This agreement between the Association for Advancement the Blind and Trustees (namely William Henry Paterson, George Arnot Maxwell and Bertram Grosbie Goold) lays out the terms and conditions surrounding the Association's access and usage of the Kooyong Clubhouse for the Blind and Cricket Oval. The agreement is Dated 21st August 1933, and is signed by the three Trustees, as well as members of the Association, namely Matilda Ann Aston and William Charles Willmott. There are 2 copies of the agreement, one containing hand-written annotations in pencil, which are largely illegible.2 typed pages of legal agreementassociation for the advancement of the blind, william paterson, george maxwell, bertram goold, tilly aston, william willmott, kooyong club house

BHS CollectionDiggers & mining. Life Of The Selectors. 3 men clearing the land by hand (one appears to be a native). Hut in background. Markings; Life Of The Selectors 1860 - 1890. Set 432 No.12. The Enemy - a photograph of a painting by J. A. Turner. Picture titled: The Enemy. Used as a teaching aid.Visual Education Centreeducation, tertiary, goldfields

A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires.A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires. Bruno's Sculpture Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville. This book is a new edition of a book that has been published as a symbol of the re-birth of both Marysville and Bruno's Sculpture Garden. Hardback. Front cover has a photograph of a sculpture of a large hand with a waterfall flowing from it. There is also a sculpture of a girl kneeling by the waterfall capturing water in her hands. The back cover has a photograph of a sculpture of two figures holding hands, one of whom is carrying a water jug.To this wonderful planet Earth/ Our experiences and stories are the colours of our life Acknowledgement/ I would like to express my gratitude to Iris and Andrew for their great work and enthusiasm toward this project/ and to all the people who have inspired me, especially my wife Marleen. Also many thanks to Jerome and Linda/ for all their generous support and to Ron Patterson for making it possible./ Bruno Torfsbruno torfs, bruno's art and sculpture garden, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, 2009 black saturday bushfires

The Rutherglen Miner was one of Rutherglen's earliest newspapers. Mr C.H. Adcock was Principal of Rutherglen Viticultural College - 1914Three leaflets, each one written by G. H. Adcock. Originally paper covered, they have been bound together in a hard black cover with one of the titles hand written in white on the spine.Written inside front cover: "Presented by Van Adcock, Grandson of G.H. Adcock, 1981" First booklet: Plant Life in its Relation to Agriculture. Published by Miner Print, Rutherglen. [undated]. Second booklet: Phylloxera. Reprinted from the Journal of the Department of Agriculture / Victoria, January, 1914, pp. 51-55 Third booklet. Saltbushes. Reprinted from the Journal of the Department of Agriculture, Victoria. Issued March, 1905plants, agriculture, phylloxera, saltbush, adcock family, viticultural college rutherglen

From the Imperial War Museums website (IWM UK): Second World War period transceiver set widely used by US, and Allied, Armed Forces in Italy, N W Europe, and the Pacific. The US Signal Corps developed the SCR-536 early in the Second World War, It was produced from 1942 onwards by the Galvin Manufacturing Co. By 1945 130,000 had been produced. The SCR-536 was an extremely popular set and was colloquially known as a "Handie-Talkie". It consisted of a five-valve, low-power, battery operated, AM (HF) transceiver that was designed for portability and ease of operation. It featured a single channel crystal control between 3.5 and 6Mc/s, and it had an R/T communication range of 1 mile over land and 3 miles over salt water. The set was switched into a receiving mode by extending the telescopic aerial, and to transmit the press-to-talk switch was depressed. The aerial was protected by a connected cover. The set was well-engineered and designed and could be held in one hand, hence "Handie-Talkie" . It was used virtually everywhere in the world, weighed only 2kg, and was proofed against fungi and moisture.The SCR-536 was also modified for use in military gliders under the designation SCR-585.Short range portable transceiver. A large green-painted metal box with perforated small round holes in the shape of hexagons (original perforated round black earpiece and mouthpiece missing). On the back is a long green webbing carrying strap. (not original)Between the earpiece and mouthpiece is a plaque that reads "SIGNAL CORPS US ARMY RADIO RECEIVER AND TRANSMITTER BC-611-C. SERIAL NUMBER: 3017. ORDER NUMBER: 1345-WF-43. MADE BY GALVIN MFG CORPORATION CHICAGO ILLINOIS. On label : FREQUENCY 3996 Kev/ CHANNEL/ BAT. DATE Red square stamp walkie talkie, handie talkie, telecommunication, ww2, world war 2, american, wireless equipment, signal corps, us army, transceiver, bc 611 c

Black and white print of the SW2 class No. 432 running at Special tram tour at South Melbourne loop. One print has a hand date stamp of 6/10/1975 on rear.Yields information about the South Melbourne Football ground loop.Set of two Black and White photographs - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink details of photo.tramways, trams, mmtb, sw2 class, tram 432, south melbourne football ground, south melbourne loop, tours

A school sampler from the 1930's, demonstrating a mastery of numerable sewing skills: Buttonholes- both bound;6 bound buttonholes. Button loop fastening 17 rouleau loops. Seams: Plain flat seam, machine stitched-part neatened by hand, and part neatened by machine. An overlapped flat seam-machine stitched. Fasteners: Press-studs (3) Buttons (4) shanked and f;flat. Metal hook-and-eyes (3), one eye hand stitched, all attached in buttonhole stitch. Pockets: (2) Machine stitched. Collar: (1) Rounded ''Peter Pan"" collar, with bound placket opening, one pearl button, and hand stitched loop. Facings (3). One square, one round, one Vshaped. Pintucks: 4 machine stitched pintucks.textiles, domestic, school needlework sampler 1930's

Two documents, one typewritten the other hand written both titled Coliban district branch channels as at 1/11/67. Names of the channels, total length, length lined and length unlined are recorded.civil engineering, water supply, coliban

Photograph of a road, looking along The Crescent, Belgrave Heights. Road is lined by trees and shrubbery, with the taller ones on the left hand side. Probably taken by Betty de Coite nee Woods or her parents.

W.J.C.Harder, No 2096 enlisted 27.6.1916 age 19 years in the 3rd reinforcements 38th Bn AIF, embarked for England 25.8.1916, embark for France 20.12.1916, WIA 14.4.1917 GSW to back, rejoin unit 24.4.1917, transfer to 10th L.T.Mortar Battery 15.6.1917, hospital 3 days with diarrhoea then later 4 days with Debility, transfer back to 38th Bn 29.8.1917 and a month later detached to 10 L.T.M.Battery again, killed accidentally 24.2.1918. A report stated that on 24.2.1918 at 2 pm he was No 3 on a gun in the Warneton sector when a premature explosion in the barrel on the 26th shell killed him instantly. The letter/card to Mr J Pierce is the Father of George Frederick Pierce DCM. Refer Cat No 1891P for his service details, award and death..1) Single one sided card with black edge. On the front are two flags at the top in colour. .2) Envelope with black edging, postage stamped and a red one penny stamp, address hand written in black..1) No 2096, Gunner William James Carl Harder accidentally killed in Action France February 24th 1918. .2) On the front in ink “Mr Pierce Sebastion”sympathy, cards, military.

The original building situated to the right and rear of this complex was moved from Upper Halls Gap C1896. It was bought by James Balmain as a private residence having previously been a school. Additions were made to 'Bellfield' over the next 10-12 years and it became a guest house in 1910 when purchased by Mrs Matilda Thompson. It is likely that she is one of the ladies in the photograph. The message written on the one post card is: "wishing you the best of luck. and a speedy return to Halls Gap and good health from The Bakeryites. Front aspect of Bellfield Guesthouse with 3 ladies and 3 gentlemen on the veranda Wonderland Range in background, One post card has hand written message Total of 4 original postcards and 2 copies of sameThe Rose Series P 1666 Postcard with greetings message reads:" To Mr Ross, Wishing you the best of luck and a speedy return to Halls' Gap and good health from the Bakerites:accommodation, guesthouses, bellfield

3 gas and fuel employees standing in front of a building. Two are shacking hand the one in suit is ready to give the other a box (present for service possibly) the other man already had the presentation and is holding a box.Kodakperson, group, males

Cheltenham station was built in 1898 and serviced a primarily rural, market gardening community.The late 1870s saw the beginning of a massive program to construct railway lines throughout Victoria. One of these lines was from Caulfield to Frankston. A survey undertaken by J P Madden, an engineer employed by the railways, established the route, although this was later modified. At the time of the official opening of the line to Mordialloc no station buildings had been constructed despite the fact that tenders had been called in the Government Gazette of 26 May 1881 and subsequently in the Argus newspaper on 30 August 1881 for what became stations at Glenhuntly, Ormond, Bentleigh, Moorabbin, Highett, Cheltenham, Mentone and Mordialloc. However platforms and sidings were completed, ready to receive passengers. Cheltenham station opened in 1898.Black and white photograph of Cheltenham Railway Station with the two platforms separated by two sets of tracks. Each platform has a station house on it, and the one on the right hand side also has a garden and park bench.Handwritten in red ink on reverse: A7 / 75%cheltenham, trains, railway, railway station, railway crossing, suburbs

Following the closure of the RAAF Air Base after the Second World War an auction sale was held. Mr Goldsworthy, mechanic and garage owner of Kaniva purchased the clock and hung it on the wall of the garage where it remained when the business was sold to Mr Eddy Rowe of Kaniva. The clock remained in action until the 17th October 2009 when Mr Rowe disconnected the power supply to the clock, and donated it to the Nhill Aviation Heritage Centre (NAHC) to be kept as memorabilia of the Second World War. On completion of the building of a new hangar/exhibition centre at the Nhill Aerodrome, the clock will be hung on the wall and once again connected to the power supply.Clock was used at the air school at Nhill during WW224 hour electric wall clock with Telechron brand on face. It has a pair of hour hands, one red one black and a black minute hand and second hand. A domed shaped Perspex front. The clock face has 24 hour markings. The glass and clock face are set within a steel frame.The clock has Telechron and twenty-four hour numbers written on the clock face. Pasted on the back side is "instructions for setting the clock which is marked WARREN TELECHRON COMPANY/Ashland Mass. U.S.A world war two, clock, electric clock,twenty four hour clock, nhill aerodrome, raaf air base, warren telechron, goldsworthy, eddy rowe

Green and gold shot silk dress. Hemline is edged with a binding of black velvet - one cm wide. Bodice lined with cream linen, sleeves lined with cream cotton, skirt lined with cream linen(?) or cotton(?). Long sleeves are shaped in a ""semi-circular'' shape at the elbow, and taper in at the wrist. Sleeves are trimmed with green fringing, and a flat green satin bow. Wrist is trimmed a 2cm wide band of cream cotton lace. Top of sleeve at shoulder is also trimmed with green and fringing encircling the sleeve top.High round neck is faced with a 1cm band, and a row of the cotton lace. Two bands of fringing give a rectangular "style'' effect on the front bodice, which is fastened at centre front with ten metal hooks, and nine hand stitched ''holes'' to fasten, and one hand stitched loop at the neckline. Fringing continues over the shoulder, into a 5-sided shape across the shoulder blades. Skirt has two pleats on RHS front and two on left hand side of back and a 7cm centre panel of tight pleating. Skirt extends into a train at back. An inside pocket is accessed from under a pleat in the RHS skirt.costume, female, victorian full length dress with train

A froe was used for splitting, or riving, wood in the early days and was a skill practiced by craftsmen who made boards, shingles, c lapboards, fences, basket splints, chair parts, wagon spokes, lath, and more. Our ancestors used axes, gluts or wedges, froes, draw knives and spelk planes for splitting wood.   The froe was designed in many sizes and designs for splitting timber. It is typically an L-shaped tool made up of a wedge-shaped blade with a dull, but not blunt, knife edge and a wood handle. Blades were usually straight with a socket forged at one end for a handle, but curved blades were also made. Most handles were round and tapered and were inserted up through this socket. But some froes had eyes similar to those on axes for handles that were wedged. The froe handle is held in an upright position in one hand while the other hand drives the top of the blade downward with a wood froe club or mallet. After a split is started, the froe is wiggled downward to lengthen it until the split is complete. Most old froes were hand forged, but they were also available in many catalogues. The 1873 D.R. Barton American catalogue offered straight froes at 12 1/2 cents per inch. You can still buy new froes from many tool manufacturers today.A tool that has not changed in design or use since its inception several hundred years ago to split timber for various uses.Froe, also called cooper's froe or stave froe, without handle.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, froe, cooper's froe, stave froe, wood splitter, carpenders tools, coopers tool, splitting timber

After years of precursory surveying, debate and proposals the most ambitious civil engineering project of the day, the Overland Telegraph Line, began construction in September 1870. Superintendent of Telegraphs, Sir Charles Todd led the construction through “terra incognita,” guided by the precursory surveys of John McDowall Stuart and technologies such as his prismatic surveying compass. The unknown and hostile landscape claimed the lives of several men and scores of transport animals in the dogged pursuit of telegraphic connection to the rest of the world. Completed in August 1872, the Line connected Australia to the world via telegraph wires running 3,200 kilometres from Port Augusta in South Australia, to Darwin, then connecting via submarine cable to Java and beyond. The “earth [had been] girdled with a magic chain” according to the then Governor of New South Wales, Sir Hercules Robinson. How does it work? For use in surveying, the sight vane and prism are turned up on their hinge and the instrument is held horizontally either in the palm of one's hand or on a tripod. Two small discs of red and green glass attached to the prism can be flipped down over the sight line to reduce glare. The objective is to bring the subject into the sightline created by the prism, aligning with the thread of the sight-vane until the subject is bisected evenly. Once aligned, the division on the card may be read through the prism. This reading provides the magnetic azimuth, used for calculating the bearings of distant landmarks. Circular instrument mounted in a brass case with glass window and brass lid. The compass card face four black compass points printed on mint green paper; on the underside the magnetic needle would be affixed, all held in place by a brass knob at the centre. The arched labels of "Sawtell" and "Adelaide" and the Prince of Wales feathers appear to have been affixed with adhesive which has since yellowed in the areas of application on the compass card. The compass face is printed with numbers, every 10 degrees from 10 - 360, printed in reverse indicating this compass would have once held a mirror at the sighting bracket. On one side of the brass case is a brass hinged sighting-prism, possibly of ebonite. The sighting-prism is mounted in a hinged brass bracket on one edge of the brass case. It has two flip-type filter glasses (red and green) and folds down into a retracted travelling position. A hinged brass bracket on the opposite edge would have held the sighting bracket - carrying the sighting vane and mirror - which is now missing or removed. Under the hinge is a lever, possibly related to the movement of the bracket. Underneath the brass case is an indented circle with screw threads, possibly for attachment to a tripod, and indistinguishable marks scratched into the surface.Etched on to the centre of the lid, "Sawtell ADELAIDE / No 792." Affixed to the paper compass face, possibly from separate pieces of paper, "SAWTELL / ADELAIDE" with the Prince of Wales Feathers above "SAWTELL". Underneath on remains of white tape in red: "159."surveying, compass, charles todd, overland telegraph line, telegraph

Cohn Brothers Share Transfer & Acceptance processed by 'The Trustees Executors and agency Company Limited ' on behalf of estate of John Adams dated 30th March 1895. Cohns Co hand stamp. One Penny duty stamp attached.bendigo, industry, cohn bros brewery, john adams.

Part of photograph album donated by Mrs Faull. Mr Reilly was Shire of Grenville Engineer 1923-1930 Girls standing in front of Old Shire of Grenville fence.Sepia photograph of two young girls, wearing identical short, skirted outfits, hats and long socks standing beside each other in front of a fence, one on left with hands at waist, girl on right with hands behind back.reilly twins, faull collection

a. Five page handwritten document titled 'Mine Manager John Truscott's Report Hercules and Energetic' Other reports included from Mine Managers on the Hercules and Energetic Mines are: J. Woolcock's report 4.3.1895, F. Youlden 1898 and J. Roberts 1911. b. One page hand drawn plan of titled ' Hercules transverse plotted by A.E. R., .D., A.A., page 23, 24.3.37. Hercules Long, by A.E.K. , W.R.N 24.3.37. Plans show measurements of tramway, height of poppet head, position of ore bins and other buildings on mine site.Albert Richardsonbendigo, mining, hercules and energetic mine

The students from Bulla Primary School were taken on a nature excursion to a nearby nature park as part of their scientific and environmental studies. They were studying the number and types of insects that could be found in the plants and water in the area. The park ranger then asked them to identify any insects on the chart that they found. Nature and environmental studies give the students of the importance of caring for the environment and are included in their science work.A non-digital coloured photograph of a group of children sitting on the ground in front of a teacher who is holding up a chart featuring common insects. One child has her hand up while others are looking down onto the grass.bulla, bulla primary school, nature studies, school excursion

The collection revolves around cards, letters to "Hannah Firth" of Melbourne. .1) & .2) Cards are from William Martindale No. 1188, enlisted 17.7.15 aged 27. D Coy 29th Bn AIF. Embarked 10.11.15, transferred to 13th F.A.B, returned to Australia 23.6.1919. .3) Card from Henry Haines Sutherland No. 3916. Enlisted 22.7.15 aged 21. 12th reinforcements 14th BN AIF. Transferred to 46th Bn, discharged from the AIF on 20.9.19. .4) & .5) from Bill, .5) from Billie. The rest are unknown. Refer to 4049.12P.1) Postcard, photo, black & white, street scene and mosque. On rear, letter in pencil. .2) Postcard, photo, black & white, harbour scene with ships and city in background. Short letter on rear. .3) Photo, black & white, soldier in peak hat, cpl. stripes, background is clear. On rear, brief note. .4) Postcard, photo, black & white, soldier standing, slouch hat, bandolier, crop, studio background. Brief note on rear. .5) Postcard, photo, black & white, harbour scene, ships with statue on the right. On rear letter. .6) Postcard, photo, black & white, portrait, oval shape, soldier, no hat, wearing ribbons. Nothing on rear. .7) Postcard, photo, black & white, soldier standing, hat, riding crop, spurs, studio background. Nothing on rear. .8) Postcard, photo, black & white, portrait of soldier, slouch hat, no rank, background clear. Nothing on rear. .9) Postcard, photo, sepia, soldier standing, one hand on table, studio background. Nothing on rear. .10) Postcard, photo, sepia, group of seven soldiers, four standing, three sitting outside tents. Nothing on rear. post cards, hannah, photographs

Clock components - clock face - white background, black markings for each minute, and black numerals 1 to 12 - from a Bundy clock. Has number "26" in the middle of the number 6 indicating the clock it came from. Made from a circular sheet of metal, with four screw holes on the outer edges and three holes, one for the hands and two for the keys.trams, tramways, bundy clock

Cohn Brothers Share Transfer & Acceptance from Robert Neave, Melbourne to John Millett dated 19th March 1894. Oval blue Clarke & Company Melbourne hand stamp. One Penny Duty Stamp attached. Cohns Co hand stamp.bendigo, industry, cohn bros brewery, robert neave. john millett.

Cohn Brothers Victoria Brewery share transfer from Sarah Helen Cohn to Louisa K Lanbard dated 27th June 1895. Blue oval William Noall hand stamp. One penny duty stamp.Two red seals next to the signatures .bendigo, industry, cohn bros brewery, sarah helen cohn. louisa helen lambard. william noall.

Bendigo Advertiser "The way we were" from Monday, May 17, 2004. Manual labour: this photograph was taken in the 1930s of men cutting hay at Derby near Bridgewater. Note the scythe in the hands of one of the men, which was used to cut the hay by hand.newspaper, bendigo advertiser, the way we were

School 78 Nr K Dodson in old Library taking book from shelf. 1971 Three Black and white proof photos. Two photos of nurse standing at library shelf with book in hand - landscape. One photo portrait with nurse standing a library shelf taking book from shelf in Old Library 1971 - Nr K Dodson.Numbered on back 7014 - 23,31,34. Names and details on backnursing history, nursing training

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Myoora - Victorian Heritage Register (VHR) Number H0490 https://vhd.heritagecouncil.vic.gov.au/places/275 (as at 6/10/2020) Myoora, 405 Alma Road, North Caulfield, was designed by Reed, Henderson & Smart and can be attributed to Anketell Henderson. It was built in 1886 and 1887 for Thomas Christian, who had founded the fabled gold mine, the Day Dawn at Charters Towers. He never occupied the house although his widow lived there for some time. The house was subdivided into three and later six flats. Myoora was one of many large mansions on broad acres with gardens in Caulfield. Perhaps the grandest was Labassa. The mansions date from the 1850s through to the late 1890s. The siting of Myoora on a ridge influenced its planning and composition. A central hall and corridor along the ridge is entered from the centre of the more formal north facade. The entrance is marked by an elaborately detailed tower. A stair turret provides a second accent. The western end of the building is completed by a massively detailed chimney as the service wing. The south facade enjoyed an outlook to port phillip from a two-storey cast iron verandah. Bay windows, chimneys, the tower and the turret and minor details are brought together in a sophisticated asymmetrical composition. This is reflected in the planning. The asymmetry of Myoora pivoting on the tower is the most notable feature of the building. The walls are built of cement rendered brick. The cement render has not been painted. The roof is slate. The balconies and verandah are cast iron. The footings and cellar are bluestone. The architectural firm Reed, Henderson & Smart was very prominent in Victoria in the nineteenth century. Anketell Henderson was an eminent and well respected member of the profession. He worked successfully in London and interstate as well as in Victoria. They were better known for commercial and public buildings. Myoora is an important private commission. The style of Myoora is a combination of details from the Continental and English Renaissance through the boom style and the Queen Anne style. There is also an early influence from the American Romanesque style especially in the stair turret. The latter style was important at the turn of the century and Myoora is a significant precursor. Other buildings of a similar scale survive in Caulfield and elsewhere. Labassa, the most fabulous, is quite different stylistically as are most of the other comparable mansions. Stonnington is perhaps closer but relies on different details from the Queen Anne style and lacks any American influence. For its historical associations through its owners and architects, for its style and composition and for its intactness, Myoora is significant at a State level. The craftmanship of Myoora is what could be expected of a building of the time and type. It is relatively intact and in fair condition. The main staircase has been removed, minor alterations to decorative features have occurred and additions have been made to the exterior.Page 8 of Photograph Album including four black and white photographs. Three photos are in a portrait orientation, one on the left hand side of the page with the other two in the bottom part of the page. One photograph in a landscape orientation is on the top right hand side of the page. Handwritten: "Myoora" 405 Alma Rd [top right hand corner] / Neg 179 DEC 1972 [underneath bottom left photograph] / Neg 180 DEC 1972 [underneath bottom right photograph] / 8 [bottom right]caulfield north, trevor hart, alma road, mansion, myoora, tower, thomas christian, 1880's, queen anne, cement rendered brick, unpainted, balconies, verandahs, anketell henderson, continental and english renaissance, american romanesque, views, cast iron work, reed henderson & smart, flats, gardens, asymmetrical style, slate roofs, entrances