A purple hard covered book in gold lettering titled ' Vashti, or, Until Death Us Do Part.' by Augusta J. Evans Wilson, Author of 'Beulah,' 'Infelice,' 'St. Elmo,' etc. London, Ward, Lock & Co., Limited. New York and Melbourne. 365 p. ill. Inside cover is the inscription, ' Lydia Pethard , 'Taraxville, ' Golden Square.'Augusta J. Evans Wilsonbooks, fiction, augusta j. evans wilson, lydia chancellor collection, collection, books, fiction, augusta j. evans wilson

Image shows Mall under construction, with trucks and cars on site.On back ' Monday March 1st. A.m. looking at Mall across Mitchell St. Rd.cottage, miners, bendigo, hargreaves mall.

Image shows Woolworth Variety store. Construction site in foreground. On back ' Hargreaves St. Mall 11 a.m., looking from McCalmans to Woolworths crossing spot.'place, bendigo, hargreaves mall, bendigo, hargreaves mall, woolworths

Image shows Thomas Jewellers on LH side, Collins bookseller on RH side of arcade. Man in foreground working digging machine. On back 'Hargreaves St. Mall 11 a.m. looking north to Allans Walk'place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1892

Image shows Norris' menswear shop and Gillies on corner of Williamson St., and Hargreaves Mall. On back of photo 'Hargreaves St. Mall 21/2/82 from Ashman's corner looking nw'place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1982

Image shows Hargreaves Mall with Thomas Jewellers building on LH side of photo. Four Wheel drive vehicle in centre of image, construction work evident in centre of Mall. On back of photo: Hargreaves Mall 11 a.m. 21/2/82 from Mitchell St. Cr. ( south )place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1982

Image of Hargreaves Mall, showing J.N. Leech Jeweller and Williams the Shoemen buildings. On LH side of image Myer store. Piles of blue gravel in centre of Mall. On back Hargreaves St. Mall 11 a.m. 21/2/82, facing Leech's and Williams shoe shop.place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1982

Image shows Mitchell street end of Hargreaves Mall, looking east towards Colliers Bootery. Pile of sand in centre of image, 'pedestrians watch your step' sign in foreground. On back Hargreaves St Mall at Mitchell st. corner, looking east. Photo taken about 6 - 7 p.m.place, bendigo, hargreaves mall, bendigo, hargreaves mall, colliery bootery

Image shows Hargeaves St. Mall, looking east towards Williamson Street corner. A.R. Ham Hardware, Ashmans and Treasureway building on RH side of photo. Electricity building on LH side, corner of Williamson Street. On back of photo 'Hargreaves St. Mall looking east towards Williamson St. Cr. 14/2/87'cottage, miners, bendigo, hargreaves mall, construction, 1982

Image of Hargreaves Mall, showing McCalmans, McArthurs Shoes, Treasureway, Electricity building (cnr. Williamson and Hargreaves) and Town Hall in distance. Excavation work evident. On back 'Hargreaves St. Mall looking east 14/2/82'place, bendigo, hargreaves mall, bendigo, hargreaves mall, 1982

Hargreaves Mall under construction, looking towards Myer store. In foreground orange bunting around excavation. Written on back 'outside Coles doorway Hargreaves St. Mall looking to Myers 14/2/82'place, mall, hargreaves mall, bendigo, hargreaves mall, myer

First in a series of coloured photos taken by Eva Wilson in 1982. Photos taken during course of construction early 1982 to 16/5/82 Mainly Sundays. For Bendigo Historical Society by Miss Eva Wilson. Photo showing early stages of Hargreaves Mall construction, looking across excavation towards Gillies corner., Norris' menswear shop in foreground. On back' looking towards Hotel Williamson St. Cr. Hargreaves Mall 14/2/82'place, mall, hargreaves mall, bendigo, hargreaves mall, e. wilson, norris, gillies

Document. Handwritten mining lease report by John B Goulden, dated 1903, for mining lease No. 6828 situated at Wilsons Hill, Marong. It mentions details on the past workings of this reef approx. 1872 - 1876 and mentions that this lease would be quite profitable to whatever company took it on. Document mentions on the bottom that it is a copy of original. It is signed by John Goulden, Manager of South St Marys? Mine, Eaglehawk.cottage, miners, mining lease report, lease no. 6828 wilsons hill marong, john goulden

Two typed copies of notes titled 'Theatre on the Goldfields' by Mr. Frank Cusack. Notes mention the early theatres on the Goldfields, the actors, actresses and singers, owners and places where the theatres were. Also mentioned are some of the plays that were performed.entertainment, theatre, bendigo, theatre on the goldfields, mr frank cusack, john hawkins, bulwer lytton, 'lady of lyons', the theatre royal, gregg, yates, stark, carncross's royal exchange restaurant, the argus, the casion, charles thatcher, burton's theatre, c h rignold, george rignold, royal victoria theatre, the princess, the criterion, walsh and fawcett, george fawcett rowe, fawcett rowe, lola montez, henry coleman, madame carilly, the advertiser, victoria reef, william kelly, g v brooke, burralls assembly rooms, nicholls assembly rooms, royal hotel, shamrock concert hall, bendigo hotel, billy heffernan, john crowely, mrs hancock, miss urie, m langlaise, sarah flower, madame caradine, thatcher the inimitable, greville, joe small, fanny young, frank varley, hugh anderson, porter's stars of the australian stage and screen, abbott, lyceum theatre, mr & mrs robe, robert heir, g w daniels, bendigo histrionic club, carrick club, 'the old curiosity shop', benjamin farjeon or b l farjeon, louis quatorze, robert younge, woolridge's eagle saloon, fry's troupe, coleman's rotunda theatre, old house, rainer's ethipian serenaders, jacobs, mrs macgowan, the golden age, foos & fitzgerald, madame arnati, gibson, pearsons harmonic hall, london hotel, little joe and the comical wonder, pick and shovel, united states hotel, john hunter kerr, marsh troupe, lyster opera co, miss avonia jones, cobb & co, billy heffernan, shamrock hotel, st james hall, crowley, royal princess theatre, offenbach's duchess of gerolstein, james cassius williamson, maggie moore, hal porter, grattan riggs co, garner, musgrove, george rignold, bland holt, harry rickards, london gaiety co, alfred dampier, dan barry co, harold stephen, coghill brothers, paine, waterman & balfe, the australian bijou opera co, williamson & musgrove's royal opera co, nellie stewart, the alfred dampier co, ward lyons dramatic co, george darrell, william elton, charles arnold's co, masonic theatre, the capital), the bendigo dramatic society, the bendigo glee club, the bendigo amateur dramatic club, bendigo orchestra, bendigo liedertafel, alice crawford, wilson barrett co, ernest toy, emily dyason, gertrude alger, william murdoch, a c bartleman, madame benda, amy and eileen castles, erna mueller, madame bertha rossow, e a bindley, kate samuels, jan kubelik

The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn

Dr. Joseph Clover (1825-1882), an English physician, first described his Portable Regulating Ether Inhaler on Jan. 20, 1877. Clover was an especially sought after anesthesiologist and early pioneer in the specialty. This was the best-known of many inhalers that Clover designed. The dome-shaped reservoir was turned to points on a control dial to gradually increase or decrease the percentage of the air that passed over the ether. Several inventors based new inhalers on this, while the original continued to be manufactured as late as the beginning of WWII.Metal dome chamber with flat base and two circular pains of glass on each side of the dome as viewing holes. There is a long connector tube with an elbow joint attached to a bulb for a rebreather bag. A previous exhibition label, typed in black ink on buff coloured card, has been tied to the connector.Moulded into the connector for the rebreather bag: MAYER & MELTZER No 212827 •Printed in white on blue sticker: O.2.9. •Stamped into dome: MAYER & MELTZER / LONDON •Typed onto exhibition label: MODIFIED CLOVER'S INHALER. / c.1906. / Name unknown. the modification consists / in windows to shew the ether-level in the / bowl. The inhaler has otherwise the same / restricted channels as the model of 1877 / and shares its faults. / (Gift of Dr. A.E. Rowden White, 1939).joseph clover, wilson smith

Dr Michael Hodgson was apppointed ANZCA President in 1992 until 1993. The painting, undertaken in 1995, was later unveiled in 1996 with Dr. Hodgson present. Further information about Dr. Hodgson can be found on The Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/michael-john-hind-hodgson/ Oil painting on canvas of Dr Michael J H Hodgson seated in front of blue-grey drapery and a window showing Ulimaroa in the distance. The subject is wearing the Presidential gown but not the Presidential badge. Framed in a plain grey and gold frame with a brass plaque affixed on bottom center front of frame. [plaque] Dr Michael J H Hodgson / President 1992 - 1993 [Artist's signature lower right corner] Audrey Wilson / 1995hodgson, michael, anzca president, ulimaroa

Dr Leona Willson was the first female to be elected president of ANZCA (2008 - 2010) and the first New Zealander to hold the position. In 2011, Dr Wilson was awarded the New Zealand Order of Merit in which she is proudly wearing this medal in the portrait. The portrait was commissioned by ANZCA to mark the presidential term of Dr Leona Wilson which was unveiled at the ANZCA Council meeting June 2013. The artist, Jude Rae, is a Sydney based artist primarily known for her still life paintings, portraits and architectural interiors. Her artwork is held in major public and private collections in Australia, New Zealand, UK and USA. Dr Leona Wilson was the first female ANZCA President and first President from New Zealand to hold the position.Oil on canvas portrait of Dr Leona Wilson wearing the Presidential medal without the Presidential gown. She is wearing the New Zealand Order of Merit medal on her left lapel. She has her hands clasped in front of her and is seated on an angle in a chair in front of a plain grey background. The painting is mounted in a thin black frame and sits in a box frame coloured brown and gold.painting, wilson, leona, rae, jude, new zealand order of merit

Dr. Gwen Wilson, Emeritus historian, gifted this book at ANZCA's first independent Annual Scientific Meeting held in Launceston in 1994. Dr Wilson presented this gift after her speech about the life of William Russ Pugh and his significant contribution to anaesthesia in Australia. It is unclear as to how the book came into Dr Wilson's possession. Published in London, 1845, for Longman, Brown, Green and Longmans, this book was formally owned by general practitioner Dr William Russ Pugh, being the first medical practitioner in Australia to administer ether anaesthetic on 7 June 1847, in Launceston. The author of the book, P E De Strzelecki acknowledges Pugh for his assistance during his stay in Launceston and for allowing him the use of his laboratory for the analysis of the soils and minerals that were subsequently reported in this book (Page 131). Tan coloured cloth book with an embossed circular motif on the centre of the front and back cover. The same embossed motif is repeated four times along the spine of the book. An embossed design of small, four petal flowers borders the edge of the front and back cover. The title of the book 'Strzelecki's New South Wales and Van Diemen's Land' is printed in gold on the spine. The cloth has come unstuck at various places around the spine and a small section is missing from the base of the spine. The cover is worn and has numerous dark stains possibly from mould. The book contains 19 engraved and lithographed plates. This includes a handcoloured octavo folding, geological map, bound as a frontispiece, depicting the NSW coast down to Gippsland and Tasmania, a fold out single colour geological cross section of the Newcastle Coal Basin, 14 plates illustrating shellfish and flora and three tinted lithographs. Single page maps at the back illustrate wind patterns around Australia. [front title page, two black ink stamps that have bled through to the next page] W R.PUGH [front title page, black ink, cursive writing] H Grant \ 5 May 1910 [front title page, pencil, cursive writing, written around Pugh's stamp] Purchased from \ (unrecognizable script) [front title page, previous owner's name was rubbed out and consequently tore the page making the entry unreadable] [Inner back cover, bottom LHS, blue stamp] BOUND BY \ WESTLEYS & \ CLARK \ LONDON [Inner front cover, bottom LHS, black and purple ink] P65 \ 76 \ 78 \ 98 \ 163 \ 164 \ 217strzelecki, van diemen's land, wilson, gwen, pugh, william, launceston, green and longmans

This photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 89.Black and white photograph depicting a dentist's office with a woman patient sitting in a chair receiving anaesthesia. Behind the chair is a fully gowned and masked anaesthetist operating a DM Machine with CIG oxygen cylinders. The male dentist is seated to the left of the patient holding equipment near the patient's mouth. A woman dental nurse is standing to the left of the dentist holding a suction tool.•Stamped in red ink on reverse: C.I.G. Equipment Pty. Ltd. •Handwritten in blue ink on reverse: CG13 •Handwritten in grey pencil on reverse: Dr H.N. Matthews / Essendon / Return to F Biggs •Handwritten in grey pencil on reverse: 6 [in a circle]dentist, anaesthetist, dental nurse, patient, cig, oxygen cylinder, shipway, dm machine

Possibly part of a series of photographs taken at the Geoffrey Kaye Museum when it was located at the University of Melbourne in the late 1940s, photographer unknown. The photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 459.Black and white photography depicting a group of six male students rehearsing with anaesthetic apparatus. Five of the students are standing and one student on the left of the photograph is sitting and holding an inhaler to his face. There are two apparatus displayed.•Handwritten in grey pencil on reverse: Frame 17 •Handwritten in blue ink on reverse: sample. •Handwritten in grey pencil on reverse: 2 [in a circle] •Handwritten in grey pencil on reverse: 15 [in a circle, with the 5 crossed out] •Label which was originally glued to bottom on photograph which has since detached, written in all capitals with white ink on black paper: Students rehearsing with current apparatus, displayed in functional order and in sectionstudents, training session, anaesthetic machine

Purchased through the Horsham Art Gallery Trust Fund, 2018

The St Kilda Presbyterian Church is now part of the St Kilda & Balaclava Presbyterian Church. Its first service was inaugurated by the Free Church Synod of Victoria in May 1855, in a building at the corner of High Street and Alma Road. In October 1855 the congregation moved to a wooden building in Inkerman Street, purchased from the Independent (Congregational) Church. The present church site was purchased and the first church opened in 1860. The foundation stone for the present church building, the second to be built on the site, was laid by the Governor of Victoria, Sir Henry Brougham Loch, on 27 January 1885. The building was opened on 30 May 1886. Wilson and Beswicke were the architects. Ralph Wilson designed the Methodist church on the corner of Princes and Fitzroy Streets and lived diagonally opposite the Presbyterian church. Charles Beswicke had toured Britain and the Continent in 1886 armed with a camera and returned to Australia with photographs of what he considered the greatest examples of architecture. He was responsible for the town halls in Brighton, Malvern, Hawthorn and Essendon and Wesleyan churches in Camberwell and Dandenong. Thomas Corley was the builder. The lofty spire was ‘a landmark to the mariner’ used by sea captains sailing up Port Phillip Bay. On a prominent position, the highest point in St Kilda, the church attracted wealthy people with legal, merchant and pastoral backgrounds.colour photographst kilda, churches, presbyterian church, balaclava

The bluestone 1857-58 former Wesleyan Church, on the corner of Fitzroy Street and Princes Street St Kilda, was one of the first Wesleyan churches in Victoria designed in the gothic style. It had a square central entrance tower and early English stepped buttresses and pinnacles above. It was later the St Kilda Uniting Church and was closed on 25 June 1978. It has now been covered to flats.According to Heritage Victoria: The old St Kilda Methodist Church is a finely designed 1850's church building and centrepiece of a group of individually significant buildings in an urban conservation area. Towered churches from the 1850s are rare in Melbourne and this building is thus of special significance in this regard as well as for its design and detailing. This building is an important work of architects Crouch & Wilson. Thomas Crouch was prominent in St Kilda Methodist church affairs and lived locally. He served a term as mayor of St Kilda and also designed the chapel at Pentridge and Methodist churches at Fitzroy, Collingwood, Flemington, Daylesford and Maldon. St Kilda was the home of many of the better off Melbournians in the 1850s, '60s and '70s. The adjacent former Sunday School is one of Melbourne's finest and the combination of fine church and hall side by side gives each added significance. https://vhd.heritagecouncil.vic.gov.au/places/1110churches, fitzroy street, st kilda, crouch, st kilda uniting church, st kilda wesleyan methodist church, princes street

black and white photograph mountedSt Kilda Rifle Team. H McQuade, G. Darling, H. Bunn, J E LeGrifion, W J Bayley, V Kelly, H M Knox, H Greenwell(Captain 1905), S Wilson (Captain 1904), J H O Myers, H Mills, J Vivian, A A Bayley winners of MRC Association Challenge Shield 1904-05

R W Vivian, O Lankcaster, J E Phillips, C Lankcaster, F G Dixon, R Cooke, V Kelly, C E Short, A Adkins, C H Davis, L D Kitchen, A Morgan, J E LeGriffon, J F Allen, W Dummett, W Whitehead, W J Toy, H McQuade, H Bunn, G Darling, S Wilson, H Greenwell, J King, H M Knox, J Buckley, J H O Myers, H Mills, J M A Spottoswood, J Vivian, W J Bayley, A A Bayleyblack and white photograph, good conditionOriginal photograph, mounted. R W Vivian, O Lankcaster, J E Phillips, C Lankcaster, F G Dixon, R Cooke, V Kelly, C E Short, A Adkins, C H Davis, L D Kitchen, A Morgan, J E LeGriffon, J F Allen, W Dummett, W Whitehead, W J Toy, H McQuade, H Bunn, G Darling, S Wilson, H Greenwell, J King, H M Knox, J Buckley, J H O Myers, H Mills, J M A Spottoswood, J Vivian, W J Bayley, A A Bayley

black and white photograph, poor conditionOriginal photograph, mounted. From M.Vivian, 1 Blanche st, St Kilda. R W Vivian, O Lankcaster, J E Phillips, C Lankcaster, F G Dixon, R Cooke, V Kelly, C E Short, A Adkins, C H Davis, L D Kitchen, A Morgan, J E LeGriffon, J F Allen, W Dummett, W Whitehead, W J Toy, H McQuade, H Bunn, G Darling, S Wilson, H Greenwell, J King, H M Knox, J Buckley, J H O Myers, H Mills, J M A Spottoswood, J Vivian, W J Bayley, A A Bayley

Photograph taken in garden of Ripponlea, home of Mr B Nathan in summer of 1914 (donated by M Vivian)Black and white photograph, very good condition.Original mounted, framed photograph. A Rowley, G Darling, G M Mitton, H Greenwell, H M Knox. H Bunn, H McQuade, J E LeGriffon, J H O Myers, J King, J Vivian, Sep. Wilson, V Kelly, W H Mills, W J Bayley

Copy of black and white photograph on mounting board. 2nd laminated copy.B Form 1936. Girls in front of senior girls pavilion. Top Row: Rylice Smith, Fauvette Hooke,Betty Young,Mary Esler. Lower row: Eva Wilson, Jean McKay,Ruth Reed, Edna Dalley, Dorothy Kelly.williamstown high school, 1936, senior pavilion

Messages to Scott Wilson's Williamstown High School band from students at Geelong Grammar, where the band performed in 1988.The Finn Koren Collection.Large Hallmark Colossals greeting card with full colour cover and greeting inside. See images attached of student messages inside card.williamstown high school, music, performances, hallmark, geelong grammar, scott wilson