements. 58p. photos(mr) simon gardiner, (mr) sid mackie, (mr) keith silvers, (mr) len larkin, (mr) clyde ingram, (mr) frank gion, cricket, sport, (mr) m nesbit, (mr) s bisset, (mr) w grubb, (mr) r falconer, (mr) f leach, (mr) - slater, "tuss" curtis, (mr) stan self, (mr) maurie webb, (mr) norm shores, (mr) geoff matthews, (mr) wally bates, (mr) t mackie, (mr) harry swan, (mr) r mcconchie, (mr) r vaux, (mr) a pearson, (mr) - walduck, (mr) mick maguire, (mr) bob trengrove, (mr) lindsay ridgwell, (mr) john mccarthy, (mr) ewan mccarthy, camberwell union cricket club, canterbury cricket club, (mr) s parry, (mr) w lauchlan, (mr) e yeomans, (mr) a cooper, (mr) h gates, (mr) - gittus, (mr) f sheppard, (mr) - walker, (mr) a abud, (mr) - bishop, (mr) a leach, (mr) - edgoose, (mr) - allan, (mr) a brooks, (mr) c swan, reporter competition, north balwyn, mont albert, (mr) s stevens, (mr) j carlson, (mr) c yeo, (mr) e hosken, (mr) j smart, (mr) n booth, (mr) l warmbrun, (mr) a webb, (mr) w lachlan, deepdene, canterbury, box hill, surrey hills, eastern suburbs cricket assoc., (mr) t alway, (mr) a briggs, (mr) k silvers, (mr) n thackeray, (mr) r rudd, (mr) c ingram, (mr) r littlefield, (mr) (cr) r dimmick, (mr) g guiver, (mr) t cameron, (mr) ian coles, (mr) gerry hegarty, 1960-1969

Louris Holly Larsen-Disney married Percy James White at Melbourne Grammar Chapel on 17 June 1948. In later years the dress was given to an opportunity shop and purchased by Mrs Landells of the Brighton Historical Society. Louris subsequently visited the Society and recognised her dress, and was able to provide BHS with information on it. Also in the Society's collection is a 1950s pink strapless silk chiffon dress worn by Louris, and a wedding photo of Louris taken at her mother and stepfather's home at 53 South Road, Brighton. The couple moved into a house just a few doors down, at 49 South Road.Wedding dress made from silver metallic thread crepe. Fastens down front with small self-covered buttons and loops. Long fitted sleeves fastened with 10 covered buttons and loops. Full bias cut skirt with train.wedding dress, 1940s fashion, louris holly white, percy james white, brighton

This uniform was worn by Sandra "Sally" Allmand circa 1953-57 as a member of the 3rd St Andrews Girl Guides company in Brighton. Sally Allmand went on to serve on the Brighton Council from 1977 to 1983 and was mayor in 1981.1950s Girl Guides uniform consisting of a dress, belt and beret. Blue cotton dress with long sleeves and high collared neck. Various patches sewn onto sleeves and front breast. Three front pockets fastening with black plastic buttons featuring Girl Guides trefoil logo. Breast pocket has two vertical white stripes. Brown leather belt with silver metal buckle with embossed Girl Guides logo and the text "Girl Guides Association / Be Prepared". Navy blue felt beret with two sewn-on patches. Included with the dress are a Girl Guides 'test card' dated 1953 and a rectangular De Reszke cigarette tin containing a collection of Girl Guide ribbons, patches and buttons. .1 - Dress .2 - Belt .3 - Beret .4 - Test card .5 - Box of patches and ribbonsDress label: "The Guide Shop / STATE HEADQUARTERS / RUN BY GUIDES / FOR GUIDES".girl guides, sally allmand, 1950s

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. Textile designers used glasses such as these to see how many threads are within a textile sample. It was important to count correctly, otherwise the enlarged final pattern would be out of alignment. These glasses were popular in the 1950s but were replaced by viewing lens, such as item 8040 (in the National Wool Museum's Collection) in the 1960s because of their compact nature.Thin metal wire makes up the frame of the glasses. The metal is a standard metallic silver. The piece to sit on-top of the ear is excessively curved to hook around the ear. This is done to ensure the glasses do not fall off the face while looking down to view thread counts in a textile sample. The glasses are lacking lenses in their usual place. This has been replaced by another thin wire frame which protrudes an extra inch in front of the frame, almost like an additional layer of the glasses. Where this layer / frame ends, two lenses can be found which are square and much smaller than typical glasses lenses. This has been done to allow for powerful magnifying glass which would be ill-suited if it sat too close to the face / eyes. The glasses are also accompanied by their original box. The box is blue and has a large rectangle running through its centre. This rectangle works as a cushion for the glasses and is required as a result of their unusual shape.textile design, textile calculations

These metal badges consist of silver writing (Association for the Advancement of the Blind) around the outside and the word 'Representative' between two lines in the middle, against a dark blue enamel background. It is the only identification badge held in the collection for the AAFB, which became the Association For the Blind in 1960. Metal badge with silver writingbadges, association for the advancement of the blind

Henry MORITZ (1931- ) Born Mainz, Germany Arrived Australia c1952 Henry Moritz was an experienced commercial artist when he left Germany for Australia. After working as a railwayman, coal miner, fruit picker and steelworker, he started teaching commercial art at the Ballarat School of Mines Technical Art School in 1963. He moved to the Mount Helen Tertiary Division, and was head of the Art School at the Ballarat College of Advanced Education (BCAE) when he produced this work. The Ballarat College of Advanced Education logo was derived from the Southern Cross depicted on the Eureka Flag, which was adopted by Ballarat College of Advanced Education in 1978. The logo was designed by former student Debra Garton, who graduated with a Diploma of Art and Diploma of Education. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Farmed marquetry using fine woods chosen for their grains and reflective properties: silver ash, cedar, queensland walnut, grey bird's eye maple and African gaboon.art, artwork, henry moritz, marquetry, logo, southern cross, ballarat college of advanced education, available, stars

Celia Rosser (1930- ) Born Melbourne, Victoria Celia Elizabeth Rosser is a renowned Australian botanical artist, best known for having published The Banksias, a three-volume series of monographs containing watercolour paintings of every Banksia species. She trained in Art at the Melbourne Institute of Technology In 1970, Celia was appointed Science Faculty Artist at Monash University. Four years later she was appointed University Botanical Artist, and began the project of painting every Banksia species. The project took over 25 years to complete, and resulted in the publication of a three volume monograph entitled The Banksias, with accompanying text by Alex George. Publication of the final volume in 2000 represented the first time that such a large genus has been entirely painted. In 1977 Celia Rosser was awarded the Linnaean Society of London's Jill Smythies Award for botanical illustration, and in 1995 was awarded a Medal of the Order of Australia. Monash University awarded her an honorary Master of Science degree in 1981, and an honorary PhD in 1999. Banksia Rosserae is the last banksia species discovered and was named after the artist. Since 2002, the Friends of the Royal Botanic Gardens Melbourne have awarded the "Celia Rosser Medal for Botanical Art" to outstanding exhibitors at their "The Art of Botanical Illustration" exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed lithograph of Banksi Marginata Cav. (Silver Banksia). Un-numbered limited edition offset photolithograph Donated by E.J. Tippett, M.B.E., 1983. Member of Ballarat School of Mines and Ballarat College of advanced Education Council 1934-1983.art, artwork, celia rosser, rosser, banksia, botany, botanical, florilegium, available, flora, bansksia marginata, silver banksia, lithograph, printmaking

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting on stretched canvas featuring the colours pink, grey and silver. School of Business Services Art CollectionVerso: Pauline O'Shannesy-Dowling May 2005 "Tree" (V) Mixed media on canvas 30 cm x 40 cmart, artwork, o'shannessy-dowling, pauline o'shannessy-dowling, available, tafe business collection

John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two artworks by John Collier inspired by his alma mater, the Ballarat School of Mines. art, artwork, john collier, ballarat school of mines, alumni

John COLLIER (1937- 2012) John Collier was born at Ballarat in 1937. He received a Diploma of Mining and a Diploma of Civil Engineering at the Ballarat School of Mines (SMB), later graduating from the University of Melbourne with a Bachelor of Engineering (Mining). Early in his career he received a Diploma of Accountancy from the Australian Society of Accountants. Collier believes his experience at SMB had a profound influence on his life, especially what he learnt in Geology, Engineering, Chemistry, etc., all of which he found beneficial to his later working life and he is proud of that association. Through his experience in the world-wide mining industry John Collier has made a major impact on the mining industry. He has been exploration leader for a large number of worldwide discoveries and farm-ins both major and minor. He has experience in every facet of the mining industry, and his record in identifying diamond opportunities include Australian (Argyle), Canada (Diabik), Zimbabwe, and the Brazil Pipe (Collier Falls). His success in diamond exploration may be unparalleled. John Collier also has significant success with lead-zinc, iron ore, coal, copper, gold-silver, petroleum, heavy minerals, nickel, uranium, industrial minerals, rare earths, and tin. In 2006 John Collier was made a Legend in Mining by the Australian Mining Industry. Over his last 10 years, he had become a passionate painter, holding several successful solo exhibitions. His naive style featured beautiful and unexpected colour combinations. Many of his most lauded paintings depicted mining scenes, harking back to his Ballarat days. This work and subject matter was painted for the artist's alma mater, the Ballarat School of Mines (now Federation University Australia). This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Colourful acrylic on canvas painting depicting the Port Phillip Gold Mining Company, Clunes.art, artwork, john collier, port phillip cold mine, clunes, clunes, available, alumni, mining

Owned by the family of Captain William Robertson and part of the Robertson collectionoval framed family photograph: Photograph of Captain William Robertson and his wife in an oval silver frame embellished with a floral raised edge with a small hook for hanging (photograph tucked in back appears to be of Mrs Robertson)local history, photography, photographs, slides, film, robertson, captain or mr william, royal australian naval reserves, s.s.casino

Sir Edward Mitchell was the chairman of the Edward Wilson trust, which enabled the building of the Braille Library during a time of great economic turbulence due to the last months of World War 1. This commemorative trowel was given to him in thanks for his (and the trust's support) of the project, which would ultimately provide a great resource to blinded soldiers who were prepared and able to learn Braille. In addition to the area housing the Braille collection itself, an entrance hall, reading room, secretarial office and hall also provided space for reading, administration of the collection and opportunities for social or recreational activities.1 silver plated trowel with handle inside boxPresented to Sir Edward Mitchell K.C., K.C.M.C. on the occasion of his laying the foundation stone of the new library for the Victorian Association of Braille Writers October 28th 1918. (Inside box lid: By Special Appointment Harrison Bros & Howson, Sheffield, England Cutlers to His Majesty)victorian association of braille writers, sir edward wilson

Juli HAAS (26 April 1952- 02 March 2014) Born Melbourne Juli HAAS (1952-2013) Born Melbourne Juli Haas mainly produced watercolours, artist’s books and limited edition prints using the printmaking technique of Drypoint. She often explores the lives of everyday people with her work often portraying the darker side of human nature in an interior world filled with fantasy and absurdity. Themes throughout her work incorporate the use of childhood memory, place and a sense of personal history. Inspiration is derived from observing her own environment, which is then developed into a portrayal of the absurdity and drama of everyday human situations. Haas applies layers of intense and vibrant colour, which also serves to reinforce the narrative element that runs through the work. The psychological drama that informs this narrative exposes the darker side of life, expressing elements of anger, violence and isolation. Juli Haas obtained the following qualifications: * 1994-95 Master of Arts (Research). Monash University, Victoria * 1989-90 Graduate Diploma of Arts (Visual Arts), Monash University, Victoria * 1987-89 Bachelor Of Arts (Visual Arts), Gippsland Institute of Advanced Education, Victoria (now Federation University Australia) * 1971-74 Fine Arts, Caulfield Institute Of Technology, Victoria. Haas exhibited in most states of Australia and participated in numerous group shows. She is represented in most major Australian collections including the National Gallery of Australia. Career highlights include winning the Sir John Sulman prize in 1995 at the Art Gallery of NSW and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. In 2008 her artist’s book A Wife Of Silver was acquired for the Public Art Collection of the Arts Centre Melbourne as part of the Maxwell and Merle Silver Bequest. Career highlights include winning the Sir John Sulman prize in 1995; and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. Framed limited etching by Julie Haas. juli haas, gippsland campus, churchill, gippsland institute of advanced education, alumni