Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Children's Library 1951-3, Hiroshima, Japan. (Architect: Kenzo Tange.)16 / Encircled 84F (Handwritten)japan research trip, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Children's Library, Hiroshima, Japan, 1951-3. (Architect: Kenzo Tange.)15 / Encircled 59 (Handwritten) / Encircled 73F (Handwritten)japan research trip, slide

A recording done in 1967 of some legatees with the intention it might be used for an official history of Legacy. The handwritten label implies it was from Bendigo Legacy. Names mention are Legatee Bunty Lawrence at Group Conference in 1967 (about 40 mins), and Legatees Neil Ferguson, Frank M?? and Fred Percival. A common means of recording conversations for the future in the 1960s.Significant in that the recording is to be used in the official history of Legacy in Australia.Magnetic tape on a clear plastic spool, stored in a cardboard box.Cover, exterior "RCA / Red Seal / Magnetic Recording / Sound tape / High Fidelity-Double Length-Double Strength / 200 feet-Mylar-splice free - Type 5TM-12" Sides of box; "RCA, Radio Corporation of America, reel no, title date. RCA Milar*-Double Length, Double Strength Type 5TM-12, 5" reel 1200Ft 1/2 Milx1/4' " Hand written in biro various details of Legatees speaking and title and Bendigo Legacy Club. Typed instructions on "how to splice a tape". Some details of the quality of the tape. No 10V3076history, legatee

The black tank suits were first issued to members of 8/13 VMR in 1959 and were worn till late 1960s when they were replaced by a similar garment coloured green. The one piece purpose designed overall was a welcome replacement for the khaki drill trousers and jacket which had been worn by crewmen since 1948. Representative of uniform worn by tank crewmen in period 1959-66.Black overall tank suit worn by crewmen of armoured fighting vehicles; five patch pockets, one with slots for pencils; concealed over-the-shoulder braces with metal buckles. Black webbing belt, ammunition pouch and pistol holster. Displayed on plastic torso hanger.tank suit, uniform

Earl INGELBY (1939- ) After training at RMIT in 1960s, Earl Ingleby worked and undertook further training in Europe before returning to Australia in late 1969. He currently lives and works in Creswick, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching of a Bilby. Donated in memory of Dr Janis M.G. Fraillon, Creswick 1990-2002.Edition 40/50 Billbie Etching E Ingleby '90 in pencil across base of print. Typed description on rear of frame.art, artwork, earl ingleby, bilbie, available, fauna

Earl INGELBY (1939- ) After training at RMIT in 1960s, Earl Ingleby worked and undertook further training in Europe before returning to Australia in late 1969. He currently lives and works in Creswick, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.One in as set of three. .1) Lithograph of a kingfisherSigned and editioned at lower side "5/50 Kingfisher Litho E. Inglebyart, artwork, earl ingleby, j.a. hoskin, bird, kingfisher, available, fauna

Earl INGELBY (1939- ) After training at RMIT in 1960s, Earl Ingleby worked and undertook further training in Europe before returning to Australia in late 1969. He currently lives and works in Creswick, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Three framed lithographs featuring birds by Earl Inglby. The works are printedby J.A. Hoskin and Son. .1) Kingfisher .2) Kite .3) of a group of 3 framed lithographs. This work depicts a Kite. Gift in memory of Dr Janis Fraillon, Creswick 1990-2002Lower edge "5/50 Kite Litho E. Ingleby"art, artwork, earl ingleby, kite, bird, available, fauna

A colour slide of a demonstration at the Melbourne Town Hall in 1958. Girls in marching outfits and Australian flags. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of a Annual Demonstration at the Melbourne Town Hall.Colour slide of girls in a Demonstration with Australian flags, in a cardboard mount.Handwritten on front 'Demo 1958' in blue pen and imprinted '5' in red ink.girls classes, dance, marching

A colour slide of a fete at Legacy House in Swanston St in 1959. There two legatees behind a table of plants. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of two legatees and a plant stall in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten on front ''Smithy set ups flowers ILC Fete 1959'. Imprinted by indentation "Aug 59". Imprinted with black ink '10'.ilc, fete

Murray Comrie Collection. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1960s. The store close for business in 1916, and the building was demolished in 1926 after falling into disrepair. Originally built by James Ray in the early 1860s, London House was centrally located in Tarnagulla's commercial area and was a very successful enterprise for many decades. Monochrome photograph of dilapidated Renshaw's London House, Tarnagullatarnagulla, stores, businesses, draper, commerce, renshaw, buildings

Legacy raised funds from the sale of Christmas cards for many years. This card was from the golden jubilee year, 1973, when Legacy celebrated it's 50th anniversary. This came from a selection of cards and order forms from 1960-1974 were part of a scrapbook of Legacy material, mostly promotional material, from the 1960s to 1970s.An example of fundraising material issued by Legacy in 1973.A sample of Legacy Christmas Cards from 1973, the golden jubilee year.fundraising, christmas cards

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes.The dress was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved black cotton dress the fabric of which includes a pattern of small beige and cream polka dots. The ends of the sleeves and the base of the dress include ruffled trims of the same fabric. Label: TULLOnorma tullo, australian fashion - 1960s, women's clothing, day wear, mcintyre collection

The former Kew Lunatic Asylum, was commenced in 1856 and opened in 1872. At various stages of the institution's history it was named the Kew Lunatic Asylum (1872-1956), Kew Mental Hospital (1956-1960s), Willsmere Mental Hospital (c.1960s-1982), and the Willsmere Unit (1982-1989). The Kew Idiot Ward/Asylum (1887-1929) was initially part of the Asylum. Later it was called Kew Children’s Cottages (1929-62), Kew Training Centre (1962-c.97), and Kew Residential Services (c.1997-2008). Most of the records relating to these former institutions are held by the relevant Government Department or by the Public Record Office Victoria. Due to the location of these two institutions in Kew, the Kew Historical Society also holds an extensive photographic archive as well as significant collections of personal papers collected by staff who worked at these institutions.This photograph is one of a series donated to the Society by the photographer, taken following the closure of the Willsmere Unit, and before its redevelopment as a private residential complex. The series is historically significant in that it depicts interior and exterior views of the former institution that were subsequently altered or demolished during redevelopment. A number of the 'views' are socially significant as they allow us to examine the ways in which public institutional architecture in the 19th and 20th centuries responded to the needs of those with perceived mental health issues. Colour snapshot of a part or section of the former Willsmere (Kew) Mental Hospital, taken following its decommissioning and before its sale and redevelopment.kew lunatic asylum, kew mental hospital, willsmere mental hospital, willsmere unit, health & human services, mental health, institutional architecture

This jacket and cap were designed by Rosalie 'Rosa' Kiessling about 1967. They formed part of the Fashion Group Inc's Walkabout Tour of the USA in 1967 which aimed to promote Australian fashion design in America. German by birth Rosalie, grew up skiing and ice skating, studied fashion design in Munich and worked designing women’s ski wear and lingerie before migrating to Australia via New Zealand in 1939 with her husband. As skiing increased in popularity following the end of WWII, Rosalie’s business grew reaching its peak during the 1960s. Though it was never large; at most she employed three staff. Her designs featured in the pages of Australian Vogue, Flair and the Women’s Weekly throughout the 1960s and received coverage from newspapers in Australia, New Zealand the United States. Rosalie was closely involved with the Swiss Club of Victoria, the Australian Wool Board and the Fur Traders Association, participating in numerous fashion shows and awards run by these groups. In the late 1960s she became involved with the Melbourne Branch of the Fashion Group Inc, a worldwide non-commercial association of women involved in the fashion industry. Rosalie continued to design and manufacture fashionable but functional ski wear until the late 1970s, although increasing imports from large overseas manufactures and constant new innovations in fabric technology made it difficult for her to compete in a relatively small industry. This ski jacket and cap illustrate Rosalie Kiessling's emphasis on practical glamour. She was the first Australian ski wear manufacturer to bring high fashion to ski wear design; which though common in the boutiques of St Mortiz, Chamonix and St Anton was new to Australia. The use of an Australian wildflower motif and of these pieces in the Fashion Group's Walkabout Tour also speak to her involvement in and promotion of the Australian fashion industry during the 1960s.Ski jacket and matching cap appliqued with Australian wildflowers.Noneskiing, ski clothing, fashion design, australian fashion, australian flora

These two minute books document the activities of the Warrnambool and District Amateur Cine Society from its formation in 1954 to 1981. In January 1968 it changed its title to Warrnambool Movie Club. In the 1960s the Society made films of the Florado festivals and in 1960 the Florado film was viewed by more than 3000 people when it was screened at the Liberty Theatre, Warrnambool.These minute books are of considerable interest as the Warrnambool Cine Society was very active in the second half of the 20'th Century. We now hold some of the films they made and these are historically important..1 This is a hard cover ledger with a label on the front cover. The pages have printed red lines and typed and hand written text. There are many loose pages and inserted material. The linen spine is damaged and partly detached. .2 This is a hard cover ledger with a dark blue cover with the maker's emblem on it. The pages contain typed material and there are several loose pages, some hand written. A black and white photograph is pasted inside the back cover.warrnambool cine club, warrnambool movie club

Tea has always been a common drink in Australia and before the introduction of tea bags a teapot such as this was used to infuse the tea leaves. This item is a decorative piece and would have been used for special occasions. The use of tea bags in both teapots and cups became widespread in the 1960s in Australia. Tea bags are the popular choice today for tea drinkers.This item has no known local provenance but is retained as a fine example of a vintage tea pot. This is a white china teapot with a lid which contains a steam hole and a handle. The spout has gold patterning. The handle is painted yellow with a gold strip. The lid has a yellow and blue decorative band and is decorated with flowers and gold pattern. The body of the teapot has the same decoration as the lid. The name of the country of origin and a number are on the base. Made in Japan tea pot, vintage domestic item, tea making in australia

Roll of film taken by Eltham Shire Council officers (Nov. 1981) reflecting road infrastructure. Golden Fleece Service Station on left now the Shell/Coles Express. On right is Bremner's Flats where the original Eltham tennis courts were siutaed at the turn of the 20th century and where the circus would be located in the 1950s and 1960s; now Wingrove Park35 mm colour positive transparency (1 of 27) Mount - Kodak Ektachrome CardProcessed 18 Jan 1982infrastructure, main road, roads, bremner's flat, construction, eltham south, golden fleece service station, mount pleasant road, wingrove park

Every Anzac soldier who served on the Gallipoli Peninsula, or in direct support of operations there - or his family if he did not survive until into the late 1960s - was entitled to be issued with the Anzac Commemorative Medallion. The Medallion was issued in 1967. The medallion was sent by registered post and comes in a presentation case with a moulded velvet base to receive the medallion, with a silk lined hinged lid.Medallion presented to all army personnel serving at GallipoliANZAC Medallion Badge issued in memory of W.H. MathewsThe obverse of the medallion depicts Simpson and his donkey carrying a wounded soldier to safety. It is bordered on the lower half by a laurel wreath above the word ANZAC and the date 1915 above the donkey. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by New Zealand fern leaves and the name W.M. Mathewsmedallion, army, anzacs, australian army, world war 1, ww1, gallipoli

A celebration for the 150th anniversary of the establishment of the first Old Colonists Association of Victoria retirement village at Rushall Park North Fitzroy was held on 20 October 2019 at Leith Park St Helena. Leith Park was the Association's second village, built in the 1960s on land donated by Arthur C. Leith, Life Governor, Councillor and President of the Association 1949-1972.4 p. colour pamphlet printed on light cardboardleith park retirement village, old colonists association

Pioneer Reserve, Greensborough is a small park on the corner of St Helena and Diamond Creek Roads. It is adjacent to the site of Greensborough's first bridge across the Plenty River, c. 1864 - 1960s. The shelter, viewing platform, retaining wall and entrance are built from the bridge's massive bluestone arched abutments dismantled between 1974 and 1983. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.pioneer reserve greensborough

Pioneer Reserve, Greensborough is a small park on the corner of St Helena and Diamond Creek Roads. It is adjacent to the site of Greensborough's first bridge across the Plenty River, c. 1864 - 1960s. The shelter, viewing platform, retaining wall and entrance are built from the bridge's massive bluestone arched abutments dismantled between 1974 and 1983. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.pioneer reserve greensborough

Pioneer Reserve, Greensborough is a small park on the corner of St Helena and Diamond Creek Roads. It is adjacent to the site of Greensborough's first bridge across the Plenty River, c. 1864 - 1960s. The shelter, viewing platform, retaining wall and entrance are built from the bridge's massive bluestone arched abutments dismantled between 1974 and 1983. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.pioneer reserve greensborough

Pioneer Reserve, Greensborough is a small park on the corner of St Helena and Diamond Creek Roads. It is adjacent to the site of Greensborough's first bridge across the Plenty River, c. 1864 - 1960s. The shelter, viewing platform, retaining wall and entrance are built from the bridge's massive bluestone arched abutments dismantled between 1974 and 1983. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.pioneer reserve greensborough

Pioneer Reserve, Greensborough is a small park on the corner of St Helena and Diamond Creek Roads. It is adjacent to the site of Greensborough's first bridge across the Plenty River, c. 1864 - 1960s. The shelter, viewing platform, retaining wall and entrance are built from the bridge's massive bluestone arched abutments dismantled between 1974 and 1983. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.pioneer reserve greensborough

Pioneer Reserve, Greensborough is a small park on the corner of St Helena and Diamond Creek Roads. It is adjacent to the site of Greensborough's first bridge across the Plenty River, c. 1864 - 1960s. The shelter, viewing platform, retaining wall and entrance are built from the bridge's massive bluestone arched abutments dismantled between 1974 and 1983. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.pioneer reserve greensborough

Pioneer Reserve, Greensborough is a small park on the corner of St Helena and Diamond Creek Roads. It is adjacent to the site of Greensborough's first bridge across the Plenty River, c. 1864 - 1960s. The shelter, viewing platform, retaining wall and entrance are built from the bridge's massive bluestone arched abutments dismantled between 1974 and 1983. Photograph by Marilyn Smith 2014.Digital copy of colour photograph.pioneer reserve greensborough

This photo shows the artillery piece at the entrance to the Greensborough RSL (Main Street Greensborough). It is a Howitzer 25 pounder gun. It was the standard British field gun of WW2, introduced here from 1940. Australia used them in great numbers, right up to the 1960s, and even manufactured them here, hence why every RSL seems to have one. Digital copy of colour photograph.greensborough rsl

Stubley Motors Newsletter March 1954. The Stubley Group began in 1946 when Purcell Stubley purchased a site with petrol bowsers in Main Street from 'Snowy' Jessop. In 1948 Purcell began building the new Stubley Motors, working round the old site to keep the business operating. It was completed in 1951. The Group expanded into a Holden dealership in the 1960s.Digital copy of black and white newsletter, with handwritten notes on the company's history.purcell stubley, stubley motors, stubley group greensborough

Stubley Garage car yard 1951. The Stubley Group began in 1946 when Purcell Stubley purchased a site with petrol bowsers in Main Street from 'Snowy' Jessop. In 1948 Purcell began building the new Stubley Motors, working round the old site to keep the business operating. It was completed in 1951. The Group expanded into a Holden dealership in the 1960s.Digital copy of black and white photographpurcell stubley, stubley motors, stubley group greensborough