Framed watercolour titled: "After the Rain" by Julie Lundgren Coulter. Set in cream window mount with engraved brass plaque affixed to lower edge. Brown painted wood frame. Features five bathing boxes on beach with grey clouds in sky and water pools in sand.

Framed water colour painting of a beach scene titled "Late Afternoon" Painted by J. Lungren Coulter. Gold wood frame with cream card window mount. The image features blue sky, wide beach, water, trees and cliffs. People at the water's edge and birds in the sky.

Colour print of a watercolour painting titled "Boats in Wicklow Harbour". Set in cream card window mount. Features boats, water, buildings and low hills in the distance. Colours of red, greys, creams, blues and browns. Title printed lower left corner and artists signature lower right corner. Produced by Wicklow Scenic Prints. Made in Ireland.

Framed Chinese glass oil painting on stand. The painting features a Chinese fishing boat and two fish, one is a large gold fish jumping out of the water and the second is a small black fish. Brown laquered wood frame set in a decorative carved wood stand. Chinese writing on the sails of the boat.

Ceramic outdoor sculpture featuring 15 clay pipe forms of various heights and designs. Decorated with a range of diferent designs and paint slips. Water pumped through each pipe to make a waterfeature in the council garden.

See also 3089.86. Information with that photo gives an alternative provenance: 8th Light Horse Regiment watering horses at a Murray River lagoon, South Corowa NSW, September 1939; Wahgunyah Troop, C Squadron - this side of lagoon, Lieutenant J. Nott on grey horse in water. The number of horsemen would seem to exceed that of a single regiment so the Torquay description would seem more probable.Black and white photograph ( laminated ) of 8th, 13th,20th, and 4thLight Horse Regiments watering horses near Torquay Victoria , March 1940.Picture taken about March 1940 when the 13th Light Horse from Gippsland, the 8th Light Horse from Upper Murray, the 4th Light Horse from the Western Districts and the 20th Light Horse from the Goulburn Valley were in camp near Torquay. Mr Cappur Webb of Glendoxey, Seymour, a member of the 20th said the picture must have been taken during and exercise about five miles north of Torquay. “We used to water our horses in that lake”, he said." light horse, torquay, wwii, world war two, military, horses

A rare photograph of massed Light Horse in Victoria shortly before mechanisation consigned the horse to history.Black and white photograph of large group of horsemen in ranks waiting in the process of watering horses at a lagoon. One copy of the image claims it to be 8th Light Horse Regiment watering horses at a Murray River lagoon, South Corowa NSW, September 1939; Wahgunyah Troop, C Squadron - this side of lagoon, Lieutenant J. Nott on grey horse in water. A second copy (Cat No 0690) asserts it is 4 regiments of light horse being 8th, 13th, 20th and 4th watering horses near Torquay Victoria, March 1940.On a label on reverse of 0690: "Picture taken about March 1940 when the 13th Light Horse from Gippsland, the 8th Light Horse from Upper Murray, the 4th Light Horse from the Western Districts and the 20th Light Horse from the Goulburn Valley were in camp near Torquay. Mr Cappur Webb of Glendoxey, Seymour, a member of the 20th said the picture must have been taken during and exercise about five miles north of Torquay. “We used to water our horses in that lake”, he said."

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four framed pastel drawings mounted into one frameart, artwork, purtill, marie purtill, drawing, dam, water

Neville BUNNING The whisky distillert was at te foot of Mt Warrenheip. Situated at tje site of a water spring, it later bacame Cottonwood Springs. The Warrenheip breweries near the spring were well established when Mr Henry Brind, opened Brind’s Distillery in 1864. At that tome they claimed to be the first of its kind in Australia, and “the only place where pot stilled whisky was manufactured in the colony.” This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting of an old distillery at Dunnstown.art, artwork, dunnstown, distillery, brinds, available, mt warrenheip, neville bunning

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. If you are able to assist with information on this painting or artist please make contact via the comments link below. School of Human Movement Collectionart, artwork, ian channing, human movement collection, venice, gondola, water

Petrus SPRONK (1939- ) Born Netherlands, arrived Australia 1957. After arriving in Australia Petrus Spronk studied at the South Australian School of Art, majoring in ceramics and sculpture. After teaching and working in Western Australia he started working at the Ballarat College of Advanced Education in the late 1980s. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Blackware potart, artwork, petrus spronk, spronk, blackware, ceramics, burnished

Jessie STEINFORT Steinfort was Studied Graphic Design at the University of Ballarat (later Federation University) After 12 years of working in design studios and advertising agencies, Steinfort is now a Senior Designer at Ogilvy Melbourne. And previously, he has been responsible for work on BMW & Mini, Carlton Football club, Melbourne Convention and Exhibition Centre, Melbourne Food & Wine Festival, AAMI, Yarra Valley Water, and Arts Centre Melbourne. From 2008 to 2011 Steinfort was lead designer and front-end web developer at clickDM (now HARDWIRE). Where he worked with such clients as HOSTPLUS, GSK, UniSuper and Swann Insurance. From 2000 to 2008 Steinfort was a designer at Mediation Communications working on print and interactive projects for; City of Melbourne, City of Greater Geelong, City of Port Phillip, Mentor Education, and ACMA. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed photograph of three mushrooms in a black background. This work was won the 1998 Student Acquisition Award. If you can provide information on this artist or artwork please use the email link below. photography, foto, mushrooms, food, close up, macro, colour, photo, jessie steinfort, alumni, available

Anne TAYLOR Framed black and white photograph showing a pier over a foggy lake, with reeds in the foreground. If you can assist with information on this artist or artwork please use the comment link below. Frame stamp - Jem Frames, 26 Firebrace St, Horsham Frame sticker - Alphmat Artcare System, Ref 5055, Date 1996art, artwork, anna taylor, photography, foto, lake, water, fog, pier, reeds, landscape, wimmera

Framed oil painting of a statuesque woman holding a towel in front of water, with stylised trees on either side.david alexander, artist, artwork, bather, seaside, statue, available, nude

Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery

This work was undertaken in 2001 when the artist was undertaking an Honours year at the University of Ballarat Arts Academy (later Federation University). This item is a part of the Federation University School of Business Art Collection. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed Digital Limited Edition Print by Michael Shiell. "The woven form was made at 'Blue Waters' near Creswick. I remember that I went out hoping to make something and I had a few mediocre starts but nothing really inspired was popping for me. Eventually I sat on the bank and started tossing little pebbles into the water. Finally the immediacy and ephemerality of the dissipating ripples struck me. I made the work by twisting and weaving the reeds which lined the banks of 'Blue Waters'. I then floated the rings together and managed to get a couple of quick photos before the work floated away and dissipated." (Michael Shiell)Edition: 1/10art, artwork, michael shiell, shiell, blue water, creswick, school of business collection, available, photography

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, g. siluth

David ALEXANDERFramed watercolour landscape depicting water in the foreground and mountains in the mid-ground.Signed and dated in ink lower left "DA Alexander '04"art, artist, david alexander, murray river, gippsland campus, landscape, watercolour, churchill

Framed six colour serigraph showing a volcano surrounded by water. Donated through the Australian Gifts Programme by Katherine Littlewood. Signed lrs "Kenneth Jack" Edition: 25/30kenneth jack, printmaking, volcano

Louise TOMLINSON (1964- ) Born Tongala, Victoria In 1980 Louise Tomlinson decided to relocate to Ballarat to study fine artFramed lithograph depicting a man carrying bags through water.LL1/25 Centre "The Crossing" LR Thomlinson '98available, alumni

Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile

This item, which dates to 1988, is contained in the original supply packet and survives in good condition. It was commonly used by lightkeepers for both wet and dry bulb thermometers, with the muslin going into the bottom of the dry bulb where it was held in place by the wick and ‘end of the wick was then placed in a jar of deep water to keep the bulb cool’. The difference in temperatures between the dry and wet bulb thermometers could then be worked out to establish the dew point in the air.They were common in lightstations, but this intact item remains in the original packaging and is a fine representative example of its kind. It was acquired from the Bureau of Meteorology. Recording and communicating weather readings was an important facet of lightstation work and a number of different but related items of meteorological equipment survive at the six lightstations managed by parks Victoria. The Cape Nelson collection includes a pair of Australian-made thermometers in their original box, both in Fahrenheit, with one recording the minimum, the other the maximum temperature and a barometer table with instructions for correcting readings. Cape Otway has a Beaufort Scale, a table of wind forces which lists 12 types on a scale of 1 to 12, and provides associated speed in knots and travel time per minute or hour. Gabo Island has an anemometer, wind speed indicator and a wind speed recorder.Muslin and wick for a wet bulb thermomenter in unopened white paper packaging with directions for use printed on the package on the front.On front of package,"MUSLIN AND WICK FOR WET BULB THERMOMETER......."

Lid for ship's tanks used for early domestic water storage (1860's) at the lightstation The water tank and lid are probably from the same unit that was used for transporting drinking water or perishable dry goods on ships. The unit comprised a large, riveted metal tank which was fitted with a heavy cast iron round lid to form a hermetically sealed container. It had a rubber sealing ring ‘which was screwed tight with the aid of lugs cast into the lid and wedges cast into the rim of the loading hole’. A raised iron rod welded across the outer face of many lids allowed for screwing the lid tight. Ship tanks were invented in1808 by notable engineer, Richard Trevithick and his associate John Dickinson. Their patent obtained the same year described the tank’s superior cubic shape that allowed it to fit squarely as a container in ships and thus use space efficiently, while its metal fabric preserved and secured its contents, whether liquid or solid, from damage. The containers revolutionised the movement of goods by ship and made wooden casks redundant. Research by Michael Pearson has determined that they were carried on passages to Australia from at least the 1830s, conveying ships’ victuals and water storage as well as general goods heading for the colonies, and by the 1870s they were in common use. Once in the colonies, the tanks were often recycled and adapted for many resourceful uses such as water tanks, packing cases, dog kennels, oil containers and food stores and this invariably led to the separation of the lid and tank. Raised lettering on the lids indicates that nearly all of the ship tanks transported to Australia came from London manufacturers, and it was usual also for the brand name to feature as a stencil on the associated square tank but in most cases this eventually wore off. It is not known if the Wilsons Promontory tank retains its stencil, and the heavy lid will need to be turned over to reveal its manufacturer’s name. How it came to the lightstation is also not known, but it was either brought to the site as a recycled tank or salvaged from a shipwreck. Pearson writes that Ship tanks show up at a wide range of sites, many of them isolated like lighthouses. They were, I think, usually taken there for the purposes they filled, usually water storage, as they were readily available, relatively light to transport, and probably very cheap to buy as second‐hand goods containers. In rural areas they may have been scavenged for their new uses from local stores, to whom goods were delivered in them. Recycled to serve as a water tank, the Wilsons Promontory tank is the last surviving example of several that were used at the site to hold water for domestic consumption. The tank has had its lid removed and a tap fitted to the one of the sides. It stands on concrete blocks next to a building to receive water running off the roof via a metal pipe. Wilsons Promontory is the only lightstation managed by Parks Victoria with a tank container, although Cape Otway and Point Hicks have lids. Parks Victoria has identified four other lids which include two at Point Hicks, one manufactured by Lancaster and Co. the other by Bellamy. Cape Otway also has two, one unidentified and the other by the Bow Tank Works, East London, which produced tanks between 1910 and 1930. Pearson notes that ‘surviving lids are far less numerous than the tanks themselves, presumably because the uses to which the tanks were put did not require the lid to be retained’. The tank and lid, which are possibly part of the same unit, have first level contributory significance for their historic values and rarity. Round ship's tanks lid, iron.

Part of secondary water pump from a Southern Cross engine which was in the pump shed north of the lightstation. Fly wheel iron, hole in the middle.

The catalogue includes twenty-one diverse types of bottles ranging from beer, soft drink and chutney bottles to bottles designed to hold perfume, medicines and poisons. They appear to range in date from the nineteenth to c.mid-twentieth centuries and represent various types of mass-produced consumer goods that were commonly available at the time. The five different types of bottles included in 0156.5 are made of clear glass with tapered necks and narrow openings to facilitate pouring. One can be positively identified as an imported mineral soda water/soft drink bottle because of the marble stopper in the neck and thickness of the glass. The globe-stopper bottle, also known as a ‘Codd’ bottle, was invented by English engineer, Hiram Codd in 1873 for holding gaseous soft drinks. The thick glass could withstand the pressure of the contents as well as repeated bottling by manufacturers. The bottles were probably used by former lightkeeper households. and tapered, narrow necks. The older ‘porter’ has a slightly bulbous neck. The bottles were probably used by former lightkeeper residents. Five glass bottles. Four are clear glass and one has coloured to green.

Used during WW2 canvas water proof carry bag for rifle. t As made and sold by General Motors HoldenArmy green canvas rifle bag with shoulder strap and three ammunition pouches. Pouches fastened by tan leather straps.rifle bag, military