Showing 2925 items
matching sydney street
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Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH OF MRS ROSS
Faded black and white personal studio portrait of Mrs Ross no further details given / photo coming away from the card backing - gold printing at foot of photo ' Photo Eden Studios , Paris Panel superior finish , Melbourne and Sydneyphotograph, person, female, eden studio -
Stanley Athenaeum & Public Room
Functional object - Candles
Six slightly used wax candles Submarine inscription. maker Polly & Son 35 Septimus st, Erskineville, Sydney, NSW -
South West Healthcare
Cheron Uterine Dressing Forceps, 20th Century
Stainless steel scissor-like insturment with serrated ends"TURTON & SONS SHEFFIELD" "S" "MADE FOR E & AD. PTY LTD SYDNEY"gynecological instrument, uterine forceps, hemostat forceps, dr rhema price -
Moorabbin Air Museum
Souvenir (item) - Qantas Menu QF6 Rome<>Sydney Tuesday 01st April 1980 Economy Class
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Moorabbin Air Museum
Souvenir (item) - Qantas Menu QF5 Monday circa 1972 First Class Sydney<>Rome
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Moorabbin Air Museum
Souvenir (item) - Qantas Menu QF15 Sydney<> Belgrade circa 1972 Business Class
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Moorabbin Air Museum
Booklet (item) - Kings of the Clouds, Kings of the Clouds: Frank Johnson 350 George St Sydney
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Moorabbin Air Museum
Newspaper (item) - Newspaper clippings OCT/NOV 1935 Gannet twin eng aircraft, "Something Done" British Achievement 1945-1947
... Moorabbin Air Museum Moorabbin Airport 12 First Street ... -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Bruck, 1908
... Street, Sydney. This business is listed in the 1903 Register ...The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn -
Moorabbin Air Museum
Book (item), Jet Propulsion and Gas Turbines, 1948
Owned by Paul Straney, purchased in Sydney. -
Royal Australasian College of Surgeons Museum and Archives
Milton Shield, 1867
The Milton Shield was given to the College in 1968 by the eminent Sydney surgeon Conrad Blakemore (1898-1976), whose family had owned it for almost 100 years. There are three known examples of this Shield in Australia. They are electrotype reproductions made by Elkington & Co. of an original created by Léonard Morel-Ladeuil between 1864 and 1866, and exhibited in Paris at the Exposition Universelle of 1867. The original is made of silver and damascened iron, measures 880mm by 630mm, and is now in the Victoria & Albert Museum in London.There are three known examples of this Shield in Australia. They are electrotype reproductions made by Elkington & Co. of an original created by Léonard Morel-Ladeuil between 1864 and 1866, and exhibited in Paris at the Exposition Universelle of 1867. The original is made of silver and damascened iron, measures 880mm by 630mm, and is now in the Victoria & Albert Museum in London. The Shield is oval in shape, and is divided into several fields, each of which shows a different scene. The entire surface is covered in floral and animal decoration, and patterns. A cable moulding runs around the outer edge. The College’s Shield is set in a heavy timber frame bordered with red velvet and glazed.The central area is circular, depicting the archangel Raphael telling the story of the war in Heaven to Adam and Eve in the Garden of Eden. Immediately below this is the figure of the archangel Michael trampling on the defeated Satan. At the bottom of the shield are two figures representing Sin and Death. On either side of the central circle is a kidney-shaped field, the one on the left showing the army of the rebel angels assaulting Heaven, and on the right the fall of the rebel angels. At the top of the Shield are figures of cherubim and seraphim. The name of the Shield derives from the scenes on it, illustrating episodes from Paradise Lost by John Milton (1608-1674). Presented by Conrad Blackmoremilton shield, conrad blakemore, 1968 -
Royal Australasian College of Surgeons Museum and Archives
Functional object - Operating stool, circa 1950s
A special stool made to enable a disabled surgeon to operate while sitting was donated to the College by Mr John Farlow FRACS in September 2003.The stool was made for Gilbert Phillips FRACS (1904-52), the legendary Sydney neurosurgeon and wine connoisseur. Phillips was a gifted young graduate, a protégé of (Sir) Harold Dew (PRACS 1953-55). He went to England, where he became surgical assistant to (Sir) Hugh Cairns, amongst others. He was a consultant to the RAAF during WWII, and at the end of the War returned to England at Cairns’ request. Back in Sydney, he returned to Royal Prince Alfred Hospital, where he spent most of his professional career. In 1951, after a long battle with skin cancer, he had his right leg amputated below the knee. Only a few weeks later he was back working at the operating table, and it was at this time the stool was constructed for him. By now however, he was suffering from secondary melanoma, and he died in September 1952.This object is an interesting example of pioneering apparatus from the days before stools became a familiar piece of theatre equipment.The design of the stool is simple and robust. A substantial padded saddle forms the seat, which is adjustable for height. The saddle is upholstered in red leather. The frame is made from tubular steel, painted cream. The whole device runs on three swivelling casters, two at the front and one at the rear, which enable it to be taken in any direction. noneracs, gilbert phillips, harold dew, surgery, 2003 -
Royal Australasian College of Surgeons Museum and Archives
Sword + scabbard, Farquhar McCrae's sword + scabbard
Farquhar McCrae (1807-50) was born at Westbrook near Edinburgh, into a distinguished Scottish family. He was educated at the University of Edinburgh and graduated MD in 1827. After a sojourn in Paris he joined the staff of the general hospital at Chatham. Here he suffered an injury during a dissection, which impaired his health for the rest of his life. He was appointed curator of the museum at Chatham, and put together a notable collection of pathological specimens. In 1838 he sought to resign on the grounds of ill health, and was then offered a posting with the 6th (Inniskilling) Dragoons. But with his health still poor, he decided to emigrate to a kinder climate, and arrived in Melbourne aboard the barque Midlothian. McCrae set up practice in Bourke Street with his brother-in-law, David Thomas. Both were pioneers in the use of anæsthetics. McCrae was the first to introduce chloroform, Thomas ether. Sometime after 1841 McCrae moved to Sydney, where he was one of the first medical practitioners appointed to the staff of the Sydney Infirmary and Dispensary. He died in Sydney at the age of 43 years. The sword is a dress sword of the 6th Dragoons. Made by Henry Wilkinson of Pall Mall, it is 38 inches (96.5cm) long and has an elaborately engraved and highly polished steel blade. Being a ceremonial weapon, the blade is quite blunt, and the gilt guard bears the crown and monogram of Queen Victoria, which dates the sword to late 1837 or 1838. The grip is bound in snakeskin and the sword is carried in a leather scabbard with brass mounts. It remains as one of the important links to the pioneering days of Melbourne, and early medical practice in Australasia.Sword, ceremonial, steel with brass decoration and a steel handle, highly decorated, in a scabbard of patterned black leather covered metal, brass tipped, 100 cm long. It belonged to Farquhar McCrae. -
Royal Australasian College of Surgeons Museum and Archives
Radiological equipment, Stuart Morson's mechanical injector for angiography
Long term loan from Neurological Society of Australasia Museum of Neurosurgical Instruments , South Australia Catalogue with Historical Commentaries Second Edition January 2006 Copy located at RACS MuseumSTUART MORSON'S MECHANICAL INJECTOR FOR ANGIOGRAPHY. Stuart Morson(1913 - 1980) of Sydney had this injector constructed in or before 1952. It is said that it was not used much. The injector embodies two 10 ml and two 20 ml Record syringes coupled to a single delivery system. Each is operated by a piston. The pistons are driven from cylinders drilled in a metal block within the casing of the injector; the motive power must have been hydraulic or pneumatic pressure delivered through a manifold with taps allowing each syringe to be worked in isolation. The casing also contains two linked micro switches operated from a distance; it is unclear what was the role of these switches, and it is possible that a component of the unit is lost. JB Curtisl stated that a mechanical injector was devised in 1949 for serial angiography by his collaborator Schuster, but was not felt to be safe enough for use. For many years, neurosurgeons and neuroradiologists preferred to inject by hand. -
Wangaratta Historical Society
Framed Photo of William Clarke, William Clarke
The photo shows "William Clarke" who owned and operated the first commercial Punt across the Ovens River during the goldrush daysthe photograph shows "William Clarke" who was one of the first pioneers of the township of Wangaratta as it is now known. He also built one of the first hotels in Wangaratta.Brown wooden framed photograph, greyish background with silver surround around photo of William Clarke, one of Wangaratta's foundation pioneers. The wood is from the first punt. He was the owner of the first punt to cross the Ovens river, which he had built for 500 pounds. It was sunk in 1855 after the first bridge across the Ovens river was built.William Clarke1 1839 Wangaratta William Clarke 11 William Clarke 111(my father) Nell Clarke 1884-1965 William Clarke 1 Pioneer of Wangaratta Vic. 1839 This frame is made of oak from the punt he operated over the Ovens River during the goldrush days to Beechworthclarke family, punt, sydney hotel -
Moorabbin Air Museum
Document (item) - Wind Tunnel Tests On De Havilland Troop Carrying Glider D.H.G.1
By University Of Sydney Dept. Of Aeronautical Engineering by F.H.Hooke B.Sc.B.E. -
Moorabbin Air Museum
Magazine (item) - CAC vickers armstrong ltd. sydney australia russian aircraft, CAC vickers armstrong
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Benalla Art Gallery
Painting, Ethel CARRICK, Beach scene, Sydney (Manly Beach), c. 1910
Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Pamela Davies, 2005Seaside landscape with seated figure and figures on sand and in the water.Recto: Not signed; Not dated; Not titledbeachscape, figures, summer, sand, waves, umbrella, australian art -
Benalla Art Gallery
Print, Conrad MARTENS, View of Sydney. NSW, 1855
Born: London, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialBennett Bequest, 1999 Hand-coloured lithograph depicting industrial waterscape with rocky shoreline and ships and buildings in background. Black painted timber frame with off white arched window mount and gold brushed internal window edgeRecto: Not signed, not dated, not titled print, waterscape, sea, harbour, land, figures, boats, tress, sydney harbour, buildings -
Clunes Museum
Certificate, LIONS CLUB CHARTER
Framed black and white photocopy of the International Association of Lions Clubs Charter 197523rd September 1975 Members names: Bar james (President), Kenneth Brown (secretary), Peter Kent (Treasurer), Noel Allen, Donald Bartlett, Frederick Byron, Richard Clarke, Sydney Duncan, William Dunne, Alan Featherston, Barry Goldsmith, William Holmes, Allan Jackson, Peter Jackson, Ugo Lolacono, John Miller, Neil Millgate, Ian McFarlane, Peter Powell, Charles Robbins, Graham Richardson, Ronald Sheedy, Albert Steart, Kenneth Tidyman, Paul Vemer, Thomas Wickham.lions club of clunes -
Horsham Regional Art Gallery
Print, Nicholas CHEVALIER, Provident Institute, Melbourne, 1862
Gift of Mack Jost, 1983steel engraving on paper -
Horsham Regional Art Gallery
Print, Nicholas CHEVALIER, Union Bank of Australia, Melbourne, 1862
Gift of Mack Jost, 1983steel engraving on paper -
Horsham Regional Art Gallery
Print, Nicholas CHEVALIER, London Chartered Bank, Australia, 1862
Gift of Mack Jost, 1983steel engraving on paper -
Horsham Regional Art Gallery
Print, Nicholas CHEVALIER, National Bank of Australasia, Melbourne, 1862
Gift of Mack Jost, 1983steel engraving on paper -
Horsham Regional Art Gallery
Photograph, David MOORE, European migrants arriving in Sydney, 1966
Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Victorian Regional Galleries Art Foundation Trust Fund, 1990 -
St Kilda Historical Society
Photograph, Christ Church St Kilda exterior - images collection #1
Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas.colour photograph unmountedrose window, acland street, purchase, swyer, st kilda, christ church -
St Kilda Historical Society
Photograph, 26/11/1978
Image taken on a bus trip, 26 November 1978. Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas.colour photograph polaroidSKHS Bus trip 26/11/78 Christ Churchrose window, acland street, purchase, swyer, st kilda, christ church, churches -
St Kilda Historical Society
Photograph, George Hotel demitasse coffee cup - images collection, 1995
The George Hotel in St Kilda was one of the largest and most well known hotels in Victoria and the largest in Melbourne outside the city. By the late 1970s and early 1980s, renamed the Seaview in 1976, it no longer operated as a hotel and fostered Melbourne's alternative and punk music scenes. It was de-licenced and closed in 1987 and redeveloped in the mid 1990s as apartments, with bars, cafes and shops at ground level and an art gallery and cinema. On 6 January 1996, Harry Hogg, a local photographer and a member of the Save St Kilda movement, sent the photographs of the demitasse coffee cup to the new owner of The George, Donlevy Fitzpatrick. His covering letter said: 'The reason for this note is to send you copies of photographs of a fragment of a demitasse coffee cup I unearthed recently from along the light rail in Albert Park. I regret the poor quality of the prints (I was funning a test on a 1000 ASA film in low flat light) but hope the contents of the photographs may be of interest to you.'Colour photographSide of cup: George Hotel St Kilda; image of warrior on horse Base of cup: Dunn Bennet's (Gold Medal) Hotel Ware. Burslem, England. Made for: J. Leigh Jones & C Sydney.st kilda, dunn bennett, george hotel, fitzroy street, donlevy fitzpatrick -
St Kilda Historical Society
Photograph, Christ Church St Kilda exterior - images collection #2
Christ Church was constructed in 1854-57 and designed in Decorated Gothic style by Albert Purchase & Charles Swyer. It was enlarged in 1874 and 1881 to the designs of Sydney W Smith. It is one of four main buildings constructed on land granted to the Church of England in 1855 and named Church Square. The other buildings are the bishop's residence, vicarage and parish hall. Heritage Victoria describes it as a 'rare and significant square in the history of town planning in Victoria which demonstrates the importance of the church to the community'. It is built from rarely used undressed random coursed sandstone from Point King Sorrento. It is located at 14 Acland Street, St Kilda. The triangular rose window is said to have been modelled on Lichfield Cathedral and shows outstanding craftsmanship. According to Heritage Victoria, the only other known example in Victoria is at St Georges Presbyterian Church in East St Kilda, designed by the same architect, Albert Purchas. The Church has a varied collection of stained glass, including work by leading stained glass firms and artists in Victoria in the nineteenth and early twentieth century: Ferguson & Urie, William Montgomery and Brooks Robinson. The 'shipwreck window,' north west transept, is an historically significant memorial window dedicated to Miles and William Dalzell Nicholson, the second and third sons of the Hon. William Nicholson, M.L.A, a Lord Mayor of Melbourne and Premier of Victoria in the 1850s. Miles, died in England on 27 April 1874. His younger brother William died in the wreck of the ‘British Admiral’ off King Island on 23 May 1874. The images show the condition of the church at the time they were taken (c 2012). Signs of deterioration can be seen. The bell is not rung any more because of damage to the stonework.There has been some remedial work since and the National Trust of Australia conducted a heritage restoration appeal.churches, acland street, purchase, swyer, st kilda, christ church -
St Kilda Historical Society
Ephemera - Special event program, Reception to Her Royal Highness The Duchess of York
Program of a reception for the Duchess of York by the National Council of Women of Victoria on 26 April 1927 at the St Kilda Town Hall. Music by Melbourne Symphony Orchestra. In 1927, the Duke and Duchess of York, (later King George VI and Queen Elizabeth the Queen Mother) came to Australia to officiate the opening of the new Parliament House in Canberra on 9 May. They arrived in Sydney on 26 March and departed from Fremantle on 23 May. They were in Victoria on 21 - 29 April. Folded sheet of white paper, discoloured with age, printed in blue.royal visits, national council of women of victoria, duchess of york, melbourne symphony orchestra, mso