Showing 204 items
matching olympics 1956
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Tennis Australia
Magazine, Jan-56
World Tennis Magazine January 1956 Materials: Paper, Inktennis -
Tennis Australia
Magazine, Sep-56
The September, 1956 issue of 'World Tennis' magazine. Materials: Ink, Paper, Metaltennis -
Tennis Australia
Badge, 1956
Davis Cup 1956 Challenge Round Committee commemorative badge. Materials: Metal, Enameltennis -
Tennis Australia
Tournament Programme, Sep-56
Programme for the 1956 Pacific Southwest Tennis Championships. Materials: Ink, Paper, Metaltennis -
Tennis Australia
Tournament Programme, Jul-56
Two programmes for Wimbledon 1956. Materials: Ink, Paper, Metaltennis -
Anglesea and District Historical Society
Ticket, XVIth Olympiad Melbourne Ticket, 1956
... olympic games, melbourne 1956... Entry ticket to the Olympic Games in Melbourne in 1956. Row B ...Entry ticket to the Olympic Games in Melbourne in 1956. Row B, seat 27 for the 4th of December 1956. Tickets were printed in 15 - two colour combinations based on 4 basic colour backgrounds and seven overprints. Thus there was a colour for each day of the Games. The back of the ticket showed a plan of the particular stadium indicating the position of the seat.Front: Pictures of soccer players and Olympic Torch. MAIN STADIUM / MELBOURNE CRICKET GROUND / XVI OLYMPIAD MELBOURNE / NOVEMBER 22 - DECEMBER 8, 1956 / B27 / ROW SEAT B11 / DEC 4 1956 / DEC 4 - INC. TAX. Back: Sketch of stadium / 3rd elevation / Brunton Ave. / Score board / Finish / Main Stadium / Melbourne Cricket Ground.olympic games, melbourne 1956, ticket -
Geelong Cycling Club
Pennant Flag, 1959
Juniors in 1950s were important in the Club. In 1959, the year after the death of R. Mockridge, amateurs were in ascendancy after the Olympic Games in Melbourne in 1956. J. Lee had been a schoolboys winner. Record of the importance of Juniors to a strong cycling club.Triangular pennant in navy blue felt. The pennant has a border of white felt and details of the event and the competitors are embossed in white over the blue felt."VACU/Country Junior 13 Miles Premiership 1959/Won by Geelong/Time 32mins 15secs/J Lee/R Neal/J Stokley/N Wenning/N Clarke"vacu; country junior 13 miles; premiership 1959; j. lee; r. neal; j. stokley; n. wenning; n. clarke; -
RMIT Design Archives
Design drawings
Joyce Coffey (nee Hiddlestone) was the first woman to receive recognition as a designer in a major Australian manufacturing business, Kempthorne Lighting, where she was the chief designer in the post war period. These design drawings by Joyce Coffey were for the Well Glass lamp series of lights that were designed for indoor and outdoor use. Joyce Coffey worked in partnership with Selwyn Coffey on the designs. In 1956 lights from this series won a bronze award in the Industrial Design section of the Arts Festival exhibition of the Melbourne Olympic Games. Ann Carew, 2017Drawings of a Kempthorne Well Glass Wall Bracket and Ceiling Lamplighting, design, melbourne olympic games, industrial design -
Tennis Australia
Tournament Programme, 1956
Tournament Programme: Davis Cup 1956 Challenge Round Materials: Paper, Inktennis -
Tennis Australia
Tournament Programme, 1956
Tournament Programme: Davis Cup 1956 Interzone Final; India vs USA Materials: Paper, Inktennis -
Tennis Australia
Tournament Programme, 1956
Tournament Programme: Davis Cup 1956 Challenge Round Materials: Paper, Inktennis -
Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 1956-1957, 1957
Events that occurred during the year : two day 'Olympic Fair' held at Ormond Hall, opening of a Community Mart at 382 Chapel St in conjunction with School for the Deaf, Alfred and Prince Henry hospitals, Penny Serenade program conducted by John Best on 3KZ and Janet Irving a Penny Serenade Ball has increased funds, six concerts held at Melbourne Town Hall, resignation of Country Concert Party director John Broadway and succeeded by Alban Whitehead, two stalls operated at Royal Agricultural Show, Easter Scout Camp at Gilwell Park, visit to Olympic Village, matinee performance by Dame Margot Fonteyn, opening of St Paul's School for Blind has decreased enrolments and two ex-pupils (Joan Ryan and Hugh Jeffrey) are on staff there, Keith Smith, Joan Ryan and Margaret Russell completed their university courses, and plans for Box Hill site have had to be re-drawn given decreased numbers due to opening of St Paul's - resulting in a delay to the start of building.1 volume of text and illustrationsannual reports, royal victorian institute for the blind -
Duldig Studio museum + sculpture garden
Ceramic, Karl Duldig, Gumnut Bowl by Karl Duldig c.1948, c. 1948
... for the tourist market during the 1956 Melbourne Olympic Games ...Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under. -
Duldig Studio museum + sculpture garden
Sculpture, Karl Duldig, Moses by Karl Duldig 1956 (Bronze Cast 1979), 1956 / 1979
... was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall... was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall ...This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground. -
Brighton Historical Society
Headwear - Hat, Beret, circa 1956
... 1956 olympic games.... marlene pearl austin marlene pearl trenberth 1950s 1956 olympic ...This beret was worn by Marlene Austin, nee Trenberth in 1956 as part of the uniform of an official driver for the Melbourne Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as a driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs, including a Venezuelan pennant and a pair of earrings gifted by the Thai delegation. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Green wool beret featuring an oval-shaped white patch embroidered with the five Olympic rings. Grey lining.Label in lining, cream with yellow text: "COMMONWEALTH GOVERNMENT CLOTHING FACTORY / MELBOURNE" Stamped on top of this text in black: "7⅛"marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, beret -
Orbost & District Historical Society
television set, 1960's
In 1956 television came to Australia, just in time for the Melbourne Olympics. Television sets were very expensive, they were comparable to buying a car. This television set was purchased in Wonthaggi in 1962. it originally had a 12ft long trailing antenna. Mr Ernie Baker of Farmers Lane, Orbost, set it up to receive Channel 12 (in black and white) with power generated from the Orbost Butter Factory.This item is an example of one of the first television sets to be used in Orbost.A television set in a wooden case (laminated ply). It has speakers on both sides and a picture tube protruding at the back. The television has a wood casing, a glass tube screen and a control panel with channel changer, volume, on/off switch, brightness control at the front of the set. media television communication -
Eltham District Historical Society Inc
Film - Video (DVD), H.V. Plowman, Briar Hill Timber & Trading Co. Pty. Ltd, c.1956
... 1956 olympic games... and housing frames briar hill timber f. squire olympic village 1956 ...Briar Hill Timber was associated with the Olympic Village Project being suppliers of all building materials including Flush Panel Doors, Mouldings and Joinery. Briar Hill Timber owned by F. Squire and the Squire family owned a lot of land around Briar Hill and land for forest at Flowerdale. The 16 mm film photographed by H.V. Plowman (converted to DVD) shows all aspects of the operations of Briar Hill Timber from logging of trees, to milling to manufacture of joinery and housing framesMP4 00:13:12; 247MB Converted from DVD converted from VHS video converted from 16mm colour filmbriar hill timber, f. squire, olympic village, 1956 olympic games, timber mill, flowerdale, cinematography, briar hill, h.v. plowman, logging, video recording -
Australian Gliding Museum
Machine - Glider – Sailplane
Prior to World War II an international competition was held for design of a standard sailplane for use in Olympic competition in 1940 in Finland. The design chosen was the “Meise” from DFS in Germany and its designer Hans Jacob. The 1940 Olympics were cancelled due to the outbreak of war and post war international gliding competition has been organized as World Championships, not as an Olympic event. After the war the Meise was manufactured by firms in Europe and a few were built by amateurs from plans. In 1945, a United Kingdom firm, Chilton Aircraft Limited, revised the plans for the DFS Meise Olympia keeping its aerodynamic shape and prepared new technical drawings for the production of the Chilton Olympia. It engaged Elliotts of Newbury (a firm with aircraft production experience during the war) to built a set of wings for its prototype. The wings were made by Elliotts but it apparently refused to let Chiltons have the jigs required to build more wings. The matter was resolved by Chiltons transferring its production rights and equipment to Elliotts. Elliotts produced several batches of Olympias (the “EON Olympia”) – probably about 150 in total from 1947 including Marks 1, 2 and 3 versions (featuring some structural changes and design improvements). The Australian Gliding Museum’s Olympia is a Mark 2 (actually 2B according to the logbook) which can be distinguished by the built in main wheel and blown Perspex canopy. It was designated as serial number EON/O/34 by Elliotts. It was damaged badly at Bristol, UK, in 1949. The wreckage was acquired by a Melbourne based syndicate including Dave Darbyshire, and imported into Australia. Additional damage occurred in shipping due to the need to shorten the wings to fit them into a crate. The syndicate rebuilt the glider and re-launched it in 1956 (registration number VH-GHR). It was flown by the syndicate and several gliding clubs in Victoria and South Australia until about 1972. A potentially airworthy example of a now rare sailplane of historical importanceSingle seat wooden sailplane, partly restored.australian gliding, glider, sailplane, dfs, hans jacob, meise, olympics, eon olympia, chilton aircraft, elliotts of newbury, dave darbyshire, great eastern gliding club, barossa valley gliding club, murray bridge gliding club -
Melbourne Legacy
Pamphlet - Document, brochure, Legacy Olympic Ball, 1956
A notice of a charity ball that was being held for Legacy. It mentions that there was dancing from 8.30 pm to 3 am, dinner was at 9, and tickets were £15 each and could be ordered using the card inserted in the notice. A newspaper article on Trove talks about the organising committee being unusually all male doing such a good job. Charity balls were held with the proceeds from the evening going to aid Melbourne Legacy. The ball was held under the patronage of 'His Excellency the Governor of Victoria, General Sir Dallas Brooks.'A record that Legacy used gala dinners and balls for fundraising events. Printed notice x 4 pages of a ball to be held in aid of Legacy, at Palais de Dance, St Kilda, 30 November 1956.fundraising, events -
Melbourne Legacy
Painting - Portrait, Willliam Dargie, HRH Prince Philip, Duke of Edinburgh
A portrait of His Royal Highness Prince Philip, Duke of Edinburgh that has been owned by Legacy for many years. It was previously hung alongside a painting of Her Majesty Queen Elizabeth II, but has been moved to storage in the archive. Extremely similar to a portrait of Price Philip that is owned by the City of Melbourne. It had been painted in 1956 just before Price Philip opened the Olympic games in Melbourne. Perhaps this was a draft or copy of the City of Melbourne portrait. Prince Philip was an honorary member of Legacy after a visit to Sydney Legacy in 1954.Oil painting of Prince Philip in a gilded wooden frame.Author signature in bottom right, 'Dargie'.portrait, prince philip -
Hymettus Cottage & Garden
Book, Autograph Book
... Lake Wendouree, Ballarat, Olympic Games, 1956, Southern..., Ballarat, Olympic Games, 1956, Southern Hemisphere, Australia ...The Olympic Games came to Australia in 1956, the first time they had been held in the Southern Hemisphere and in Australia. The rowing and canoeing events were held on Lake Wendouree at Ballarat and local children with autograph books eagerly sought the competitors' autographs.lake wendouree, ballarat, olympic games, 1956, southern hemisphere, australia, rowing, canoeing, autograph. -
Hymettus Cottage & Garden
Envelope, City of Ballaarat 1956 Olympic's envelope
... goldfields Envelope City of Ballaarat 1956 Olympic's envelope ...Official envelope from the City of Ballaarat used to welcome visitors to Ballarat for the XVIth Olympic Games events held in the city in 1956. This envelope contained event tickets and promotional material for visitors to Ballarat for the Olympic Games. This was the first time the Olympic Games had been held in Australia and the rowing and canoeing events were conducted on Lake Wendouree at Ballarat from November 23rd to December 1st 1956. -
Hymettus Cottage & Garden
Booklet, Australian Rowing and Sculling Championships: King's Cup, President's Cup
The King's Cup is a perpetual trophy awarded to the winning state crew for the Australian eight oar championship, the final race of the annual national regatta held since 1878. The cup was originally awarded by the king to the winning crew of a race held between crews from the allied armies of the the First World at the Henley Regatta, UK in July 1919 and won by the AIF No 1 crew. In 1921 following requests from the Australian Rowing Association King George V decreed that the trophy be awarded as a perpetual trophy to the winning crew. The King's Cup has been rowed on the Olympic course at Ballarat's Lake Wendouree twice, in 1956 and 1962. -
Melbourne Legacy
Photograph, Annual Demonstration 1956, 1956
Black and white photo of a finale of an Annual Demonstration at the Melbourne Town Hall. Part of the set design were the Olympic Rings and sign saying Olympic Games. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration.Black and white photo from the 1956 Melbourne Junior Legatees Annual Demonstration at the Melbourne Town Hall.junior legatee, annual demonstration -
The Mrs Aeneas Gunn Memorial Library
Book, Harold Abrahams, The Olympic Games book, 1956
... games - Melbourne An account of the 1956 Olympic games including ...An account of the 1956 Olympic games including statisticsIll, p.224.non-fictionAn account of the 1956 Olympic games including statisticsolympic games - history, olympic games - melbourne -
Mont De Lancey
Picture, Herald Sun
... Photograph of swimmer, Dawn Fraser, competitor at 1956..., competitor at 1956, 1960 and 1964 Olympic Games From the Herald Sun ...From the Herald Sun "Legends Collection" Series "Images of the 20th Century"Photograph of swimmer, Dawn Fraser, competitor at 1956, 1960 and 1964 Olympic Gamespromotional material -
Mont De Lancey
Book, The Argus and Australian Ltd, The Games of the Sixteenth Olympiad
Cream covered paperback book, The Games of the Sixteenth Olympiad Melbourne 1956Melbourne MCMLVI with five coloured Olympic rings. Back Cover, photo of Australia Insignia with crest of kangaroos, leaves and vines.. Aquirit Eunds. Seven Shilling and sixpence.olympic games, sport -
Mont De Lancey
Soil
Soil from Olympic Games in Melbourne at MCG in 1956Surface soil from Olympic Running Track at Melbourne Cricket Ground (1956) in the containersoil specimens -
Carlton Football Club
Brown Covered Excercise Scrap Book, 1956 Carlton, 1956
... depicting Carlton's 1956 season in an Olympic Year for Melbourne ...1956 Season depicted by a collection of newspaper articles and personal entriesA collection of newspaper articles depicting Carlton's 1956 season in an Olympic Year for Melbourne. 1956 Summary After losses in the first two rounds to Essendon and Melbourne (two of the 1955 finalists), Carlton managed to win 6 games in a row between rounds 3 and 8. The Blues would have won 8 in a row if not for a 1 point loss to Geelong in round 9. After round 10, the Blues sat fourth on the ladder, with a game in hand over fifth place. Our strong mid-season form deserted us, and the club could only manage a 3 win, 1 draw and 4 loss record in its last 8 games. Going into the last game of the season, the Blues still clung onto 4th place on the ladder, half a game in front of Footscray. With the last game of the season being the Dogs at Princes Park, the Blues had a strong chance of playing finals football. Unfortunately, Footscray narrowly outscored Carlton in every quarter, resulting in a 17 point win and leapfrogging the Blues for 4th spot. The season did point to the continued improvement in the club's playing fortunes, showing year-on-year improvement for the club since the low point of 1954. This improvement would continue in 1957, with the club making the finals for the first time since 1952. Brown Covered Exercise BookOlympic Symbol & Carlton Emblem both on front cover -
Whitehorse Historical Society Inc.
Programme - Programme - Opening Ceremony 1956 Olympic Games, c1956
... Programme - Opening Ceremony 1956 Olympic Games... Mitcham melbourne Programme - Opening Ceremony 1956 Olympic Games ...Used at Opening Ceremony by Edward Arrowsmith, 1956Green coloured programme. Five Olympic Rings in blue, yellow, black, green and red. Photograph of Melbourne including Yarra River. Thirty-one pages including history of Olympic movement.'Opening Ceremony. Main Stadium (MCG) Thursday November 22nd 1956 at 3 p.m. Official Souvenir Programme. Two shillings. Olympic Gamesdocuments, programmes