Magill's laryngoscope with open straight blade and flat round speculum and a detachable light bulb connector, the bulb is missing. This laryngoscope is a previous version of the battery use ones conceived around 1920 therefore circa 1900. The design of the handle is similar to the Shipway laryngoscopes with a curved and pointed end and anatomical handle grip. The blade attachment place seems to be an adaptation to this kind of blade which differs from original models. The piece has several scratches and deep hit marks, as well as oxidation spots mostly around the internal canal of the blade. There is presence of resin residues on some surfaces. A visible different kind of metal was used at the blade base attachment place and for the light bulb connector. Engraved on handle its model type and in the arm of the handle a possible manufacturer name (illegible) and the place where it was made.Engraved at the handle, MAGILL'S LARYNGOSCOPE. Stamped at the arm of the handle back side, STAINLESS STEEL Stamped at the arm of the handle front side, A[not understandable text might be Allen & Hanburys Ltd.] / LONDON / JZmagill, ivan, laryngoscope, 1900, resin, shipway, light bulb, magill laryngoscope

Wooden with cast iron gearing components and round butter worker is hand operated. The rotary butter worker has a round tray carved from wood. Protruding upwards from the centre of the tray is a column with arched top. The column has a small square outlet on one side near the base that provides for excess buttermilk to be drained away. Around the circumference of the butter worker protruding outwards from the sides is a thick cast-iron track. The wooden paddle has a unique curved shape that has a wave appearance. It has a slight arch which forces the butter to remain in the tray and to direct any excess buttermilk to the centre. Through the wooden paddle is an iron rod connected to a crank handle. By turning the handle the rod rotates a gear system that leads the table to rotate on the metal track.Side: CHERRY'S PATENT NO. 1 GISBORNE VICTORIA 4407 Etched into upper arm of wooden frame.cherry's patent, bubb family, evans family

Comb bound (white plastic) specification document, approx. 70 pages, with glossy card covers, titled "Tender Schedule for All-Electric Trams", published by the Melbourne and Metropolitan Tramways Board, closing 2 Oct. 1972. Details the conditions of tender, conditions of contract, notes, specification, gives background information about Melbourne, dimensions, performance, drivers and conductors, trucks, wheels, brakes, electrical equipment, control panels and drawings. The drawings give a map of the system, typical city route, Glenferrie Road route (grade diagram), concrete track construction, min. radius curves, loading gauge, all-electric tram and mounting details for the trolley base, schedule of prices, tender form, form of contract, schedule of information to be provided by the tenderer.trams, tramways, specification, tenders, z class trams, mmtb, melbourne

Used on a farm in the late 19th or early 20th century.A pair of handmade wooden horse hames which are linked together by a leather strap at the top. It has leather traces and four metal rings. At the sides there are two long leather strips with chain links attached to each end.One long leather strap is shown in the second photo in Media - not to be confused with all the other tools in the photo. It would have been attached to a horse collar and used to to distribute the load around a horse's neck and shoulders when pulling a wagon or plough. The collar often supports and pads a pair of curved metal or wooden pieces, called hames, to which the traces, which attach to the wagon or plough, of the harness are attached. The collar allows the horse to use its full strength when pulling. It was used in the late 19th or early 20th century.horses, horse accessories, harness, animal accessories, farm equipment, hames

John Matchett was born in Corbrackey, Ireland in 1828. His Wholesale and Family Grocers started in 1857. It was on the Corner of Hargreaves and Edward Streets, Bendigo. It was known as the BELFAST STORES, HARGREAVES-STREET WEST SANDHURST. After his death in1903, Robert Matchett carried on the Grocery and Produce Business.Black and white photograph on grey board. Row of brick 2 storey shops with verandas over footpath. Windows on second story have columns each side and curved and painted pediments over. On back of photograph is written: Matchett's Corner at Bath Lane end of City Club Hotel. Block of buildings at Charing Cross. Demolished - replaced by Fountain Plaza block. In image, many advertisements. On F BR 'Frank A Jeffrey Photo - Bendigo'. Circular stamp 'Royal Historical Society of Victoria - Bendigo Branch'. In image 'TC Watts and Son' , 'Property and Furniture Auction Rooms', Australian - Metropolitan Life Assurance Company Ltd', R Matchett and Co - Grocers - Wine and Spirit Merchants', 'Old Court Whisky'. Pin hole in each corner, brown stain (spilled liquid) on image.Frank A Jeffreybendigo matchetts, john mattchett

Set of personal papers - placed in a file marked "Tramway Development M&MTB" Carbon copies of typed documents titled "Lists showing existing tramways" obtained under 1920's Acts, including Orders In Council, lists lines opened or converted by the MMTB with dates. Second set of documents - provides comments on the proposed amendment to Act including definitions, schedules, relationships with councils and notices. Third set of documents provides an listing of street, municipality, extent of tramway, and details authorisation's - updated to 8/1928. Various hand written documents with notes, calculations on curves etc. The final document - a folded ruled double foolscap sheet, gives details between 1935 and 1939 for distances of track, both cable and electric in the Cities of Melbourne, Fitzroy and Collingwood.trams, tramways, mmtb, tramways, parliament, order in council, acts of parliament, cable trams

Set of two Colour slides, Kodak, white cardboard mount of track laying and reconstruction at St Kilda Junction during Oct. 1959. .1 - St Kilda Junction during reconstruction looking south with the junction arrangements shown. Has in the background, the Signal box, the junction hotel and the Corner Hotel, all with adverts for Penfold Wines, Fly ANA, Shell, Sepletts wins and Gilbeys Gin. Shows the vertical curves and the nature of the trackwork at this location. Photo 17/10/1959. .2 - ditto, but further back, with track welding, overhead work, tower wagon and a welding truck. In the background in addition to .1 are signs for Fosters Lager and Goodyear tyres. Dated 18/10/1959. Slide Number K(l)(293) and K(i)(293).Extensive handwriting on rear in ink and that it was photographed at 1/125 f4 and 1/125 f5.6trams, tramways, st kilda junction, overhead, tower wagon, welding truck, signal box, trackwork

Pamphlet, folded to DL size, printed on full gloss paper titled "Toorak Road Tram Terminus Improvement Works", dated Nov. 2006 and part of the "Think Tram" project outlining the redevelopment proposals of the Toorak Road terminus. Shows the track plan and proposed stop, along with the curve into Glenferrie Road. Gives details of the proposal and consultative meetings. Gives details of the VicRoads think tram project contacts. Two copies held. The proposal did not proceed. Another proposal was prepared for Feb. 2015 and was not well received by the City of Stonington. See the local Leader dated 19/2/2015. Work to rebuild the tram stop planned by a Yarra Trams notice of 19-11-2015 to be undertake work at the intersection between 16-11-15 and 3-12-15.trams, tramways, yarra trams, toorak rd, route 8, superstops

Hard bound book, 172 pages, including end covers, 10 sections, title "Mind the Curve", with subtitle "A history of the Cable Trams", stitch bound to hard red Rexene covers with gold block title on the spine only. Dust cover has the title, author, drawing of Bourke St and details of the book and author on the returns. Written by John D Keating, published by the Melbourne University Press in 1970. Has index, acknowledgements, table of contents, list of illustrations and references Looks at the establishment, construction, operation and demise of the cable tram system in Melbourne. Provides location details of the engines houses, tramcars, ticketing, management, politics, the Northcote line and the workers. 2nd copy added from the collection of Colin Jones - title page signed by John Keating - see image i5/trams, tramways, melbourne, mmtb, cable trams, mto co, horse trams

These items do not necessarily form a set. Several of the items are of miniature size and may have been samples for commercial travellers or shop displays or possibly used by women travelling. All of the items have their modern-day equivalents though hand fans are not widely used today.These items are retained as examples of women’s accessories as used in past years. The sample-size items have a particular appeal to us today.This is a collection of women’s accessories and make-up items with most of the items being of miniature or sample size. .1 Green bakelite fan with a white ribbon insert and fretwork at the top curved end of the fan. .2 Three lipsticks with red lids and black and gold metal inserts. .3 One lipstick with a pink lid and a silver and red metal insert. .4 Two lipsticks with gold lids and gold metal inserts. .5 Green tin of talcum powder with a white lid .6 Manicure set in a green bakelite container with four metal manicure items with green handles and an emery board. This set holder also contains a 5d. tramway ticket from Melbourne. These items above are in an old metal chocolate tin but this is not the container that would have housed the items originally. ‘Michel’ ‘Anne Page’ ‘Starlet’ ‘Judith Aden’ ‘Cashmere Bouquet Colgate’ ‘Pascall Claremont Tasmania’ vintage women’s accessories, history of warrnambool

Football match at Eltham Central Park between Eltham and Heidelberg Newsletter No. 216, May 2014 May Excursion – The 1901 Eltham Railway Walk The railway from Heidelberg to Eltham was opened in 1902. Over the previous year railway construction cut a curving swathe through Josiah Holloway’s 1851 Little Eltham subdivision. The survey plans for the railway show the owners and occupiers of land within Little Eltham affected by the railway alignment and for some distance each side. The plans show houses and other buildings but development at that time was rather sparse. Copies of these plans from the State Library of Victoria collection have been provided to the Society by Alan Sheehan. For our walk on 3rd May we intend to follow the railway from the Eltham Station to Ryans Road, which was the boundary of the adjoining Montmorency Farm. The return will be by way of nearby streets. Along the way we will discuss the details shown on the railway plans as well as more recent railway documents and photographs. At the conclusion and if time permits we can inspect the historical display at the Eltham Station. The walk is about 3 km in length and will take about 2.5 hours. It will start at 2 pm at the Eltham Railway Station car park (east/Main Road side) (Melway Ref. 21 J5).Born Digitalheritage excursion, activities, eltham district historical society, eltham railway station, eltham library, trestle bridge, eltham central park, football

EDHS Member Doug Orford stands by a yarn bombing installation. ewsletter No. 216, May 2014 May Excursion – The 1901 Eltham Railway Walk The railway from Heidelberg to Eltham was opened in 1902. Over the previous year railway construction cut a curving swathe through Josiah Holloway’s 1851 Little Eltham subdivision. The survey plans for the railway show the owners and occupiers of land within Little Eltham affected by the railway alignment and for some distance each side. The plans show houses and other buildings but development at that time was rather sparse. Copies of these plans from the State Library of Victoria collection have been provided to the Society by Alan Sheehan. For our walk on 3rd May we intend to follow the railway from the Eltham Station to Ryans Road, which was the boundary of the adjoining Montmorency Farm. The return will be by way of nearby streets. Along the way we will discuss the details shown on the railway plans as well as more recent railway documents and photographs. At the conclusion and if time permits we can inspect the historical display at the Eltham Station. The walk is about 3 km in length and will take about 2.5 hours. It will start at 2 pm at the Eltham Railway Station car park (east/Main Road side) (Melway Ref. 21 J5).Born Digitalheritage excursion, activities, eltham district historical society, eltham railway station, eltham library, trestle bridge, yarn bombing, doug orford

Train Instrument transportation Box used for the transporting of Flaman Speed Indicator and Recorder to the repair workshops The Flaman Speed Indicator and Recorder was a device patented in 1901 by Nicolas Charles Eugène Flaman of France for indicating the current speed of a vehicle (for example a railway locomotive) and recording it on a paper tape that could be unrolled and examined at the end of a run to provide evidence of the speeds attained on the journey. Design features: The paper tape recording was driven directly by the wheels of the locomotive, with the paper spool moving at a fixed rate per kilometre travelled. Three graphs were recorded, the first being time elapsed (with the trace moving vertically if the train was stationary), the second being a speed curve. and the third recording the driver's attentiveness to signals ("Vigilance") by marking one tick above a line when the driver depressed a button, and another below the line when the engine went over the signal ramp. Data recorded: Read together, it was possible to determine exactly what speed the locomotive had been travelling at any point in time or distance. As well as allowing study of locomotive performance, it also allowed greater scrutiny of the observance of the driver of speed restrictions along the line and attentiveness to signals. It was practice on some railways such as the Victorian Railways in Australia for the driver to sign the speed chart prior to departure.Historic - Victorian Railways - Train Instrument transportation Box for the transporting of Flaman Speed Indicator and Recorder to the repair workshopsLarge wooden box with wrought iron fittings, painted black with white lettering on side panels. RETURN TO / TOOL ROOM / NEWPORTpuffing billy, train instrument transportation box, victorian railways, flaman speed indicator and recorder

Minnie PWERLE (c1910-2006) Atnwengerrp/Utopia Minnie Pwerle's Dreamings consist of elements of 'Bush Melon' and 'Awelye'. Awelys-Atnwengerrp' is depicted by a series of lines painted in varying widths and colours. These patters represent the lines painted on the top had of women's bodies during ceremonies in Minnie's country of Atnwengerrp. 'Bush Melon' is depicted using linear design of curves and circles in different colours creating a very loose and bold design. This dreaming tells the story of this lovely sweet food that comes from a very small bush and is only found in Atnwengerrp. Once very abundant and fruiting in the summer season, the Bush Melon is now hard to find. Minnie and other women used to collect this fruit (that was green in colour and then ripened to a brown colour) and scrape out the small black seeds. They would then eat the fruit straight away or cut it in pieces and skewer them onto a piece of wood to dry then to be eaten in the coming months when bush tucker was scarce. These artistic symbols carry potent spiritual meanings.. The physical creation of these Dreamings in an important part of the continuation of an ancient and rich cultural heritage. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Awelye & Bush Melon Dreaming, 2004 Acrylic on canvas, over three panels art, artwork, minnie pwerle, aboriginal, anmatyerre language, atnwengerrp country

The curved path through the Botanical Gardens at Port Fairy. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black & white panoramic landscape of the paths and garden beds of the Botanical GardensPort Fairy Gardens W. Scottbotanical, garden, paths, trees

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.An English-made “Busvine” black wool herringbone twill riding habit comprising jacket and safety skirt, (jodhpurs missing) from late 1800’s to early 1900’s. The jacket (.1) features a black short pile silk velvet inset notched lapel collar secured with a single button at the apex of the waist and a single button near the collar for use in inclement weather. The sleeves join the bodice high on the shoulder with a full cut head to the sleeve and a tapered curved shape to the hand. The sleeve secures at the wrist with four black buttons. From the waist the jacket flares over the hip through princess line shaping and finishes with a curved front on either side. The seams of the shaping panels intersect single functional flapped besom pockets on either front panel. The back of the jacket features a centre back seam and two princess-line shaping seams that finish in a double vent on either side of the centre back. The jacket length would have finished approximately just below the bottom of the wearer. The apron fronted safety skirt (.2) secures from the waist at the front of the left thigh with five buttons. Over the wearers, right leg the skirt shapes to accommodate the rider’s right knee whilst sitting sidesaddle with her legs on the horses left flank. The base of the skirt has an elastic strap, which hooks around the rider’s leg to reduce the danger of the rider’s skirt become tangled, should the rider become un-seated. When the riders is not mounted the skirt can be secured with a button around the body to provide additional modesty as well as assist walking without the skirt dragging on the ground.Jacket: Manufacturer's label “Busvine, By serial appointment to Her Majesty The Queen, 4 Brook Street W.” Owner label “Doreen Wright” this label appears far more modern than the manufacturers label. Skirt: Manufacture's label: “J. Busvine and Co, 4 Brook Street, London W." In handwriting “Miss Wingfield” Manufacturers label: Busvines Patent Safety Skirt, protected by two separate patents. 4 Brooks St London West.barone, riding habit, j. busvine and co, seaview, brighton

Sharped Edged instrument used for cleaning hair from the skin. http://en.wikipedia.org/wiki/Straight_razor A straight razor is a razor with a blade that can fold into its handle.[1] They are also called open razors and cut-throat razors. HISTORY The first modern straight razor complete with decorated handles and hollow ground blades was constructed in Sheffield, England, by Benjamin Huntsman in 1740. Huntsman's process was adopted by the French sometime later. The English manufacturers were even more reluctant than the French to adopt the process and only did so after they saw its success in France.[5] Straight razors were the most common form of shaving before the 20th century and remained that common in many countries until the 1950s. TODAY Straight razors are still manufactured. DOVO, of Solingen, Germany, and Thiers Issard of France are two of the most well-known European manufacturers. Feather Safety Razor Co. Ltd. of Osaka, Japan makes a razor with the same form as a traditional straight, but featuring a disposable blade that can be installed through an injector-type system. Modern straight razor users are known to favor them for a variety of reasons. Some are attracted to the nostalgia of using old and traditional methods of shaving. It is a masculine ritual comparable to pipe smoking. Others profess an interest in reducing the waste of disposable blades.[11][22] Still others agree that straight razors provide a superior shave through a larger blade and greater control of the blade including the blade angle. Straight razors cover a much greater area per shaving stroke because their cutting edge is much longer than any of the multiblade razors. Ivory cut throat razor, with cream case 00121.3.Known as a straight razor.Razor with square point, full hollow ground 5/8” blade and double transverse stabiliser. The centre pin adds stability and rigidity to the handle---I think this is it ROM Parts The narrow end of the blade pivots on a pin, between 2 pieces of ivory forms the handle. LONG EXTRACT FROM WIKI _ SHORTEN to describe 00121 The parts of a straight razor and their function are described as follows: The narrow end of the blade rotates on a pin called the pivot, between two protective pieces called the scales or handle. The upward curved metal end of the narrow part of the blade beyond the pivot is called the tang and acts as a lever to help raise the blade from the handle. One or two fingers resting on the tang also help stabilize the blade while shaving. The narrow support piece between the tang and the main blade is called the shank, but this reference is often avoided because it can be confusing. The shank sometimes features decorations and the stamp of the country of origin. The top side and the underside of the shank can sometimes exhibit indentations known as fluting, or jimps for a more secure grip.[8] The curved lower part of the main blade from the shank to the cutting edge is called the shoulder.[9] The point where the shoulder joins the cutting edge is called the heel. A thick strip of metal running transversely at the junction where the main blade attaches to the shank is called the stabiliser. The stabiliser can be double,[10] single or can be absent in some razor models. The first stabiliser is usually very narrow and thicker and runs at the shank to blade junction, covering the shank and just spilling over to the shoulder. The second stabiliser can be distinguished since it is considerably wider and narrower, appearing after the first stabiliser and running lower into the shoulder. The non-cutting top of the blade is called the back or the spine while the cutting part of the blade opposite the back is called the cutting edge.[11] Finally the other free end of the blade, at the opposite end of the tang, is called the point and, sometimes, the head or the nose.[9][12] There are two to three pins in any handle. The middle pin, if present, is plastic coated and is called the plug.[13] Its function is to stabilise the sides of the handle so that they cannot be squeezed in the middle. When folded into the scales, the blade is protected from accidental damage, and the user is protected from accidental injury. During folding, the back of the blade, being thick and normally with a curved cross-section, acts as a natural stopper and prevents further rotation of the blade out of the handle from the other side shaving, lever, handle, blade, pivot, razor, tang

Set of 10 Ferraniacolor slides - cardboard mounts taken on either 10/1/71 or 16/1/71. .1 - Birney No. 30, Golden Square line, inbound near Cathedral with car yard in background. .2 - ditto, with Cathedral gardens in background. .3 - single trucker, with two SEC roof adverts, entering Nolan St enroute to North Bendigo. Shows the driver sitting in a side on shot. A 4 square store in the background, with a fading advert for "Peeled Tomatoes". .4 - No. 6 turning from Nolan St into McCrae St with 4 square store in background. .5 - No. 26 at Quarry Hill with cemetery in background. .6 - No. 6 at the North Bendigo Terminus .7 - No. 26 outbound to Eaglehawk on the Railway Overbridge, Mt Korong Road. .8 - No. 17 (inbound to City and Quarry Hill) and another bogie crossing at a loop on the Eaglehawk line. Both trams have SEC roof adverts. The driver of the outbound car is boarding the tram. Based on .9, it is No. 3 at Long Gully. .9 - No. 3 waiting at Long Gully Loop . .10 - No. 26 at Quarry Hill terminus, with destination of Eaglehawk.In ink on slide: .1 - "1/2 mile out on Golden Square line - 10/1/71 (Sun)." .2 - "1/2 mile out on Golden Square line - 10/1/71" .3 - "Has just rounded curve near lake Weeroona on North Bendigo line - 10/1/71 (Sun)." .4 - "16/1/71" .5 - " 10/1/71 (Sun)." .6 - "North Bendigo terminus, 16/1/71 (Sat)" .7 - "10/1/71 (Sun) c 3pm" .8 - "Cross Eaglehawk line - 10/1/71 (Sun)." .9 - "Jackson St Loop on E'Hk line awaiting up - 10/1/71 " .10 - "Quarry Hill terminus Bendigo - - 10/1/71"tramways, trams, bendigo, golden square, high st, nolan st, north bendigo, quarry hill, long gully, railway bridge, tram 30, tram 6, tram 26, tram 17, tram 3

The White-throated Treecreeper is a commonly small bird of the Climacteridae family, that has a loud, piping, whistle-like call. Living in permanent territories and rarely seen on the ground, this species is found in forested areas of south-east and southern mainland Australia. The name tree-creeper comes from their foraging patterns, in which they spiral up the trunk of trees (usually eucalypts for their preferrable rough bark) head-first, probing for ants or nectar with their long, curved beak.The females are distinct from males through orange marks on the sides of their face. The colour of these specimens differ from white-throated tree-creepers, whose plummage on the head and back is usually a dark gray-brown. The beaks of these specimens are also an orange-brown colour whereas these birds usually have a black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This mount includes two White-throated treecreepers secured on a stick, one above the other. The top specimen is female, distinguished by a distinctive orange mark on the sides of its face underneath the eyes. Both specimens have white throat, chest and streaks on the flank. The top of the head and back are both a brown to dark-brown colour, with streaks of those colours on the flank as well. The stick and specimens are mounted on a wooden platform and a swing tag is secured around a part of the stick.Swing tag: 67a. / White-throated treecreeper / See catalogue, page 20 / Wooden Mount: 85taxidermy mount, taxidermy, burke museum, beechworth, bird, treecreeper, australian birds, white-throated, white-throated treecreeper, reynell eveleigh johns

This anvil once belonged to Goodall and Sons, who were blacksmiths in Terang. The smith was called upon to do a variety of work. In the early 1900s he was often the nearest person to be able to perform an engineer’s services for many miles around. An anvil is used by blacksmiths to forge and shape his work pieces. The conical horn is used for hammering curved work pieces. The anvil is a common tool of the blacksmiths (‘smithies’) and other metalworkers. There has been very little change in the basic design of the anvil since Greek and Roman times. Henry Goodall (1870-1936) Henry Goodall was proprietor of garages as H. Goodall & Sons Pty. Ltd., at both Terang (McKinnon and High Streets) and Mortlake (Dunlop Street). His business was in operation in at least in 1916 and perhaps well before, considering the date of the tyre bender and its use for wagons with wooden wheels. It was still in operation in 1953, chasing up debtors in Mount Gambier Court. Amongst the employees of H. Goodall & Sons Pty. Ltd. was Ernie Entwistle, a blacksmith (a soldier who died in 1916 ) and Alfred Hodgetts, radio expert (killed in a fatal accident in 1943, when he was in his early 30s ). Henry Goodall was involved in the community as a Justice of Peace, a deputy coroner, President of the Mortlake Hospital, trustee of the Soldiers’ Memorial Hall, and as a prominent Freemason. He and his wife had two sons (Charles and John) and one daughter (Mrs. Chas. Newton, of Skipton). The anvil is locally significant as it was used by a local company in Terang and Mortlake in their blacksmith, wheelwright and garage business. It is an example of the tools of the blacksmiths’ trade in Victoria in the early to mid-1900s. Anvil, single horn, used as a tool by blacksmiths and metalworkers. Large block of metal with a flat top face, a conical horn on one side and a ‘v’ shape on the other. The anvil’s base has a squat stand and sides that are a variety of shapes. This anvil once belonged to Harry Goodall & Sons, blacksmiths of Terang. C. early to mid-1900s.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, h. goodall & sons of terang, terang blacksmith, h. goodall & sons pty ltd, mortlake, ernie entwistle blacksmith, alfred hodgetts radio expert, charles goodall, john goodall, mrs. chas. newton nee goodall, trade tools, blacksmith tools, metalworking tool, forging tool, terang 1900s, warrnambool district 1900s, anvil, blacksmith’s anvil, single horn anvil

A froe was used for splitting, or riving, wood in the early days and was a skill practiced by craftsmen who made boards, shingles, c lapboards, fences, basket splints, chair parts, wagon spokes, lath, and more. Our ancestors used axes, gluts or wedges, froes, draw knives and spelk planes for splitting wood.   The froe was designed in many sizes and designs for splitting timber. It is typically an L-shaped tool made up of a wedge-shaped blade with a dull, but not blunt, knife edge and a wood handle. Blades were usually straight with a socket forged at one end for a handle, but curved blades were also made. Most handles were round and tapered and were inserted up through this socket. But some froes had eyes similar to those on axes for handles that were wedged. The froe handle is held in an upright position in one hand while the other hand drives the top of the blade downward with a wood froe club or mallet. After a split is started, the froe is wiggled downward to lengthen it until the split is complete. Most old froes were hand forged, but they were also available in many catalogues. The 1873 D.R. Barton American catalogue offered straight froes at 12 1/2 cents per inch. You can still buy new froes from many tool manufacturers today.A tool that has not changed in design or use since its inception several hundred years ago to split timber for various uses.Froe, also called cooper's froe or stave froe, without handle.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, froe, cooper's froe, stave froe, wood splitter, carpenders tools, coopers tool, splitting timber

These items are of a high quality and would have come from a household where the occupants had considerable means. It was not common to have silver plating on both of these items. Shaving brushes and strops were essential items for men shaving their faces regularly until the mid to late 20th century when electric shavers became more common. These two items are attractive ones and are retained because they represent a household item of the past and they are a rare example of a shaving strop enclosed within a case. They will be useful for display. .1 This is an extending razor strop made of brown leather. It has a heavily patterned silver handle attached to the leather by metal studs and it is contained within a cylindrical case of plated silver. The case has a heavily-patterned curved base and top and on one side there is an oval outlined space in which to put initials or an inscription. The case has a handle on one end to match the strop handle but this handle is for hanging the item on a hook to keep it upright and stable. This would then enable the user to pull hard on the other handle to use the strop to sharpen a razor .2 This is a shaving brush made of horsehair or other animal hair. It has a silver-plated handle with a double ridge in the middle. It was used to lather a person’s face or skin with cream or soap to lessen chafing during and after shaving. The silver on both items is a little tarnished. ‘British Made Ziff Sterilised’ ‘Falcon Silver Plate Co. Made in England 3533’ household items, history of warrnambool

Black and white photograph mounted on green board. Two storey building with verandahs, iron lace, decorative curved parapet. Brick and stone building to the left. Brick house to the R. Six horse drawn vehicles at front - five decorated. Tram track across the front. Eight people on 1st floor verandah. Eight people on footpath corner. All vehicles have 2 or 3 people. Inscriptions: in image - 'Estd 1859, E W Hands, Butcher Co, Poulterer', Estd 1859 E W Hands' 'Butcher & Poulterer', 'Refrigerating Chambers on the Premises'. On front BR corner. Impressed 'W Bug, View St, Bendigo, Rosalind Studio'. On back - circular rubber stamp 'Royal Historical Society of Victoria, Bendigo Branch'. Helen Mainka 20.7.2001 '2001.187.01 taken by Ernest Bugg, Camperdown Terang'.buildings, commercial, ew hands, butcher

The metal probe in this set (.6) was used to puncture superficial skin blisters or eruptions and to probe suspected pus filled wounds. The Mayo scissors (.7) was (and still is) part of all major and minor suturing sets. It is also used in general theatres.Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Pocket dressing case containing surgical tools. Case [185.1] is made of cream household chamois, with two end flaps and small overlapping front piece to indicate the front of the case. Middle of the case has a strip of chamois divided into nine sections to hold the instruments. Tools contained in the case are: straight Spencer Wells artery forceps x2 [185.2,185.3], Allis box jointed tissue forceps x2 [185.4,185.5], straight probe [185.6], curved Mayo scissors [185.7], straight dissecting forceps [185.8], catheter (female) [185.9], straight McPhail needle holder [185.10]. Artery forceps 185.2 are stamped with '19' on both inner arms. Tissue forceps 185.4 are stamped with "2" on inner arm. Tissue forceps 185.5 are stamped with "8" on inner arm. Mayo scissors 185.7 are marked with '"1". Dissecting forceps 185.8 are marked with "1".surgery

Pittock coach builder's box, 15 assorted chisels located in assigned locations at the front of the box: * 12 steel chisels with wooden handles in various stages of use, and 3 cold steel cold chisels * some chisels have manufacturer's marks, indistinguishable to read two chisels have P (Pittock) incised into the wooden handle * 4 straight chisels, 245-280 mm L, 10-23 mm cutting edges * 4 curved chisels, 245-320 mm L, 10-30 mm cutting edge * 2 cold chisels, 160-195 mm L * 1 steel punch, 165 mm L * 4 narrow bevelled eased chisels, 215-280 mm L, narrow cutting edges Items stored in Pittock coach builder's box, reference 13000.1.

Agfa plastic mount (blue base, white cover) of a photograph of No. 43 at corner of Sturt St and Lydiard St, on the curved track into Lydiard St. North with both poles down, front truck derailed. A policeman is walking at the back of the tram - controlling traffic. The road surface is wet. Has the Ballarat Post Office in the background. Tram has the destination of Lydiard St. North. Photo taken mid to late 1960's. Tramcar has a SEC "Everything's under control in my all electric kitchen" roof advertisement. The slide could be a copy slide, given the nature of the colour and the additional number WP410. Photographer could be Bill Pearce (WP). Slide rescanned at 3200 dpi 25-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 53 in penciltramways, trams, lydiard st north, sturt st, derailments, accidents, tram 43

Two copies of a Carbon typed copy of a technical procedure - 6 pages - "Extract from the 'Proceedings of the Electrical Association of New South Wales' session 1910 - 11" - giving advice on the location of Trolley Wire" giving the guide on how to locate trolley wire on curves and junctions, gives formulas, positioning at frogs, notes regarding various cars and trolley wire height includes notes on cross falls of track, a table of aluminium copper alloys - bending strength and failure modes. Consists of five pages with two blue print drawing. Each page has been scanned the blue print drawings reversed imaged as well. 4768.2 - blue print drawing showing references in the various formulas etc used. 4768.3 - ditto showing tracking for four wheeled and bogie cars and other diagrams for turnouts, frog locations and frog angles. BTPS Number "219". "226" in ink on left hand bottom of first pagetrams, tramways, overhead, trolley wire, points

The Hydro mixer was attached to the kitchen tap which drove the mixing paddles.Mostly made of cast iron covered with green enamel. Its base is a 20 centimetre diameter and two centimetres high and shaped to hold a bowl, there is a protrusion eight centimetres long, four centimetres wide and nine centimetres high. A hinged section is attached to the protrusion of the base, it's a curved oval shape that's four centimetres by three centimetres at its base and tappers to four centimetres by two centimetres at the top, it then widens to an eleven centimetre diameter and three centimetres high shape that is parallel to the base, the centre of it is above the centre of the base. There is a removable eleven centimetre diameter plate screwed to the top. A two centimetre diameter 60 centimetre long plastic hose with a brass fitting on the end that is flared to four centimetres is attached to the side of the circular top. A one centimetre diameter metal tube is attached underneath that has two beaters on the end of it.HYDRO MIXER PAT APP FORfood preparation, hydro mixer

This kettle was made in the 1880s.Cast iron kettle 16 centimetres diameter at its base and 18 centimeters diameter at its widest point 11 centimeters above the base, it then curves up another three centimetres where there is a ten centimetre diameter hole. A non-matching metal lid with a one and a half centimetre knob covers the hole. Three centimetres from the base of the kettle there is a two and a half centimetre diameter spout which tappers to one and a half centimetres, it's 14 centimetres long and has two bends. A handle is attached to the top of the kettle, it is two centimetres wide, it extends two centimetres straight up at both ends that are 12 centimetres apart then forms an open oval 20 centimetres wide and nine centimetres high, it's one and a half centimetres thick for 11 centimetres at the top and has groves for fingers on the under edge.K23.1kettle, cast iron