Ready reference handbook for Australian Defence Force personnel serving in Iraq.Ready reference handbook for Australian Defence Force serving in Iraq.Small rectangular printed spiral bound black and white unclassified Iraq handbook used as a ready reference for Australian Defence Force personnel sereving in Iraq. Handbook contains nine sections over 58 pages. Front and back clear plastic protective cover. Colour logo of the current Australian Defence Force on the front cover. Colour logo of the Australian Theatre Joint Intelligence Centre and date on back cover. Colour logo of the Australian Defence Force printed on the front cover. The words "Iraq Handbook" printed on front cover. Black printed rectangular line border on front cover. Black printed rectangular line border on back cover. The words "Printed February 2003" printed on back cover. Colour logo of the Australain Theatre Joint Intelligence Centre printed on back cover. The handbook contains a purpose page and nine sections of contents over 58 pages.iraq war. handbook. australian defence force. unclassified.

Envelopes used by the Department of Transport when located at 589 Collins St Melbourne. Has the logo and return address details printed on it. The large one would have been used for A3 size documents. The medium size for specially printed document as it does not match a standard size envelope and the DL for sending out invoices and of letters.A stationery that is associated with a now-evolved department body which existed in the 1990s. Set of 2 brown paper envelopes - medium and large - pre-printed for the Department of Transport with a flap that required to be moistened for sealing and one DL size window envelope with return address.public transport, letters, stationery, transport, department of transport

Four examples of bookmarks used as Melbourne Legacy promotional material explaining Legacy. They are printed on both sides, two include a photo of the Widow and Children statue. The dates are unknown. They were in an envelope labelled 'Archive Old Legacy Bookmarks' and were with marketing material from the 1990s to 2009, see items 01240 to 01260. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.Examples of promotional material issued by Legacy. Part of an attempt to create an archive of Legacy material. It was in a collection of marketing material from the 1990s to 2000s.Colour printed bookmark x 4 to promote Legacy.legacy promotion, fundraising

Public Transport Victoria Blind Person's travel pass expiring 30/6/1996 - printed with PTC words in the background with space for a passport sized photo and the name of the person issued to. On the rear are the conditions of use. Available on V/Line and The Met services.Demonstrates a PTC Blind person's travel pass for 1995/1996Printed and numbered paper with space for name and a photograph - 3 copies held - Nos 5783 to 5785tickets, public transport, the met, v/line, blind persons

Items re David James Wallace HAMILTON No 329 . KIA 7.6.1917. Refer Cat No No 2351.5P for his service details..1) Certificate, cardboard, yellowed, folded re David James HAMILTON being for his appointment to 2nd Lieutenant. Printed in black with black pen writing ornate. Stamped seal on one side. .2) Envelope for .1) Paper yellowed with black print..1) Bottom L: "D J Hamilton Second Lieutenant Land Forces Australian Machine Gun Corps" .2) Printed top centre: "ON HIS MAJESTY'S SERVICE" Printed bottom L: "DEPT OF DEFENCE MELBOURNE" Handwritten centre: "Mrs L Hamilton Royal Hotel Williamstown Vic"certificate, officer

Clothing rationing was gazetted in May 1942 and continued until June 1948. It allowed each person 112 coupons per year and each item of clothing had a coupon value. eg. A man's suit was worth 38 coupons and a pair of socks were 4 couponsWW11 Clothing Ration Card: Pink card with blue fleck and black print to G. M. Grylls of Dingee. Civilian Identity No or Alien Registration No. V4F30498. Particulars of supplementary Issues. Ration book or Sheet No. V41D01. Date of Issue 23/10/45. Nature of Issue Special. On the back are Directions for use and signature of Holder Gwenyth M. Grylls. Box 625H.E. Daw, Gov. Print. Melb.government, federal, clothing ration card

Photograph of W2 310 (route 77) and CW5 681 (route 74) in Batman Ave with the crossovers in the foreground and Yarra river in the background. The 3rd tram arriving appears to be Y 469. May not be a Wal Jack photograph as odd negative size. No photographer details on the rear of the print though dated 1936.Yields information about the Batman Ave tram terminus.Black and white negative, by Wal Jack and copy print with details written on the rear.trams, tramways, batman ave, route 74, route 77, tram 310, tram 681, cw5 class, w2 class, mmtb

Map printed by the Victorian Railways in 1955 gives places of interest, some facts about Melbourne, and amusements, with the map showing rail, tram, and railway bus routes, suburbs, golf links, sporting grounds, and municipalities. The Bourke St tram route to East Preston is shown but not the Nicholson St East Brunswick line which opened during mid 1956. Provides a detailed list of suburbs, miles from the GPO, and how reached from where. Notes it was published in Jan. 1956 by the VR Public Relations and Betterment Board.Demonstrates a Victorian Railways printed map of MelbourneMap - 8 fold printed in colourmaps, melbourne, tramways, bus routes, railways

Printed in 1986, the Articles of Association in this booklet were revision of the 1944 articles. It was printed in 1986. The revision resulted in the deletion of a small paragraph in Article 16. The correction was handwritten on the relevant page. At a special meeting of the Society on 5 May 1996 the resolution was passed to restore the relevant phrase to the set of articles. The original Articles of Association were developed when the Ithacan Philanthropic Society became a registered company in June 1944 .A small booklet with a pink cover and black printing with the insignia of the Ithacan Philanthropic Society above the title on the front cover with thirty two printed pages on the inside.MEMORANDUM/AND/ARTICLES OF ASSOCIATION/OF THE/ITHACAN PHILANTHROPIC/SOCIETY/"THE ULYSSES'lucas, victor harold, raftopoulos, peter john, paizes,stratos, razos, andrew, trochalis, stathis, chilianis, george, paizis, nicholas, vlasopoulos, vaseli, gray, b.w

Embroidered post card made in France which reads to... W West from Worthy. Embroidered silk postcards became a booming industry during the First World War that was largely driven by women. Many French women embroidered strips of silk in their homes before sending them to a factory to be mounted on card by a largely female production line. Designs endorsing patriotism and unity were popular amongst Allied troops.White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. Inside is glossy paper with decorative flowers and printed and handwritten messages. Bound with yellow ribbon.Front: "1918 / souvenir from France" (embroidered) "Merry Christmas" (printed) wwi, postcard, embroidered postcard

Very early scene of Cowes showing the jetty, Isle of Wight Hotel and jetty shed. Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. HistoricalA4 colour photocopy of a print of a wood engraving by Charles Turner of the Cowes jetty. Large beige frame around print.At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. Fine prints of notable buildings and street scenes, as well as views of the country and suburban areas of the colony. Wood engraving.cowes jetty, charles turner, isle of wight hotel, jetty shed, wood engraving

Sixteen page knitting pattern book featuring black and cream printed graphics and text. The colour cover shows three knitted children's jumpers with animal motifs.front: [printed] ANIMAL / Knitwear / 1'. front: [handwritten] Mrs W J Walkerknitting, pattern, fashion, knitwear, children

Rev. Richard Fletcher (1800 - 1861), born in Newcastle-upon-Tyne, was agent of the Colonial Missionary Society and came to Australia with his wife and five children after the discovery of gold in Australia. The original of this engraving is in the Scottish National Portrait Gallery (Print Room).Black and white portrait print of engraving of the head and shoulders of Rev. Richard Fletcher with an inscription. He is wearing Regency clothing, looking to his left and is holding a paper. The print appears to be taken from a book and tipped onto a piece of brown paper."Revd. Richard Fletcher Manchester"colonial missionary society, rev richard fletcher independent minister

Photograph of the Julien Battery battery-electric tramcar on trials in Toorak Road, Melbourne Trails undertaken September 1888. For details of the Adelaide trials - see https://commons.wikimedia.org/wiki/File:Julien%27s_Patent_battery_tram,_Henley_Beach,_9_January_1889_(SLSA_B-5468).jpg (accessed 22/8/2020). And the Oct. 1977 issue of Trolley Wire for the construction, testing and disappearance of the tram. See also Reg Item 5223.2 for another photo and details.Yields information about the Julien Battery system trials in Melbourne in 1888.Copy negative of a photograph and a print. On rear of print in ink "Photo taken when operating on the Toorak line. Operated by Storage battery system. At corner of Chapel st and Toorak Road, Prahran, 1883. Car designed & built by Duncan and Fraser Adelaide" Has a newspaper stamp as well.trams, tramways, duncan fraser, battery trams, julien system, melbourne

Various invitations, programmes and other mementos collected from Legacy events held during the early 1960's. These include invitations and tickets to the Annual Demonstrations of 1960 and 1961, the ANZAC eve school children's ceremony, also to the Senior Widows Club Grand concert (18 December 1961). The Senior Widows club also held a Christmas Dinner. Also a lapel tag for the Legacy Mothers Club. There are also mementos for Junior Legatees, such as tickets to attend the Christmas party at Government House and to Operation Float in 1962 and 1963. There are also tokens for ice creams and soft drinks at the events. There is a programme for the 1961 Annual Demonstration.A collection compiled to remember various events held in the early 1960s. It's a good record of the practice of printing invitations and tokens.Brown scrapbook pages with commercially printed items attached. The 6 pages have event invitations, notices and cards glued to the brown paper, 4 pages are double sided. The items include invitations and tickets to Christmas Parties at Government House in the 1960's, Operation Float, School Children's Anzac Eve Ceremony Attendance Card, Senior Widows Club-Christmas Dinner 1961 & Grand Concert 1962, plus a Greeting and Get Well Card. The items were commercially printed.government house party, christmas, annual demonstration, junior legatee outing, senior widows club

Hard navy blue buckram cover. Gold print on front & spine. 111 cut, plain, white pages. No illustrations.Front cover in gold print: “Worth a Mention. Members of the Australian Army Mentioned in Despatches in World War Two”book, mention, mid, despatches

Quite possibly the mining regulations were printed onto material so they could be displayed in harsh conditions without deteriorating like paper. The 1906 mining regulations were enacted on 01 June 1907. (See http://www.dmp.wa.gov.au/documents/Magazine/MSH_MineSafe_Dec09v18no3_LookingBack.pdf)Cloth mining regulations. The cloth appears to be a woven lawn, with black ink regulations printed onto it.mining, mines regulations, mining regulation actw m simpson

Black and white photograph and negative of an inbound single truck tram in Sturt St. just to the east of Doveton St, with another single truck tram at Lydiard St. and buildings either side of Sturt St. Photo taken from the central median strip, has the Town Hall on the right hand side. Photo taken 14 August 1971. Original print by David Endacott, duplicate print (1271A) by John Phillips 12/1999. Large copy print added 5/2001. Original neg scanned at hi res and updated 11/5/2020.On original print "From Cnr Sturt & Doveton Sts. Sat 14 Aug 1971" in pencil.trams, tramways, ballarat, sturt st, doveton st.

Clive Gregory 1988 Entrant No. 26 Ref: Series 34, Items 10, 58, 59 Negative missing SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, clive gregory, eltham trestle bridge, train

Stephanie Johnson 1988 Entrant No. 128 Ref: Series 34, Items 99, 100 Negative missing SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, diamond creek (creek), diamond street, stephanie johnson

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the suitcase has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Green vinyl suitcase with the name 'Sarah Coventry' in lower case gold letters on one corner of the top surface and the number '1348' printed in gold on the back surface. Plated iron alloy hardware securing the handle on the front and the locking mechanism."Sarah Coventry" printed in gold letters on one corner of the top surface of the suitcase. "1348" printed in gold on the back surface, which could be the number of the demonstration kit.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, demonstration kit suitcase, suitcase, suitcases

Coloured print of Australian Soldier, Vietnam Vintage, 7RAR. Solder is in the kneeling/firing position holding an SLR. Print mounted with green border, brown frame, fawn paper backing. Frame has wire hanging strap at rear.On plate under print: “WOUNDED AUSTRALIAN INFANTRYMAN 7RAR BY BRUCE E FLETCHER” Stamped on rear: “BETHANY GALLERY” 116 BRIDGE STREET BENDIGOillustrations-prints, military history-army, vietnam

Black and white photo of some thirty eight rolling stock workshop depot maintenance employees at Malvern tram depot. Note the two employees at the right are standing on a raised works frame. behind that again is motor lorry. Behind the workers on the left in the photo is Works Locomotive No 8A and to its right a Californian combination car that appears to be raised up?Yields information about the rollingstock maintenance staff at Malvern Depot Workshop c1923.Black and white print mounted onto a cardboard back with remnants of adhesive tape on the rear. Second print mounted onto heavy brown stippled card within a backing paper border, with notations on the rear. Two copies held.In pencil "Malvern T Depot" Second print - "Tramway Workshops crew, Coldblow S Malvern 1916" and "W C Nankervis (extreme left)?tramways, workshops, tramcar maintenance staff, trams, mmtb, tram 8a, malvern depot

The enrolment form used by Cornish College in 2012. It displays the ABN - 42926419181 and the web address (.vic.edu.au) which means it was printed after VRQA registration was completed.Completed enrolment forms were required to be lodged with a $75 non-refundable fee. ELC enrolments also required a $1000 non-refundable deposit to Prep fees.Printed in colour on both sides of heavy A3 paper. College emblem in top right corner, Uniting Church of Australia symbol at the bottom corner.cornish_college_inaugural_year, enrolment, form, 2012

The photograph shows five seated individuals dining at Marios' restaurant in Carlton, Melbourne. The ladies are wearing finery and corsages which suggests that this may have been a post-marriage celebration following the wedding of Lillie and James Morgan. Their marriage certificate records the date as 26th of April, 1969.This is a photograph of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation. The image is also an insight into fashions of the time as well as into the relationship between Lillie and James.A professional photograph of Lillie Morgan (nee Duncan) and husband James Morgan dining at Marios' restaurant in Melbourne with three unidentified friends. The printed image is professionally mounted in a Marios' display folder.The front of the display folder reads "Greetings from Marios' Continental Restaurant Melbourne - Australia" Insignia of the restaurant is printed beneath the photograph and the photographer's name 'Renouf' is printed alongside. On the reverse "Fully air-conditioned" and "Photography by Renouf of Marios'" is printed in red ink. There is also a sketch in blue biro of a cat and a horse and rider.lillie duncan, lillie morgan, james morgan, marios', 1960s