Handwritten Letters between F.J. Martell Managing Director School of Mines and J.B. CoombsTaggerty 12 May 98 F.J. Martell Esq Managing Director School of Mines Ballarat Dear Sir You would greatly oblige me by informing me, what portion of time would be required for my son to persue his studies at your school i Assaying + Metallurgy only. On receipt of your reply I will at once inform you whether I will give him another chance in the direction I have indicated. Thanking you in anticipation of your favoring me with a reply. I remain Yours sincerely J.B. Combes P.S. Also please inform me what are the fees per terms for the above-mentioned branches only. j.b. combs, ballarat school of mines, assaying, metallurgy, school fees, frederick j. martell

This product was introduced in an era where the "silky smooth" look was in vogue. From the 1920s on, American and British film stars set the tone of how clean cut (hero type) masculine look attracts the opposite sex faster and in greater quantities than the "unkempt" or natural maintained look. This look was bold and "polished" and had the intended projection that the hair matched the character of "I look after myself and have a high opinion of physical appearances". As fashion goes this slick and well maintained look has circled many times, in and out of history and in Australia in the 1950s this was a prime example. The liberation of the stereo type of both sexes occurred in the 1960s when the freedom loving "hippie culture" had a marked affect upon the city inhabitants but not so strong among rural males. Sexism was still rife in that time frame.This jar of Brylcreem was a part of the (masculine) rural scene for a longer period than that found in the larger towns and cities. The long held "men are men" and "women are women" distinction between the sexes lingered on more in rural areas because of the perceived physical differences, mainly "strength" and perceived tasks such as "men only" activities (heavy farm/mining/construction). The jar of Brylcreem maintained the respectable male look for those special occasions when males "dressed" up and looked clean physically and well behaved (to show respect to the women folk)This glass jar with a glued on,red background, label detailing the product Brylcreem (a men's) hairdressing ointment is empty of its original product. It has been contoured on each side to allow for a man's fingers to comfortably and firmly grip the jar. This form would allow even "greased up" hands to maintain control. The glass thickness is far greater than needed and also added the extra stability to the standing jar. The shape of the jar is a latent attempt to emulate the physique of a fit young man (small waist, expanded and muscled mid rift and large shoulders). The jar does not distract from viewing its contents (clear glass). It has a black gloss screw (on/off) lid made from mild grade steel. The jar holds approximately 200 grams of a thick molasses textured product. On the front red Label; in large white letters "BRYLCREEM" underneath this is in smaller silver print "THE PERFECT HAIRDRESSING" underneath this is a banner type motif with a crown at the top and a black letter "B"in the centre. Below this and in much smaller print are printed in black script "BEECHAM (AUSTRALIA) PTY. LTD. MELBOURNE VICTORIA M A Imen's deportment, toiletries, men's hair styles, physical appearances

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized check blanket, multicolourLaconia/Mexicana/Make Goodnight a Certainty/Pure Lambswool/Made in Australiawool, blanket, blanket fever, laconia, mexicana

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from.Queen sized checked blanket, red, blue, orange, yellow. An Onkaparinga 100% pure wool production. In emblem: Made in Australia. Name tag sewn below label: R M. Shiltonwool, blanket, blanket fever, onkapringa

The Hell, The Humour & The Heartbreak - A Private's view of World War I.Soft cardboard cover. White / black / gold print on front, spine & back. Orange background illustrated dark blue in silhouette showing Australian troops at Ypres. 268 cut, plain, white pages. No illustrations.book, humour, heartbreak

Legacy medallion issued to commemorate the centenary of World War I.Silver-coloured metal medallion encased in printed cardboardworld war 1, anzac centenary, legacy

Tells the story of the Western Front during World War I. 224 p., illus. (some col.), maps. Hard cover.world war i, western front

Made for lager beer in the World War I to 1920s era.Found near Plenty River in GreensboroughBrown glass bottle, 26 fluid ounce capacity. MBCV in large spade on lower part of bottle, AGM circle monogram on base.MBCV on lower part of bottle.beer bottle, mbcv bottle, world war i, glass, spade mark

Mr I. R. McCann with Giant Boletus (Fungi) c1960stawell

Part of World War I plane - red Baron aircraft.Round metal badge.EIN AUS DRUCK AB MANOMETER

The child in the photograph is Delia Murray (Mrs Jack Kenny). She was one of eight children of Herbert Cecil Murray and Evelyn Murray. Photographs of children families sitting in hollowed out pumpkins were common in the first half of the 20th century. This item is associated with a popular activity of the Orbost community in the first half of the 20th century. Pumpkins have been been paat of the district's agricultural history since settlement.A black / white photograph / postcardof a small girl sitting in a hollowed out pumpkin. It appears to have been taken outside on a verandah of a wooden house.on front - " H. M. S. Orbost" ; "Stanley Vogt, Bairnsdale" on back is a letter - "I got the plants......."pumpkins-orbost murray-delia

A most insightful touching small book of words.J.E.Purtill.has written from his heart and mind.It is obvious that he valued his place in 2/29 BAtt..8th Division and that he valued his fellow 8th Divisioners most greatlyGuests A deeply expressed account of signifigence offering insight into the heartbreak and trauma that manifests from any form of warfare.social and spiritual slgnificance.2 3 page handbook.....oblong portrait....yellowed white paper 23 pages......cardboard cover....declarations on front cover.For their pal ship which l cherished....to my dead cobbers......I dedicate this little book. U

One of a collection of 18 photographs and postcards donated by Jill YeomanBlack & White Postcard of a Koala "wearing a top hat and holding a cane""I am The Gentleman of Phillip Island" No. 83 On the back a letter from Rita to Lily & Miss Harmsworth.koala phillip island, wildlife - koalas, jill yeoman

Black and white photograph of an illustration showing Ned Kelly on trialNed Kelly in the Dock. The best likeness that I can show of him. Taken from the 'Australian News'.kelly gang, ned kelly, edward kelly, glenrowan, police murders, trial of ned kelly

One of several illustrated envelopes without letter sketched by soldier/s during the second world warCream paper envelope with sketch of a soldier standing in front of desk with officier seated behindBottom left corner - "Whats this I hear about you coming on parade without your gaters" ww2, envelope art

Marion Rosalie Mapperson, 1920-1946, was the daughter of the Mr and Mrs C Mapperson and was born in a home mission parsonage where she grew up to realise the presence and power of Jesus Christ. She became a fully-accredited local preacher then joined the staff of the Methodist Homes for Children at Cheltenham from there she began her training to be a Methodist Deaconess. Her funeral service was held at the Palmerston Street Church, Carton; it was conducted by the Warden of the Deaconess Institute, the Rev A W Pederick and Rev D W Risstrom. Marion Mapperson was buried at Fawkner Memorial Park. G135.1 and G135.2 brass conical shaped vases with a dedication engraved at the base.G137.1: "Presented by the W.H.M.L. I Memory of Marion Mapperson" G137.2: "Presented by the Deaconesses In Memory of Marion Mapperson"women's home missionary league, marion rosalie mapperson, methodist deaconess, methodist home mission

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece of cream lace used for demonstration purposesFriedrich Seidel, G. m b. H. Plaven I. V. No A11704 5 7-2handcrafts, lacemaking

Photograph of a group of seven men and an Aboriginal youth. Thought to be a local cricket clubBlack and white photograph, mounted on cardboard, of seven men, a boy and a dogOn back of photo: "The 'Bunyip' Cricket Club | Wahgunyah [Wahgunyah crossed out] | (I think they were Moodemere)"cricket team, bunyip cricket club

Timber venier chipboard shield with 19 plastic plaques denoting winners from 1964 to 1993.Trophy was for troop competition in 8/13 Victorian Mounted Rifles.The Cunningham shield presented to 'A' Squadron 3/13 VMR by Lt Col T A I Cunningham ED.trophy, 8/13 vmr

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2/177 RATHMINES RD HAW E Margaret Picken `93 WOODARDS - KEW : J-Iartist - margaret picken 1950-

The Ballarat School of Mines had a Cyanide Plant on site. Handwritten letter asking for employment at the Ballarat School of Mines Cyanide PlantHandwrittem "46 Sebastopol St Ballarat 16th Mch 88 Dear Sir I beg to ask if you have an opening for a steady man in connection with the Cyanide Plant as I am desirous of obtaining employment. I have had to give up the waggon as there was nothing in it to keep a house running. If you can assist me at the present time by giving me work you will greatly oblige. I remian Yours [Gosphy?] Wm Baker To F.J. Martell esq School of Mines Ballarat" Written and circled in red ink "160".ballarat school of mines, mining laboratory, laboratory, cyanide, cyanide plant, william baker, fred martell, martell, f.j. martell

Christmas Greeting sent by seafarers who previously visited the Mission to Seafarers circa 2000 - 2015A4 colour laser print of several collaged images with messageI enjoyed your warm smile but time has come to say goodbye to you and this beautiful place . Again I am in my homeland with wild elephants , white sand and my family enjoying the beusty of pearl in the Indian ocean and its [sic] Sri Lanka. So if I forgot to say GOOD BYE because I dont like that word. Hope we will meet each other Oneday [sic] cuz this world is small . Enjoy the summer!!! Wish you a merry Christmas ! AND God Bless You!!! / MERRY CHRISTMAScrew 717, flinders street, mission to seafarers, christmas, elephant, sri lanka, indian ocean

Note from collector: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Waverley 'El Rio' Multicoloured checked Double sized blanketEl Rio Blanket/By Waverley/Pure Woolblankets, blanket fever, wool, el rio, waverley, launceston

Small head and shoulder portrait of a man. He is wearing a jacket, shirt and a flat sort of tie. Printed at the bottom of the portrait is: - T. De Witt Tolmage. Christian Herald. Copyright. 2 Ivy Lane, E. C. Printed on the back is: - London, June 12th, 1879. I heartily commend to the public the 'Christian Herald,' as containing an accurate report of my Sermons, and a great deal of interesting, instructive and evangelical matter. I shall be glad to hear of its large circulation still further increasing. T. De Witt Tolmage.photograph, portrait, male, t. be with tolmage, christian herald