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Bendigo Historical Society Inc.
Book - Wells Family scrapbook
George Edwin Wells was born in Oxford in 1826. He served an apprenticeship as a coachbuilder and in 1841 he went to New Zealand. He was returning to England in 1848 when he changed his mind in Singapore and turned around and came to Melbourne. He operated a store with Mr W Gibbs and when gold as discovered they left their wives in Melbourne and went to the gold fields of Ballarat in 1851. At this time George was newly married to Catherine Kiely. In 1852 the two men were at the Golden Gully area of the Fryers Creek gold fields, they then move to Bendigo, initially to White Hills before settling in Long Gully. They then brought their patient wives, who had only had visits from their husbands, to Bendigo. George had several successful mining ventures in Bendigo. He died in 1898. One of his sons, Alfred, married Margaret Rotherham in NSW where he was living. Alfred died in 1911 leaving Margaret with a young family. She moved to Bendigo to be nearer to family support. Alfred and Margaret's daughter, Elma Winslade Wells 91904 - 19/1/1988) became a teacher and was posted to Camp Hill Primary School. She was also heavily involved in the Scout movement in the Bendigo area.Blue hardcover scrapbook belonging to the Wells family. (Elma Wells). The cover has gold, black and blue flowers and birds on it. The word "scraps" in red within a gold rectangular box completes the cover. Inside all the pages are filled with drawing and pictures of people, animals, flowers and landscapes. Also, various poems are transcribed on the pages. Newspaper cuttings are also glued to pages and in two yellow envelopes.Inside cover in pencil: The Wells Family scrap book donated to the Royal Historical Society Bendigo Branch by Miss Elma W. Wellsfamily history, wells family -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial History Prize Winners, 1992-93
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet a Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial History Prize Winners for 1992 as announced in 1993 by the Bendigo Historical Society, Dudley House, View Street, Bendigo. * First Prize - Michael Jaeger. Paper: A reconstruction of the landscape of a portion of the Parish of Runnymede, Northern Plains, Victoria. * Highly Commended - Mrs Jeanette Margison. Paper: A review of pre-federation and post federation education, and the transitional changes that took place.history, amy huxtable, bendigo, amy huxtable memorial history awards -
Bendigo Historical Society Inc.
Document - THE BENDIGO POST OFFICE, 14/04/1995
Photographic display - The Bendigo Post Office 'A Landmark in the Landscape’ Dudley House - Bendigo. April 14 - 17, 1995. Also includes a Brief History of the Bendigo Post Office, Building Notes, Description, and the Post Office Clock has a small picture of the Post Office Clock on the front. From notes compiled by Mr. L. Bennetts. Bendigo Historical Society (Inc.) at the top of the front page.bendigo, institutions, bendigo post office, document, the bendigo post office, bendigo historical society (inc), dudley house bendigo, cenotaph, alexandra fountain, survey office, sandhurst trustees, post office savings bank, cohn family, temperance hall, telegraph office, railway station, 1882 directory, sub-treasury, sandhurst public offices, state government department offices, postal department, sir henry brougham lock, mr j nimmo, bendigo advertiser 25.9.1971, keen's cement, mr t gaunt melbourne, j w horwood's foundry castlemaine, w lowden, mr l bennetts -
The Beechworth Burke Museum
Photograph, Unknown
Aerial view of Lake Sambell, Beechworth with town views. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents Lake Sambell with town views.Black and white reproduced rectangular photograph print on paper.Reverse: Stampbeechworth lake, lake sambell, aerial photo, construction, australian landscape, #beechworth, victoria -
Kiewa Valley Historical Society
Photograph Transmission lines Mount Beauty, 66 KVA Transmission lines from Clover Power Station, Circa 1950
This photograph is a "snap shot" in time circa 1950s detailing the rural environmental change and the progressive effects of the Kiewa Valley Hydro Scheme on the basic rural setting of the valley (note the sparsity of rural infrastructure). This photograph shows the beginning of the accommodation and administration buildings for use by the construction workers and auxiliary administration employees of the Victorian State Electricity Commission. It also provides a view of the landscape before extensive development of Pondage and other non rural buildings.This photograph details a dramatic period in time which saw an enormous change to the exclusively rural area of the Kiewa Valley region in the mid 1900s (see sparse rural buildings/houses). This change presented both physical and mental challenges to the existing quiet rural inhabitants of the valley. The State of Victoria had to make adjustments to the changing demands imposed by population and industrial expansions. The development of cleaner energy supplies to a growing population has its downside ,which ever way the intrusion into the "natural" landscape is made. The construction of the large Pondage at the centre of the photograph is a good example.This black and white photograph of a panoramic view of the Kiewa Valley (Mount Beauty SEC construction workers village) shows the newly completed transmission line towers delivering electrical power(66KVA) from the Clover Power Station. The photo is on 200gms paper and not on special photographic paper.mount beauty 1940 to 1950s, development of sec kiewa hydro scheme, sec victoria -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Best Houses in the World, 1965
Robin Boyd was on the judging panel for the American Institute of Architects, in conjunction with Sunset magazine, "Best houses" in the West Coast USA in 1965. Interesting commententary is given about the 364 houses entered and the award-winning houses. Some conclusions about what is new in planning are drawn. Comparisons are made with the best Australian houses and landscape architecture of 1965. This manuscript of Boyd's weekly newspaper column in 'The Australian' was published with the same title on 31/07/1965.Original manuscript of an article published in The Australian, 16/10/1965.Two copies. One typewritten (c copy), pencil edits and additions. Second typewritten (p/copy). Both quarto, 7 pages.american institute of architects, california, sunset magazine, house design, 1965, landscape design., robin boyd, manuscript, ohm2022, ohm2022_16 -
Nillumbik Shire Council
Public Art: Susie KUMAR & Naomi KUMAR, Benchmark (Location: Conventry Oval, Elizabeth Street, Diamond Creek), 1997
1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017 -
Stawell Historical Society Inc
Photograph, Stawell Shire Hall 1866
Stawell Shire Hall built 1866 Hewitt Photo. A professional photograph of the Shire Hall showing the road and footpath in front of the building. The view shows three side windows and two at the front opf the building with four urn shaped decorations on top of the building. A flag post can be seen behind the central building decoration on the roof above the entrance doorway. The landscape around the building is well manicured with tall to medium sized shrubs. Stawell Shire Hall built 1866. Black & white photograph showing a front and side view of the building. This photo shows three side windows compared to an earlier photo, 84.2 where only one side window can be seen.Stawell Photographic Co. Close Railway Station C. HEWITT, Managerstawell -
Eltham District Historical Society Inc
Slide, Construction of Eltham Town Park, 25 Jul 1973
Construction of Eltham Town Park; landscape has been scupltured and lakes formed. View looking up towards intersection of Bridge Street with Main Road. On the high side of Main Road is Garni Burges former home at the corner of Bridge Street then further to the left the former bakery on the corner of York Street. On the opposite corner is the feed store now the site of Le Pine Funerals. The park was later renamed Alistair Knox Park.35 mm colour positive transparency Mount - Agfacolor Service (Blue)Memorial Park 25 July 1973eltham, main road, alistair knox park, eltham town park, shillinglaw cottage, bridge street -
Australian Nursing & Midwifery Federation
Royal Australian Nursing Federation campaign badge, [1986?]
Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular white and blue plastic button. Silver metal, plastic-coated, with safety pin fastener adhered to back. Button printed with 'KEEP NURSES NURSING - Improve Nurses' Conditions' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, industrial action, strike action, unionism, badges, nurses, buttons, pins, campaigning, trade unions, labour history -
Eltham District Historical Society Inc
Magazine - Magazine Article, Rosscorp Pty Ltd, 1990 Home Directory Magazine, 1990
Articles featuring local Eltham mudbrick houses designed by Robert Marshall, Alistair Knox, etc and landscape bush gardens by Gordon Ford • “At Home with the Browns”, pp114-116 ‘Cherrytrees’, home of Margaret and Neil Brown, originally built in 1917 for eminent Collins Street surgeon, Dr. Kent-Hughes. • “The Mud Brick homes of Eltham”, pp148-149 References to Alistair Knox and Robert Marshall • “Mudbrick Collecting”, pp150-155 Features a Robert Marshall designed home built by Barry Wild and Geoff Williams • “Mudbrick sophistication”, pp156-158 Features a Robert Marshall designed home with Gordon Ford landscape garden • “It grew like topsy”, pp160-162 originally designed by Alistair Knox then extended upon • “A love of the environment”, pp163-164 Features artist and local Councillor Jenni Mitchell’s mudbrick cottage designed by Bohdan (Danny) Kuzyk with influences of Alistair Knox • “Build your own muddy”. Pp165-167 • “Pioneer of bush gardens; Gordon Ford and his no mowing no weeding approach”, pp174-177 robert marshall, alistair knox, gordon ford, mudbrick, margaret brown, neil brown, cherrytrees, dr kent-hughes, eltham, barry wild, geoff williams, jenni mitchell, bohdan (danny) kuzyk, bush gardens -
Victorian Aboriginal Corporation for Languages
Book, Tim Bonyhady, Words for country : landscape &? language in Australia, 2002
Landscape and Language -- Lubra Creek -- The River Runs Backwards -- These Blarsted Hills -- Scarcely Any Water on Its Surface -- Everyone Who Has Ever Done A Tree Sit Always Says That The Tree Talks To You -- The Spirit of the Plains Kangaroo -- The Graveyard of a Century -- So Much for a Name -- Blackfellow Oven Roads -- The Ends of the Earth -- Natural Beauty, Man-Made -- Uluru -- The Outside Country -- It's Only Words.Mapslanguage and landscape, language essays, writing, storytelling -
Whitehorse Historical Society Inc.
Equipment - Camera, c1975
An Agfamatic 2008 110film camera. Pocket automatic with Flip Flash, a fixed focus colour Agno - f9.2/26 mm lens. It uses two shutters (close up and landscape) with a flash and daylight setting. Fitted with a wrist chain and a leather carry case. It has a partly exposed film in it. It is metal with a brushed chrome finish and imitation leather on parts. The camera lens cover is part of the opening and closing of the camera.AGFAMATIC 2008 Sensor Pocketphotography, cameras -
Ballarat Tramway Museum
Ephemera - Ticket, Association of Railway Enthusiasts (ARE), Association of Railway Enthusiasts (ARE) tour, Oct. 1968
Ticket used for passengers on the Association of Railway Enthusiasts (ARE) tour to Ballarat and Ballarat trams on Sat. 12 October 1968. Number "0057", printed on heavy yellow cardboard with the name "Association of Railway Enthusiasts", date and purpose details and ticket number. All in green ink on white cardboard. Ticket printed in landscape format. See image for details. On rear printed in green ink is availability and condition details.trams, tramways, tickets, are, tours -
Mission to Seafarers Victoria
Painting, C V Wright, RMS Queen Mary, 1971
RMS Queen Mary a retired ocean liner by 1971 that sailed primarily on the North Atlantic Ocean from 1936 to 1967 for the Cunard Line (known as Cunard-White Star Line when the vessel entered service ( Wikipedia) Maritime ArtLong framed unglazed landscape format painting predominantly depicting in foreground an ocean liner painted black hull and white superstructure with three funnel stacks painted red with black trim, under full sail against a blue sky. The back of the painting is covered with brown paper in places damaged. Hangs on a cotton cord threaded between two screw in eyelet hooks. Brown paper backingat lower right corner single uc word in white paint : "CV WRIGHT (artist symbol of crossed anchors) / 3 ? '71"marine painting, ocean liners, rms queen mary, royal mail ships, p & o steamships, ww2, artwork-paintings, hobbies, bosun, c.v. wright -
South Gippsland Shire Council
Painting, Watercolour, Mallacouta
Framed watercolour featuring a coastal landscape titled "Mallacouta" painted by Owen Trenbath. Brown timber frame with painted gold inside edge. Cream card window mount and lined border. Gold edging on frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. -
Bendigo Military Museum
Book - BOOK, WW2, The Sun News - Pictorial, "THE FOURTH YEAR OF WAR IN PICTURES", 1944
Refer Cat No. 7503, 7504, 7505, 4 book collection.Hard cover book. Cover - cardboard, with red colour buckram cover, gold print on spine and embossed illustrations on front cover depicting map, aircraft and tank. End papers - illustrated, sepia tones artwork with aircraft and landscape battle scene. 255 pages - cut, plain, white paper. Illustrated in black and white photographs, maps and battle diagrams. Handwritten inscription on page opposite Title Page.Page opposite Title Page - handwritten black ink inscription - "Wishing Kevin a/ Merry Xmas/ from/ Nathalie 1944".books, pictorial, ww2. -
Bendigo Historical Society Inc.
Photograph - MINING LANDSCAPE BENDIGO - CALIFORNIA GULLY AREA
Sepia image: mounted on board, shows mining landscape with numerous poppet heads and mining chimneys visible. In forefront of image: Shed with 'Duchess Tribute' written on front, small cottage alongside, poppet head on LH side and another immediately behind, various sheds. Written on bottom of photo in blue pen: Golden Square. (is not Golden Square view but California Gully on New Chum Line of reef )bendigo, mining, landscape view, sandhurst, bendigo, duches tribute, poppet heads, chimneys -
Flagstaff Hill Maritime Museum and Village
Postcard - Scenic, Warrnambool, Pillar Caves, near Warrnambool, 1902-1929
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Pliiar Caves, near Warrnambool – The formation at the front of the cave resembles the pillars of a porch, giving the cave its name. Local social media discussion locates the caves near Lake Gillear, east of Warrnambool. The area was popular with young lads as a place to explore and to go rabbiting. The caves in this area are home to colonies of bats and have been a source of bat feces or bat guano, which is an enriching additive to soil. The 19th century sailing ships in the Nitrogen or Guano trade collected large quantities of guano from caves and popular bird nesting locations to sell as a rich fertiliser, due to its high nitrogen and phosphorus properties. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Pillar Caves rock formation with figures on it suggests that the location was a popular place to visit. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. The presence of bats in local caves also connects the postcard to the 19th century Nitro Trade and Guano Trade, when bat guano was collected and sold for plant fertiliser around the world. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows figures on the high, grass-topped cliff, one between the likeness of pillars in the cave entry, and others walking on the rocks nearby. The background below is rough ground. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “PILLAR CAVES, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, rock formation, pillar caves, pillars cave, lake gillear, rebbiting, bats, guano, nitro trade, fertilizers -
The Beechworth Burke Museum
Photograph, 1960
Taken in 1960, depicted is an aerial view of Lake Sambell and the surrounding township. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents what Lake Sambell looked like in 1960.Black and white reproduced rectangular photograph print on paper.lake sambell, #beechworth, beechworth 1960s, lake, victoria, australian landscape, mining, rocky mountain mining company -
The Beechworth Burke Museum
Photograph, 1960
Taken in 1960, depicted is the construction of Lake Sambell, looking west across the lake. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents additional construction to Lake Sambell as a recreational reserve.Black and white reproduced rectangular photograph print on paper.beechworth lake, lake, lake sambell, construction, #beechworth, australian landscape, beechworth 1960s, victoria -
Lorne Historical Society
Tool - Cirkut Panoramic Camera Number 5, Circa 1915
This camera was designed by William Johnston in 1904. Production began in 1905. There were many versions, the number indicated the length of film which corresponds to the width of the panorama. Originally designed for photography of large groups of people. Later it was used for landscapes. This camera was used by the local Lorne photographer William Anderson who took photographs of visitors and local scenes. William purchased Norman Brown’s photographic business in December 1899 and worked in Lorne until his death in 1948It is a large format rotating panoramic camera. A concertinaed fine leather tube with the adjustable lens is contained in a black wooden leatherette covered rectangular box. On the top is a metal winding handle, a series of weights and a carrying handle. The lens is a Gundlach - Manhattan rapid recto graph. The camera rotates on a geared tripod through 360 degrees with the film driven past the exposure slot by a clock work motor.cameras, lorne, william anderson, -
Federation University Historical Collection
Print, 1 Pussy-cat, pussy-cat where have you been? .2 Abstract Print - Open
Lisa Widdop (16/07/1971-18/01/2024) was an "artist, painter, creator of many things, connoisseur of small and precious things" Quote from her memorial card. Lisa was an alumni of Federation University. Lisa was also a passionate member of OZACT - a touring theatre company dedicated to making Shakespeare accessible to con temporary Australian audiences with performances in Southern Australia's outdoor landscapes. Lisa was involved in management, designing of props, costumes and production of these performances.Coloured prints on black backgrounds.1 Pussy-cat, pussy-cat where have you been? I've been to London to see the Queen. Pussy-cat, pussy-cat what did you there? I ate a chili right under her chair. -
Federation University Art Collection
Printmaking - etching, 'Kangaroo Bones, Broken Crockery, Drought' by Anne McMaster, 2008
Anne McMaster (1959- ) Born Melbourne Artists' Statement: In the thick of drought kangaroos perish and farmers walk off the land. All that is left are bones and broken crockery. Overlaid images prompt the observer to question the Anglo-Saxon relationship to country, to that of indigenous tribes. Foul biting and earthy colours bring attention to the weathered landscape of Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print.art, artwork, anne mcmaster, print council of australia, kangaroo, bones -
Federation University Art Collection
Work on paper - Printmaking - Screenprint & Engraving, Bryant, Darren, 'Little Boy' by Darren Bryant, 2009
"My current practice explores and questions ideas about social, cultural and historical inherited gender stereotypes. The images used are sourced from toys, games, models and references to childhood from my own collection. One such toy is a model plane of the Enola Gay. This screenprint, sourced from the box, shows an image of young boy happily clutching his toy plane. The surface of the print is embossed with images of the nuclear weapon that was dropped on Hiroshima."Darren BRYANT ( 06/06/1971- ) Born Lismore, New South Wales Darren’s work explores the familiar landscapes of childhood, identity and the everyday. He received a Bachelor of Visual Arts (Printmaking) from the Southern Cross University, Lismore, NSW, in 1992 and a Bachelor of Visual Arts in Fine Art (Printmaking) from Griffith University, Brisbane, in 1993. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print of a boy playing with a toy aeroplane. art, artwork, printmaking, toy, aeroplane, darren byant, print council of australia, available -
Eltham District Historical Society Inc
Photograph, Birch Cottage, Eltham-Yarra Glen Road, c.1970, 1970
GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek -
Eltham District Historical Society Inc
Photograph, Birch Cottage, Eltham-Yarra Glen Road, c.1970, 1970
GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek -
Eltham District Historical Society Inc
Photograph, Birch Cottage, Eltham-Yarra Glen Road, c.1970, 1970
GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek -
Eltham District Historical Society Inc
Photograph, Birch Cottage, Eltham-Yarra Glen Road, c.1970, 1970
GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek -
Melton City Libraries
Photograph, Edna Barrie, Unknown
Over 20 years commencing in the 1970s, Edna undertook extensive photographing of the changing streetscape of Melton’s High Street. She anticipated the impact of change on the community during the time of Melton’s rapid transition from a small farming district to a large urban community and this led to her extensively document and photograph many of the structures and landscape features of the township that have since been lost. She also meticulously recorded much of the contemporary life of the town and has left a significant legacy of archival material. Edna Barrie cutting a ribbon to an opening of a eventlocal identities, pioneer families