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Bendigo Military Museum
Document - DISTINGUISHED FLYING CROSS CITATION
The document was sent to F.G. Davey and featured the citation for his DFC. Part of the F.G. Davey Collection. See catalogue no. 3536 P for details of his service record.Single page document on cream coloured paper with text in black type. Details of the recipients rank, service number and home address are included along with the citation.Handwritten signature in black ink.distinguished flying cross, f.g. davey, medal citation -
Eltham District Historical Society Inc
Folder, Pioneers & Painters; Shire of Eltham Historical Society research notes, background information, etc, 1969-1986
Material pertaining to the production of a history of the Shire of Eltham, "Pioneers & Painters: One Hundred Years of Eltham and its Shire" in recognition of the shire's centenary in 1971 Item Title Caption 04768-1 Newspaper clipping - The Eltham of 1905; Gellibrand our first white visitor? Diamond Valley News, 24 June 1969, p5 04768-2 Newspaper clipping - The Eltham of 1905; Gellibrand our first white visitor? Heidelberger, 25 June 1969 04768-3 Notes on Eltham District Road Board Members 1866-1871 04768-4 Notes on Eltham District Road Board Members 1866-1871 04768-5 Map showing Gellibrand's likely route through district 12-13 February 1836 and Hoddles's route of Febrary 1838 04768-6 Notes by Shire Secretary, M.B. Watson regarding meeting with Reverend Longfield regarding history of St Margaret's Church 04768-7 Alan Marshall's notes from discussion with Mr. F. Barrett regarding SEPP images 611, 635 and 636 SEPP_0611 SEPP_0635 SEPP_0636 04768-8 Transcripts of letter from local residents to Charles Joseph Latrobe requesting a bridge over the Plenty River dated 10 April 1849 and his reply dated 5 May 1849; from Latrobe Library Archives - Land Branch Records 04768-9 Notes on history of Eltham Shire, Centenary events and publication of Pioneers & Painters for release in conjunction of opening of new Library 04768-10 Newspaper clipping - Glossy record of shire's romantic past and the people who made it by Fab Calafuri, Diamond Valley News, Tuesday, December 16, 1986, p18 SEPP_0755-3 Letter: Acknowledgement from Colin J. Bock, Eltham Shire Secretary to A.R. Thomas of Bendigo for copy of 1913 photograph of Shire of Eltham Councilors, 21 May 1973 A.R. Thomas' father Mr. A.G. Thomas, C.E., was the Shire Secretary at the time in 1913. Cross Ref: SEPP_0755 The idea to develop a book on the history of the Shire of Eltham to be edited by noted author, Alan Marshall in celebration of the shire's centenary was initiated in 1969. The Shire of Eltham Historical Society undertook significant research in conjunction with Alan Marshall locating material at various institutions and other societies; interviewing longer term residents and a public campaign through the local press to acquire photographic material for duplication and use in the book. The public campaign received generous response and the material collected became the genesis for the Shire of Eltham Pioneers Photograph collection now held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library).Paper documents of various sizes and newspaper clippingsa.g. thomas, a.r. thomas, alan marshall, bridge road, charles joseph latrobe, council members, d.w. lachlan, eltham district road board, eltham shire council, ernie orford, f. barrett, francis rogerson, g. bransprone, james donaldson, james johnston, john bell, john thomson, joseph tice gellibrand, lower plenty bridge, m.b. watson, main road, map, patrick turnbull, peter morris, pioneers and painters, post office, rev. longfield, sepp, shire of eltham pioneers photograph collection, shire secretary, st margaret's church, thomas armstrong, thomas bell, thomas sweeney, william bell (1796-1870), centenary celebrations, christmas hills, clifton pugh, david newbury, dudley street, eltham, gareth jones roberts, hurstbridge, john perceval, joy peck, kangaroo ground, kinglake, lower plenty, luther haley general store, montmorency, neil douglas, panton hill, peter glass, research (vic.), sheila ferguson, shire of eltham, st andrews, yarra glen -
Melbourne Tram Museum
Document, Transit Research Corporation of New York, "Specifications for PCC Car", 1950
Document produced by the Transit Research Corporation of New York, details the specifications for the Presidents Conference Committee (PCC) for a streetcar or tram for American cities. The MMTB researched this type of tramcar for use in Melbourne, taking out a licence for their production. This document dated 1/4/1947 with revision to 1/6/1950 would have been part of the licence agreement. Unfortunately, there were insufficient funds to build this type of tramcar. Only tram 980 which was based on a modified W6 class body was fitted with PCC equipment, later transferred to prototype PCC tram 101. See reference.Yields information about the technical specification for US PCC tramcars.Document - bound with card covers, approx 300 printed pages including folded drawings held by an Arnos type steel binding clip,On the spine with a green/white label "Specifications for PCC Car"tramways, tramcars, pcc, new trams, tramcar specifications -
Melbourne Legacy
Booklet, Junior Legacy, Melbourne. Memorandum and Articles of Association, 1952
This document has been published with the Certificate of Incorporation under the Companies Act 1938 limiting the Company by Guarantee. The Special Licence grants dispensation for the use of the word "Limited". The Special Licence was granted by the Victorian State Attorney General T.W. Mitchell whose father-in-law was Harry Chauvel (led the calvary charge at Beersheba during World war 1). This document records the legal status of 'Junior Legacy, Melbourne' in 1952. Melbourne Legacy has had name changes over the years. In September 1952 Junior Legacy Melbourne was incorporated. Under the provisions of the Companies Act 1938, it was registered as a company with limited liability without the need for 'limited' in its' name (see page 1). Two other copies are at 00317 and 01490.Signifies that Junior Legacy Melbourne was incorporated under the Companies Act 1938 and the special licence granted to Junior Legacy, Melbourne meant that Junior Legacy Melbourne did not have to use the word "Limited" upon condition that the terms of the Memorandum and Articles of Association submitted to and cerified by the Attorney General are strictly followed. A record of a former entity of Melbourne Legacy. The incorporation was under the companies act 1938.White paper booklet with black type x 12 pages which documents the offical incorporation of 'Junior Legacy, Melbourne'.Page five, section 3c has been crossed out (black biro) except the first sentence. Page seven, item 4 - the words five hundred have been crossed out and the figure 1000 inserted (black biro). Front cover, stamp, (AV SMYTHE) EXECUTIVE ASSISTANT.history, regulations -
Orbost & District Historical Society
maps, early 1900s
... maps ...796.1 - Crown Land Sale by auction in the township of Mallacoota on Wednesday January 1920 at 2pm. 796.2 - Snowy River farms , 630 acres of river flat land at Orbost on Wednesday April 28, 1909 at 2.30pm. 796.3 - Famous Orbost Flats - "Important Sale of Snowy River Land" , 900 acres subdivided into 13 choice farms on Wednesday 1st December 1920 at 2.30pm. 796.4 - "Second Great Sale in James' Subdivision", adjoining town of Orbost on 16th May, 1919 at 2pm. 796.5 - "Subdivisional Sale Brooklands Estate", 5 rich Snowy River farms on Wednesday 23rd February at 2.30 at Orbost on account of James Hossack Esq. 796.6 - "Subdivisional sale of Splendid Residence Sites and Handy Small Paddocks" adjoining the progressive town of Orbost on 5th March 1915 at 11am at the rooms of H.James & Co. 796.7 - This is a contract drawing on waxed paper. Crossing near Harbecks Cunninghame Signed and traced N. Anderson 17/11/00. 796.8 - A plan and specification on waxed paper. Shire of Orbost Cunninghame Road - signed by the shire engineer. 796.9 - This is a hand drawn map of Orbost Cunninghame Road, November 1896. 796.10 - This is a hand drawn cross-section of a culvert on the Orbost Cunninghame Road. 796.11 - This is a plan of a culvert on Tabbara Road, 13th January 1899 796.12 - This is a poster for an "Important Subdivisional Sale' for land near Orbost Bridge, on Wednesday 16th March 1921 at the rooms of H. James & Co. These documents are an important part of Orbost history in that they show how the town and surrounding areas were subdivided for farming and residential settlement.A set of twelve maps, plans and land sale posters .orbost-land-1900s maps posters h.james -
Ballarat Tramway Museum
Map, Electric Supply Co. of Vic (ESCo), Ballarat Electoral Map - ESCo, 1900
Document prepared by the Electric Supply Co of Victoria, as part of an order under the Electric Light and Power Act 1896, section 5 of order No. 17 granted to company. Dated 19/2/1901 and signed by the Postmaster-General. Shows the order area being parts of the City of Ballaarat, Sebastopol and Ballarat East. Shows the street names, boundaries, principal power line routes, land reserves, parks, mine locations, railways and Lake Wendouree. Signed by R L Williams Town Clerk City of Ballarat, J R Hall for the Borough of Sebastopol, and John Gent for the Town of Ballarat EastYields information about the power supply to the Ballarat area.Cloth backed paper map, coloured and marked up as exhibit 17.Notes in ink including the signature of Benjamin Deakin 24/9/00 and certified by the three involved municipal Town Clerks.ballarat power supply, esco, electric supply co of victoria, city of ballaarat, east ballarat, sebastopol, orders, power lines, power supply -
Melbourne Tram Museum
Drawing, Melbourne & Metropolitan Tramways Board (MMTB), "Route Map showing location of special work and pole numbers" "substations", late 1942
Map of the system shown at two inches = 1 mile. Drawing No. P5799. Shows crossovers, track layouts at junctions, signal cabins roads, railways, and stations. Originally signed by Perway Engineer - 20/12/1940, though originally drawn in 1922. The plan shows the lines to Maribyrnong Munitions works along Cordite Ave and Wests Road and the track from Moonee Ponds to Union Road, opened in July 1941, and the extension to Essendon Airport built in 1942, but not the Queen St North Essendon substation. Shows underground cables, tram and bus depot, workshop locations, and substation locations and their priority.Yields information about the MMTB substation locations in 1942.Drawing - dyeline cloth backed print - titled - "Route Map showing location of special work and pole numbers" and subtitled - "Substations". trams, tramways, mmtb, trackwork, tramways, junction, map, world war 2, substation -
City of Kingston
Map - Parish of Moorabbin
Warning: This object includes historical language referring to First Nations Peoples which is no longer appropriate but has been recorded for historical purposes. Produced in 1853, this map shows the land holdings of European families. While the majority of holdings are small there are also large land holdings as can be seen with Henry Dendy's Special Survey. Of particular note is the "Reserve for Aborigines" which was established in approximately 1841 and consisted of over 830 acres. This area is the current location of Mordialloc township and Attenborough Park, in Mordialloc, is the last remnant of the reserve. An Alfred Sikes, possibly the surveyor/cartographer who drew this parish plan, purchased land in Berwick in 1854.A handrawn map on fabric, with blue markings representing the coastline to Port Phillip Bay, red markings representing a proposed train line to Mordialloc, major roads and street, as well as a "Reserve for Aborigines", which constituted approximately 830 acres. In the bottom right hand corner, the map has been signed and dated.Handwritten in ink: Alfred Sikes / 38 Collins St East / June. 1853moorabbin, mordialloc, dendy, port phillip bay, aboriginal reserve, attenborough park -
B-24 Liberator Memorial Restoration Australia Inc
Suitcase from Mason Day Frecker, 1930s
Suitcase issued to aircraft captains or crew by RAAF during World War II. The contents of M D Frecker's suitcase include World War II medals awarded to the owner, photographs, maps, pilots' handbooks, language dictionaries (Malay, Pidgin, Japanese), propaganda leaflets dropped by Japanese.Has historical and social significance, also research significance. Provenance known, owner piloted B-24 Liberator bombers and General Blamey's personal aircraft; item was donated by son. Great interpretive potential.Worn dark suitcase belonging to Mason Day Frekker, strong cardboard covered with 'leatherette', metal fasteners on front, with carry handle. Suitcase contains Flying Log Book RAAF, Wedding Photo, National Archives Record Search Mason Day Frecker, Distinguished Flying Medal Register WW2 x 3, Papers on Medals and Victorian Ground Crew Numbers, Files 1 - 2 - 3 - Photographs, Leaflets, Pilots' Notes, Maps - Germany (28 maps), Buttons and badges and other medals."RAAF/402653/Frecker/M.D." on top surface, "M.D.F." on front surface under handle.b24 liberator bomber, world war ii, raaf pilot, world war ii aerial photographs, a22.00 -
Bendigo Historical Society Inc.
Map - Bush Fire Control Map Bendigo District
A Bush Fire Control map is a valuable tool used by emergency services and communities to respond to respond to bushfires.Cream coloured parchment map showing roads, railway lines, telephone lines, rivers, creeks and water courses. Also marked are houses, Post Offices, Police stations, bush fire brigades, water channels, swamps, marshes, dense, medium and scattered timber, aqueducts and reservoirs. Villages, districts and Towns are clearly marked. Printed in red, green, black and blue. Very clear and easy to read. Undated.bush fires, bendigo area map -
Kew Historical Society Inc
Book, Geoffrey W Leeper, Introducing Victoria, 1955
Melbourne : Australian and New Zealand Association for the Advancement of Science ; Carlton, Vic. : Melbourne University Press, 1955 x, 306 p., 32 p. of plates (some col.) : ill., col. maps ; 22 cm. non-fictionvictoria -- history, victoria -- description and travel, victoria -- natural resources -
Ringwood and District Historical Society
Document, Certificate of Title - Mary Burchett, Lilydale Road, Ringwood - part of Crown Section 20, Parish of Warrandyte, County of Evelyn - 5th July, 1911
A4 copies of Landata Victoria Historical Search documents - Vol 3520 Fol 703990.Mary Burchett of Ringwood, Married Woman, is now the proprietor of an Estate in Fee-simple subject to the Encumbrances notified hereunder ... 50 acres 1 rood 32 perches or thereabouts, being lots 1 and 10 on plan of subdivision no.4315. Subdivision map includes un-named roads - western side is Wonga Road (later Warranwood Road), and eastern side is Grandview Grove (later Bemboka Road), both north of Plymouth Road, Ringwood, Vic. Title transferred to Theodore Hartley Burchett, 27th July, 1911. Encumbrance comment "Special railway condition contained in Grant to Francis Cooke." -
Bendigo Historical Society Inc.
Map - HUNTLY ? (NO NAME ON PLAN), Circa 1876
Map: Huntly?. Hand Draughted parish plan. Originally in Map Cupboard. Relocated to Map Drawer 5 on 22.9.22. Too long for the map cupboard.map, bendigo, parish plan, huntly -
Ringwood and District Historical Society
Map, Plan of Country Lands in the Parishes of Nunawading Ringwood and Scoresby - circa 1855
Blueprint copy of Survey Map detailing original Selectors' names and property locations. List of Parish map references including property bearings, distances in Links, and markings on trees. Descriptive remarks include areas marked "Farmer's Common", "Poor soil thickly/moderately timbered with stringy bark", and location of water and firewood reserves."Surveyed and plotted by N.M. Bickford, Superintendant of Mr. Hodgkinson's Field Party". "The land comprised in this survey is of inferior quality, moderately undulating, and thickly wooded. It is watered by Dandenong Creek and Deep Creek." Inset map showing location of (*proposed) cemetery on southern corner of Lillydale Road from Melbourne and Sawmill Road, later Mount Dandenong Road. (*Cemetery did not eventuate.) -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: INDENTURE, GOLD MINING LEASE CROWN AND RONALD ALEXANDER RANKIN, BENDIGO, 24th June 1941
6 page document, Gold Mining Lease 11166, plus map. Indenture between Crown (King George VI) and Ronald Alexander Rankin of Bendigo, dated 24th June, 1941. Map No. 11166 Bendigo, Mining District of Bendigo, Parish of Sandhurst, County of Bendigo. Map shows lease 11166 marked in yellow with shaft, ore bins and tramway marked. Belle Vue Road , Adam Street and Griston Street shown on map. ( Golden Gully area) Dams indicated on lease holdings. Other lease holdings: 1675 T.L.9858, 10990, 11013, 11062, 11165, 11063 (void) 1172 W.R. (dam thereon) 9882 (void). Some residential lots marked along Belle Vue Road, and Adam Street. On bottom of map 21.8.41 in pencil. On last page of document : North Deborah Mining Company now the proprietor of the within described estate by transfer registered on 11th November 1914.bendigo, mining, north deborah lease, belle vue road, adams street, griston street, golden gully, ronald alexander rankin, north deborah mine. -
Bendigo Historical Society Inc.
Document - BENDIGO CEMETERIES COLLECTION: SELF GUIDED TOUR NO. 7 DOCUMENT
Green trifold document: Self Guided Tour No. 7 of the Bendigo Cemetery, friends of the Bendigo Cemeteries 2002 - 2003. Theme is tombstones erected not by family but by public subscriptions or through societies. Numbered map showing described grave sites.Friends of Bendigo Cemeteries 2002bendigo, cemetery, bendigo cemetery tour -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: CHRISTMAS LEASE DOCUMENTS, 1941
Documents: folder contains - 'Consent to the Inclusion of Certain Lands in a Mining Lease', forms for Lease No. 11106, Map of No. 11106, List of land owners re: Lease 11106, Blank consent forms, Lease 11106 was below the 400foot level.MCCOLL RANKIN AND STANSISTREETorganization, business, gold mining, mccoll rankin and stansistreet, christmas gold mine. -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: NORTH VIRGINIA GMC N L - TITLE DEED, 22/8/1950
Document. Coarse cream coloured paper typed but with hand written dates. Assistant Registrar of Titles. Made out to North Virginia Gold Mining Co. Has 2 maps. No 11261 Bendigo. Vol 331 Fol 36452McColl, Rankin & Stanistreetorganization, business, north virginia gmc n l, mccoll, rankin & stanistreet, north virginia gmc n l, gold mining, title deed -
Clunes Museum
Map - MAPS/ DOCUMENTS, CIRCA 1857
COLLECTION OF DOCUMENTS (COPIES OF10 MAPS AND DIAGRAMS OF TOURAAL PURCHASED UNDER PREEMPTIVE RIGHT BY DONALD CAMEROM 17TH FEBRUARY, 1857. COUNTY OF TALBOT - GOLDFIELD'S SURVEY PLAN NO.1 CLUNES COUNTY OF TALBOT. GLENDONALD - CRESWICK/CLUNES.local history, mining -
Phillip Island and District Historical Society Inc.
Book, LOVE, Don, Shipwrecks on the South Gippsland Coast, 2005
Maps on endpapers. Includes bibliographical references and indexes.shipwrecks, victoria, south gippsland, history -
Glenelg Shire Council Cultural Collection
Plan - Town Plan - Cape Bridgewater, 02/04/1992
Black and white photocopy of an old plan of a subdivision at Cape Bridgewater. Two halves joined together with sellotape. Black texta numbers on some of the lots 1 - 28Front: 'OLD MAP' handwritten, top edgeplan, town planning, cape bridgewater -
Ringwood and District Historical Society
Photograph, Land sale brochure map of Ringwood's early main central area around Mount Dandenong Road - c.1880s
Catalogue card reads, 'Map of Ringwood East'. -
Port Melbourne Historical & Preservation Society
Card - Binder, Piers Festival, Polly Woodside Maritime Museum, c. 1990
These migrant ship cards were used loose by the former Maritime Museum (Polly Woodside), and donated to PMHPS by A Gibson, National Trust Victoria, bound in January 2013 for use in the PMHPS display on migrant ships in Princes Pier GatehouseOne of three sets of laminated information cards, punched and roughly bound into a book for information display at "Piers festival". (.01) - "Angelina Lauro" to "Esperance Bay" (.02) - "Fairsea" to "Moreton Bay" (.03) - "Northern Star" to "Stathmore"The backs of the cards are pasted with sections of nautical maps.transport - shipping, immigration, celebrations fetes and exhibitions, angelina lauro, arcadia, australis, canberra, captain cook, captain hobson, castel felice, chusan, dominion monarch, ellinis, esperance bay, fairsea, fairstar, fairsky, galileo galilei, suglielmo marconi, himilaya, iberia, johan van olden barnevelt, largs bay, maasdam, mariposa, moreton bay, northern star, orion, oriana, oronsay, ormonde, orsova, otranto, patris, roma, southern cross, stathaird, statheden, stathmore -
Robin Boyd Foundation
Book, Laurens van der Post, Journey Into Russia, 1964
Hardcover w/ Dust Jacket(Apart from the map that was already part of the book)walsh st library -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology -
Victorian Aboriginal Corporation for Languages
Book, Various Artists, Deadly expressions : profiling contemporary and traditional Aboriginal art from South Eastern Australia, 2004
Curator: Esmai Manahan. Third exhibition in a series titled "Tribal expressions", held in Melbourne, 2004. Includes bibliographical references. colour photographs, b&w photographs, mapsart, arts, victoria, koori, koorie, gallery, exhibition, arts victoria, melbourne, artists -
Victorian Aboriginal Corporation for Languages
Book, Somesh Kumar, Methods for community participation : a complete guide for practitioners, 2002
A manual for participatory development.maps, b&w illustrations, tables, chartscommunity development, rural development -
Victorian Aboriginal Corporation for Languages
Book, Bruce Pascoe, The little red yellow black book : an introduction to Indigenous Australia, 2008
The Little Red Yellow Black Book is an accessible and highly illustrated pocket-sized guide. It's an invaluable introduction to Australia's rich Aboriginal and Torres Strait Islander histories and culture. It takes a non-chronological approach and is written from an Indigenous viewpoint. The themes that emerge are the importance of identity, and adaptation and continuity. If you want to read stories the media don't tell you, mini-essays on famous as well as everyday individuals and organisations will provide insights into a range of Australian Indigenous experiences.maps, b&w photographs, colour photographsindigenous history, culture, art, sport, health, education, employment, reconciliation, resistance, governance -
Victorian Aboriginal Corporation for Languages
Book, Edgar Morrison, A successful failure, a trilogy : the Aborigines and early settlers, 2002
Tells of the Aboriginal Protectorate System in Colonial Victoria during the period 1838 to 1852. The system was designed to be a buffer between the original inhabitants and the influx of white squatters. That the system failed is of little wonder. This story traces the times of Edward Stone Parker, Assistant Aboriginal Protector in the Loddon region of Victoria.maps, b&w photograph, colour photographs -
Victorian Aboriginal Corporation for Languages
Book, John Morgan, The life and adventures of William Buckley, 1996
Early (1852) biography of William Buckley, with introduction and notes by Roland Schicht (1996).maps, b&w illustrations, colour illustrationsport phillip bay, yarra river, william buckley