Soft cover book. Cover, cardboard, white and black print on dark red colour background, front and back. Illustrated - black and white photograph of three soldiers seated in a trench. Back cover - silhouette photograph of troops moving across a hill. 32 pages, cut, plain, white glossy paper. Illustrated in black and white, sepia and colour portraits, battle scenes, cemeteries, cap badges and artwork. End papers included in book. Biographies of poets. books, ww1, biographies, poets

Hard cover with dust cover and plastic book cover. Hard cover - cardboard, orange colour buckram. Dust cover - paper, light orange background with red print on front and spine. Front and back illustration ered print in silhouette of women, plane and luggage. Plastic cover - clear plastic. 174 pages - cut, plain, off white paper illustrated - black and white photographs. Front end paper - handwritten names and owner's stamp.Front end papers - owner's name, handwritten blue ink "Alison Lohmann/ Ballarat/ 1954 Donor's name - "Donated by Frank O'Connell" Front and back end papers - Owner's stamp - BENDIGO DISTRICT/ RSL SUB BRANCH INC/ PO BOX 449/ BENDIGO VIC 3552.books, military history, ww2, women

Red print on Certificate template. "For Liberty ANZACS FOR JUSTICE". This is a blank certificate.Certificate - paper, red print on scroll, illustrated in colour - top to bottom, blank scroll; 2 soldiers and flag surrounded by 6 flags, silhouette in white of Australian map, oval shape with ship and troops. Further side decoration yellow and green wattle flowers and foliage. Pale blue background. Certificate template - possibly available to Shires and localities to customise as required. frame - timber, with varnish finish in natural tones, glass front and cardboard back.framed, ww1, certificate

TROVE : Weekly Times (Melbourne, Vic. : 1869 - 1954), Wednesday 17 June 1942, page 13 '…………… CHANDLER'S for Better Value!............ "SPARKO" SELF POLISHING WAX . . . . at 1/- large bottle…... (D. & W. CHANDLER LTD.) 276 BRUNSWICK STREET, FITZROY. J4145 (7 lines) 234 FLINDERS LANE, MELBOURNE. T4175 (4 lines) VICTORIA MARKET, BALLARAT. COLAC, HORSHAM, WANGARATTA, WARRNAMBOOL'. TROVE :Age (Melbourne, Vic. : 1854 - 1954), Saturday 15 September 1951, page 28 ‘…… TRAVELLERS calling on country stores in Victoria. We have an excellent line. Apply Sparko Speciality Sales Service, 17 Perry-street, Collingwood. JA3042. — TRAVELLERS, calling north of the river, we have additional lines, contact Sparko Specialty Sales Service, 17 Perry-street, Collingwood. JA3042……………………’ Brown rectangular bottle for stopper seal, with ridged pattern of ridges on both sides and back. Text embossed around base , on two sides at the shoulder, on the front side and on base.Embossed on rear shoulder 'POISONOUS NOT TO BE TAKEN', running around the four sides at bottom 'THE PROPERTY OF SPARKO SPECIALITY SALES SERVICE', on front at shoulder, a logo of a silhouette of Australia with a band diagonally across containing the word 'SPARKO'. on front running down the bottle 'Sparko Self Polishing Wax'. On base AGM logo, 'F451', 'D45', 'M. on edge of base '34A' in mirror text.

Owner and donor details - see Cat No. 5836.3. "HALF A LIFE" "The Diary of a Tobruk Rat". From foreword "The man and soldier about whom this book is written is QX8135, Private E.H. (Snowy) ROSELT and the story is written by his daughter" Hard cover book. Cover - cardboard with paper adhered. Brown and black colour print on front, spine and back with dark beige background. Illustrated front to back - black print silhouette of a "Garry (Snowy) Roselt at Post R20, Tobruk - 1941". 197 pages - cut , plain, white paper. Illustrated - black and white photographs and maps. Front and back end papers - illustrated, sepia toned pages of a diary. front end papers - owners signature and author's signature.Front end papers - handwritten owner's information blue ink "B.D. Carr/ V6/32 Jan St/ Cheltenham, 3192" Handwritten author's signature black ink "Kind Regards/Marge Smith/ 28 Jan 1999"books, military history, ww2, tobruk, biography

Owner and donor details - see Cat No. 5836.3.Hard cover book with dust cover. Cover - cardboard, with yellow buckram. Gold print on spine. Dust cover - paper, cream colour print on front and spine. Illustrated in black and white, a collection of ten photographs and artwork. 323 pages - cut, plain, white paper, Illustrated - colour and black and white photographs, posters, drawings and artwork. Front and back end papers - illustrated sepia tones photograph of troops and barbed wire in silhouette. Front end paper - handwritten name.Front end paper - handwritten blue ink signature "Ron Bollard".books, military history, pictorial books

Laminated paper poster titled "Salute to Australia Pageant", for the Australia Day Holiday 1/2/1982, to be held in the Fitzroy and Treasury Gardens. Features numerous silhouette out images of people, various Victorian and Edwardian transport equipment on a colour background. On the bottom edge has the sponsor names, The Age, Ansett Airlines, Bank of New South Wales, Coverlid and Davies, Gas and Fuel, State of Victoria, Heinz, Myer, State Insurance Office, Qantas, and the Public Transport Corporation.trams, tramways, australia day, pageant, btps, melbourne

A Chemold Roy Emerson Contender tennis racquet, with ribbon whipping around shoulders. Chemold logo features across base of head, flanked by the Roy Emerson signature trademark. Blue silhouette image of male playing tennis features on throat. Model name features along shaft. Chemold trademark with large 'C' features on lower shaft and black plastic butt cap. Materials: Wood, Nylon, Ribbon, Paint, Ink, Plastic, Glue, Lacquer, Metal, Adhesive tapetennis

A Spalding, "Doris Hart" Signature Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and a burgundy plastic butt cloth. Manufacturer's name across base of head; model name across throat and along shaft. Silhouette of female tennis player as graphic symbol on throat. Wreathed 'S' trademark features on lower shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis

A Wilson Stan Smith Autograph tennis racquet. Base of head features Wilson logo, flanked by two pairs of brown diamond devices. Throat features model name, with a black and red silhouette of Smith in action. Lower shaft and butt cap feature 'W' trademark. Racquet features Wilson brand leather handle grip. Autograph by Smith across throat on reverse. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Ribbon, Plastic, Fibreglasstennis

For this series - refer to Cat No's, 9546.7, 9547.4, 9548.4, 9549.5. Items in the collection of "William John Sullivan" VX 57829. Refer Cat No. 9523P for his service details.1. - 5. Hard cover book with dust cover. Hardcover - cardboard with green buckram. Dark blue print on front and spine. All pages - cut, plain off white colour paper. Illustrated in black and white, and colour photographs, paintings, maps, sketches and diagrams. 172-202 pages. Dust cover - paper. All end papers illustrated. 1. "AS YOU WERE!/ A CAVALCADE OF EVENTS/ WITH THE AUSTRALIAN/ SERVICES FROM 1788/ TO 1946" 1946 Hard cover illustration - silhouette of three servicemen. Dust cover - white colour print front and spine. Illustrated - five rows of service personnel in various uniforms. 2. "AS YOU WERE/ with the / AUSTRALIAN SERVICES/ FROM 1788 TO/ 1947", 1947. Hardcove4r illustration - silhouette portrait of three servicemen. Dust cover - front gold colour print on front, beige colour print on spine. Illustrated - six service personnel in various uniforms in colour. Back - painting and information "AUSTRALIAN WAR MEMORIAL, ANZAC DAY 1947". 3. "AS YOU WERE/ WITH THE AUSTRALIAN/ SERVICES FROM 1788 TO/ 1948", 1948. Dust cover, white, black and yellow print on front and spine. Illustrated - colour - various service personnel in montage collection. 4. "AS YOU WERE/ 1949", 1949. Hardcover - print on spine only. Dust cover - yellow and blue print on front and spine. Illustrated - stylised colour sketch of three service personnel. 5. "AS YOU WERE/ 1950", 1950. Hardcover - small silhouette illustration of two servicemen, Navy and Army with two aircraft above. Dust cover - black and green print on front and spine. Background horizontal lines, green, white and brown. Illustrated - sepia tones drawing of a group of service personnel. book series, as you were, military history, biographies, william john sullivan

A Spalding, "Doris Hart" Signature Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Silhouette of female tennis player as graphic symbol on throat. Wreathed 'S' trademark features on lower shaft. 'S' trademark printed on butt cap. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis

Book. ALEC H CHISHOLM COLLECTION. 162 page green cover hardback with a silhouette of a swagman at lower RHS on cover. A series of short stories about people including Henry Lawson and other poets. Published in 1930 by Angus and Robertson Ltd., Sydney and printed by Halstead Printing Co. Ltd. B& W photo dated 1897 of the author and Henry Lawson is opposite the title page. Handwritten in ink on flyleaf '' Mr A H Chisholm from JR Yours sincerely J Le Gay Brereton'' Catalogue sticker ''2150 BRE'' on spine.J. Le Gay Breretonbooks, collections, short stories, alec h chisholm collection, j.le gay brereton, australian poets, short stories

The School Paper published monthly. Cost 1 Penny (2 Cents) Used in State Schools2 Paper booklets & 3, 4 page, supplements. 0682 has a photo of a boy holding a stick wearing unlaced boots, (after the painting by Bastien Lepage) 0682-1 is a supplement with a Picture of girls in a large room sitting in front of electric sewing machines. 0682-2 supplement: Contains photo of a certificate from the Victorian State Schools League of Kindness. 0682-3 Black and white drawing of two children in silhouette. on the beach with bucket and spade.0682-4 Supplement a picture of a variety of toys. 0682-5. drawing of children of different nationalities.0682: Midwinter. Days grow Longer. - Signs of Spring. Education Department. Victoria Australia The School Paper Grades VII and VIII. No 369. Melbourne Price 1d [July 1 1931. 0682-1: Supplement to the School Paper - Grades VII and VIII July 1931. 1. Made in Australia. 80. Girls and Womans Wear. 0682-2: Supplement to the School Paper - All Grades July 1931.1 The Protection of Animals. 0682-3: Hurrah for the Holidays Education Department. Victoria Australia The School Paper Grades III and IV. No 403. Melbourne Price 1d [Dec 1 1931. 0682-4: Supplement For the School Paper - Grades III and IV December 1931. 1.Made In Australia 85. Toys. 0682-5: No Cold, No Care, November Education Department. Victoria Australia The School Paper Grades V and VI. No 409. Melbourne Price 1d [Nov. 1 1931.stawell education

1. Australian flags - ' Allies For Freedom and Life' 2. Red/white/blue rings; shield - 'Anzac - Remembrance Day' 3. Soldier carrying rifle 'Lest We Forget'. 4. Silhouette of bugler - 'Anzac Bay'. 5. 'Discharged soldiers fund - For Our Returned Soldiers. 6. French Flag - 'French Red Cross. 7. Union Jack British Red Cross. 8. 'Anzac APC-25 1919. 9. White ensign 'Our Sailors Day' 4969. 10. 'I Will Help Until The War Is Won'numismatics, badges

A Spalding, "Doris Hart" Signature Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and a white plastic butt cap. Manufacturer's name across base of head; model name across throat and along shaft. Silhouette of female tennis player as graphic symbol on throat. Wreathed 'S' trademark features on lower shaft. 'S' trademark printed on butt cap. intials 'J.H.' painted onto edge of shaft in nail varnish. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Stringtennis

Item in the Cooper Collection.Hard Cover Book with Dust Cover. Hard cover - cardboard with adhered paper cover, white and black print on front, spine and back. Illustrated with black and white photographs. Front - group of six soldiers standing, with sandbags in the background. Back - soldier in silhouette pouring a cup of tea against background of sea and a ship. Dust cover - paper, print and photographs as above. front and back flaps - white colour print on green background. End papers - grey and black photographs of battle scenes. 154 pages - cut, plain, white colour semi gloss paper. Pictorial book with colour and black and white photographs, maps, posters, postcards and handwritten information.publications, books, ww1, gallipoli, cooper collection

One letter (1490.a) and two flyers (b and c) a. A covering letter dated September 1985 to Anglican congregations and their representative on Mission letterhead with a typed message headed Sea Sunday' from Michael Chin, Senior Chaplain. b. Monotone flyer with red colour title 'Your Daily Bread Costs Him His Family Life' depicts bearded man holding photo of woman and child aboard a ship. There are four different associated organisation logos. c. Deep blue three-colour flyer titled 'Remember Seafarers on Sea Sunday; July 10th' features a graphic of a silhouetted figure framed by porthole looking at tanker out to sea; features three logos below. Additional inscriptions and logos: a. The Mission letterhead in blue featuring the Missions to Seamen flag. b. The sub-title 'Sea Sunday Oct 20 is your chance to remember him and his family in your prayers' and featuring four logos; the International Christian Maritime Association circle, the Apostleship of the Sea flag, the British Sailors Society flag and The Missions to Seamen flag. c. The sub-titles 'Seafarers are members of God's family too' and 'The Church serving ALL seafarers' and featuring three logos; The Mission to Seamen flag, the Apostleship of the Sea flag and the British Sailors Society flag.mission to seamen, international christian maritime association, apostleship of the sea, british sailors society, flyer, reverend michael chin, sea sunday, 1985

This image shows a view of a properties bordering a river in the vicinity of Beechworth in approximately 1900. Although the exact location of the photograph is yet to be determined, the water source pictured may feed into the bigger system that flows through Beechworth Gorge. A man wearing a hat, possibly the photographer, is silhouetted in the foreground of the picture. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and natural landscape in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, photographer, beechworth gorge, river, stream, water source, 1900s

Buff coloured collection titled 'Le Pantheon de la Guerre'. It has a number of small portraits on the front, an article by Rene Bazin, de l'Academie Francaise, photo Belgique (fragment) Portraits au pastel par Pierre Carrier-Belleuse, Photo Serbie (fragment) Portraits silhouettes par Auguste-Francois Gorguet, 2 pages (one page has part letters, one dated Juin 1915, the other 15 Dec 1917) referring to Morts au Champ D'Honneur, Photo - Monument Aux Morts, Photos - Etats-Unis (Groupe central) ad L'Angleterre (detail), 2 Photos of Des Heros, 2 pages of Fragments de lettres and a hand written letter on the back page, dated 1918. (All printed or written in French).Les Auteurs Et Leurs Collaborateursdocument, memo, german heritage society, german heritage society collection - le pantheon de la guerre, monument aux morts

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 24 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tentatively identified a number of Henry Christian's photographs of Port Fairy, of which this is one. The photo captures a man on a horse, believed to be Bill Digby, driving a herd of cattle across the Moyne River Bridge. The photo is shot into the man light source, leading to the bridge and those who cross it being shown in silhouette.henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, moyne river bridge, port fairy (vic.), bill digby, cattle drovers

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction

WE REMEMBER ANZAC - 100 years of ANZAC - THE SPIRIT LIVES 2014-2018 - SECONDARY RESOURCE .1) .2) 'WE REMEMBER ANZAC' .3) 'COMMEMORATIVE CEREMONY' .4) 'Memories & Memorabilia - Recognising and Preserving Australia's War Heritage' .5) 'Candour. Stories in the words of those who served 1914-1918.' .6) Over a Century of Service 2015 (Calendar) .7) 'ANZAC CENTENARY' .8) 'ANZAC PORTAL' .9) '2015 Anzac Day School's Awards'.1) Box folder - cardboard, white & gold print front, spine, back. Illustrated - collage colour photographs - medals, poppy, rising sun badge, soldier in silhouette. .2) Softcover, cardboard with fold in front flap, white & gold print, spiral bound, colour collage photographs - poppy, medals, troops. Pages - 86 pages, cut, plain, white, illustrated black & white, colour photographs, work sheets. .3) DVD inside cover flap. .4) Soft cover, cardboard, spiral bound, black, print front, illustrated sepia photograph soldier with letter and slouch hat. Pages - 88 pages, cut, plain, white, illustrated black & white, colour photographs, posters. .5) Soft cover, cardboard, white print front & back, illustrated - collage colour and sepia photographs of service personnel, letters, pens, brooch. Pages - 56 pages, cut, plain, white, illustrated colour, black & white photographs, medals, paintings. .6) Calender - soft cover, cardboard, light brown and black print front and back. Illustrated - sepia and colour - in silhouette - Troops of 1st Australian Division and members of 4 RAR. Pages - cut, plain, white, illustrated colour, black & white photographs from Boer War to Afghanistan. .7) .8) Card, cardboard with Webkey attached. Card - white & dark red print, small colour, sepia illustrations. .8) Key - metal with words printed - 'ANZAC PORTAL'. In plastic pocket. .9) Leaflet - lightweight cardboard black, white, yellow print front and back. Illustrated - black & white photograph of troop ship dockside. educational kit, anzac centenary

This amphora or jug, with a silhouette shaped like a woman with hands on hips wearing a long flared-out skirt. The design was used in ancient Greece for pottery storage jars, the neck being narrower than the body. The amphora was discovered by Joe O'Keeffe in 1934 in a sand blowout west of Levy's Point west of Warrnambool while he was planting marram grass for Mr Duncan. An article in the Warrnambool Standard newspaper of December 21, 1985, states that the amphora may be linked to the wooden sailing ship called the Mahogany Ship (also called the Ancient Wreck). Thermoluminescence testing indicates the relic was made in the mid-to-late 1800s and experts suggest it was of North African origin. The presence of the amphora in the sand dunes, and the amphora itself, are still a mystery. The amphora was donated to Flagstaff Hill on a long-term loan by the Duncan family and displayed to the public for the first time on December 21, 1985, until February 2023 when the display was returned to storage to rest with the redevelopment of the Assistant Lighthouse Keepers Cottage (Shipwreck Museum). An extensive search for members of the Duncan Family has been undertaken by Flagstaff Hill and stakeholders to resolve the loan term loan, but the family is not known. As such to properly care for the amphora, it has been registered until ownership can be determined.The object is significant for its possible link to one of Victoria’s and Australia’s maritime mysteries, the Mahogany Ship (also known as the Ancient Wreck). It is one of very few known relics that could give evidence of the existence and history of the vessel. It is listed on the Victorian Heritage Register S438 as it is one of Victoria’s oldest recorded shipwrecks. The identity of the vessel has the potential to change Australia’s history.Amphora or jug; earthenware, orange clay with areas of cream. The vessel has a wide mouth, a deep lip, two opposing handles between the neck and shoulder, and a bulbous body. The curved handles have a design of six bands between them. There are three rings of small dots encircling the body. The underside has concentric circles in the clay, uneven edge and pinhole markings. Pinhole patterns: [3 holes above 3 holes] opposite [3 holes above 3 holes], 1 hole] [ 1 hole above 2 holes]flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, amphora, jug, mahogany ship, ancient wreck, joe o'keefe, duncan, thermoluminescence, north africa, levy point, pottery, storage jar

.1) We Remember The Home Guard. Hard cover, khaki buckram with dust cover, black / white print. Colour illustration of a man in Local Defence Volunteers uniform alongside a dog. 245 pages. .2) We Remember The Battle of Britain. Hard cover, blue buckram with dust cover, black / white print. Colour illustration of a military aircraft. 231 pages. .3) We Remember The Blitz. Hard cover, red buckram with dust cover, black / white print. Colour illustration of a blitz scene, burning buildings with 4 men in silhouette. 275 pages. .4) We Remember D Day. Hard cover, brown buckram with dust cover, black / white print. Colour illustration of a beach scene battle with landing barge in the foreground. 289 pages. .1) - .4) Pages, cut, plain, white, illustrated with black white photos. End papers are illustrated black / white images from a newspaper. .4) Handwritten inscription title page: “These books were produced on the 50th Anniversary of the major events of WWII” Handwritten in blue ink title page: “All Best Wishes Frank Shaw, J Shaw” book, we remember, 50th anniversary

The toy soldier is a relic from the shipwreck of the LOCH ARD in 1878. It has a companion piece in the Flagstaff Hill collection. The toy soldier is unpainted, but the style of uniform, and the weapons carried (a musket and a basket-handled cutlass), indicate it is a representation of the Napoleonic Wars period from the beginning of the nineteenth century. Mass-produced toy soldiers made of cast metal (lead or tin) became popular during the 1800s. Heyde of Germany manufactured silhouette-shaped ‘flats’ early in the century; then Mignot of France released three-dimensional ‘solids’; and later (1893) Britain of England made ‘hollow cast’ figures. These innovations were designed to make sets of toy soldiers more affordable for middle and lower-class children, extending the market beyond the intricately made and hand-crafted replicas that were the preserve of the rich in the eighteenth century. Wooden military figures, specially carved and unpainted ones, were therefore not particularly common at the time when the LOCH ARD went down on Victoria’s southwest coast. Mignot was the first to sell unpainted soldiers, leaving their customers to fill in the colours according to their own patriotic preferences. If a similar attitude is assumed for the two virtually identical figures in the Flagstaff Hill collection, it is possible they were part of a new set intended for sale, rather than part of a passenger’s existing collection. A similarly light composite material of sawdust, glue and linseed oil (press-moulded onto a metal frame) was used by the German firm O & M Hausler to create toy soldiers, but this type of modelling was not commercialised until after 1912. The first heat-moulded plastic toy soldiers did not become available until after 1945.The toy soldier represents a 19th century child's interest in military history. The item is one of two toy soldiers recovered from the Loch Ard that are in Flagstaff Hill's collection. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.An unpainted replica or toy soldier, presented in a Napoleonic Wars era uniform. The moulded figure is in a standing posture and is bearing a musket at the slope-arms position, with a sabre or cutlass slung behind. It wears a plumed helmet, short-fronted coat with longer buttoned tails at the back, button-fastened bib-front trousers, a pair of crossed bandoliers, and tasselled shoulder epaulettes. The figure is a creamy colour with red-brown stains on the head and shoulder. There is a hole in the end of the musket. The model is detailed and sharp. It was recovered from the wreck of the Loch Ard.Cataloguing numbers: “6599” on the rear of the left trouser leg “PWO 2308” on the sole of the left boot, (partially obscuring “R122” written in biro) “2218” on the sole of the right boot.flagstaff hill, warrnambool, loch ard, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, napoleonic uniform, toy soldier, replica soldier

The book, awarded to Ethel Henderson in 1903, from Christ Church, Warrnambool is an example of a Sunday School prize given to children attending Sunday School at the time. Christ Church Anglican Church was one of the early churches in Warrnambool.The Puzzle Picture Book is a rare 'movable' children's book from 1900. It contains 6 chromolithic dissolving scenes (also called slats/transformations). It is unusual due to its educational content. It was published by Ernest Nister in London, E F Dutton & Co in USA and is also thought to have been published in German under the title 'Ueberraschungen Aller Art'. [source: The Little Book Store]Child's picture book with full colour cover depicting a mother dressed in long white spotted dress, white apron, white bonnett and black button-up shoes, sitting on a wooden armchair while dressing a young girl's hair with pink flowers. The girl is dressed in a pink frock with puffed sleeves and frill around the hem, and cream apron. She is looking in a brown wooden-backed hand mirror. A woven straw basket with pink roses sits on the floor. A framed silhouette picture is on the wall. The title is in a display typeface mimicking rose stems; a swag of pink roses decorates the top right hand corner. The publishers' names are printed on the bottom left and right hand corners at the bottom, and the printer in the centre. The inside cover has a book plate. The title page shows two boys arguing over the book. The verses are by Clifton Bingham, the pen and ink illustrations by Hilda K. Robinson. The story has a monochrome page with rhymes opposite a colour page with cut-out boxes showing four small pictures, each with a question. By pulling the tab at the bottom of the page the answer to the questions is revealed. There are six chromolithic 'dissolving scenes'.Book plate: Christ Church. Sunday School, Warrnambool. 1st Prize Girls Class II. Awarded to Ethel Henderson. S M George Vicar. Warrnambool, May 1903children's picture books, ethel henderson, children's picture books, puzzle books, christ church anglican church, sunday school prizes, ernest nister london, warrnambool, ethel henderson, e f dutton & co new york

All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history. The photos are believed to be taken during 1 RAR’s 2nd tour of Korea 1954 - 56. BCFK (British Commonwealth Foce Korea)All photos are B & W. (.1) Two soldiers beside a sign holding a bottle of beer. (.2) Shows a hand painted sign on a timber boards. (.3) Same sign on a single board. (.4) An Australian and Korean soldier laying barb wire. (.5) two soldiers in winter clothes holding a box of rations. (.6) Large parade of Australian soldiers with a camp and buildings in the back ground. (.7) Group of men lining up receiving rations. (.8) Three soldiers sitting each with a tin of Golden Circle fruit or juice. (.9) Group of Officers lined up behind sand bags. (.10) Group of soldiers lined up on the ground with explosions in front of them. (.11) Australian soldier in a trench with radio equipment gear on. (.12) Five Australian soldiers on a road with a Jeep in the rear. (.13) Five soldiers silhouetted against a bush back ground. (.14) Australian soldiers in open ground firing mortars. (.15) Nine soldiers in the back of a truck, Frank Dean on the left in front. (.16) two soldiers, one being supported by the other. (.17) Three soldiers, one in white apron cutting up bread. (.18) Soldier in a trench wearing a steel helmet.All photos have on the rear stamped in purple; “Photo No, please credit to Public relations HQ BCFK” military, british common wealth force korea