Showing 395 items
matching dress shirt
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Upper Yarra Museum
Negative Photographic Reproduction, Smithy Workshop Millgrove
The Smithy job is very important in any town or settlement, horses need shoeing reguarly, and drays, carts and jinkers need their Tires replaced or tightened, also their are many other jobs that they perform.Negative Black white Scanned at 600 dpi. "Smithy Workshop Millgrove" In the immediate and far background is the bush, central to this is the Smithys Workshop, it has a pailing roof and walls, there is a door left front, to the left above the dray wheel is a young man milking a brown and white cow, front left is the dray, with a young boy standing between the dray shafts holding a horse, next is a young Mother with a little girl, next to her is Dad with a hat and apron, he is the Smithy, he is holding a horse still with its yoke on, next is an older man wearing a suit and hat, holding a horse still yoked and harnessed, behind them is another horse near the workshop door, next is a horse yoked and harnessed to another horse and behind that is a sawn load of timber, next to the last horse is a man holding it, he is dressed with a vest and shirt sleeves and hat, at the end of the workshop is a lean-to shed which is probably the dunny, behind the load of timber there is a building with a 4 pane window and making an L shape another building, they appear to be on stumps , roof line is not distinguishable, the horses all seem like "Clydsdales".blacksmith, horses, millgrove, smithy, workshop, shed, cart sandy ross -
Kiewa Valley Historical Society
Photo - Family dressed in the fashion of the early 1900s
During the early 1900s little girls' dresses were fashioned on the style worn by older women. Girls dresses were knee length with trimmings of lace and ribbon. Collars were often removable for ease of washing. Leather lace-up boots and woollen stocking or socks were usually worn with these dresses. A pinafore or apron would be worn over the dresses to help keep them clean. Girls' hair was kept long, with curls and tied with ribbons.Boys' clothing was fashioned on sailor suits, blouses/shirts with a collar and trousers or knickerbockers. Woollen jackets, shirts and ties were suitable attire for older boys. Children's fashion of this time was dictated by long lasting durability, local manufacture, earthy colours and ease of mobility. Because of the long distance to haberdashery stores, the majority of children's garments would have been hand made by a local seamstress, mother or relation.Black and white photo of a family with 5 children in the foreground with trees in the background.children's clothing -
Cheese World Museum
Book, Merry and Bright, c1933
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. This book is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.M1704 The book was given to Joyce Uebergang as a Christmas present from her aunt. Children's picture book with full colour cover featuring a yellow border. The front cover shows two Negro children sitting on a gate; the girl is dressed in blue with a yellow headscarf, the boy is dressed in yellow striped trousers, red and white spotted shirt and is playing a banjo. The title 'Merry and Bright' is red with yellow shadowing. The back cover shows two boys in a bedroom boxing one another, together with a wee black and tan dog.To Joyce from Auntie Aggie Xmas 1933/This book belongs to Joyce Uebergangallansford, uebergang, joyce uebergang, children's literature, books, merry and bright -
Cheese World Museum
Photograph, Percy Uebergang and Myrtle Wright wedding party, 1924
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Percy Uebergang and Myrtle Wright were married on 3 September 1924 at Koroit. The attendants were Miss Ida Wright and Carl Uebergang. Newspaper reports of the wedding and welcome home reception are held in the collection. Myrtle's cousin, Florence Trigg, recalls that the wedding was held at 6am at Koroit in order to catch the train to Melbourne at 7am. This photograph was taken following their return. Percy and Myrtle are the parents of Ray and Joyce Uebergang. Black & white photograph of the wedding party of Percy Uebergang and Myrtle Wright and their attendants. The bride is wearing a calf length suit trimmed with a lace collar and shoes with lattice weave uppers. She has a horseshoe on her left arm and a small handbag in her right hand. The bridesmaid is wearing calf length long sleeved dress featuring a shawl collar and a sash at the waistline. She is carrying a handbag. The men are wearing 3 piece suits and lace-up boots, shirts with winged collars and ties.allansford, uebergang, percy, wright, myrtle, wright, ida, uebergang, carl, marriages, trigg, florence, koroit -
Cheese World Museum
Photograph, Jordan Studio, Ray and Joyce Uebergang c1929, c1929
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.K14Photograph of twins Ray and Joyce Uebergang at approximately 3 years of age. Ray is standing beside a table and Joyce stands next to him. Ray is dressed in dark shorts and a light coloured shirt, tie and tiepin, long white socks and button-up shoes. Joyce is wearing a white embroidered frock with a scalloped hemline and short sleeves. She has short socks with garters and button-up shoes.allansford, uebergang, tooram park, ray uebergang, joyce uebergang, jordan studio, warrnambool, liebig street, photographs, children's costume, photography -
Victoria Police Museum
Photograph (Victoria Police), Police Officers group photo on sporting event, June 1926
Black and white photograph mounted on dark brown frame. 18 young men posing for photograph in 3 row structure - on the background, arena style sitting area - and serious man on top left, dressed in 'detective' style. They are all in Victoria Police Football Club uniform, white or dark shorts, socks to the knees, sporting boots and shirts with VFP letters.Handwritten in the front of the frame, bellow photograph: Victorian Police Football Club June 1926 Handwritten on the back of the frame: 41502 // Bill 20 years Victoria Police Football // Team 1926 // Premiers Mid Week Association // 1926 BILL POULTER // FRONT ROW EXTREM RIGHTvictoria police museum, police officers, police academy, police force, football, sports, vpfa, william, poulter, bill poulter, victoria police football team, victoria police football club -
Streatham and District Historical Society
Picture, Streatham State School 1947
The children are standing infront of a line of trees. Dress is summer, all wearing shorts and shirt. Streatham State School students 1947. Back Row, L to R Shelia Davis, Heather Dorrington, Noel Oman, Barbara Brown, Phyllis Olney, Billy Brown, Peter Eastick, Geoff Wills. Middle Row, L to R, Dossie Chew, Deidre Chew, Joyce Davis, Margaret Forbes, Helen Wills, Marjorie Dorrington, Barry Brown, Myrna Blurton. Front Row, L to R, Pat Davis, Unknown, Donny Blurton, Ester Smith, Billie Eastick, Margaret Ward, Faye Dobson, John Dorrington, Geoff Ward.Shows the size of the school in Streatham at that stage and indicates the population around the area of StreathamRectangular shape Black & white pictureKodak stamp on back1947, streatham, state school victoria, carranballac -
Streatham and District Historical Society
Picture Post Card, Oman Family
This picture shows a group of people outside of a weatherboard house. There are four persons sitting on a metal seat. Two male and two female. Both boys have a boat neck collar on their shirts and button up boots on. One girl has a light coloured dress with a money purse across one shoulder, her hair tied up with a ribbon. The older girl has white uniform on with watch hanging from the bolice, her hair is up. A youth is standing leaning on the house with his thumbs in his vest holding a whip. He has on foot resting on the seat and is wearing short pants and boots. Standing behind the seat is a large framed women wearing a dress with her hair up and a man wearing a suit with facial hair, hands behind his back. To the side another youth with his hands in his pants. Next to him another man with his hands behind his back, dressed in a suit with facial hair. Lace can be seen on the windows.Shows a typical family and housing of the period.Black and white rectangular picture post card.In black ink, stamped on back "Post Card, Correspondence, Address. Written in black ink " Robert Oman, Clifton, Jack, Roy, Jean, Gladys, Evelyn, Father John, Mother. R Oman 5 Locjhart Ter Edwardstown SA". In blue pen "Dos Dunn". -
Warrnambool and District Historical Society Inc.
Household, Mans Dress box. Studs. Collars x4. Arm bands. Bowtie x2, Early 20th century
This man’s dress box contains accessories that a man would use, perhaps in a formal situation – bow ties,buttoning studs and detachable collars. The contents of the box may not be what was originally in the box. Bow ties and studs are still used on occasions but detachable collars are no longer in vogue because wash and wear shirts are freely available. Both of the companies which made the detachable collars, Pelaco and Cremorne, were based in Richmond in Melbourne. The Warrnambool jewellery business of M. Salamy and Son, has the known dates, 1912 to 1938. There were two Salamy shops, one in Timor Street, opposite the Post Office and one at 179 Liebig Street. This box and contents are retained because they are reminders of accessories men used in the past, especially for formal occasions. Also, one of the items came from the well-known Warrnmbool jewellery business of M. Salamy and Son..1 This is a circular-shaped leather box with a lid attached by stitching and a strap and a metal buckle for closing the box. Inside the box is a blue cardboard lining. The leather is scuffed. .2 & .3 These are two black cloth bow ties with metal clips at the back. The ties are housed in a blue wooden box. .4 These are seven elasticised bands for holding back shirt sleeves. Two of these are covered with red and blue cloth and five are made of silver-coloured metal .5 & .6 These are two white detachable collars. They are somewhat stained. .7 These are four metal studs with white inserts. .2 The box is marked ‘M.Salamy & Son, Jewellers’ .5 ‘Pelaco Best Quality Made in Australia’ .6 ‘Cremorne Collar Co. Melbourne’ men’s accessories, history of warrnambool, detachable vintage collars, winged detachable collars -
Vision Australia
Painting - Artwork, Portrait of John Moule, 2003
Framed portrait of John Moule who was President of the Vision Australia Foundation, from 1992-1999. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Moule is standing with his arm on a dresser, and holds a pair of glasses. He is dressed in a navy blue suit, with a blue kercheif in his breast pocket,, a white collared shirt and a blue, white and black striped tie. On his lapel is a small gold badge. The plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'. 1 art original in old gold frameThe plaque at the base of the painting reads 'Mr John A. Moule AM / President 1992-1999 / Vision Australia Foundation'.vision australia, john moule -
Vision Australia
Painting - Artwork, Portrait of William Paterson, 2002
aFramed portrait of William Paterson who was President of the Association for the Advancement of the Blind, from 1948-1952. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Paterson is dressed in a 3 piece gray suit, white shirt and wearing a blue tie and black hat. He sits outside a house reading a red coloured book, whilst in the background an elderly man takes a step out on to the gravelled driveway. Two women, one with a white cane, rest on chairs under the verendah of the building. The plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'association for the advancement of the blind, william paterson -
Vision Australia
Photograph - Image, RVIB Orchestra picture taken from 1930 Annual Report
Scanned image of the RVIB orchestra, dressed in tuxedos and playing on a stage, from the 1930 annual report. In contrast to a similar advertisement in 1923, where the orchestra was seated outside and in day clothes, this line up consists of males in black tuxedos and bowties with white shirts, to emphasis the professionalism of the musicians and their ability to play in more formal settings.Scanned page from annual report of blind orchestrarvib orchestra, fundraising -
Vision Australia
Photograph - Image, Tom Marks having tea in the garden, circa 1900
Tom Marks sits at a table with four others, holding a cup of tea and dressed in a day suit with tie. The woman to his right looks straight at the camera whilst she pours tea from a teapot into her cup, and is dressed in a black dress with a white flounce. Opposite Tom Marks sits a teenaged girl wearing a pinafore over her dark dress with lace collar, and an older woman in a dark coloured dress with dark ruffled edging. The only other person to look towards the photographer is the gentleman to Mr Marks's left, in a suit and vest, white shirt and tie, balancing his cup on a saucer. The group sit in a backyard garden, around the turn of the century based upon their clothing.B/W photograph of group having tea in gardenthomas marks, association for the advancement of the blind -
Vision Australia
Painting - Artwork, Portrait of Thomas Marks, 2001
... dinner shirt and black evening dress bow-tie. One hand rests next... dinner shirt and black evening dress bow-tie. One hand rests next ...Framed portrait of Thomas Marks who was President of the Association for the Advancement of the Blind 1900, 1935-1937. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Marks sits at a table, wearing black tails and pants, a white pleated dinner shirt and black evening dress bow-tie. One hand rests next to a cup and saucer, the other rests on his lap. Tom Marks was educated at the Royal Victorian Institute for the Blind. He was a founding member of the Association for the Advancement of the Blind (now Vision Australia) at its establishment in 1895. He went on to serve as President of organisation in 1900 and was later appointed as a part time paid secretary – an office he occupied from 1904 to 1927. He again served as President from 1935 to 1937 during which time he celebrated his 80th birthday. As the living conditions of many blind people were deplorable at this time – they were often confined to a room or shed without any social contacts – it was realized that support for blind persons was needed to serve as a refuge for the oppressed, a home for the indigent, a rest home for the sick and a convalescent home to provide both respite care and permanent accommodation. Mr Marks had a reputiation of having good contacts and being able to use people with more knowledge than himself. An able musician, Tom Marks was often employed in the homes of wealthy families. As a result he met Mr and Mrs Grimwade who were already supporters of Vision Australia. They organized a gymkhana to raise money for the nucleus of a building fund. From this time Tom Marks was involved in the finances of the centres at Brighton, Ballarat and Bendigo, which were the ultimate result of the fund. He was also part of a team that negotiated the financial agreement between the RVIB and Vision Australia over fund raising and the allocation of money, which lasted from 1930 to 1939. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr Thomas Marks / President 1900, 1935-1937/ Association for Advancement of the Blind'. association for the advancement of the blind, thomas marks -
Vision Australia
Image
A solo drummer boy is accompanied by smaller boys with drums, all dressed with red top hats, vests, shorts and ribbon ties with a white shirt.Col. photograph of boy drummers.carols by candlelight -
Surrey Hills Historical Society Collection
Photograph, Mr and Mrs Percy Pledger senior
Percy Henry (Harry) Pledger (1884-1954) and Eleanor Elizabeth George (1888-1963). They married in 1908 in St Peters, Paddington, London. Percy was a tailor in Barnet, Middlesex and the family migrated to Australia in 1923, arriving in Brisbane on 11 December 1923. They settled in Surrey Hills. Percy had a tailoring and later knitwear business at 418 Canterbury Road, almost opposite Alexandra Avenue (? also at another time in Hansen's Terrace in Canterbury Road). The family was musical. Their children were: Son Percy who joined the staff at Allan’s Music House and rose to become their chief accountant. He also taught and played the violin in a number of orchestras. (See individual entry for him - SH1207) Daughter Jessie married Arthur John Marston Bate (1906-1994) in 1941; he was born in Birmingham and his father was also a tailor. Arthur gained BA and MA from the University of New Zealand. He was also primarily a musician, but worked in theatre, broadcasting and teaching in New Zealand and at the State Theatre in Melbourne and the ABC. He was a pilot during WW2 (SERN 255363), rising to the rank of Flight Lieutenant and also a RAAF Chaplain. Jessie and Arthur lived in Hawthorn, Ashwood and Mount Waverley. They are buried in Box Hill Cemetery (CE-213-0029) along with daughter Christine Elizabeth. Stanley Bertram Pledger, along with Harold Sydserf, assisted Stan's brother Percy to establish the Surrey Hills Musical Club in the 1920s . It soon increased to 12 or 15 members, giving 4 concerts a year. They combined with the Surrey Hills Dramatic Society to produce operettas. In time the group expanded to a total of 30 players and became the Camberwell Symphony Orchestra. Stanley Bertram Pledger (1912-1996) is listed in electoral rolls at a number of addresses around Surrey Hills: 1927 - 36 Suffolk Road; 1940s - Essex Road; 1977 - Burwood. All entries consistently give his occupation as manufacturer and it is assumed that this was with the family business. He retired to Kiama, NSW.A black and white photograph of a couple standing in the rear garden. The lady is wearing a short sleeved, knee length dress and the man is wearing long trousers held up by braces and a short sleeved shirt.clothing and dress, tailor and knitwear, (mr) percy henry pledger, (mrs) eleanor elizabeth pledger, (mrs) nell pledger, (miss) eleanor elizabeth george -
Surrey Hills Historical Society Collection
Photograph, Miss Lil Willaton and her calesthenics students, 1930s
Miss Lillie Louisa (Lil) Willaton, and her callisthenics students in 1930s celebrating during competitions in Ballarat in which they were successful. Lil held weekly classes in Surrey Hills, Box Hill and nearby suburbs for a number of decades. Students include Nancy Scott, Nancy Hayes, Sylvia McGill and Vera Willaton. Lil was born in Long Gully, Bendigo in 1904 daughter of Herbert Charles Leopold Willaton and Lillie Jenkins. She had 3 brothers and 3 sisters, one brother dying in infancy. The family lived in Lille Street, Surrey Hills. Both her parents and one sister died in Surrey Hills. In the 1920s Lil gained her A.L.C.M. (Australian London College of Music) in singing and made a career of teaching gymnastics with calisthenics, rhythmic movement etc. She arranged the music and lyrics for items and also designed the costumes, as well as conducting the physical training which culminated in annual concerts held in Box Hill and other town halls. Lil married Leslie Reginald Stephenson in 1934 and they lived at 36 Union Road, Surrey Hills. She died in July 1995 and is buried in Buried Box Hill Cemetery - CE-126-0001. A black and white photograph of a group of girls posing for a photograph around a monument. They are all dressed in similar clothing of light coloured skirts / shorts and shirt, and wearing hats. The lady in the centre is wearing a darker coloured suit.(miss) lil willaton, callisthenics, (ms) nancy scott, (ms) nancy hayes, (ms) sylvia mcgill, (ms) vera willaton, (miss) lille louisa willaton, (mrs) lille louisa stephenson, (mrs) lil stephenson, teacher, gymnastics, box hill cemetery, lille street, union road -
Clunes Museum
Clothing - CHILDS' DRESS
BABYS' DRESS, TUCKED WITH A PANEL OF EMBROIDERY AT THE FRONT OF SHIRT AND BODICE. EMBROIDERED SLEEVES AND SHIRRED WAIST.CREAM LAWN DRESS. HANDMADE AND EMBROIDERED.local history, costume, dress, swainson family -
Stawell Historical Society Inc
Photograph, Mr. Angus H. Clarke Studio Portrait c 1918
Black & white photograph taken in 1918 of Angus H. Clarke engineer from 1893 to 1924. Angus is dressed in a woven jacket white shirt and dark tie he has a mustache. The copy of the photograph was made in 2012.Black & white portrait of Angus H. Clarke. Engineer 1893 to 1924. Angus H. Clarke Engineer 1893 to 1924 (Photo 1918)stawell portrait -
Tatura Irrigation & Wartime Camps Museum
Cutouts - Wooden, 1940's
Set of 4 CUTOUTS 1.Cutout of a bearded man playing a flute/recorder. Dressed in red/pale brown check pants, red cape, brown shirt, brown hat. Black and brown socks, black shoes, sitting a a floor. Matt paint. 2. Cutout of a bearded man, with instrument broken off. Dressed in a spotted cape and hat, brown shirt and trousers, light brown shoes, standing on a curved triangle. Matt paint. 3. Cutout of a bearded man dressed in a brown hooded coat, tan trousers, tan and black spotted shoes. He is carrying a lute over his shoulder. His is standing on a curved triangle. Matt paint. 4. A smaller cut out of a bearded man, holding a baton. Dressed in a blue and yellow spotted hooded cape, brown trousers and shoes, standing on a heart shaped base. Gloss paint.dwarfs' band, cutouts, vollmer f&a, vollmer h, camp 3, tatura, ww2, handcrafts, woodwork -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white and sepia prints, Clowning in a Spare Moment 1929, 1929
(a) Donated by Carine Williams Wettenhall for the 1991 Centenary Year. (b) Donated by P. McVickar for the 1991 Centenary Year.4 female students standing under the willow beside the lily ponds. (a) Sepia. (b) B/w. Three of the students are dressed in the uniform of jodhpurs, shirt and tie(a) On reverse, "Clowning in a spare moment 1929."female students, willow, lily ponds, carine williams (née wettenhall), 1991, centenary, 1929, pat mcvickar -
Brighton Historical Society
Jacket, Bridge jacket, 1930
This jacket was bought in England for Elsie Law (nee Russell) by her husband James Lindsay Gordon "Lin" Law in 1930. Elsie used it as a bridge jacket. Lin was born in Ballarat 1881, the eighth child of Scottish migrants James Nicol Law and Margaret Law (nee Bartholomew). BHS holds an evening dress belonging to Margaret Law in its collection (see T0006.1). After leaving school at the age of 11, Lin began working as a salesman. In 1906, he and business partner James Kerr Pearson (also a Brighton local, who lived at 12 Moule Avenue) established the shirt manufacturing company Pelaco. In 1922 the company established its factory at 23 Goodwood Street on the top of Richmond Hill; the 4.3 metre high neon 'Pelaco' sign, erected in 1939, is today heritage listed. The company was known for its innovative approach to efficiency and labour relations, discontinuing Saturday morning work in 1908 and appointing an industrial relations officer in 1928. Lin married Elsie Russell on 12 January 1915 at St Mary's Catholic Cathedral in Sydney and they lived most of their life in Brighton. In 1920 they moved into 'Blairgowrie', 306 St Kilda Street, The eldest their four children, Pauline Margaret Law (born 15 December 1915) ultimately purchased the house with her husband Hugh McLean in 1956 and lived there until 1965 when the house was demolished.Cream silk jacket block-printed with art deco style pattern in red, blue, black and mustard colours. Lined with soft apricot-coloured satin. Wide stand collar. Front fastens low on hip with four silk covered buttons. Label, woven brown on cream silk, centre back: Eileen / Mulholland / Ltd. / 43, Wigmore St., / LONDON. W1.elsie russell, james lindsay gordon law, brighton, pelaco, bridge jacket, 1930s fashion, eileen mulholland, art deco -
Stawell Historical Society Inc
Photograph, Mr William Harris & Mrs Jane Harris nee Unknown's Diamond Wedding Anniversary 1932, 1932
Harris. WM. & Jane – Diamond Wedding Anniversary. Coloured photo in oval frame.Coloured Oval Photo of Mr and Mrs Harris: Mrs Harris is wearing fromal black with dress. Black jacet has a corsage pink . Mrs Harris is wearing clear bead neckl;ace pink brooch at top of dress. Mr Harris is wearing a blak siuit black tie stand up collar white shirt . coat lapel has corsage.stawell -
Brighton Historical Society
Dress and shoes, circa late 1960s
Heather Leonard wore this outfit to a Brighton Primary School fundraiser in the late 1960s. She hand painted the white platform heels to match her yellow and orange dress, and her husband Paul wore similarly bright colours with a mustard yellow and purple shirt. Heather was born in the Bayside area, initially working as a nurse and later as a yoga teacher. She and Paul lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Floor length dress (.1) of printed cotton with yellow and orange pattern, with scoop neck, short flared sleeves and zip at the back. Platform shoes (.2) with block heel. White leather, hand painted yellow and orange.heather leonard, paul leonard, brighton primary school, 1960s -
Brighton Historical Society
Shirt and vest, circa late 1960s
Paul Leonard wore this shirt and vest to a Brighton Primary School fundraiser in the late 1960s. His wife Heather wore a matching yellow and orange dress, with hand painted yellow and orange shoes. Paul and Heather lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Cotton men's shirt (.1), mustard yellow with purple collar, cuffs and buttons. Men's knit vest (.2) featuring yellow and navy blue horizontal stripes and trimmed with narrow red stripe.paul leonard, heather leonard, brighton primary school, 1960s -
Uniting Church Archives - Synod of Victoria
Photograph, c.1979
Betty Vawser was Acting Editor of the Crucible Journal of the Northern Synod, and Alan Brownlie was a member of staff of the Church & Nation.B&W photo of Betty Vawser and Alan Brownlie seated together at a table or desk. Alan is in shirt-sleaves, Betty is in a summer dress.betty vawser; alan brownlie; the crucible; northern synod; church and nation; uniting church -
Hume City Civic Collection
Dress, Inmates
Dress in Galatea cotton; navy with white pinstripe. Long sleeves, shirt-style collar. Front fastening has five metal buttons. Bodice and skirt pleated into waistband.costume, sunbury asylum, george evans collection -
Hume City Civic Collection
Tee Shirt
The tee shirts were manufactured for a game of cricket held on the sports oval at Rupertswood and called the "Origin of the Ashes" on 18 January 1995. The Australian team was captained by Allan Border with past and present players of the time. David Gower captained England with past and present players. The tee shirts were sold as souvenirs.White tee shirt with a large green, red and yellow "Origin of the Ashes" motif screen printed on the front.front "ORIGIN OF THE ASHES..."1990s, sunbury, rupertswood, clothing and dress, george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A black and white head and shoulders image of John Callaghan in summer army uniform. He is wearing an open necked cotton shirt and a turned down slouch hat with a khaki band.world war 2, uniforms, clothing and dress, portraits, armed forces, soldiers, hats, callaghan, john, cossum, jeff, george evans collection -
Hume City Civic Collection
Photograph
A black and white photograph of a man standing against a corrugated iron fence, He is dressed in fancy dress and is wearing a top hat, a shirt with a stand up collar, knee length trousers and gaiters or long socks.men, clothing and dress, fences, corrugated iron, unidentified, george evans collection