non-fictionAn illustrated autobiography of South Australian artist Barbara Leslie born 1940. Painter and illustrator Leslie charts her life through three sections. Book 1: letters to her best friend Marilyn; Book 2: written to her inner child; Book 3: a diary format after Merilyn's death.south australian bushfires, art school, drawing, family

A look at Melbourne within a two month span: before and after and opposing views. Discusses Melbourne's good and poor buildings, planning, arts, aesthetics etc. Melbourne does however maintain an image and individuality when compared with other cities.Original manuscript of an article published as ‘Melbourne: The symbol of Australia’s split personality’in "The Australian", 01.09.1964. Typewritten (c copy), pencil edits, quarto, 4 pagesmelbourne, urban character, city, architecture, buildings, australian image, australian culture, robin boyd, manuscript

Important Victorian Labour Day annual event in Melbourne and many floats form a lengthy parade - celebration in the streets of Melbourne, concluding at the Alexandra Gardens along River Yarra; it is a presentation of various communities, arts and cultural performances in the State of Victoria.Getting together, celebrating multicultural community and many facets of social lifeGold plated trophy presented to Slovenian Association Melbourne in 1980 for the entry of a float at the Moomba parade.Melbourne Moomba Festival Chairmans Trophy 1980 Best Float by First Time Entrantslovenian association melbourne, moomba parade, moomba festival melbourne, moomba float

Written to provide a 'walking tour guide' of Melbourne Women's History. Project supported by the City of Melbourne writing about Melbourne Arts Grant Program. Project supported by Heritage Victoria Heritage Grants project and Helen McPherson Smith Trust. 96 pages. Cardboard cover with colour and black and white images. Accent of green throughout. Inside pages are paper with black ink, green accents and colour images throughout. women historic sites, historic sites, historic buildings, cultural structures and establishments

The Ballarat Camp housed the Goldfields administrators. It was from this site that the troopers left on the morning of 3 December 1854 to attack the Eureka Stockade. Much of the area shown in on the west side of Camp Street is now used by the Federation University Arts Academy.Hand-drawn plan on white linen showing the camp reserve in what is now known Ballarat's Camp Street. The plan shows allotments in an area bounded by Mair, Sturt and Lydiard Streets. The plan has colours indicating wooden buildings, stone buildings, brick buildings, Wood & zinc buildings, and wood & brick buildings.ballarat, camp street, horace walker, henry mornes, goldfields architecture, reserve for public, buildings, goldfields administration, eureka stockade

Set of seven Metcards with the Metcard logo and transport Mode icons. Tickets used to promote Festivals. Two copies of each ticket held. 1 - 2009 - Jazz Festival - Daily Full Fare - 1-5-2009 and 2 hour Concession - 18-4-2009 2 - 2005 - Arts Festival - 2 hour full fare - 30-10-2005 and Daily Full Fare - 1-11-2005 3 - 2007 - Comedy Festival - 2 hour full fare - 14-4-2007 and Daily Full Fare - 10-4-2007 4 - 2009 - Comedy Festival - 2 hour concession - 18-3-2009 and 2 hour concession 5 - 2008 - Comedy Festival - 2 hour concession - 21-2-2008 and 21-2-2008 6 - 2007 - Melbourne International Arts Festival - 2 hour concession - 29-10-2007 and Daily full fare - 29-9-2007 7 - 2008 - Melbourne International Arts Festival - 2 hour concession - 30-9-2008 and 21-10-2008Demonstrates one of many different types of Metcards issued during the period of used in Melbourne from 1996 to 2013Set of seven Metcard tickets - printed on light card with a magnetic stripe. Has the ticket number and contact details, Metcard and Metlink logo on the front of the card.trams, tramways, tickets, metcard, metlink, festivals, jazz festival, melbourne events, comedy festival, arts festival

This exhibition was held in October 1907 and ran for 5 weeks. There were over 15000 contributors in the fields of needlework, cookery, Horticulture, fine and applied arts. There was a wide variety of activities, lectures and social events. There were approximately 250,000 people who attended.An important source of work and information relating to a major event in the State of Victoria and in the work of women.Eight sheets of microfilm enclosed in plastic sheet with title page, white with black text.State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. warrnambool, exhibition australian women’s work, 1907 women’s work exhibition

This is the program from the 10th Emerging Writers' Festival. The EWF is an independent arts organisation based in the Wheeler Centre, Melbourne. The catalogue provides information about the events and programs involved in the festival, the first EWF programmed by Artistic Director Sam Twyford-Moore.More information about the 2013 Emerging Writers' Festival can be found online at: https://web.archive.org/web/20130510133639/http://www.emergingwritersfestival.org.au/events/A green, white, brown and orange booklet which contains information about the program for the 2013 Emerging Writers' Festival. The booklet has 44 pages and the cover has two parts - with the illustration on cover a separate but larger page than the green text. Written on front of catalogue is "10th Emerging Writers' Festival / 23rd May-2nd June / 2013".10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival

Dianne JACONO This work was udnertaken as part of a Master of Arts by Resaerch at the University of Ballarat (later Federation University Australia) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprint (diptych).art, artwork, available, printmaking, monoprint, master of arts, alumni

Anthea WILLIAMS The sculptural practice of Gippsland-based artist Anthea Williams includes welded metals, moulds and assemblages. She has lectured Visual Arts at Federation University, Churchill and has many years experience as a technician at Latrobe Regional Gallery. Large steel sculptureanthea williams, gippsland art collection, sculpture

Paula DO PRADO Born Montevide, Uruguay Arrived Australia September 1986 Paula Do Prado holds a Bachelor of Fine Arts (Textiles) with First Class Honours and a Master of Fine Arts from Art & Design at the University of New South Wales.Her works are compelling, multi-layered and rich with cultural references surrounding concepts of identity, race and gender. Her practice draws on materials, sayings and imagery collected from many different sources including the generations of her family history. By sharing her own personal stories, her work creates a dialogue around issues of immigration and multiculturalism, which are just as relevant now as ever. Triptych flag, textiles, button, available

Depicted are two unidentified female actresses dressed in capes. They are posing outdoors with a film camera.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5666 /entertainment album, entertainment, beechworth, theatre, theatrical group, film, cinema, camera, movie, arts, performance, 1950s

Taken in 1870, the photograph depicts Charles Sherwood Stratton (known professionally as General Tom Thumb), Lavinia Stratton, George Washington Morrison Nutt (known professionally as Commodore Nutt), and Huldah Pierce Warren Bump (known professionally as Minnie Warren). They are all dressed in identical costumes worn in 1864 before Emperor Louis Napoleon and Empress Eugenia in Paris. Charles, Lavinia, George and Huldah were all American performers who traveled with the Barnum & Bailey Circus, founded by Phineas Taylor (P. T.) Barnum. They each participated in various acts including singing, dancing, miming, and celebrity impersonations, gaining international fame for their successful careers and small physical stature. The group performed in Australia in August 1870. They were joined by their touring party as part of the Barnum & Bailey Circus "Round the World" tour. Beechworth hosted the circus for three evening shows and two matinees.The photograph is historically significant due to the internationally renowned status of the four individuals pictured. In a general sense, it also provides insight into the arts in Victoria during the late nineteenth century, illustrating the type of entertainment that was enjoyed by the public during this time. The record's historical significance is further enhanced by the attire worn by the individuals in the photograph, and these garments' connections to Emperor Louis Napoleon and Empress Eugenia.Black and white rectangular photograph printed on matte photographic paper.Reverse: 4732.1 / General Tom Thumb + wife / Colonel Nutt + Minnie Warren / (?) / Beechworth / 1870 /entertainment album, general tom thumb, lavinia warren, commodore nutt, minnie warren, circus, p.t. barnum, barnum and bailey circus, beechworth, 1800s, performance, arts

Colour postcard of Princes Bridge and South Gate Fountain Melbourne, late 1960's. Postcard shows the southern end of the Princes Bridge, has 3 W2's on bridge, each with marker lights and the South Gate fountains, existing at the time of the photograph. Since replaced by the Arts Centre. On rear is printed caption, giving details of the location, the date of the fountain construction (1959), stamp placement area and publishers details and post card number (8P 1053-2), National View by Murfett Publishers.On top edge near stamp area in black ink "1968".trams, tramways, melbourne, southgate, princes bridge, mmtb

Artznews Newsletters (Cultural Development Office, Bendigo Regional Arts Centre - a. Dec 1998-Jan 1999 Issue; b. Feb 1999 Issue; c. Mar 1999 Issue; d. Nov 1999 Issue; e. Apr 2001 Issue; f. May 2001 Issue; g. June 2001 Issue; h. Dec 2001 - Jan 2002 Issue; i. Jan 2000 issue; j. Feb 2000 issue; k. Mar 2000 issue; Apr 2000 issue; m. Oct 2000 issue.

Set of three colour photographs of Museums Australia/Arts Victoria undertaking a cataloguing training workshop in the meal room at Ballarat depot. Taken mid to early 4th quarter 1994, as everyone is wearing jumpers. On AGFA paper. Received by BTM 28/4/1995. No reference to Workshop in Fares Please! 2001.1 - Richard Gilbert, Neville Gower, ? from MA, Warren Doubleday .2 - Ditto with Caroline Carter .3 - ditto working on papers. See Cataloguing worksheet for note from Caroline Carter. museums australia, cataloguing kit, arts victoria

Magazine - 16 pages, colour covers, centre stapled printed on gloss paper, titled "3rd - Tram Conductors Special Issue", Winter 1998, published by The Boite (Vic) Inc - music, culture, arts. Has a number of items about the removal or finishing up of conductors on Melbourne trams with poems or articles written by Malcolm Just, Paul Bateman, Tanya Wolkenberg and Tom Moore. Includes a review of "Melbourne's Marvellous Trams" book, Has a number of photos of conductors at work. 2nd copy for donation of Colin Jones.trams, tramways, conductors, tramways, tickets, poem

Newspaper Article, Australian Financial Review comprising cover, pages 40 and 41, titled "Track Stars" 29 September 2018. Written by Clare Morgan with assistance of Russell Jones. Tells the story of the Melbourne Art Trams, the arts festival and Transporting Art. Has photos trams 731, David Larwill and tram 722, Elizabeth Gower, tram 243 and 504. Artists noted: David Larwill, Clifton Pugh, Mirka Mora, Peter Corrigan and promotes the Transporting Art trams exhibition at the Hawthorn Museum.trams, tramways, transporting art, arts festival, decorated trams, melbourne tram museum, tram 722, tram 731, tram 504, tram 243

Set of five Metcard tickets, advertising various events or publications or locations. All have the Metcard and The Met logos, with ticket numbers etc. All used during 2000 unless noted. .1 - advertising the Fars and Travel Guide .2 - promoting the Victorian Arts Centre with a stylised drawing of the spire. .3 - promoting free online web surfing - used Nov. 1999 .4 - promoting the Shrine of Remembrance - with a stylised drawing of shrine .5 - promoting the Great Jubilee Mass at Colonial Stadium - 15/11/2000.trams, tramways, tickets, metlink, metcard, events

Kodak Kodachrome colour slide, white cardboard mount. Photograph by David Verrier. W5 831 crossing Flinders St in Swanston St. Tram has route number 3. In the background is the Flinders St station with advertising for Kaiser Stuhl Cold Duck, Arts Centre appeal, Flinders Gate redevelopment. Behind the traffic policeman on the corner is a large display of newspapers and magazines for sale. the tram has adverts for CP Air, Robo car wash and Dirty Dicks. Photos taken 24/8/1974.In ink: , "Sat 24/8/74 831 Cnr Swanston & Flinders St"trams, tramways, flinders st, swanston st, w5 class, route 3, tram 831

Set of three photos of the launch of Michael Leunig Art tram No. 816 at Preston Workshops with Transport Minister Tom Roper. Part of the Transporting Arts Scheme. VicSig.net. web site accessed 23/8/2013, notes that the tram was launched during July 1986. Photographed at Preston Workshops. .1 - Artist being interview by the Press with tram alongside. .2 - View of tram. .3 - Tom Roper and Michael Leunig. See also Reg Item 560 for first day ticket, issued on Sunday 13/7/1986.In ink on rear of each photo .1 - "Artist Michael Leunig @PWS with #816" .2 - "Artist Leunig painted 721" .3 - "Minister for Transport Tom Roper and artist Leunig @PWS"trams, tramways, transporting art, preston workshops, minister for transport, decorated trams, tram 816

Painted by Sue JarvisFramed oil painting featuring a Buckland Valley landscape. Titled: "Valley" painted by Sue Jarvis. Brown wood frame. Signed by the artist lower right corner. Painting of a view of a valley with a tree on the left hand lower corner and hills in the distance. Painted predominately in shades of blues and greens. Framed in a gold frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69. Signed by the artist lower right corner

CEMA Art Collection Noted that this work was sent by Caltex in exchange for the winner of the 1973 Caltex Prize, which was part of the Portland Art Society Art Prize. The exchanged work was a print by Greg Moncrieff. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts the Sydney Opera House in shades of blue and brown. In the foreground to the left is the brown roof of a building with four red chimneys. In front of these two buildings is an elevated road. Seperating the road from the Opera House is a body of water completed in shades of cream and white. The shadow of the Opera House on the water's surface is completed in shades of blue and green. The work has a brown and gold frame with painted material mount and exposed canvas.Front: N. HEDSTROM (lower left, red paint) Back: (no inscriptions)