Terry DAVIS Awarded a Bachelor of Arts (Hons) Art and Design, North Staffs Polytechnic, UK; Master of Arts Humanities, Flinders University of South Australia; and Doctor of Philosophy, Humanities, Monash University, Victoria. Terry Davies was an artist-in-residence at the University of Ballarat (now Federation University) in 2011. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic bustart, artwork, terry davis, ceramics

A black and white slide of six boys doing dishes at a boys camp in 1956-57. It is possibly at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Black and white slide photo of boys washing dishes in a large metal tub in a cardboard mount.Handwritten on front 'Legacy boys camp 1956-57' and 'SET-2' in blue pen. Handwritten '13' in black pen. Printed on front 'Made in Australia' on the reverse a navy blue outline on edge of slide.camps, blamey house

Melbourne City Mission celebrated the laying of the Foundation stone by the Prime Minister Robert Menzies for their aged care residences. The program includes images and program for the event incuding national anthem, Welcome by the Shire Presidnet T. E. Shepherd, a scripture and prayer, a welcome to the PM, the laying of the stone, a musical item by Ella Johnson, an address by Rev. J. Arthur Lewis, annoucements, afternoon tea and a list of costs associated with the venture.Bi-fold (4 pages) printed both sides 23.7 x 14.7 cmjudge book village, plaisted & warner architects, prime minister, robert menzies, judge clifford book, foundation, melbourne city mission

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.29 / ‘View of a Victorian Sheep Station’ / Albumen silver photograph mounted on boardOn Reverse: ‘The present illustration is characteristic of a Squatter’s Station in Victoria, and is situated near Elphinstone. In the centre of the picture may be seen the Squatter’s residence or head-quarters surrounded by sheds and out-houses, and in the foreground is a flock of sheep in charge of a lad. Of late years it has become the practice to erect fences around the Australian Sheep Stations, which necessitates only the services of a boundary rider, and dispenses with those of a number of shepherds.’nicholas caire (1837-1918), landscape photography

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. 227 Murrumbeena Road (Bev Baxter Chemist) is not part of HO12.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a group of commercial properties with ground level shops and upper level two toned brown, unpainted brick residences. The photograph taken from across the road also includes parked cars, a person leaning on a car outside the fish and chip shop and a pedestrian crossing the road. Shops shown are from left to right: Cafe Fresca, 231 Hair Creations, Leovorno Pizza, Blue Sea Fish & Chips, Murrembeena (sic) Milk Bar and a portion of the one storey shop Bev Baxter Chemist at the right end. LEOVORNO PIZZA / BLUE SEA FISH & CHIP / Herald Sun / Sunday / MURREMBEENA MILK BAR / PK's / SANDWICH BAR / Bev Baxtermurrumbeena, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, beauville estate, murrumbeena road, commercial establishments, shops, pharmacies, milk bars, fish shops, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, beauville historic area, brick shops, brick features, hairdressers, pizza shops, restaurants

Bendigo Weekly from Friday November 16,2001. Snippets of Bendigo History - The View Street Story - continued by Edith Lunn. This article look at the Temperance Hall which was built in 1860 for the Bendigo Total Abstinence Society and its neighbour extending up the hill. Temperance Hall was designed by Vahland and Getzschmann. The building next was also built by Vahland and Getzschmann as a residence for Robert Strickland, later it was acquired by Dr. Oliver Penfold who extended the building and set up his medical practice . The building is now the Penfold Gallery of the Arts. The clip is in a folder.newspaper, bendigo, bendigo weekly

Contract of sale of land dated 11th November, 1955 between Misses T.A. & I Pithie (sellers) and Mr. S.J. Quill (buyer) for land situate No. 6 Mill Street, Bendigo described in right to occupy residence area No.4878together with 5-roomed weatherboard dwelling and all sundry. Also all electric light fittings and shades, all blinds, cupboard in bathroom, cupboard in vestibule, electric stovette, electric sink heater, warm ray heather, all curtains and floor coverings with the exception of the curtains and carpet in front bedroom. Price 2,400 poundsorganization, business, h.a. & s.r wilkinson real estate

Contract of sale of land dated 27th November, 1956 between Sandhurst and Northern District Trustees Executors and Agency Company Limited of View Street, Bendigo as executor of the will of Alice Maud Mary Harris deceased (seller) and Elizabeth Jane Rosewall (buyer) for land held under right to occupy residence area no. 7333 situated on the North Western side of Robshaw Street about 137 links South Westerly from Wattle Street with a frontage to Robshaw Street of 117 Links by a depth of 64 links, together with all buildings thereon. Price 900 pounds.organization, business, h.a. & s.r wilkinson real estate

Conditions of sale by private contract dated 22nd August, 1934 between A.E.A. Ogilvie (seller) and J.L. Samson (buyer) for land situate Maple Street, Golden Square, at present occupied by the vendor, being the land described in certificate of registration residence area No. 30186, together with building on the said land. Price 60 pounds. Also a letter signed by A. Ogilvie to Mr. H.A. Wilkinson to pay Mr. J.L.Samson the sum of 1 pound and 1 shilling from proceeds of sale of property in Maple Street, the letter is dated 5th September, 1934.organization, business, h.a. & s.r wilkinson real estate

Conditions of sale by private contract dated 7th May, 1934 between Miss M.H. Wild as executrix in the estate of E. Wild deceased (seller) and E.T. Thomas (buyer) for land situate Hargreaves Street corner Wattle Street, Bendigo being Crown allotment 25 section 97C described in certificate of title volume 1562 folio 332318. Also that piece of land adjoining above being land described in residence area certificate No.30319 in the books of the mining registrar at Bendigo. Together with 6-roomedweatherboard dwelling and all sundry. Price 350 pounds.organization, business, h.a. & s.r wilkinson real estate

Contract of sale issued by Hyett, Willis & Hyett Solicitors and dated 30th November 1949 between the executors of W.H. Hammond Estate (seller) and G.A. Risstrom (buyer). Sale of freehold property situate at 11 Vine Street, Bendigo and all that piece of land on the western side of Vine Street about 118 links southerly from High Street with a frontage of 68 links by a depth of 80 links and a width at the rear of 31 links described in right to occupy a residence area No. 4796 in the books of the Land Department together with all improvements. Price 500 poundsorganization, business, h.a. & s.r wilkinson real estate

Bendigo Advertiser ''The way we were'' from 2000. The Apothecary's: the residence and surgery of Dr. J. McIntyre Eadie. Lured by gold fever in 1852, John McIntyre came to Bendigo from Scotland. In 1855 he married Jean Grant (sister of Dr. James Eadie) and immediately formed a partnership with Eadie to establish an apothecary (chemist) shop at View Point, Sandhurst. James Eadie had arrived at the diggings in 1854 from Scotland. The partnership was dissolved in 1869, yet Dr. Eadie continued his work as a surgeon until 1897. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Typed letter to Mr. Davis. Printed in red at the top of the page is a Coat of Arms, Commonwealth of Australia and Postmaster General. The letter is dated 19th February 1910. The writer thanks Mr Davis for the interest he is taking in his election and asks him to forward the names and addresses of the electors in Melbourne who wish to vote by post and he will send them the necessary papers, he also asks to make sure their places of residence in Bendigo is given. At the time Mr. Joseph Davies was residing at 137 Melrose Street, North Melbourne. This letter is signed by John Quick.government, federal, joseph davies, joseph davies collection - letter to mr davis, commonwealth of australia, postmaster general, john quick.

Contract of sale of real estate dated 5th, May, 1962 between Mr. A.J. Wright (vendor) and Mr. P.H. Saunders (purchaser). Solicitor for vendor: Messrs. Watson, James & Rogers, Bull Street, Bendigo. Solicitor for purchaser: Messrs. Watson, James & Rogers, Bull Street, Bendigo. Property at 18 Fir Street, Golden Square being allotment 9 section 31A described in residence licence No. 01552/128 together with all floor coverings, blinds, curtains, electric light fittings and shades. Price 3,800 pounds.organization, business, h.a. & s.r wilkinson real estate

black and white photograph: cottage, galvanised iron roof, stone construction. Central door, sash windows, 2 chimneys. Right of photo word ' Boar' Picture taken late Autumn. Handwritten in ink ' City Hotel, Barnard St., Cnr. Mercy Street ' Written in pencil ' this is the Mercy Street entrance, demolished in the 1950's'. Occupiers ' Mrs. W. Moore, board and residence later - Mrs Burns confectionary, shop about 1914. Later - Nielson Family 1920's - 1930's to ? ( Will Nielson was night worker at Cohn's Brewery )buildings, residential, cottage

black and white photo: brick residence, corrugated iron roof cladding, two chimneys, brick construction with brick gable ends, stucco ? Entrance decoration along verandah spout line. Batchelder standing by his handcart, similar features to male leaning on front fence and male standing by front entrance. Front fence has brick base, cast iron rails and posts with woven wire covering. Bow windows. Decorative wooden gate. In grey lead on back '9' In image on cart 'Batchelder, Photographer/Pall Mall'Batchelderbuildings, residential, brick house

Coloured photo from the pedestrian overpass on Whitehorse Road, Mitcham, looking north-east towards the Mitcham Shopping Centre.- North - side. House with Spanish taste belonged to Mr. Peake of Peake and Cox, the timber yard directly across Whitehorse Road from this house which became the new site of St.John's Roman Catholic Primary School. This house was on the corner of Whitehorse Road and Albert Street. Upon the sale of the timber yard and mill the catholic church the house was also sold to the church and was occupied as a residence for the school's teaching Sister's. (House since demolished)whitehorse road, mitcham, pedestrian overpass

Diggers & Mining. The Chinese on the Gold Fields. Slide: The practical failure of the Act of 1856, and the fresh outburst of anti-Chinese feeling in the Buckland riots of 1857, led to Victorian Government to take further action in the latter year. (1) A residence fee was imposed on all Chinese in the colony (one pound per month - ultimately reduced, after Chinese protests, to four pound per year). (2) The co-operation of South Australia was sought, and , in 1857, the government of that colony passed a restriction act similar to the Victorian Act of 1855. Markings: 21. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Document: booklet, brown paper cover secured by string on spine. Written on front cover ' copy of sale books, January 16, 17. 18, 19, 26 1854. Harcourt, Lockwood, Muckleford' Blue lined pages with copy of advertisement for town lots for auction. LH page columns: price per acre, amount, deposit. RH page balance, purchaser, name, residence. White sticker fixed to pocket: Book 4 Sandhurst Land Sales, including outlying areas 16 January 1854 to 19 January 1854.lands office, bendigo, sandhurst, harcourt, muckleford, lockwood, land sales, auctions

Kylie THOMAS (14 May 1973 - ) Born Creswick, Victoria A graduate of the Bachelor of Arts (Visual Arts) (1993) and Diploma of Visual Arts (1995) from Federation University (then University of Ballarat) Kylie Thomas continued her art practice after studying under distinguished sculptors Peter Blizzard and Adrian Mauriks. This work was acquired from her graduate folio. Soon after completing her studies Kylie Thomas became an artist in residence at Ballarat Grammar School building a public sculpture for the grounds conceived by one of her selected students as part of the program. She became the youngest exhibiting applicant to be awarded the City of Port Phillip, Rupert Bunny Foundation artist in residence program. After moving to Mallacoota she was absorbed into the community as a visual artist, actor, playwright and assistant publicist. Her commissioned public artwork and sculptures as part of residences collections were all lost in the 2019 bushfires that decimated Mallacoota. Moving back to her hometown of Creswick Kylie Thomas completed a Diploma in Education qualifying as a secondary teacher, always continuing her art practice while teaching. Needing to work again, but with no desire to teach, Kylie Thomas studied Building Design and Architectural Drafting, homing in on other areas which could link back to her artistic practice. Working in this field for a short time she moved to Melbourne where she exhibited paintings and sculpture installations as part of The Melbourne Fringe Festival. She also worked in set design, and as a stage manager and theatre actor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is a spiritual totem created in the tradition of the bricoleur, dedicated to bygone cultures, lost technology and mystery referencing nature, humanity and technology. Humanity to use technology with and for nature. The materials are symbolic, the use of bone, Perspex, computer parts, found and crafted objects constructed in a resulting harmony creating a symbiotic relationship. Tapping the 4th dimension that could lift off into space and come back again, with a feeling of weightlessness, awe and suspension captured. A sculpture which stands on a white pedestal with perspex cover. 'Cultural Dedication' is the final work in a series of sculptures influenced by the ancient cultures of Egypt. art, artwork, kylie thomas, sculpture, alumni

Stewart MacFARLANE (1953- ) Born Adelaide, South Australia Stewart MacFarlane entered the South Australian School of Art when 16 years of Age. He traveled to New York in 1975 to study at the School of Visual Arts for 2 years. He remained living and working in New York for several years, receiving residences and fellowships to Skowhegan School of Sculpture and Painting in Maine, the Fine Arts Work Center in Provincetown, Massachusetts and the MacDowell Colony, New Hampshire. He exhibited in group shows as well as having three solo exhibitions in New York. Firstly at Razor Gallery, SoHo in 1979, then Belanthi Gallery in 1979 and the Australian Consulate New York in 1983. MacFarlane returned to Australia in 1983, undertaking post-graduate studies at the Victorian College of the Arts in 1984. He taught at The Gippsland Institute of Advanced Education (now Federation University Gippsland Campus) in 1885, and the following year moved to Darlinghurst, Sydney to paint. Later that year, he was artist-in-residence in the Besozzo Studio, Italy. In 1987, MacFarlane lived and painted in Mornington, Victoria for several months before receiving an initial residency with the Roswell Artist-in-residence program, New Mexico, for a year. Over the next eight years he moved between Melbourne, Sydney and Roswell, producing one or more solo exhibitions each year. In 1994 he received a residency at The Bemis Center, Omaha, Nebraska, then traveled to Mexico to paint for 3 months. MacFarlane worked in Queensland upon his return, and for the next seven years. He moved to Hobart, Tasmania in 2002, returning to the mainland in 2011.(http://www.stewartmacfarlane.com/bio-cv/) A framed linocut. This linocut was one of the Patron Print Series produced as a fundraiser to assist Gippsland School of Art students.printmaking, artist, artwork, gippsland campus, stewart macfarlane

This label comes from the business of Howard Sleath. He was a 20th century violin and viola maker and repairer from Queensland. The label is probably part of the memorabilia of Edith Jacobs (nee Larwill) who was a 20th century Queensland violinist with the Queensland Symphony Orchestra before her marriage and change of residence to Warrnambool. The Warrnambool and District Historical Society has some of Edith Jacobs’ violin strings and the label may have come with them. This label is retained for display purposes and possibly as a memento of a local Warrnambool musician, Edith Jacobs. This is a small piece of paper with a black border and black printing on a white background. One edge of the label is tornSleath’s Violin, Violoncello and Bow Makers 454 George Streethoward sleath,, violin maker, edith jacobs,, history of warrnambool

Looking east across Pryor Street towards the Eltham Police Station. The Police purchased the residence at 23 Pryor Street in 1959 to move from the old town centre of the late 1800s to be closer to the new town centre that shifted as a result of the railway opening in 1901. The residential house was renovated to Police requirements and operations commenced from this location in 1961. Diretly opposite and to the left of the Police Station is now a busy shopping centre car park.35 mm colour positive transparency Mount - Agfacolor Service (Blue)eltham, eltham police station, pryor street, streets, houses

The console was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926. In the same style as the other oak sideboard, we can assume it was made by the same maker, H.F. Fischer around the same time.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. manse, dining suit, sideboard, arts and crafts, english, h.f. fischer

This is a Rose's Australia stereocard of Morningside. Built c1875, Morningside was the residence of John and Catherine D'Alton, it was located on site of present (2010) Colonial Motor Inn. c1900 it was owned by Langley family and was taking in paying guests. In 1909 it was leased by James and Grace D'Alton who continued to run a small guest house. In the late 1920's a small building was erected to serve as PO and telephone exchange. C1980 the guest house closed. In 1982 Morningside was demolished.A computer print of a State Library of Victoria Catalogue entry for a stereograph card. The card shows a building, surrounded by trees, standing in large grounds. There is a picket fence with a gate in the foreground and two people leaning on either side of the gate facing each other (as though in conversation). Hills are seen in the background.guesthouses, morningside

The gate shown in the photograph is located on the same wall as the large double main gate of the former Ballarat Gaol. Next to the gate is a watchtower with guard walk on top of the brick wall. This corner location provided the guards with a clear view into the gaol grounds and the street outside. Most of the gaol was demolished to allow for the School of Mines to expand. This watchtower remains along with the main gate, Warden's Quarters and the Governor's residence. These buildings are now used by Federation University Ballarat.Colour photograph of the former Ballarat Gaol Gate and watchtower taken c2000. Structure built from red brick and locally quarried basalt. Guards walk on top of wall from tower to gate was corrugated iron. This smaller gate was to the right of the Warden's Quarters on the same wall as the main double gates to the gaol.ballarat gaol, ballarat gaol gates, ballarat gaol watchtower, ballarat school of mines, federation university, warden's quarters, governor's residence, guard's walk, lydiard street south

Photograph of 3 Junior Legatees with a crewman during an outing at HMAS Cerberus, possibly in the 1990s. It came from a Legacy envelope marked P7, 1966. The contents were described in red pen as: 1 Christmas Party / Govt House 2 Toy presentation Dept of Education 3 Residence Christmas party 3 HMAS Cerberus / Operation Float / Operation Firewood (added in blue pen). (these other items will be items 00411 to 00416)A record of the items and events provided to Junior Legatees.Black and white photo of Junior Legatees visiting HMAS Cerberus and a paper label.Stuck on paper label in black type "Junior Legatees from Melbourne Legacy and adjacent Clubs and Groups, look forward to and enjoy an annual visit to HMAS CERBERUS at Westernport. Shown as three Junior Legatees and a crewman from the Patrol Boat HMAS ATTACK during one of the visits". On reverse: "76%, P7 Legacy" in blue pen "Youth Activities (Welfare)" in pencil. Was stored in an envelope marked P7, listing it's contents in red pen and 1966 in pencil.junior legatee outing, operation float

Voting registers, or electoral rolls, are a census of those who were eligible to vote. They are valuable because a country-wide census was not taken until 1911. Early electoral rolls give an individual name, residence, status of property occupation/ownership, and the rate value of the property. Electoral Rolls are arranged by electoral district and subdistrict. Name, Address, Occupation and gender for thirteen subdivisions. Electoral rolls were published by each state during election years.Electoral Roll for the Commonwealth Division of Bendigo, State Assembly District of Bendigo, and State Electoral Province of Bendigo for 1960 (made up to 23rd September 1960). Includes Name, Address, Occupation and gender for thirteen subdivisions. Assembled and bound with string, with a faded light green card cover..electoral rolls, voting in bendigo

Note by E.B. Littlejohn, "Is the roadway the original Swan Street? Entrance gates to Gardens in the distance. Roadway leading to the Pavilion hidden behind the trees. No elms showing along the roadway," and by T.H. Kneen, "The roadway appears to terminate at the gates outside the Curator's Residence, sweeping past the Pavilion on the right. I have seen a plan which showed an attractive avenue of trees (pine) from the western end of the property (where the Stockman's Cottage was later sited.)" 2 copies sepia photograph. Copy of sepia photograph of the roadway to the Entrance Gates and Curator's Cottage seen in the distance, with the Pavilion on the right, in, "Prize Essays," Alfred E. Bennett, c.1894, after p 116. Pinus radiata avenue on each side of the road.entrance gates, prize essays, alfred e. bennett, curator's residence, pavilion, stockman's cottage, pine tree avenue