William Eagle was a pioneer orchardist in Harcourt, who brought a dray load of apple seedlings to Harcourt from Watmough’s orchard, Greensborough in 1857 to launch the industry for which Harcourt has become famous. By 1872 his orchard, in Reservoir Road, Harcourt, was fully in bearing.A reminder that Harcourt orchards came into prominence within 15 years of establishment and Harcourt Apples have taken a pre-eminent position in the State’s horticulture industry ever since. Certificate describing the winner of the Collection of Apples category. Beautiful Certificate displays Castlemaine Agricultural and Horticultural emblem as well as various pictures of aspects of agricultural and horticultural pursuits.Agricultural and Horticultural Society of Castlemaine Exhibition November 1872, Certificate of Merit for Collection of Apples, Exhibited by Wm Eagle,President W Halford, Secretary J Collings

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of a Trio with the Official Mar-Apr 69 West Australian Concert Party play instrumental rock and roll numbers for the Diggers at 1st Australian Task Force Base Nui Dat, Luscombe Bowl. The variety acts exhibited by the concert party's members was magnificant.photograph, entertainers, west australian concert party, 1 atf, nui dat, luscombe bowl, gibbons collection catalogue, diggers, 1st australian task force, official mar-apr 69 west australian concert party, denis gibbons

People in the industry would come in for sales at the Wool Museum and not pay to see the exhibits. Turnstiles were installed to stop entrance. The tokens were sold on ground floor and turnstiles installed outside the exhibit upstairs. The token had to be inserted into the turnstiles to gain entrance to the exhibit.93 Large child tokens 67 Large adult tokens 6 Large guest tokens 17 Large concession tokens 55 Small adult tokens 36 Small child tokens 15 Small guest tokens 34 Small family tokens Gold and bronze in colour

Three newspaper clippings from January, March and April, 1932. (1) From "The Herald", March 1932, a photo of seven students walking in the grounds at Burnley with the caption: "The gardening girls of Burnley - a sunshine study at the Burnley Horticultural College of a number of the girl students leaving their work at the luncheon interval." (2). An article from "The Leader", January 23, 1932, titled "Royal Horticultural Society, Fine Summer Display", an account of Burnley students' exhibit at the RHS show. (3). A partial clipping about a dahlia exhibit and description of a new decorative flower of the garden cactus type raised by Mr. George Russ, chief demonstrator at Burnley, named Dorothy Allender. the herald, the leader, george russ, royal horticultural society, rhsv, garden show, female students, dahlias, dorothy allender dahlia

Portrait of a seated woman with short red hair, black turtle neck and blue skirt with multiple figures in background. Signed and dated lower right 'Clifton Feb 55'. Label on reverse: 'Lauraine Diggins/ Cat no. 29/ Portrait of Pat Tozer/ Oil on Particle board/ exhibited - The Antipodeans'.clifton pugh, painting, portrait, pat tozer

This quilt was exhibited as part of the 'solo exhibition' component of the Expressions 2002: the Wool Quilt Prize exhibition. Paull exhibited 9 quilts in this series along with samples for the 'touch table'Woollen quilt made from grey army blankets and backed with hessian. Golden sheep motif attached with red wool on verso of quiltquilting, blankets

Kraft-Walker Cheese Company commenced in Allansford in 1935 leasing the factory premises from Warrnambool Cheese and Butter Factory Company. Dairy companies entered competitions organised by the Dairy Industry Association and associated organisations and local agricultural societies to encourage improvement in products. Some of these awards are considered prestigious and highly regarded within the industry. The certificates were passed to Cheese World Museum by the factory management.A blue background full colour certificate and a cream cartouche with a darker banner across it and the insignia of the Royal Agricultural Society of Victoria; in the lower right hand corner of this section is the Australian coat of arms; around this are grasses, grapes and wheat. On the left hand side and across the bottom are images in various shapes. The circular image on the top shows a Royal coat of arms; below are two gold medals featuring a female and a laurel wreath; underneath is an image of two black sheep and a blue ringed circle has two sheep with blue ribbons around their necks standing in front of a wooden fence. Along the bottom are three images -first a black riding horse together with a brown shire horse in harness; second a horse drawn harvester; third a brown prize bull.THE ROYAL/AGRICULTURAL/SOCIETY/ OF VICTORIA Gold Medal/Royal Melbourne Dairy Show/1997/WARRNAMBOOL MILK PRODUCTS P/L/Class 127/Exhibit 165/EXCELLENCE IN AGRICULTURE allansford, dairy awards, product awards, warrnambool milk products, warrnambool cheese and butter factory company, royal melbourne dairy show, agricultural shows

The brochure features newspaper articles and snapshots of Healesvile Sanctuary in the 1930's. This is a 4 page pamphlet printed on yellow A3 paper and folded in half. It features activities and information relating to the 60th anniversary of the Healesville Sanctuary. Print is dark green. The back page has a map and opening times of the various exhibits and "Meet the Keeper" times. Includes 3 photographs from old newspapers.healesville-sanctuary, holiday-program, 60th-anniversary, official-opening, map

‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available

Betty Brown was a student of the Ballarat Technical Art School when she completed this work, most probably for the Wiltshire Poster Competition. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A framed original gouache poster depicting a box of mixed fruits with whole fruits such as pineapple, oranges, cherries, lemons, apples and grapes at the top of the box, and dried fruits and a fruit cake at the bottomAt the lower edge of the work are the words "John Macleod & Co Pty Ltd. 122 Lydiard Street Ballarat" A sticker on the lower right hand side reads "Exhibit No 8547 Class No 1736"art, artwork, betty brown, brown, fruit, poster, ballarat technical art school, wiltshire poster competition, available

This certificate was awarded to Violet Murrell for a race sponsored by the Royal Agricultural Society of Victoria in 1929. Violet Murrell (formerly Violet Farmer) was one of the best female riders in Victoria, who won many events for dressage, show jumping and straight-out gallops at country meetings. She protested loudly that she was not allowed to ride at city tracks against the male jockeys despite beating them at country meetings. When she married Bill Murrell, a well-known jockey, they came to live in Mentone. Violet Murrell died in a tragic fire at her home in 1934 while trying to save her favorite horse, Garryowen, and her husband, who had tried to help her, died a few days later.Horse race award certificate awarded to Violet Murrell, riding Garryowen. Light brown in colour, with "First Prize" printed prominently across centre in blue. Dull gold decorative bands at top, bottom and left. Printed gold shield in centre of left band and small printed ornament with crown in centre of top bar. Printed (from top down): "The Royal Agricultural Society/of Victoria.", "First Prize.", followed by blank lines to be filled in: "Awarded to", "Exhibit", "Class", "No." Printed signature at bottom: "Henry Schwieg[ler?]/Secretary" Printed in shield on left: "GRAND/Annual/Exhibition/1929" Handwritten in black ink, to fill in blank lines: "Mrs. W. Murrell's "Garryowen" "[Awarded to], "Lady's Hack/15.3 or under" [Exhibit], "82" [Class] , "357" [No.] murrell, violet, horse racing, garryowen

Lever tyned walking scarifier, pulled by a horse. Designed for use in market gardens and is adjustable so the distance between rows may be varied. These items were on sale between C1900 and C1940 .Its lightweight construction suggests that this exhibits a late rather than an early model. Similar to a horse hoe scuffer used in America.rural industry, agriculture

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Great Barrier Reef, Queensland, AustraliaMade in Australia / 11 / MAR 66M1queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Great Barrier Reef, Queensland, AustraliaMade in Australia / 10 / MAR 66M1queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Great Barrier Reef, Queensland, AustraliaMade in Australia / 3 / MAR 66M1queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Great Barrier Reef, Queensland, AustraliaMade in Australia / 5 / MAR 66M1queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Great Barrier Reef, Queensland, AustraliaMade in Australia / 7 / MAR 66M1queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Great Barrier Reef, Queensland, AustraliaMade in Australia / 8 / MAR 66M1queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Great Barrier Reef, Queensland, AustraliaMade in Australia / 1 / MAR 66M1queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Refinery, probably far north Queensland, AustraliaMade in Australia / 7 / AUG 66M3 / Encircled 37 (Handwritten) / 42 (Handwritten-Cancelled)queensland, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Probably sugar cane fields, far north Queensland, AustraliaMade in Australia / 4 / AUG 66M3 / 13 (Handwritten)queensland, slide