The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photograph of a sandstone detail on a double storey, red brick building - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building

The art of making glass can be traced back to 2600 BC in Mesopotamia. Egyptians practised making glass around 2500 BC. Artificial glass first appeared in the Egyptian or the Mesopotamian civilization, whereas they used tools made out of volcanic glass obsidian in the Stone Age. Ancient China, however, discovered how to make glass a little later. Glass beads are known to be one of the earliest products made out of glass. Their creation is thought to be primarily accidental. In the later Bronze Age, glassmaking came to a halt. Glass was a luxury material back then. Archaeological excavations suggest the use of glass in England during the middle ages. In the 10th century, stained glass found a place in cathedrals and windows of palaces. After the Renaissance, architectural methods changed substantially, leading to a decrease in stained glass as a building material. Domestic use of glass increased following the industrial revolution. Vessels, glass windows, and glass beads gained popularity in Europe during this period. During the 19th century, many people preferred glass windows and doors as a decorative option. In the late 19th century, some designers brought back stained glass in decorative windows. It was during this period that Mr Tiffany discovered several methods to make domed glass handicrafts. People discovered the true versatility of using glass as a building material only in the 20th century. With glassmaking technology receiving an industrial boom, you could produce several different types of glass. Toughened glass, laminated glass, bulletproof glass, and smart glass all boosted the use of glass in buildings. Today, several skyscrapers, small and big homes, and offices use glass in almost all aspects of construction and design. https://www.aisglass.com/glass-made-step-step-process/The invention and development of glass, both as domestic items and in building, has been nothing short of revolutionary. Prior to the use of glass for windows, the interior of buildings were extremely dark, even during sunny days. The use of glass domestic objects, that could be easily washed, led to improved hygiene.Cylindrical drinking glass with stepped relief around lipNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, glass

The former Ballarat Circuit Court Building, later the first building of the Ballarat School of Mines, was demolished to make way for a new custom built Art School building. Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above.Colour photographs of a double storey, red brick building built - the Ballarat Technical Art School, a division of the Ballarat School of Minesballarat school of mines, ballarat technical art school, architecture, art, gribble building

Sir Alexander Peacock opened the Ballarat Technical Art School in July 1915. It cost 10,000 pounds and was constructed by the Public Works Department from plans drawn by the then Art School Principal, Herbert H. Smith. The building contractors were Messrs Gower and Eddards. According to the SMB Annual Report of 1914 'the internal upholstering and fittings have all been carried out in Australian timbers, with Queensland maple largely used throughout.' Before this building was constructed art and craft classes were held in various buildings around Ballarat. The building could be described as federation-art deco in style. It features sandstone insertion with sandstone string coursing. The base of the building is rusticated sandstone. The relief stone panel on the front with the words "Technical Art School" features stone pilaster brackets and corbels. In the centre front can be seen rectangular sandstone pediment with decorative stonework incorporating the date of construction. The windows in the lower floor feature five supporting keystones whereas the upper windows have sandstone lintels. The building also features decorative cast iron downpipes. The entrance on the northern side has attractive leadlight glazing in an art deco style. Above the door a miner's lamp and pick are featured in the design. The building is functional in design with large metal windows in the south wall to ensure good light into the studios. The northern wall has standard double hung windows. The interior of the building features a carved wooden staircase and cast iron ceiling vents. The rear drawing studios can be made into one large studio by opening panelled timber doors. This opening features classical plaster pilasters with a pediment above. This building is now the Gribble Building on the Federation University Australia SMB Campus.Artwork by students of the Ballarat Technical Art School from the 1934 Ballarat School of Mines Students' Magazine .1) Stairs to the Ballarat Junior Technical School from Grant Street .2) Caricatures by Nornie Gude .3) work by Colin S. Hunt .4) A girl and a rooster by Gilda Gude .5) Self Portrait .6) Main entrance to the Ballarat Technical Art School by Lorna Bailey .7) Artwork from the magazineballarat technical art school, gribble building, gribble, stained glass, white flat, hopwood, bailey, gude, ballarat junior technical school, visual arts

The art of making glass can be traced back to 2600 BC in Mesopotamia. Egyptians practised making glass around 2500 BC. Artificial glass first appeared in the Egyptian or the Mesopotamian civilization, whereas they used tools made out of volcanic glass obsidian in the Stone Age. Ancient China, however, discovered how to make glass a little later. Glass beads are known to be one of the earliest products made out of glass. Their creation is thought to be primarily accidental. In the later Bronze Age, glassmaking came to a halt. Glass was a luxury material back then. Archaeological excavations suggest the use of glass in England during the middle ages. In the 10th century, stained glass found a place in cathedrals and windows of palaces. After the Renaissance, architectural methods changed substantially, leading to a decrease in stained glass as a building material. Domestic use of glass increased following the industrial revolution. Vessels, glass windows, and glass beads gained popularity in Europe during this period. During the 19th century, many people preferred glass windows and doors as a decorative option. In the late 19th century, some designers brought back stained glass in decorative windows. It was during this period that Mr Tiffany discovered several methods to make domed glass handicrafts. People discovered the true versatility of using glass as a building material only in the 20th century. With glassmaking technology receiving an industrial boom, you could produce several different types of glass. Toughened glass, laminated glass, bulletproof glass, and smart glass all boosted the use of glass in buildings. Today, several skyscrapers, small and big homes, and offices use glass in almost all aspects of construction and design. https://www.aisglass.com/glass-made-step-step-process/The invention and development of glass, both as domestic items and in building, has been nothing short of revolutionary. Prior to the use of glass for windows, the interior of buildings were extremely dark, even during sunny days. The use of glass domestic objects, that could be easily washed, led to improved hygiene.Moulded patterned glass butter dish. Base has been broken.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, glass, kitchen item, butter

The booklet sets out the history of Christ Church Warrnambool from 1847-1947. The forward is by Vicar Ronald E Richards and the booklet outlines the history of the building of the church with special mention given to the stained glass windows. It covers other aspects of the history such as the vicars, choir, other church organizations and recreational facilities and service of the laity.A compact history of one of Warrnambool’s earliest and longest established churches. It provides a comprehensive listing of people and ministers who served the church and the community.Fawn coloured light card cover with black text and oval cutout showing photograph of front view of Christ Church. 16 pages.Printers: Kaye & Son Warrnambool.warrnambool, christ church, christ church warrnambool, centenary of christ church warrnambool,

This sanctuary is at Holy Trinity Anglican Church at Murtoa. The alter cloth was made by Clara Emma Yung, the grandmother of Edith Alice Watson. There are two windows in the church dedicated to Clara and her husband George Edgar Godlip Yung. They donated two candlesticks in memory of their son George Alfred Yung who died at Ypres in WW1.The altar cloth was crocheted by C E Yung and the candlesticks donated in memory of her and her husband George Edgar Yung.Black and white photoVerso: Murtoa Sanctuarymurtoa, holy trinity church murtoa, clara emma yung

1319 Sturt Street was built in 1928 for Dr. S.A. Wilson. It was a double brick residence with diagonal leadlight windows. Margaret Wilson and her mother can be seen in the second photo. In the third photo, Margaret by the tradesman's entrance in the garden. Along with 1321 Sturt Street, the house was demolished in 1962 and a Shell Service Station was built.building, private residence, s.a. wilson, margaret wilson, sturt street, ballarat, garden

The first Mt Dandenong School was established in William Ferguson's shed in 1897. On 11th May 1897 Head Teacher Ethel Gruber opened State School #3284. The locals lined the building and the Education Department supplied the windows. An average of 31 pupils attended. In 1901 the school transferred to a State owned building across the road.Black and white photograph showing a group of about 17 men sitting and standing beside a simple wooden structure. Handwritten inscription on reverse by John Lundy-Clarke1897 Working Bee at the first school on Mt Dandenong which was in Ferguson's shed on Lot 19 Section 2 of the Village Settlement in Blythes Road. Ellis Jeeves is fourth man standing from the right. Ernest Badenhop is thought to be the young man standing side on in centre of picture.ferguson, william ferguson, ethel gruber, ellis jeeves, ernest badenhop, school, state school, mt dandenong school

The ‘Group Committee’ was a body of parents and supporters who raised funds to support the Scout Group. Dances were a regular fundraiser, initially to pay off a loan to build the Hall. The old Scout Hall had a barred ticket office window near the front door on the verandah. G.S.M. is an abbreviation used by the Group Scout Master. Dance entrée card. Invitation by 1st Kew Group Committee to a dance at the Disraeli Street Scout Hall. 1st Kew Group Committee will hold A Dance at Scout Hall, Disraeili Street, Kew on Saturday, 3rd April, 1948 / Admission - 2/6 (payable at door) / D.A.Evans, G.S.M. scouts - kew (vic), 1st kew scouts, dance entree card

Rose Series postcard No. P 1633, titled "Swanston Street Melbourne", looking north from about Flinders Lane. There are a number of W2's in the street with white painted panels under the driver's windows, and one car with a gas producer back. A set of traffic lights can be seen on both sides of Flinders Lane.Yields information about Flinders St station early 1940s.Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, trams, w2 class, swanston st, world war ii

The first Presbyterian gathering was held in Wycheproof in 1876, this led to the organization of a congregation and the building of a church. The first church was in Charles Street on the north side of the Mount. It served the congregation for twenty years. The new church in Mount Street opened 06-09-1896 and after 115 years the doors closed for worship in 2011.A building of spiritual and social significance to the Presbyterian congregation and wider community of Wycheproof and District for 115 years.Small format sepia print taken between 1912-1937of the Wycheproof Presbyterian Church Complex. Designed on early English lines, the church dated 1896 was built of red-brick with buttresses and decorated cream-brick trimmings. The arched windows are glazed in diamond shaped leadlight. The high pitched roof is of galvanized corrugated iron. The Sunday School Hall 1912, of timber construction with feature trim of arched windows and doors and a galvanized corrugated iron roof. The Manse 1909, of timber construction with galvanized corrugated iron roof and fret-work on the space above the verandah. Iron lace decorates the wooden verandah posts. Fencing: Post and Rail. Kodak print /501presbyterian, church, sunday school, manse, building, 1896, post and rail fence, red-brick, timber

black and white photo: 2 storey brick building on right. Large central double door ground floor. Door in first storey with beam for raising materials. 2 windows first storey, one on each side of door. Small door and small window on lhs ground floor. Gripes Foundry on gable steps on side to top storey. Entrance gate centre of photo. Double inscription ' Gripes Timber Yard Iron & on sale over gate. Single storey building on left. 2 males in front. Batchelder cart left hand side. In image ' Gripes Foundry' 'Gripes Timber yard, iron & c on sale'batchelderorganization, business, gripes foundry

The Melbourne District Nursing Society After-Care Home was built in 1926 to give short term care to MDNS patients who were too ill to remain in their home, but not ill enough to go to hospital. Melbourne hospitals also sent patients there who required further care after discharge from hospital. After convalescence they returned to their homes. Many children were nursed there, particularly during the Polio epidemic.The Society were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed, and the Society built, then opened, the After-Care Home in 1926, (from 1934 called After-Care Hospital), for these patients, and patients from Hospitals. Many children were nursed there, some long term, during the Polio epidemic and the Society employed two School Teachers. The Society now ran two divisions, the After-Care with its own Trained nurses and the District division. The Society were the first in Melbourne, in early 1928, to recognize some patients leaving the After-Care, and many at home, needed further social care and they set up ‘Almoners’ from their Committee to visit these patients and be intermediaries in getting them social assistance. It was late the following year before the first training of Almoners took place in Melbourne. In 1930 the Society employed a full time kindergarten teacher to visit poor children in their homes. That year the Society were pioneers in opening an Ante-Natal Clinic at the After-Care, setting a high standard with equipment, keeping records and providing leaflets with instructions in how to keep healthy during pregnancy, what complications to look for, and what to do when labour commenced. In 1934 the Society were pioneers again when they opened the first Women’s Welfare Clinic in Melbourne giving advice on birth-control, at first attended by their own patients, but then accepting patients from public hospitals until their own clinics were opened. A trained Almoner was employed, but left after twelve months due to the amount of work required. Trained Almoners were in short supply so a Social Service Officer was employed at the After-Care who successfully gained better housing from the Housing Commission for families living under unsuitable conditions. In the 1950s the Hospital and Charities Commission decided to take over the After-Care Hospital, so the Melbourne District Nursing Society and After-Care Hospital separated and the Melbourne District Nursing Service was formed, setting up Headquarters at 452 St. Kilda Road. In 1966 Royal patronage was given and the name changed to Royal District Nursing Service (RDNS).Digital image of the rear of the extended Melbourne District Nursing Society After-Care Home 45 Victoria Parade, Collingwood. It shows a three story brick building with a tiled hip roof and open verandas running along each story with windows seen behind. A zigzag stair case runs down the left hand side of the building and on the right hand side of the image you can see a section set back with one window on each floor. Behind this section, part of another multi story building is seen. A wooden paling fence is seen in the foreground of the photograph. On the far right, part of another brick building with hip roof can be seen melbourne district nursing society, mdns, melbourne district nursing society and after-care home, rdns, royal district nursing service

Black and white photographs (s) mounted on rectangular brown board. House, two storey, brick, roughcast above dado height, upper storey has shingles under windows shingles below front gable. Brick verandah piers with wooden freized upperparts. Two stepped masonry approaches, two event verandahs. Roughcast to lower walls below floor level, lower window with six lights [5 leadlighted] On back of photo ' Phillips, Carpenter Street. £2500 sewered with all furnishing including wireless set but not including sewing machine, piano or organ and £3000 with all furniture'. 2012 photo of house attached to record.bendigo, business, t c watts & son

see makers comments above. Rev James was also Chaplain to the Naval Forces of Victoria until the time of Federation. The article featured in the Port Gazette seems to be a profile of James and his works and headline being: "Jack's Friend" Rev Ebenezer James one of the early Chaplains based at the Mission to Seafarers. He ministered to and advocated on behalf of the seagoing fraternity both merchant and Naval forces and was an instrumental force in the stamping out of the practice of crimping and the exploitation of seafarers. He received and forwarded the letter from 22 sea captains (MTSV 0030 requesting the establishment of a Mission in the vicinity of the Australian Wharf. James' brother was an MLC and his daughter Britomarte is also noted with an entry in the ADB. The original clipping image of James is the only known existing image.Black and white gloss print photograph of 19th Century bearded man ; new wood frame, cream window mount ; glazed with perspex, composition back board. This photograph is a reproduction of an image found on a scrapbook clipping taken from and originally published in the Port Gazette of July 25th 1896. Verso - Texta inscription catalogue number : MTSV 0707 also 2 Labels on backboard of frame one a barcode and one handwritten "EBENEZER JAMES / CHAPLAIN, MISSION TO SEAMEN (1886 - 1901)ebenezer james, chaplain, jack tar, crimping, missions to seamen, port melbourne

Colour photograph of a cottage in Metery Road, Eltham before demolition in 1964. In the window opening L-R Johnathon, James and Robin Bassett-Smith, aged 10, 7 and 12; openers of time capsule please note in Year 2035.includes Johnathan, James and Robin Bassett-Smithhouses, metery road, bassett smith

sepia photograph of shop fronts, weatherboard buildings. Window sign, Hennesey births and deaths registrar, skinbuyer. Overhead sign .Massey Harris Cycles and motor agency. Seven adult men in foreground with five bicycles and one motorised rickshaw combination. Geo Tzauer on small overhead sign.organization, business, commercial, ian wild july 2000 : 'hennesy, woolbuyer/wool and rabbit skin merchant. note rickshaw bike on left'

Photograph, construction site, indoors, four male workers on site erecting some metal beams, one standing on top of a ladder, while one is holding the metal, one is just watching, and the other with a cigarette in mouth is at left. An extension ladder is leaning up on the wall. Window on top left.buildings, commercial

Three pages from the Bendigo 'Advertiser' titled 'Building a heritage...' This article gives us an insight into the lives of some of the stonemasons who helped build the Bendigo Sacred Heart Cathedral. It includes a full page coloured photograph of the beautiful west window of Bendigo's Cathedral. 4/12/1968.bendigo, churches, sacred heart cathedral, lydia chancellor collection, collection, bendigo, church, sacred heart cathedral, cathedral, building, stone masonry, stone masons, builders, stelvio slaviero, albert segafredo, doug knight, place, building, history, catholic church

Two Sepia toned photographs mounted on card., (a) Front shot of the Bendigo Hospital circa 1885, Left and right Gabled wings and centre section have arched windows, gardens in foreground and four women and two men standing in front., (b) The School of Mines and Industries in McRae Street.buildings, hospital, bendigo hospital, bendigo hospital, scholl of mines and industries

Dr Michael Hodgson was apppointed ANZCA President in 1992 until 1993. The painting, undertaken in 1995, was later unveiled in 1996 with Dr. Hodgson present. Further information about Dr. Hodgson can be found on The Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/michael-john-hind-hodgson/ Oil painting on canvas of Dr Michael J H Hodgson seated in front of blue-grey drapery and a window showing Ulimaroa in the distance. The subject is wearing the Presidential gown but not the Presidential badge. Framed in a plain grey and gold frame with a brass plaque affixed on bottom center front of frame. [plaque] Dr Michael J H Hodgson / President 1992 - 1993 [Artist's signature lower right corner] Audrey Wilson / 1995hodgson, michael, anzca president, ulimaroa

This is a photograph of one of the many stone ruins of buildings which can be seen in the Sunbury district and surrounding areas. This series of 13 photographs show various views of one of the remaining uninhabited stone cottages which were built in the early days of the district's settlement.A coloured photograph of a stone cottage with a wooden shingle roof and the remains of the outbuilding. There is a stone wall across the front of the building. The side view of the building is prominent and there is one 12 paned sash window in the wall and two chimneys either side of the roof valley. A bare deciduous tree is behind the building.stone structures, shingle roofs, george evans collection

502 Class 3a Photo (1942). Back row - Jack (Wossie) Hall, Ron Maddock, ? Smart, Gilbert Smith, Knowles Roberts , Ken Hull, Ron Richards. 2nd Back row - Hilary Waring, Lois Truscott, Margaret Taylor, Joan Hayward, Alison West, Patricia Hall, Glenda Hurst, Lorraine Woodhart, ? Krause. 1st Row Seated - ? Allender, Noreen Byron, Margo Williams, Pam Knipe, Dorothy Christian, ?, ?, Judith Sweeney. Front Row - ? Johnston, E. Prydderch, ? Smart, Jim Martin, Hartley Newton, ? Oliver, (Whistle) Cooper, Selwyn (Keith) Darker, The Smart boys were twins. Judith Sweeney stayed with the Maddocks family 6-8 months - war evacuee, her father made runner shoes. Stawell Primary School, 502 Grade 3a Class photo. The class black and white photo taken in 1942 consists of 32 students. Two middle rows of female students (17) and two rows of males students (15). The background of the photo is a brick school wall with 3 windows. stawell education

Nicholas Scallan’s Store Stawell East c 1865-1870. In the worksheet notes: On the back of the original photograph are the inscriptions "The Scallan Grain Store and Skin Store in the early days. Stawell East. This may be mentioned in Maynard Ord's Book (Stawell Past & Present) From records many sales took place there as furniture, land sales, shares, commodities, auctions. Meetings were also held there, evidently a meeting place for miners. The lady and gentle man on the right of the photograph are Kate Scallan and Nicholas Scallan.Photograph of a small weather board building with veranda with wooden floor. The veranda has a diamond pattern around the roof edge. The windows at the front are at either side of the wooden door. The lean-to on one side has another door at the front. One female and two males are standing out the front. stawell

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Training school 1 commenced 23/3/1950. Black and white photograph of a group of Females in nurses' uniforms in four rows, front row sitting on the floor, second row sitting on chairs, third and fourth rows standing. Window formation in the background.. Photo taken by Raymond Kelly. nurse training, ndsn

House built in Roadknight Street, by Ernie Ault, local builderBlack and white photograph of the residence of Rex and Mac Harbeck, seen in garden showing a cement sheet house with gable roof, unusual bay window across N E corner, white timber fence posts and rails with wire netting attached, established garden. Lakes Entrance Victoriahouses, accounting

Some residents : 1942/43 Mining Engineer by name Cook bought house. Nurse Freda Daniel had it as a private hospital named 'Ardlui'. Holiday home of Dahlsen family of Bairnsdale. Mr & Mrs Crea (Snr) 1970's - early 1980's.Colour photograph of a timber and cement sheet dwelling at 37 Myer Street. Built on square plan, hipped roof of corrugated iron extends to deep boxed eaves which cover front verandea. Unusual sash windows contain eight panes top and bottom. Lakes Entrance Victoriafences, houses, heritage study

Originally had corrugated iron roof, additions to house in 1950's, internal alterations, roof tiled.Colour photograph of a Californian Bungalow style dwelling at 15 Barkes Avenue. Outer walls of timber and cement render. Tiled roof has hips and valleys, gables above the veranda. Brick and concrete solid square veranda columns. Upper windows with leaded quarries. Lakes Entrance Victoriahouses, heritage study