Showing 150988 items
matching victoria-history-eddington
-
Flagstaff Hill Maritime Museum and Village
Book, Acts of Parliament of Victoria 35
Acts of Parliament of Victoria 35 Victoria, 1871 Publisher: Government Printer Melbourne Date: 1871warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, acts of parliament of victoria 35 -
Whitehorse Historical Society Inc.
Article, Aboriginal tribal boundaries of Victoria, n.d
Map of Victoria showing tribal names and boundaries in Victoria with comment on activities of the Christian Action Committee.Map of Victoria showing tribal names and boundaries in Victoria with comment on activities of the Christian Action Committee.Map of Victoria showing tribal names and boundaries in Victoria with comment on activities of the Christian Action Committee.aborigines, christian action committee -
Ringwood and District Historical Society
Document, Gerry Robinson, How Geology and Geography can influence History: Canterbury Road, Jun-14
Documents prepared by Gerry Robinson, June 2014: How Geology and Geography can influence History: Canterbury Road +Additional Keywords: Robinson, Gerry -
Port Melbourne Historical & Preservation Society
Audio - CD, "Yachting History Interview, Dick Edwards, 12/10/1960"
"Yachting History Interview, Dick Edwards, 12/10/1960". Interviewed by Ronald Jackson. Recording made by Janice MacDonald, the grandaughter of Dick Edwards sport - yachting, eli 'dick' edwards, janice c morton macdonald, port melbourne yacht club, pmyc -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Regan, Des and Press, Kate, How to trace the History of your House, 1990
Step by step instruction for researching the history of Australian dwellings. Illustrated with sketches of house styles. Explains land maps, titles, transfers, terminology. Indexed.buildings -
Otway Districts Historical Society
Document, W.J. Evans, History of Otway Roads. W.J. Evans, June 1981
Document. History of Otway Roads. W.J. Evans. 1st ed. W.J. Evans; Beech Forest (Vic); 1981. 13 p. Soft cover.otways; roads; history; -
Federation University Historical Collection
Book, Prodromus of the Palaeontology of Victoria No iv, 1876 (exact)
This publication consists of many Decades which contain "figuers and descriptions of the fossil organic remains to be used for the determination of the geological ages of the different geological formations of the country." (p. 3). Frederick McCoy was born in Dublin, Ireland in 1817. He was a Professor of Natural Sciences, University of Melbourne 1854-1899. McCoy lectured in geology, zoology, chemistry, mineralogy, geography and botany. In 1858 He became the Director of the National Museum of Victoria and the President of the Royal Society of Victoria in 1864. In 1888, McCoy was awarded FRS for work in Palaeontology in Ireland, England and Australia. He died in his office while correcting examination papers in 1899A Paperback cover book. Decade IV. Title is written in black on front cover and on title page. At head of title: Geological Survey of Victoria. Illustrations, plates in b/w; 32 p. It includes figures and descriptions of Victorian Organic Remains and contents of Decades on the back cover of the book.australia palaeobotany, victoria palaeontology, geological survey of victoria, frederick mccoy, organic remains -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Royal Society of Victoria Library, 2015, 27/11/2015
Colour photographs of the interior of the Royal Society of VIctoria, Melbourne.library, royal society of victoria -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Woolsthorpe, Victoria, 2019, 01/01/2019
A number of photographs of the main road through Woolsthorpe, Victoria. woolsthorpe -
Ballarat Heritage Services
Image, Miner's Claim Near Daylesford, Victoria, c1897
Men mine for gold under a bridge at Dayelsford, Victoriadaylesford, mining, bridge -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Kangaroo Apple at Tower Hill, Victoria, 2018, 25/12/2018
Colour photograph of a Kangaroo Apple at Tower Hill, Victoria.kangaroo apple, botany, tower hill -
Ballarat Heritage Services
Photograph, Mullock Heap In Victoria Park, Ballarat, 2014, 04/11/2014
The large mullock heap, marks the site of a former quartz mine, and is one of the few visible signs of the former presence of extensive gold mining activities in this area of Ballarat. Originally known as Park Mine, and now known as Mount Holled Smith, the mine associated with this mullock heap puddled 750 tons of washdirt each day. The mine closed down in 1874, at which time 94,699 ounces of gold had been removed from the ground. Colour photograph of a mullock heap in Ballarat's Victoria Park.mullock heap, ballarat gardens, victoria park, park mine -
Ballarat Heritage Services
Image - Black and White, Bagging Onions in Victoria, c1950, c1950
A black and white image of a man bagging onions in Victoria. onions, framing, horticulture -
Ballarat Heritage Services
Photograph - Colour, Linton, Victoria, 2013, 22/05/2013
Colour photographs taken in the main street of Linton, Victoria.linton -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Linton, Victoria, 2013, 22/05/2013
Colour photographs taken in the main street of Linton, Victoria.linton -
Southern Sherbrooke Historical Society Inc.
Booklet, "The Hiker's Handbook Of Wonderful Walks In Victoria", May-36
Photocopy of 1936 booklet detailing walking tracks in Victorialockwood, belgrave, selby, narre warren, dandenong reservoir -
Tarnagulla History Archive
Photograph of the interior of the Victoria Theatre, Tarnagulla, Interior of the Victoria Theatre, Tarnagulla, c. 1960s
Murray Comrie Collection. A monochrome photograph depicting the interior of the Victoria Theatre, Tarnagullatarnagulla, commercial road, victoria theatre, tarnagulla public hall -
Marysville & District Historical Society
Book - Hardcover book, Alexander Sutherland, M.A, Victoria and its Metropolis-Past and Present-Volume 1, 1888
A history of Victoria from the time of the discovery of Australia through until 1888.Hardback. Dark brown cover with the title in gold lettering. There is also a border in gold decorating the outer edge of the front cover. The spine is also decorated in gold along with the title and the volume number.non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, immegration, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history -
Yarrawonga and Mulwala Pioneer Museum
Map, Map of Victoria, 1868
Original property of Alice Rebecca Puckey [nee Ford] Born England 23/07/1867 Died rosbud Vic 16/03/1951 Grandmother of Merven Elizabeth Clarke 30 Sturt st Mulwala1868 Map of Victoria -
Ballarat Heritage Services
Map, Physiographic Divisions of Victoria, c1940, c1940
Physiographic map of Victoriavictoria, map, physiography -
Ballarat Heritage Services
Map, Simplified Geological Map of Victoria, c1940, c1940
Physiographic map of Victoriavictoria, map, geology, geological -
Stawell Historical Society Inc
Map, Geological Survey of Victoria
Geological Survey of Victoriastawell -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah III, c1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ERNEST MARCUSE / BANK OF VICTORIA / YACKANDANDAH Reverse: Y 2 / 013 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Bank of Victoria – Yackandandah II, c1982
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / ERNEST MARCUSE / Reverse: Y 4 / 015 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Marysville & District Historical Society
Book - Hardcover book, McCarron, Bird & Co, Victoria and its Metropolis-Past and Present-Volume 2, 1888
A history of the various colonies and districts of Victoria from the time of the discovery of Australia through until 1888.Hardback. Dark brown cover with the title in gold lettering. There is also a border in gold decorating the outer edge of the front cover. The spine is also decorated in gold along with the title and the volume number.non-fictionA history of the various colonies and districts of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, pioneers, colonisation, history, fauna, flora, banking, finance, medicine, western district, south-western district, wimmera district, geelong district, ballarat district, avoca district, coliban district, campase district, loddon district, lower goulburn district, upper goulburn district, ovens district, north-east district, gippsland district, mornington district, westernport district, upper yarra district, evelyn district, bourke district -
Moorabbin Air Museum
Letter (item) - Memo Outlining the Role of the Historical Projects Group, HdH Victoria, Historical Projects Group: Hawker De Havilland Victoria Ltd (formerly CAC Pty. Ltd)
The Historical Projects Group was a volunteer group that was endorsed by and reported to the board of Hawker de Havilland Victoria, to preserve CAC history -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Rose Stereograph Company, The Main Street, Marysville, Victoria, 1913-1967
A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of Marysville's main street. This is now known as Murchison Street.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria Dear Max./ I arrived here/ about 12AM Master E. M. Tonkin/ C/o Mrs. H. H. Castles/ Donniflour St/ Kyneton./ Vic.main street, murchison street, marysville, victoria, p. 2749, rose series postcard, postcard, souvenir -
Whittlesea Historical Society Inc.
Document - Original, The late William Henry Lockwood family history, unknown
A brief family history of William Henry Lockwood and his family members. Possibly written by Sister Mary Lockwood, Whittlesea, for insertion in Victoria and Riverina.A4 Page, typed.william henry lockwood, family history, sister mary lockwood -
Kew Historical Society Inc
Award, Tennis Victoria, Premiers Men's Grade 6 Pennant, 2014
Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Blue and white pennant, provided by Tennis Victoria to MCC Kew Sports (Tennis) Club as the Premier team in Grade 6 in 2014. The names of team members are handwritten in the white space provided.TENNIS VICTORIA PENNANT / PREMIERS 2014 / MEN'S GRADE 6. [TEAM} BILL MADAFFERI, RENI DEACON, AARYN NANIA, AIDEN NANIA, ROGER MADAFFERI, SIMON PIPPETTmcc kew sports club - 397 barkers road - kew (vic), mcc kew tennis club - pennants -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Holden, Margot, Coal Mining Heritage Study in Victoria, 2004
A key resource for genealogists, and a clear overview of public records useful for all types or research, particularly local and community history. Illustrated and indexed.genealogy, bibliography