Colour patch identifies the hat as belonging to a member of the 26th Light Horse (Machine Gun) Regiment, a CMF (militia) regiment raised around Geelong and western Victoria c.1939. First tasked with coastal defence in south-western Victoria and later Western Australia.rare example of headgear of a CMF regiment from Victoria mobilised for defence of mainland Australia during World War Two.Khaki slouch hat with colour patch on puggaree and rising Sun badge on turned up brim.Stamped inside band: V553 / 6 7/8 / 1942military, slouch hat, light horse, machine gun, world, world war two, wwii, cmf

Gordon Clarke O.A.M. (owner of 'Linton Park') opened Linton Park's garden to the public in conjunction with the Linton Fire Brigade Auxiliary, to raise money for a new fire engine for Linton. The Auxiliary ran stalls, lunches, competitions. Gordon donated all gate takings.1 of 3 colour photos at Open Day Linton Park. Gordon Clarke in red and white striped hat."Gordon Clarke 11-89".gordon clarke, linton park

Peter’s Project is an organization set up to raise funds for a Regional Cancer Care Centre in Warrnambool and to manage the Centre after it is built. The project was initially set up by Vicki Jellie in memory of her husband, Peter, who died of cancer some years earlier. The main aim was to build a centre for the treatment of cancer in Warrnambool so that many cancer sufferers did not have to go to Geelong or Melbourne for treatment. Government and local Council funds have been obtained for the project with the general public contributing to an appeal to raise $5 million. This target has been reached. The building is currently being erected. This invitation to the Official Launch of the appeal was sent to Bill Phillpot who was the Director of the appeal. This invitation is of some interest as it indicates the launch of the public appeal for funds for Peter’s Project and it is a great example of one person commencing a community campaign which was very successful and will have far-reaching results. This is a single-sheet card sent to Bill Phillpot by the Directors and Committee of Peter’s Project Ltd and the Premier of Victoria, Dr Denis Napthine. It is an invitation to attend the launch of the public appeal towards the building of a Cancer Care Centre. The card has blue printed material on a white background with the logo of Peter’s Project at the top left hand corner.peter’s project, warrnambool regional cancer care centre

In this photograph are : L -R Margory Smith, Margaret Vincent, Michael Pardew, Rob Young and George Thomas. Orbost Apex Club donated $1,800 to the Orbost Continuing Care Appeal (now Lochiel House). The money had been raised at a successful New Year's Eve Ball. Margory Smith and Margaret Vincent, Acting President, were the O.C.C.A representatives. Michael Pardew was the co-ordinator of the New Year's Eve Ball, Rob Young was the Apex President and George Thomas was the Apex Social Director. Apex clubs were made up of volunteers who "raise awareness about social justice issues, assist the needy in a practical way and contribute resources to causes" (ref Apex website) The Apex Club of Orbost was a volunteer service club which contributed to the Orbost community. A declining population has led to the demise of many social groups in the area.A black / white photograph of two women and three men standing in front of a wall. The men are wearing wearing long - sleeved tops with a triangular shaped logo at the top left shoulder,on back -a list of namesorbost-clubs apex-club-orbost service-club

The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops. The regiment was raised as 13th Light Horse (Gippsland), a Citizen Forces unit following WWI, and trained as a cavalry regiment till August 1940, when it converted from horse to mechanised initially as 13th Motor Regiment then 13th Armoured Regiment. It trained in Victoria and, as the Japanese threat to the mainland declined, was disbanded in October 1943 with men going to other units. Good study of pre-WWII light horseman in regional Victoria.Black and white photograph of mounted light horseman with second light horseman standing behind horse. Second horse to side.Pte Valentine Reginald Allison / 13th Gippsland Light Horse / Leongatha Showgrounds / c.1938 / (Grandfather of Cpl S Mather / Tng Sgt, 2001)military, militia, cmf, gippsland, leongatha, allison

In the middle of the 1950s a project was launched to appoint a chaplain to Ballarat's three technical school - Ballarat Junior Technical School, Ballarat Girls' Technical School and Ballarat North Technical School. A Committee was formed at a public meeting on 13 March 1957 - Ballarat Technical Schools Chaplaincy Committee. They needed to raise 1250 Pounds from contributions raised by the schools This was the required amount to pay the annual salary for a chaplain. Response was excellent and in December 1957 a cheque for 1266 Pounds, 4 Shillings and 5 Pence was sent to The Council for Christian Education in Schools. On 28 May 1958, Rev Norman Lee was commissioned as the Chaplain of the Ballarat Technical Schools at a service in the Civic Hall, conducted by the Very Rev, Sir Francis Rolland, with the Director, Major-General A H Ramsay, representing the Education Department. Working over three schools and the need for the Committee to raise 1200 Pounds each year, put a lot of pressure on resources. In 1960 Rev Lee transferred to Nhill and the students of the Central Technical School began attending weekly religious services at the nearby Weslyan Church - now Ballarat Central Uniting Church. .1) School exercise book - graph and lined pages - dated 1957 and 1958. .2) Two (2) individual cards for "Ballarat Technical Schools Chaplaincy Fund" donations - dated 1959. .3) Nine (9) Council for Christian Education in School Receipts addressed to Ballarat Technical Schools Committee - dated 1960. .4) Seven (7) Ballarat Technical Schools Chaplaincy Committee receipts - dated 1959 .5) Six (6) receipts to Ballarat Junior Technical School for funds from The Ballarat Technical School Chaplaincy Committee - dated 1958 .6) Five (5) receipts to Ballarat Junior Technical School for funds from The Ballarat Technical School Chaplaincy Committee - dated 1959 Receipts signed ? Ferguson - Hon. Treasurer of The Ballarat Technical Schools Chaplaincy Committeeballarat junior technical school, ballarat girl's junior technical school, ballarat north junior technical school, chaplain, chaplaincy committee, pounds, shillings, pence, council for christian education in schools, rev. norman lee, very rev, sir francis rolland, major-general ramsay, uniting church, religious services, 1957, 1958, 1959, 1960, weslyan church

Saara Lamberg, a Briar Hill local and filmmaker is hoping to raise enough funds to create her film "Innuendo" which won a bronze award at the Beverley Hills Screenplay Contest. She would like to film in the Diamond Valley and is working with chainsaw artist Leigh Conkie.News article, 2 pages, text and colour images.saara lamberg, leigh conkie, innuendo, film making

The photograph was taken on Easter Monday 1916 at the Easter Carnival. It is showing one of the exhibits at the Australian Natives Association's Fruit and Vegetable Exhibit, at the Mentone Recreation Ground. The Easter Carnival was a fund-raising event to assist and repatriate wounded WW1 soldiers returning home. The photographer is unknown.Black and white photograph. The photograph is showing two men, a horse and a carriage. One of the men is holding on to the horses' harness and the other man in standing on a platform on the carriage holding the horses' reign. The horse is harnessed to the carriage containing various fruits and vegetables elaborately displayed. Much of the fruit and vegetables are seen in boxes along the carriage and others are hanging along the edge of the carriage. Some of the fruit and vegetable clearly able to be seen are pumpkin, parsnip, carrots, cabbage, cauliflower, turnip, grapes, various types of apples, oranges and lemons. There are also flowers meticulously arranged around the frame of the carriage and wheels. Front; A.N.A Exhibit / Easter Carnival - 1916 Back; Donated by / W.A.Follett / Heatherton ( written in ink ) Easter Monday CCarnival / at Mentone Recreation Ground / 1916 A.N.A ( written in pencil)easter carnival, 1916, photograph, australian natives association, fund-raising, world war i, ww1, mr w.a follett - heatherton, fruit, vegetable, mentone, mentone recreation ground

Official opening of the Lake Bolac Memorial Hall on Friday 9th June, 1922. Depicted is the Queen Carnival, held to raise funds. Shown are Queen Doris Cameron (Quin) and her attendants. To immediate left of the Queen is Isabel MacKenzie (who later married Stanley Moreton).mackenzie

An historical account of the beginnings of Legacy. The booklet describes the difficulties of taking an idea through to funding, raising awareness and attracting like minded people to the idea. The booklet is an extract, chapter three and a lead in from chapter two of the biography of Legatee Stan Savige, the founder of Melbourne Legacy.Significant in that the booklet reminds the reader of the difficulties of establishing a charity and taking the idea from a thought, to funding and recruiting like minded people to develop the idea.Printed paperback book with blue cover and white pages and black type.LEGACY. ITS ORIGINS AND EARLY DEVELOPMENT (176 pages) An extract from THERE GOES A MAN. The biography of Lieutenant-General Sir Stanley Stavige, K.B.E., C.B, D.S.O., M.C.E.D. (First published by Longmans, 1959) Reprinted for Legacy's Diamond Jubilee, 1983stan savige, savige book, biography

An historical account of the beginnings of Legacy. The booklet describes the difficulties of taking an idea through to funding, raising awareness and attracting like minded people to the idea. The booklet is an extract, chapter three and a lead in from chapter two of the biography of Legatee Stan Savige, the founder of Melbourne Legacy.Significant in that the booklet reminds the reader of the difficulties of establishing a charity and taking the idea from a thought, to funding and recruiting like minded people to develop the idea. Significant in that this publication has been printed three times.Printed paperback book with blue cover and white pages and black type and pdf of the contents.Front cover. LEGACY / ITS ORIGINS AND EARLY DEVELOPMENT An extract from There Goes A Man by W.B. Russell. The biography of Lieutenant-General Sir Stanley Savige, K.B.E., C.B.,D.S.O., M.C.E.D. First published by Longmans, 1959 Reprinted for Legacy’s Diamond Jubilee, 1983 Reprinted for Legacy’s 75th Anniversary, 1998savige book, stan savige

A leaflet produced to raise awareness of white canes. On the front a man's hand holds a white cane. Inside the leaflet reads "Bear in mind the white cane is a symbol of the visually handicapped" and was produced by the White Cane Committee, 247 Vulture Street, South Brisbane, Q, 4101.1 page with illustration of white caneIllustration of a hand holding a white cane on the front pagewhite cane day, advertising

An historical account of the beginnings of Legacy. The booklet describes the difficulties of taking an idea through to funding, raising awareness and attracting like minded people to the idea. The booklet is an extract, chapter three and a lead in from chapter two of the biography of Legatee Stan Savige, the founder of Melbourne Legacy.Significant in that the booklet reminds the reader of the difficulties of establishing a charity and taking the idea from a thought, to funding and recruiting like minded people to develop the idea. Significant in that this publication has been printed three times.PDF of a printed paperback book with blue cover and white pages and black type and pdf of the contents.Front cover. LEGACY / ITS ORIGINS AND EARLY DEVELOPMENT An extract from There Goes A Man by W.B. Russell. The biography of Lieutenant-General Sir Stanley Savige, K.B.E., C.B.,D.S.O., M.C.E.D. First published by Longmans, 1959 Reprinted for Legacy’s Diamond Jubilee, 1983 Reprinted for Legacy’s 75th Anniversary, 1998savige book, stan savige

Earthenware is lightly fired, readily absorbs water if not glazed, and does not allow light to pass through it. Coarse earthenware is made from clay and grog (ground up fired pot). There are two main types of glazed earthenware: One is covered with a transparent lead glaze; when the earthenware body to which this glaze is applied has a cream colour, the product is called creamware. The second type, covered with an opaque white .in glaze, is variously called tin-enamelled, or tin-glazed, earthenware, majolica, faience, or delft. G&S marking could be Grove & Stark, Longton, England (1871-1884). In the 19th century, J. & G. Meakin ,1851 based in Hanley, Stoke-on-Trent, Staffordshire, was known for the vast quantities of cheap ironstone china it produced for the domestic English market and for export to Australia, Canada, New Zealand and the United States. Grove & Stark were taken over by Meakin early 20thC The Mark could also be Gibson & Sons (Ltd), were notably manufacturers of earthenware Burslem, Stoke-on-Trent. Founded around 1885 and traded until the mid 1970's. They were previously Gibson, Sudlow & Co. Manufactured between 1885 to 1905. Small earthen-ware, black-glazed tea-pot. 8 sided. The body of the tea-pot is decorated with hand-painted gold flowers and raised cream flowers. The lid is also hand -painted with green leaves and flowers. This floral pattern is named "Garland" The lid is not of the same pattern as the base. The spout was broken when brush tailed possum entered Cottage via chimney 27/4/2014. Can be repairedOn the base of the tea-pot. Makers Mark is G & S. "Garland". (Pattern), Rg. No. 175153. Also 'Made in England'. Under glaze there is the word: England.crockery, earthenwarre, gibson & son ltd, grove & stark ltd, pioneers, early settlers, bentleigh, market gardeners, moorabbin, cheltenham, pottery, stoke- on - trent, england, longton, burslem, wedgwood

Letter to Mr Williams from C K Beamish, Town Clerk acknowledging receipt of his letter dated 21/12/1978 advising that the Superintendent of the Saleyards, Mr Harris has been instructed to attend to the matters raised in the letter. The second letter dated 25/1/1979 to TH Williams from C K Beamish, Town Clerk advising that Council has resolved to seek further information on the matter before a decision is made.bendigo, council, cattle markets, bendigo saleyards collection - letter to mr williams, city of bendigo, federated municipal and shire council employees' union, mr harris, c k beamish, t h williams

Extract from the Bendigo Advertiser 27th November 1856 mentioning a ring which was presented to Mr Lysaght, a barrister for his work for the Chinese residents of Long Gully encampment. The ring was manufactured for the occasion and had an inscription in raised Chinese characters. The second extract from the Bendigo Advertiser 14th November 1856 Courtesy Geelong Observer mentions that it was twenty years since the first census was taken in Port Phillip which occurred on the 8th November 1836.document, chinese testimonial, mr lysaght, bendigo advertiser 27th november 1856, port phillip census, geelong observer, bendigo advertiser 14th november 1856, ben eagle

Malone Collection. Greeting card. Small white card with greenish coloured oval. In the oval are some green shamrocks. On the right and left are two large shamrocks with pictures of a boy and a girl with a brown background. The girl is wearing a green dress and a red scarf. The boy is wearing a brown coat and a green hat. Beneath is a scroll with Caed Mille Failtha printed on it. Some more shamrock leaves underneath. Raised border around the edges. Given to Miss Maloneperson, greeting cards, malone collection, malone collection

Copy of a black and white photo of George Lansells Fortuna, Mines & Battery. this photo is a continuation of the part a photo further to the right. In the photo is Fortuna and next to it is two chimneys, a raised trolleyway going to the poppet legs and some buildings. In front of the poppet legs and Fortuna is the lake. There are also more trees and shrubs. Written on the back left is: George Lansells Fortuna Mines & Battery Bendigo and on the right is: Fortuna. Mining Days. Taken from West Side. Booth St.bendigo, history, long gully history group, the long gully history group - george lansells fortuna, mines & battery

Document. KELLY & ALLSOP COLLECTION. Two share certificates issued by Dixon's Gold Mining Company, No Liability, Victoria Reef, Bendigo. Both certificates issued to M.Tully of Bendigo. Certificate No. 439 - 100 shares @ 2 shillings each issued on 8 Nov.1895. Certificate No. 804 - 40 shares @ 2 shillings each issued on 27 April 1899. Capital raised was 2,400 Pounds from 24,000 shares. Each certificate signed by W.G.Blackham, Manager.Dixon's Gold Mining Co.business, stockbroker, kelly & allsop, kelly & allsop collection, share certificates, dixon's gold mining co., m.tully, w.g.blackham, victoria reef.

Document. KELLY & ALLSOP COLLECTION. 2 Share Certificates issued by the United Hustler's and Redan Company, Hustler's Reef, Bendigo. Each certificate represents 50 shares at One Pound each. Capital raised was 48,000 Pounds from 48,000 shares. Certificate No. 2848 issued to Arthur Allsop of Bendigo on 22 July 1912. Certificate No. 2620 issued to A.Allsop of Bendigo on 26 Oct 1914. Both certificates signed by Lea B.Birch, Legal Manager.United Hustler's & Redan Co.business, stockbroker, kelly & allsop, kelly & allsop collection, united hustler's & redan co., gold mining, share certificates, arthur allsop, lea b.birch

Small, self-published, paperback recipe book published by the Ladies' Auxiliary of the 1st Kew Scout Group. The book of recipes was compiled in 1967 from a selection of favourite recipes submitted by the Ladies' Auxiliary and their friends. A preface, written by the President of the Auxiliary, Margaret Jones, acknowledges the role of Miss Bet. De Hays who typed the stencils as well as assisting in the booklet's preparation. The purpose of the book was to raise funds for equipment to be used by members of the 1st Kew Scout Group.non-fictionPaperback with red cover inscribed with the title. Inside a preface including acknowledgements by the President of the Auxiliary. Printed recipes with some annotations by the owner. Text typed onto stencils then printed and assembled by members of the Auxiliary. The 1st Kew Scouts was one of the first Scout Troops in Victoria, being formed in 1909. From 1927 they met in a Scout Hall in Disraeli Street, Kew until it was demolished in 1993. Still operating from their new Scout Hall on the corner of Kilby Road and Kellett Grove, Kew.recipe books, 1st kew scout group, booklets

Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork

Peter PILVEN (1956- ) Born Ballarat Peter Pilven is acknowledged by his peers for his high level of tacit skills, including throwing, and for his sound technical knowledge of materials.Training with John Gilbert's Edinborough Pottery from 1972-1975, Pilven trained with Joan Campbell in Fremantle in 1976. In 1977 Peter Pilven obtained a Diploma of Fine Art (Ceramics) from Ballarat College of Advanced Education (now Federation University). The following year he worked with Ian Dowling at Geraldton, WA, and with the Western Australian Aboriginal Education Unit in 1979. He next trained with Alan Cagier-Smith in England between 1980 and 1981. Peter Pilven established his own studion in 1982.Hand built anagama [woodfired] stoneware. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.ceramics, artwork, artists, jan feder memorial ceramics collection, peter pilven, churchill, alumni

Since 1932 Nutbrown has been producing crafted kitchen products which were a staple in British homes. Nutbrown continues to be in production today.A vintage manual metal and plastic Chipper and French Fry Cutter with two blue turned wooden handles each side which are attached to folding crossed metal supports joined to a square frame. The frame has 36 small squares with sharp blades on the edges to cut the potatoes A yellow coloured plastic support with raised squares under the cutter holds the potato in place. This is screwed to the metal base. There are pieces of cardboard from the original packaging explaining the use.Underneath the yellow support is stamped: ' A Nutbrown Product Patented Made in England Registered design'.domestic objects, kitchen appliances, kitchen tools, vegetable cutters

Cast brass with raised capital letters for use on Tram 726, when it was part of the "Transporting Art" program - "Transporting Art a project by the Victorian Ministry of Transport and the Ministry for the Arts / Tram 726 - By Mental as Anything April 1987 Sponsored by EON-FM Stereo 92" Has six mounting holes. Front of sign painted in silver paint, letters finished in black. On rear: 88307, FB, No Holes, paint silver, letters black Red Hot"trams, tramways, signs, transporting art, castings, tram 726

Manufactured badge or employee pass - brass with nickel plate finish with a green and gold glazed paint finish and a single hole in one side with a raised, engraved with the Metropolitan Transit Authority logo and the organisation name. A number has been stamped on the rear. Set of 7 passes held. Donor advised that these passes were issued to MTA official and clerical staff and city Engineers. Pass numbers held: 266, 353, 862, 950, 1002, 1016 and 1067.trams, tramways, tickets, mta, the met, badges, officers, passes

This photograph and a matching earlier photograph are the images of a painting of the British steamship SS Warrnambool at Dover Strait in the English Channel. The photographs were donated by the painting’s owner, who acquired the 30” x 56” (76 x 142.5 cm) oil on canvas painting in 1998. Both photographs were accompanied by a letter, one written in 2001, and the other in 2003. The letters confirm that the artist of the painting was Charles Keith Miller, signed with the initials “CKM” and dated “1893”. The painting shown in the photographs was a gift to the Town Council of Warrnambool, presented to Warrnambool folks in Melbourne on December 1, 1892, by the Captain of William Lund’s ship SS Warrnambool. The painting was given by Lund in appreciation of the Ladies of Warrnambool who had presented the ship with a ‘house’ flag bearing the Blue Anchor Line’s symbol of a diagonal blue anchor on a white background; the ladies had made the decision to present the flag only a month earlier. A few days later, December 6th, the SS Warrnambool was on its homeward journey to Britain, sailing via Adelaide. It anchored for a short time off the Port of Warrnambool. A boat was launched from Lady Bay to take a group of friends to the ship with a delivery of gifts. After cheers were roused for both the ship and the Captain, the ship continued on its way. The photograph shows the gifted white flag with a diagonal blue anchor flying from the masthead. The same symbol is painted on the ship’s black funnel. The signal flags on the foremast display ‘M’ ‘R’ ‘V’ ‘B’. These letters are most likely the ship’s call number ‘MRVB’. Although the painting was given as a gift in December 1892, it is post-dated “1893”. Perhaps the painting was given earlier than anticipated; or the date added later, but whatever the reason, the provenance of the painting was confirmed at auctions of this painting and other works by the same artist. CHARLES KEITH MILLER 1836-1907:- Captain Charles Miller left his home in Scotland at the age of 15 years for a life at sea. He earned his Master’s Certificate ten years later. After being the captain of sailing ships he moved over to the steamships because they were faster. In 1866 he married and settled in Glasgow. Over the following eleven years he and his wife had five children, then sadly his wife passed away. Captain Miller returned to the sea for a while but in 1888 he gave up his sea life to spend his time as a marine artist. His understanding of seafaring life and vessels, combined with his artistic skills, gave him the ability to produce fine art and several galleries and museums have collections of his sought-after works. S.S. WARRNAMBOOL 1892-1925:- The steamship SS Warrnambool was built in 1892 by the Sunderland Ship Building Company for the Lund Line of London, founded by William Lund in 1869. It efficiently carried both passengers and cargo across the world to Australia, under the command of her master Captain Joshua Edward Iibery, who had many years of experience with the Blue Anchor Line. The company, referred to as the Blue Anchor Line or BAL, owned a fleet of both sail and steamships. The funnels of all of the steamships were painted black, with a white band around the top bearing a diagonal blue anchor and chain. The company’s house flag was also white with a diagonal blue anchor. The SS Warrnambool carried passengers and cargo in a ‘no frills’ service to and from Europe around the Cape of Good Hope, stopping at some ports in between. The ship was involved in bringing home returned solders in 1895. At one time it carried a doctor from Victoria, Australia, to assist at the war front in South Africa. The ship had a very good reputation for its cargo arriving ‘almost always in excellent condition.’ Exported goods from Australia included iron safes, flour, wool, apples, frozen rabbits, butter, cheese, pork, cattle, poultry and sheep. One remarkable delivery contained Ostriches for Queen Victoria and they survived the journey well. The SS Warrnambool was sold in 1900 to the British and South American Steam Navigation Co. Ltd of Liverpool and was renamed ‘Harmodius’. The company was managed by R.P. Houston & Company of London and its Houston Line funnels were red with a black top. The Harmodius was sold in 1919 to K.S.S. Co. Ltd, managed by Kaye Son & Co. Ltd. of Liverpool, and was renamed ‘Kut’. The line had black funnels with a white ‘K’ in a diamond or between white stripes. In 1926 it was purchased by T.W. Ward Ltd. and broken up. NOTE- other vessels named “Warrnambool” Two other vessels carried the name “Warrnambool” (1)- HMAS Warrnambool J202 (1941-1947), a Bathurst Class corvette vessel owned by the Royal Australian Navy, destroyed by a mine. The photograph is significant for its association with the painting "SS Warrnambool" by well-known early 20th century marine artist Charles Keith Miller, whose paintings are well valued. The painting and the photograph of it are namesakes of Warrnambool and are connected through the gifts exchanged between the ship company owner, the City of Warrnambool and the Ladies of Warrnambool; the House Flag and the painting by C K Miller. The image is a good likeness to original photographs of the late-19th to early-20th century steam and sale vessel. Coloured photograph of a painting, the steamship S.S. Warrnambool. The three-masted ship has lowered sails. It is in calm water, land on one side, and other vessels in the water. The ship has four raised signal flags, a house flag and a blue ensign. The funnel also bears the house flags symbol. Smoke emits from the funnel. Figures are visible onboard. There is a signature and a title on the lower edge of the photograph. (Artist of the painting in the photograph was Charles Keith Miller)House flag symbol, [diagonal blue anchor on white background] Text "CKM" and "1893" Text "S. S. WARRNAMBOOL."flagstaff hill, warrnambool, photograph, steam ship warrnambool, flagstaff hill maritime village, shipwreck coast, ss warrnambool, captain, charles keith miller, ckm, 1893, william lund, warrnambool town council, blue anchor line, lund line, ladies of warrnambool, house flag, diagonal blue anchor, captain miller, sunderland ship building company, migrant ship, 1892 ship, home flag, bal, australian export, s.s.warrnambool, dover strait, english chanel, port of warrnambool, lady bay, mrvb, captain charles miller, captain joshua edward iibery, ostriches, queen victoria, british and south american steam navigation co., harmodius, r.p. houston & company, houston line, k.s.s. co. ltd, kaye son & co. ltd, kut, t.w. ward ltd

These receipts to the Bendigo RSL Women’s Auxiliary were selected to show a broad range of business’s they dealt with in their fund raising. These cover the years 1963 - 1965. They cover Butchers, Bakers, Grocery stores, Jewellers, Cafe’s, Dairies, Florists, Department stores, Nurseries, Watch makers to name a few.Folder grey covers with plastic sleeve inserts, front cover has a taped on yellow laminated paper with text in black. The contents are a selected amount of receipts from Bendigo Business’s to the Bendigo RSL Women’s Auxiliary.brsl, smirsl, auxiliary, receipts, wabrsl

Sewing machines were used by some ladies to mend and make clothes for the family as shops were some distance away and bought clothes were much more expensive. The sewing machines were also used to sew items for fund raising e.g.. Church and School fetes.Used in the Kiewa Valley.The machine has a brown wood veneer base and a lid with a metal handle in the centre of the top. There is a long screw that fits in a hole at the top of the lid. The screw can be lifted out and used to open and take off the lid. Inside there is a black metal machine which is fitted onto the wooden base. There is a compartment in the base, right of the wheel of the machine, which holds an instruction manual and a tube of ""Singer" lubricant for electric machines". The light, above the needle is covered by bakelite. A leather belt runs around the wheel on the right to enable the machine to run. There is a foot pedal and an electric cord attached."Singer Manufacturing Company" - gold embossed "No. EL 249 355" - oval disc "99K" - disc "Singer Manfg. Co. - discsewing machine; singer manufacturing company; kiewa valley