Artist's Statement: "Every Wednesday at 10 o'clock in the morning, from the beginning of Winter, 2011 to the end of Autumn, 2012, I photographed the same scene in my Ballarat garden. While the main subject is the weather of the moment, it includes a walnut tree killed in the recent drought, and a deciduous ornamental plum. There are 52 Wednesdays recorded in the tapestry; and 4 frames showing the seasonal changes in the plum tree. The colours bordering each panel are those of deciduous leaves on trees in my garden that week. It is said we only know eternity in the pulse of the moment; and permanence in the cycle of the seasons."Millicent REED Initally training in tapestry from Sara Lindsay at an ATW community class Millicent Reed received a Diploma of Art (Tapestry) from South West TAFE in 2009. Her strength and direction comes from being part of the unbroken continuum of tapestry art from the beginning of recorded time. Similarly, the sameness and difference of time itself has become the focus of all her work. (https://americantapestryalliance.org/exhibitions/tex_ata/down-south-tapestry-in-australia/down-south-exhibitors-biographies/, accesed 03 April 2020)Woven tapestry in eight panels, each with seven images in each panel measured 212.0 x 57.5 cm. weaving, seasons, tapestry, ballarat, weather, millicent reed

Photo is of the "Victoria Valley" taken from around the area of Reed's Lookout. The body of water is Moora Moora Reservoir. The background range is Victoria Range. Photo is typical of promotional photos taken by Forests Commission VictoriaRocky outcrop in foreground and a large, thick tree covered valley, with mountain ranges in the background. A body of water (near top, middle) and some roads can be seen c1960sscenery, grampians ranges

Photo is of Victoria Valley with Moora Moora Reservoir and the Victoria Range in the background. Photo would have been taken from around Reed's lookout area. Photo typical of promotional photos of the time by Forests CommissionLarge, densely treed valley with a body of water in background. Some roads can be seen particularly right foreground. There is a mountain range in the background. c1960sscenery, grampians ranges

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society . Patons' & Baldwin Ltd began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son & Co., founded in 1814 by John Paton of Alloa, Scotland. Both men had formed their businesses using the spinning mule developed by Samuel Crompton. They mainly produced yarns for commercial knitting machines. The two companies merged in 1920 and diversified into producing wool for home knitters, as well as publishing knitting patterns under the "Patons Rose" and "Baldwins Beehive" trademark. By the mid-1930s, the company had establishments across Scotland and Northern England, Canada, New Zealand, Launceston, Tasmania, Australia. The company branched out into various related lines of business, and the development of new products such as nylon and Terylene. In 1961, the company was merged with J & P Coats Ltd. The Patons trademark is still in use today.The yarn production facility at Alloa was closed in 1999 and the large factory in Launceston, Tasmania, Australia,closed in 1997. In 1952 J. & P. Coats and the Clark Thread Co. merged.and in 1961 a merger with Patons and Baldwins created Coats Patons. In 2015 the business returned to the market as "Coats Group".Patons' knitting books have been used by hand knitters in many countries since they were published early in 20thC Gladys Reed and other residents of the City of Moorabbin used these pattern guides to make clothing for their families and community c1950A printed paper booklet with 64 pages of knitting and crochet patterns, instructions, photographs bound by 2 metal staplesFront Cover ; UNIVERSAL/ KNITTING BOOK / SIXTH / ED / ITION / PRICE / NINE / PENCE / Photo of lady knitting / Trade Mark / JOHN PATON, SON & CO. / BRANCH OF PATONS & BALDWINS LTD. / ALLOA / LONDON, MANCHESTER / MELBOURNE / MONTREAL Written top right ; G Reed Back Cover ; Trade Mark / Registered / THIS TRADE MARK / IS YOUR GUARANTEE / WHEN BUYING / PATONS' ALLOA / KNITTING WOOLS knitting, crochet, craftwork, john paton son & co., baldwin j &j ltd, aloa scotland, launceston tasmania, melbourne, knitting mills, knitting books, coates j&p ltd, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Gladys Reed created this script for a One Act Play by Ormond Choral Society c 1950. Judy Clark, her daughter, donated this typed script and some clothing props used in the play when performed by the Society.Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin to provide social, artistic and musical entertainment and development in their communities. 2x Note paper sheets with typed script for a One Act Play - ;' Playing a Waiting Game 'Typed script x 2 pages signed G.Reedearly settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

The Willows Restoration Committee members: Chairman Cr Ed Gillespie, Lorraine Gillespie, Mr & Mrs Alan Reed, Ken Young, Bill Amor, Edna Barrie, Max Watson, Cr Jeff Robinson and Wendy Barrie.Jeff Robinson, Bill Amor, Lorraine and Eddie Gillespie standing in front of the Willows, inspecting the house and surroundings from the front verandah. local identities, local architecture

Bendigo Advertiser "The way we were" from Tuesday, April 20, 2004. Lolly water: workers from Reed Bros. cordial factory in Bridge Street circa 1946. Pictured here are, back row from left: Bill Rowe, Ray Borwell, Pat Walsh, Ern Young, Kevin O'Farrell, Phil Marshead, Bob Pysiny. Second back row: Jim Walsh, Harry Marshall, Tom Ingham, Jim Marshead, Leo Riodden, Jack Marshead, Jim Scott. Third row: Mick McCormick, Jack Murley, Jim Beech, Clarry Berryman, Len Read. Front row: Estelle Krewin, Joyce Richardson, Peggy O'Keefe, Perc Reed, Rod Fitzgerald, Amy McCormick and Dorothy Vlaeminck.newspaper, bendigo advertiser, the way we were

Documentation relating to Sqn Ldr Alan R. Reeds military service in vietnam 1968-69. Includes a ten page printed personal account in a letter to lac S.J. Eather, RAAF Amberley. Two copies of his DDFC Award (USA) and citation and his bio - Air Vice Marshall Alan Reed, AOdocuments, alan reed

Marysville and District Tourist & Progress Association-President's Report 1981-82. The report outlines the events and activities that the Association and its members were involved in and organised in the year of 1981 to 1982. At the time of this report Malcolm Reed was the President of the Association.Marysville and District Tourist & Progress Association-President's Report 1981-82. The Association was formed in November 1907 to promote tourism within the area. This included the physical creation of signage, parklands, roads and walks to various attractions. marysville, victoria, lake mountain, marysville tourist and progress association, president's report

Bakelite crockery became inexpensive and popular c 1930 and was used for a variety of goods because of its almost unbreakable quality. . Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin. Bakelite became affordable and plentiful so it was used in many homes like Gladys Reed in City of Moorabbin c1960 Green bakelite cup, saucer, egg cup c1930bakelite, crockery, clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy

After the Gillette Pty Ltd made the stainless steel Safety Razor it was very popular world wide . The stainless steel box is lined with velvet and contains a stainless steel lift up protector for the razor blades.George Reed was a resident of City of MoorabbinThe Gillette Pty Ltd made the stainless steel Safety Razor c1940 and it was used by men world wide . This portable compact easy clean stainless steel kit was a practical part of men's toiletries George Reed was resident of City of Moorabbin A Gillette Pty Ltd stainless steel Safety Razor with a stainless steel box, lined with velvet and containing a stainless steel lift up protector for the razor blades Inside lid of box ; TRADE Gillette MARK / MADE IN ENGLAND gillette pty ltd. safety razor, stainless steel, razor blades, post world war 11 housing estates, moorabbin, bentleigh, mckinnon, ormond, toiletries, men's fashion, menswear,, reed george, reed gladys,

This clock was made by Charles Frederick Falck who was a watchmaker and jeweller in Beechworth from 1863-1908. Falck was born in Körlin, Prussia on May 22nd in 1833 and died at the age of 75 in 1908. Ovens and Murray Advertiser, Beechworth: edition June 13, 1908 OBITUARY: Falck was brought up to the business of watch-making, in which he developed exceptional mechanical ingenuity. Attracted by the favourable prospects held out by the Australian discoveries of gold he, like many other young adventurous spirits, left his native land to seek his fortune in the great southern Eldorado, arriving in Adelaide in 1854, and shortly after came to Melbourne where he worked as a journeyman, and subsequently started in business on his own account. Feeling inclined to test his fortune on the goldfields, he went to Blackwood but, meeting with little success, he returned to Melbourne where he was married. In 1862, he moved to Beechworth, where he commenced business as watchmaker and gold-buyer. He then embarked in vine-growing on the Sydney road, but eventually resumed his business avocations. His skill in practical horology was evinced in a clock of his own design and manufacture, surmounted by a golden eagle, which was exhibited at the first Melbourne Exhibition in 1856, and which afterwards formed a pre-eminent attraction in the window of his business premises in Ford Street. For many years, he filled the position of timekeeper to the Beechworth Racing Club, with complete satisfaction also at various sports meetings. He leaves a family of six sons and one daughter (Mrs. Jas. Broadfoot) all arrived at maturity. The funeral, which was well attended by a number of residents, took place at the Beechworth Cemetery on Sunday, the burial service being performed by the Ven. Archdeacon Potter. The cortege was capably supervised by Mr. D. Wilson, undertaker. The clock was returned to Beechworth in 2020 through the generous support of the Copland Foundation. Given that Mr. C. F. Falck traded as a watchmaker and jeweller in Beechworth for 45 years and traded with the 1855 clock mounted in his front window, there is a direct link between the clocks and the social, cultural and economic life of nineteenth century Beechworth at time when the town was developing and expanding in response to gold mining. This clock represent the significant skill and expertise of Charles Falck as an horologist. Medium-sized pendulum clock featuring a carved gilt wood eagle with wings outstretch (épandre - expanded with wing-tips directed upwards) and perched above a pendulum rod that holds a silver dial clock face within a reeded sunburst surround. The clock has an eight-day fuse movement with dead beat escapement wound from the clock face. C. F. F. FALCK / EXHIBITION 1856 / MELBOURNEburke museum, copland foundation, beechworth, leonard joel, auction, purchase, clock, pendulum, eagle, eagle clock, charles frederick falck, c. f. falck, falck, horology, pendulum clock, melbourne

Used as advertising for David Jones centenary (1838-1938). A small spoon in electroplated silver with a circular bowl and flat handle terminating in a flat finial in the form of a stylised covered cup (trophy). The bottom part of the trophy is embraced by a scroll with the inscription '1838 CENTENARY 1938', the reeded body of the cup features overlapping initials 'DJ' in the centre and the number '100' applied just below the domed cover with a ball finial. The back of stem is stamped with two marks 'EPNS' and 'ENGLAND' in an oval. Inscription on finial '1838 CENTENARY 1938', 'DJ' and '100'.spoon souvenir david-jones silver centenary

Handwritten on graph paper - Employee names include: Gregory, Reed, Tueno, Cant, Power, Evans, Caughlan, Livingstone, Palmer, Higham, Picker, Townsend, Shaw, Harrison, Threlfall, Kurzke, Hopgood, Sanf, Nickson, R. Wirth, J.Wirth, Pollard, Dole, Perdon, Hogan, Grenfell, Boston, Hope, A.James. Also has instructions for the staff of the duty at hand.person, individual, basil miller

A 14 page document covering the settlement and transfer of shares between A.H. Smith Ltd,. Cohn Brothers, Shepparton Cordials, and Reed Bros., also mentioned are Coca-cola assets, Bendigo Bottlers. Names mentioned are Mary Smith, Mahon Smith and F .Ballantine. The settlement also involves the resignation of Arthur Summers from A.H. Smith Limitedorganization, business, cohn brothers, cohn brothers , reed bros, coca cola , shepparton cordials, bendigo bottlers, a.h. smith

Book - 48 pages+ card cover + jacket, perfect bound, landscape format, "Trams and streetscapes Metropolitan Melbourne 1950s - 1960s", edited by Emile Badawy and John Sargent, published December 2002, featuring photos by Keith Atkinson, Graham Evans, Noel Reed and Jim Seletto. See Reg Item 4264 for the first in the series published Apr 2002.trams, tramways, melbourne, work trams, mmtb

Planes similar to this came with several additional parts. They were designed for use in dadoing, rabbeting, tonguing and grooving, beading,slitting and sash cutting. It could also be used as a filleister and with special cutters, as a Reeding Plane. Sargent & Co. were in operation from 1887 to 1964.Plane with wooden handle (mahogany) and fence plate. Adjustment points for various uses."SMB" on handle. "SARGENT" on metal near handle.plane, dadoing, rabbeting, tongue and groove, beading, slitting, sash cutting, sargent, united states of america

Craftwork, Crochet, Knitting and Sewing were all popular in post World War 11 Moorabbin as the new settlers established their homes on the previous market garden estates. Gladys Reed was and accomplished dressmaker and was involved in local community activities like the Ormond Choral Society Craftwork, Crochet, Knitting and Sewing were all popular in post World War 11 Moorabbin as the new settlers established their homes on the previous market garden estates.A ball of silk thread and 2 steel crochet hooks, 1 completed cotton handkerchief, 2 squares of fine cotton and a small length of lacework 2 Crochet Hooks ; a) Made in England / 4 / CROSS FOX b) ARGOBY / 6 / ; packet MILWARD Silk Cotton ; J & P COATES / MERCER CROCHET / 80

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. For over 60 years, the Society has worked with local government and other community organisations to stimulate interest in Kew’s history and heritage. The Society has regularly held local exhibitions, sometimes in shop windows, on other occasions in civic halls, and now at the Kew Court House and Kew Library. This and other photos taken in the same year are examples of an exhibition in the Kew City Hall.Attendees including named members of the Society at an early art exhibition.Reverse: "KH31. Background from left, KHS members (mayor Cr Hutchinson & mayoress), Mr Slattery, Reed, Miss Mack. Two visitors nearest camera. Historical exhibition 1976." "Dr McMahon?" kew historical society - exhibitions, kew (vic.) -- history, kew civic hall, kew city hall, exhibitions — kew (vic.)

This clock was made by Charles Frederick Falck who was a watchmaker and jeweller in Beechworth from 1863-1908. Falck was born in Körlin, Prussia on May 22nd in 1833 and died at the age of 75 in 1908. Ovens and Murray Advertiser, Beechworth: edition June 13, 1908 OBITUARY: Falck was brought up to the business of watch-making, in which he developed exceptional mechanical ingenuity. Attracted by the favourable prospects held out by the Australian discoveries of gold he, like many other young adventurous spirits, left his native land to seek his fortune in the great southern Eldorado, arriving in Adelaide in 1854, and shortly after came to Melbourne where he worked as a journeyman, and subsequently started in business on his own account. Feeling inclined to test his fortune on the goldfields, he went to Blackwood but, meeting with little success, he returned to Melbourne where he was married. In 1862, he moved to Beechworth, where he commenced business as watchmaker and gold-buyer. He then embarked in vine-growing on the Sydney road, but eventually resumed his business avocations. His skill in practical horology was evinced in a clock of his own design and manufacture, surmounted by a golden eagle, which was exhibited at the first Melbourne Exhibition in 1856, and which afterwards formed a pre-eminent attraction in the window of his business premises in Ford Street. For many years, he filled the position of timekeeper to the Beechworth Racing Club, with complete satisfaction also at various sports meetings. He leaves a family of six sons and one daughter (Mrs. Jas. Broadfoot) all arrived at maturity. The funeral, which was well attended by a number of residents, took place at the Beechworth Cemetery on Sunday, the burial service being performed by the Ven. Archdeacon Potter. The cortege was capably supervised by Mr. D. Wilson, undertaker. The clock was returned to Beechworth in 2020 through the generous support of the Copland Foundation and the Friends of the Burke. Given that Mr. C. F. Falck traded as a watchmaker and jeweller in Beechworth for 45 years and traded with the 1855 clock mounted in his front window, there is a direct link between the clocks and the social, cultural and economic life of nineteenth century Beechworth at time when the town was developing and expanding in response to gold mining. This clock represent the significant skill and expertise of Charles Falck as an horologist. Large swinging clock featuring a carved gilt wood eagle with its wings outstretched (abaisé - expanded with wing-tips lowered) and perched above a pendulum rod that holds a silvered dial clock face within a reeded sunburst surround. (Similar to #2019.056.01) The clock has an eight-day fuse movement with dead beat escapement wound from the clock face. C. F. FALCK / WATCHMAKERburke museum, copland foundation, beechworth, leonard joel, auction, purchase, clock, pendulum, eagle, eagle clock, charles frederick falck, c. f. falck, falck, horology, pendulum clock, melbourne

Book. ALEC H CHISHOLM COLLECTION. 129 page memoir about the beaches of the coast north of Wellington, New Zealand. Illustrated with 16 B & W photographs. Published in 1950 by A.H. & A. W. Reed, Wellington and printed at The Herald Printing Works, Timaru. Catalogue sticker ''2154 DEM'' on spine. Handwritten in ink on flyleaf ''With the Author's compliments Gertrude Dempsey 4.10.1950''.Gertrude Dempseybooks, collections, memoir, alec h chisholm collection, gertrude dempsey, wellington, new zealand, memoir, nature

Tilly Aston playing a reed organ, often referred to as a harmonium. An unidentified woman sits next to the organ. In this informal shot a middle-aged Tilly is wearing a checked jacket with white collared blouse and long skirt. The organ has a number of photographs upon it and appears to be in someone's lounge room.B/W photograph of Tilly Aston playing organtilly aston, association for the blind

This book was prepared by Mrs. C. D. Reed and the Division of Research and Planning of the N.S.W. Dept. of Education for the centenary of the Delegate Public School. Delegate is 118 km north of Orbost. In 1870 a petition was forwarded to the Council of Education to request educational facilities at Craigie, Corrowong and Delegate. In 1871 Delegate Public School was opened. This book is a useful research tool on the history of Delegate.A paper covered book of 24 pp. It has a white cover with black print and was produced to celebrate the centenary of the Delegate Public School. It is a short history of Delegate and the Delegate Public School from 1827-1971.On front cover in red pen -Bendoc Schoolbook delegate-history delegate -public-school

The Bendigo Advertiser Newspapers invoice to H.A. & S.R. Wilkinson dated 16/11/1956. The invoice has four entries ''sale account Reed'' for a total of 23 pounds 14 shillings 0 penny. A receipt n. 23402 dated 23/11/1956 is stapled to the invoice recording the cash payment. A 3 penny stamp duty is attached to the receipt. The receipt is in a manilla folder.organization, business, h.a. & s.r wilkinson real estate, yellow label 595.

Sepia photo of three rows of school children on Sunday School picnic, teacher at left. Child at front right on tricycle. 28 children, 1 adult. In background, bamboo blind hanging in front of weatherboard wall, brick chimney ? at right. Grapevine ? at right and top. In foreground lying on ground reed stalks ? Some girls in pinafores, black stockings and boots. Boys in sailor suits and boots.person, group, sunday school picnic

Lemonade labels printed in three pairs of two. Printed in dark blue and white. Some areas lighter or darker in the centre. In the centre is a glass of lemonade with a straw in it and a lemon on one side and a cut lemon on the other. Dark blue border. Lemonade is printed in white and the rest of the printing is dark blue. Manufactured by Reed Bros.. Bridge St., Bendigo, Victoria, Australia. Labels are parallelogram shape.business, printers, cambridge press, cambridge press collection, lemonade label, reed bros