Forceps, Milne-Murray with axis traction with detachable traction handle. No manufacturers's stamp. Screw missing on one of the traction arms, the traction handle does not attach- parts missing.obstetric delivery, forceps, milne-murray

Traction handle, for unknown forceps.obstetric delivery

Noted that these forceps may have belonged to Dr Paul Mitchell's father c1889 more research required]*Forceps, similar to Aveling's but less pronounced blade curve. Ebony inserts for handles. Manufacturers stamp "GRAY & SON/ SHEFFIELD"obstetric delivery

Tarnier's forceps, metal with one traction arm, second arm missing. Stamped "5" on both inner forcep blades.obstetric delivery

This badge belonged to F.J. Browne and would have been worn during World War I. Hermes (Mercury) was the messenger of the gods and known for carrying a staff known as the Caduceus. The caduceus included two snakes topped off with a set of wings. Caduceus is from the Greek root meaning “herald’s wand”.Francis James Browne died in Sydney 1963. He had a long career in obstetrics and gynaecology. Summary of appointments include: General Practice in Wales, Maternity Department of the Edinburgh Royal Infirmary, 1st director of obstetric unit, University College Hospital London. Retired and continued postgraduate teaching in London and NSW. Married to Grace Cuthbert, who was director of Maternal and Baby Welfare in NSW. Collection of objects transferred from the Archives to the Museum collection found amongst Professor FJ Browne's papers.Brass badge depicting a crown mounted on top of a caduceus (image of two snakes wrapped around a staff topped by wings). Clip attached to back of badge is inscribed 'FIRMIN LONDON'.numismatics, browne fj, world war i

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Foetus in uterus, cervix not dilated. Painted plaster. The birth process in six stages; first of six models.teaching aid, obstetric delivery

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Foetus in uterus, head engaged, cervix partially dilated.. Painted plaster. The birth process in six stages;second of six models.teaching aid, obstetric delivery

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Foetus in uterus, head crowning.. Painted plaster. The birth process in six stages; third of six models.teaching aid, obstetric delivery

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Foetus, head fully emerged. Painted plaster. The birth process in six stages; fourth of six models.teaching aid, obstetric delivery

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Placenta with attached umbilical cord, uterus still enlarged. Painted plaster. The birth process in six stages; fifth of six models.teaching aid, obstetric delivery

Originally this six part teaching model was used and owned by the former Queen Victoria Womens' Hospital, Lonsdale/ Swanston Streets, Melbourne. With the amalgamation of hospitals, the models were transferred to the Monash Medical Centre, Clayton.Placenta with attached umbilical cord, uterus smaller, cervix more contracted. [end of series]. Painted plaster. The birth process in six stages;sixth of six models.teaching aid, obstetric delivery

This bracelet is possibly associated with FJ Browne's service with the Royal Army Medical Corps in World War I. Identification bracelets were worn during World War I and II in England.Francis James Browne died in Sydney 1963. He had a long career in obstetrics and gynaecology. Summary of appointments include: General Practice in Wales, Maternity Department of the Edinburgh Royal Infirmary, 1st director of obstetric unit, University College Hospital London. Retired and continued postgraduate teaching in London and NSW. Married to Grace Cuthbert, who was director of Maternal and Baby Welfare in NSW. Collection of objects transferred from the Archives to the Museum collection found amongst Professor FJ Browne's papers.Silver identification bracelet. Bracelet is engraved "FJ BROWNE/ HEATH LODGE/ WATFORD HEATH." Reverse of bracelet is engraved "SILVER". browne fj

This a cast of the first baby to be delivered under anaesthesia, by the use of ether, in Edinburgh on 19 January 1847. The famous physician James Young Simpson, Professor of midwifery at Edinburgh University, attended this birth and wrote about it in the Monthly Journal of Medical Science 1846-7 Vol.7, p649-640. The cast of the baby's head was given to Lance Townsend, Professor of Obstetrics and Gynaecology, University of Melbourne by Robert Kellar, then Professor of Midwifery and Diseases of Women at the University of Edinburgh, when Professor Townsend was visiting Edinburgh. There is at least one other plaster copy; one is located at Wood Library-Museum of Anesthesiology, 520 North Northwest Highway, Park Ridge, IL 60068-2573, USAReplica of a new born baby's head, painted plaster, life size. The model of the head shows a large indentation of two and a half inches in the skull on the left side. The baby was delivered through a severely deformed pelvis, suffered a large indentation to the skull and did not live.obstetric delivery, anaesthesia

First developed by James Young Simpson in 1848, Simpson forceps have become arguably the most popular model of forceps for use, and were adapted in the creation of many later designs.Short handled set of forceps, possibly made of stainless steel. Marked "DOWN LONDON" on inner aspect of left blade handle.'DOWN LONDON'obstetric delivery

This item was a gift to Dr Frank Forster from colleagues (and possibly students) whilst he was working at the Hosptial for Women at Soho, London, c 1965. [Source: Librarian Hilary Belton] The ashtray was made by Rocket & Co, a manufacturer of surgical instruments. Geofrey Bishop and Bryan Hibbard also have similar ashtrays.Chrome ashtray, consisting of a triangular base with three cigarette rests. At the centre of the base, on a central stem/pedestal, is a set of replica miniature forceps.dr frank forster, obstetric delivery, ephemera

Needles in this collection include: -2 x abdominal triangular cutting edge suture needles, used for skin suture. Size 2/0 -Morrison's half circle round bodied suture needle, size 3 and size 2 -Bonney's regular curved cutting edge suture needle, size 7 or 8 -Regular curved triangular pointed suture needle, size 2 and size 6 -Ferguson's round point half circle suture needle, size 15 -Hagerdorn's reversed 1/20 suture needle, size 7 -Bonney's curved suture needle, size 7 and size 9 -Regular curved triangular cutting point suture needle, size 15 -Boston/intestinal fine round bodied half circle suture needle Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Collection of suture needles in wooden case. Consists of four, loose, crescent shaped needles, and an additional nine needles stuck into a piece of cork. Case is cylindrical, has a lid and is possibly made from pine wood.surgery

Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Hypodermic glass syringe (.1) with three hypodermic needles (.2 - .4) and metal storage case (.5 - .6). Barrel of syringe is marked from with measurements from 0-20. .2 is a needle head with a rounded flange tapering towards the needle shaft. .3 and .4 are needle heads with flattened oval bulbs, attached to a round bead which holds the needle shaft. The case is oval in shape with the word 'Crystal' engraved diagonally into the top of the lid. There are two fixings attached inside the bottom of the case which form a cradle for the storage of the syringe.'Crystal'

Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal forceps, consisting of two blades which lock together with a pin fitting. The handle of one of the forceps blades is engraved with the word 'Kloss', both on the outside and on the inner aspect. The number '26' is engraved on the inner aspect of both blades near the pin joint. The upper shaft of one blade is engraved with the word 'HOSON'. The blade is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'Kloss' '26' 'HOSON'obstetrics

This sculpture was a commissioned artwork made by Victora Chancellor (nee Simcock), a Sydney artist.Ceramic sculpture, depicting a reclining mother holder her newborn baby. The mother is lying on her back, with knees drawn up and feel flat on the ground, protectively cradling a newborn baby on her chest. The umbilical cord between baby and mother is still attached. The mothers upper back is resting against a rock, holding her partially upright. Sculpture is mounted on a rectangular wooden base.obstetric delivery