This is a photograph of Field Marshall Thomas Blamey with another Officer in what appears to be an OR's Mess. The photograph appears to be WW2 vintage.This is an original photograph of Field Marshall Blamey during WW2 and attending an OR's Mess.A timber framed black and white photograph, under glass and cardboard backing.Noneww2, field marshall t blamey, photograph, mess parade

The Imperial Camel Corps was a camel mounted infantry brigade raised by the British Empire in December 1916 during WW1.This is a print of the painting by H Septimus Power of the Camel Corps at Magdhaba on 23 December 1916An oblong colour print on paper in a wooden frame.The print is of a painting by H Septimus Power, published by the Australian War Memorial, Canberra, ACTcamel corps, ww1, december 1916

This plaque was commissioned by Sir William Keys, National President, RSL, in 1986, to commemorate the 70th Anniversary of the Returned and Services League. The the plaque was exclusive to RSL Members and next of kin.This is an original plaque that was commissioned in 1986An oblong silver and black frame with an EPNS A1 silvereplate Australia Soldier. Within the frame there is the RSL Logo, the silverplate plaque and inscription box.The inscription is 'Commemorating the 70th Anniversary of the Returned Services League of Australia, 1916-198670th anniversary, rsl, 1916-1986, william keys, dick evans

VX139182 S B Freeman served with the 2nd Aust Medium Regiment during WW2 and he is featured in this photograph. VX139182 was born in Geelong but enlisted in Karrakatta WA.This is a photograph of a Geelong man VX 139182 S B Freeman who served during WW2 in tge 2nd Aust Medium Regement.An oblong, black and white photograph on photograph paper.Hand writen on the back of the photograph frame - Sydney Barrett Freeman, 2 Aust Medium Regiment, VX 139182. 8th from left, 3rd row down.vx139182 s b freeman, 2nd aust medium regement

The Badges are those worn by the Australian Army Band Corps. The AABC was formed on 02 August 1968. AABC Musicians arfe also required to qualify in soldering skills eg - Admin, Drivers.The badges are originals and have been framed in a wooden frame.Oblong timber framed Badges of the Australian Army Band Corps. One x Rising Sun Hat Badge One x AABC Hat Badge Two x AABC Collar Badges Two x AABC Epaulette BadgesNoneaabc

VX32317 Francis O Bryne was born in Horsham and enlisted into the AIF for service in WW2. This Certificate has been issued by the Shire of Wimmera to recognize the service of VX32317 F O Bryne who was a resident of this Shire.This is the original certificate that was issued to VX32317 Francis O Bryne,An oblong brown framed Certificate. White paper inscription by Shire of Wimmera.A presentation Certificate to VX32317 Francis O Bryne from the Shire of Wimmera.vx32317 francis o bryne, certificate of recognition, shire of wimmera

The photo shows wattle-bark stripping, taking place at Roses Gap (western end). The identity of the men is unknown.The photo shows three men in a cleared area of bush, one is standing holding a bundle of wattle bark, another is behind and to the left of him also holding bark and a third is standing to the right and is scrapping bark from a tree above his head with a long stick . There is a hut in the background, the right side of which is just a frame. timber industries, wattlebark stripping, scenery, roses gap

This item holds social significance. It records the inauguration of the school plantation which was expected to be harvested to bring in money for the school. The certificate was signed be every pupil at the scool at the time, so is an important record of Yendon families. Cardboard framed (uncovered), water-stained, dirty, torn and faded.Certificate 1 YENDON SCHOOL ENDOWMENT PLANTATION / Trustees E.G. Pearson District Inspector / A.J. McLachlan Head Teacher / A.J. Harbour Chairman of school Committee / R.W. Harrison / H.G. Bowers Certificate 2 signed by 19 students Certificate 3 (dated) 29th April 1957 / (signed by) A.J. Harbour / H.G. Bowers and 2 others.certificate, yendon state school, yendon public school, endowment plantation

This glass ginger beer bottle was manufactured and used early to late 1900's, until the time that cheaper containers were invented(plastic bottles). This bottle was so constructed to be easily moved within the ginger beer processing plants from the brewing vats/holding tanks to the final corking/sealing of the bottles for eventual distribution. From 1990s the bottle slowly became phased out of production however boutique suppliers still preferred thick glass to contain any explosive action. Two major glass bottle works companies, e.g. Australian Glass Manufacturers and the Melbourne Glass Bottle Works Co. were the main suppliers for the Victorian State.In the period when this bottle was manufactured and used the major ginger beer brewing plants for the whole of Victoria were located in Melbourne because this was where its greatest consumer base was there and most rural areas were supplied by domestic sources (mother brewing ginger beer for the children). The Kiewa Valley and its region was one rural area which until road invrastructure was enhance covered the ginger beer thirst by local family production. As the population expanded considerably in the late 1940's (SECV Hydro Scheme) with a greater demand for "soft" drinks" being established supplies from larger towns and cities were call for. Each bottle was "branded" during manufacturing to show the contents were from a reputable supplier (PHIBBS Bros) and where it originated from. These bottles were recycled by the manufacturer as a way to cut production costs. This method of recycling the bottles back to the specific manufacturer has (except for South Australia)been overtaken by a no cost recycling collection by councils (funded by their communities). This method by passes the user cost principle as the bottles are processed as non generic. The uneconomical "on cost" which was replaced by the "throw away" less costly plastic containers however did not provide the keen domestic brewer of the "beer" with a reusable bottle.This heavy gauged glass bottle (Ginger Beer) has a rim and a distinctive head at the top. This head has been manufactured to facilitate the movement of the bottled along the production line. The method of pouring ginger beer into the bottle has been part of the "production line" process of automation. This bottle has a capacity to hold 250ml of ginger beer and is made from "clear" glass. The marority of ginger beer bottles produced in this time frame where made with a "green" tint in them.This tinting helped reduce the sunlight effecting the contentsAround the bottom side of the bottle and blown into the glass is "THIS BOTTLE IS THE PROPERTY OF PHIBBS BROS, ALBURY" above this, in "running script" and sloping up from left to right is "Phibbs Bros" and underneath parallel to it "ALBURY". On the base of the bottle is molded a big "L 289" underneath this "M" and below this "AGM".ginger beer bottle, soft drink bottles, cordial bottles

The school was built to educate the increasing number of children of the Kiewa Hydro Electric Scheme population. The school opened in 1948 in the Recreation hall and in the new building (photo) in 1950. A new wing was built in 1951 and became the Mt Beauty Higher Elementary School in 1953. By 1958 it had 617 pupils.Mr George Redfern was the Head Teacher for one year in 1951.Large black and white photo framed in thick wood and backed with cream cardboard. At the bottom on the wooden frame is a metal inscription.Inscription: Mt Beauty Central School / Presented to / Mr G. Redfern / as a token of esteem from / Mothers Club Committee / School Committee / 19.6.52mt beauty state school, kiewa hydro electric scheme

A small black and white photograph of Mr Monk showing his head and shoulders in an oval frame. Man is shown with beard and moustache facing towards the right sideMr Monk Saw Mill (in ink under photograph)ned kelly, edward kelly, kelly gang, police murders, edward monk, ted monk

Reproductions of this image attribute it to William StricklandBlack and white photograph of William Woods a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a bearded man wearing a jacket and tie facing rightRear is inscribed with William Woodswilliam woods, kelly sympathiser, kelly gang, edward kelly, ned kelly, william strickland

Black and white photograph of John Quinn a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a bearded man wearing a jacket and tie facing rightjohn quinn, kelly sympathiser, kelly gang, edward kelly, ned kellly

Black and white photograph of Joseph Ryan a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a lightly bearded man wearing a jacket with striped colarless shirt facing rightjoseph ryan, kelly sympathiser, kelly gang, edward kelly, ned kelly

Black and white photograph of Richard Strickland a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of lightly bearded man wearing plaid jacket with a neck tie facing rightrichard strickland, kelly sympathiser, kelly gang, edward kelly, ned kelly

Black and white photograph of John Stewart a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a lightly bearded man wearing a jacket facing right. Hair is brushed backjohn stewart, kelly sympathiser, kelly gang, edward kelly, ned kelly

Black and white photograph of John McElroy a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a lightly bearded man wearing a heavy jacket and vest and a neck tie with a very large check, facing rightjohn mcelroy, kelly sympathiser, kelly gang, edward kelly, ned kelly

Black and white photograph of John (Jack) McMonigal a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a short bearded man wearing a jacket, white shirt and black tie facing left.john mcmonigal, kelly sympathiser, kelly gang, edward kelly, ned kelly

Black and white photograph of Henry Perkins a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a bearded man wearing a jacket , white shirt and short black neck tie facing left. Nose is very long and pointy.henry perkins, kelly sympathiser, kelly gang, edward kelly, ned kelly

Black and white photograph of James Quinn a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a bearded man wearing a jacket, white neck tie facing right. james quinn, kelly sympathiser, kelly gang, edward kelly, ned kelly

Share certificate issued by New Gippsland Boulder Mine - operating at Errinundra and receipt for Herbert, Eric W. Receipt is for amount of four pounds - signed by Bird, W. Prospectus was printed in 1934 at office of Snowy River Mail - 4 page booklet. Gold, copper and silver were the target minerals.The crusher from the Boulder Mine is now at the Slab Hut in Orbost. The first Gippsland Boulder Co.,was at Boulder Creek – 13 miles north of Club Terrace, within 2 miles of Errinundra River. The company registered in January 1898 and commenced crushing in September with a 10-head battery. In the first nine months’ yields totalled 1,418 oz from 972 tons.There was a tramway between the mine workings and the battery.The crusher from the Boulder Mine is now at the Slab Hut in Orbost. This document is a reference for gold mining and exploration in the Far East Gippsland area. The Herbert family has reside in Orbost since the late 19th century.Copy of New Gippsland Boulder Mine share certificate and receipt. Framed in small black wooden frame.certificate-share-new-gippsland-boulder-mine mineralogy mining boulder-creek

The cartoon was drawn by John Nathan, one of the final year students in the first class to graduate with the diploma of Licentiate of Optometric Science from the Australian College of Optometry. His father was Bertram Nathan who played important roles in obtaining registration of optometrists in 1934 and on the Council of the College. John was to become Director of Studies from 1950 to 1964 and President of the College from 1969 to 1978. He also paints in oils.This cartoon is significant to the Australian College of Optometry as a piece of memorabilia from the class of 1944. It is one of only two drawings of optometrists in the Kett collection.Framed ink on paper cartoon drawing of final year Optometrical Science students of 1944 in Melbourne. The characters are depicted playing in an optometric consulting room. It is headed 'Final Year Optometrical Science 1944' and at the lower edge are the names of the students 'John Nathan, Tony "Craniclaw" Douglas, Vans Ovenden and Doug Allen'. Signed by the artist 'John Nathan'.This cartoon drawing depicts final year Optometry students in a contemporary consulting room of 1944. They are shown in typical optometrists' attire of dark trousers, side-buttoning short white coats and PD ruler in the breast pocket. The room has an electric instrument stand, hydraulic patient chair and internally illuminated test chart. The drawing shows the artist's name 'John Nathan' and is mounted in a black frame.Signed by the artist 'John Nathan'students, optometry, optometrical science, cartoon, drawing

This collection of photos is of President George Rennie and councilors W.H.Uren (M.L.A.),J.P.Spiers, J.Lester, James Baird,J.Dalgleish, J.King, J.Innes, C.Edmonston and Mr. H.Bregenzer (Secretary).and is for the council year 1885-86Original Historic Photo.Collection of photos Of President George Rennie and Councilors,1885-86.Sepia in colour and set in brown frame with decorative carving and inner edge light brown.Main mount is grey with secondary mount,lighter in shade, in shape of horse shoe which contains the photos.The central photo is surrounded by a shaped gold edging.In each of the four corners are painted heads of wheat.Presented by the President G.Rennie Esq. to the Ballarat Shire Council 1885-86ballarat shire council, president 1885 1886, rennie george esq

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . Portrait photograph mounted in an oval rosewood frame, one of a pair. This photograph is Mary Jane Giles, dressed formally showing chest to head. Her hair is tied back hair and she has a neck band. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles

There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Double Bed metal frame with design on posts and chrome knobs at bed end. Head has canopy that hangs from tall frame. Wood, wire sprung mattress base sits on metal frame.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, great ocean road, double bed, canopy bed, metal frame bed, giles collection, henry giles, cooramook, mailor’s flat, wangoom, 19th century household goods